Over the years of listening to many different performances the comprehensibilty of this piece rests in the hands of the pianist. I know there is no one way to play any music and sometimes within a rendition I'm not particularly liking there I find real gems. So - with that in mind there is much tonality here we just need to learn how to listen to it. Motives, paraphrased melodies, full blown melodies, this is a masterpiece of content. This is Ives' Emerson in music. Keep listening, 100s of x"s.
I can't really feel the direction of music when it is written in such a through-composed atonal style. I enjoy hearing the jarred rhythms and harmonies, but I sometimes feel personally that the music is not going anywhere (this is especially true in Sorabji's music.) But I do think this is awesome music.
@emopz13 xD in contemporary music the tempo often change bar after bar, depending on the rythm and the emotion of the melody... A composer can write the time signature every time the tempo changes or he can leave blank space, and the musician should study how the accents go through the melody, according to his interpretation of the piece.
Sorry for my English, I hope you can understand ;)
@jkovert Although I disagree with you, and can perceive some soul behind the music. If on the other hand, and you are correct, and this peice HAS no soul. Perhaps consider whether or not that was the intent?
As a postive note, I like the part beginning at 7:50 (and, more or less, the performance)... I feel there's some nice stuff in there, although it still feels a bit disjointed. Again, I feel you can make almost any piece of music sound better (or more logical) just by PHRASING it correctly.
I will listen to some other versions of this sonata before I pass further judgement on this performance. Also, I would eventually like to learn this piece and post my own version, on a mellower old piano, such as a nice Chickering, Estey, or Knabe. One should always put their "money" where their mouth is (in this case, I have a big mouth so I better post an entire performance). Although I have no problem with the giant chords, it will take me ages to learn the fast passages like at 6:18.
After being spoiled/enlightened by hearing a recording of Ives' own rendition of the second movement "The Alcotts", I feel this first movement also has some pretty bits (and, in places, entire melodies) which are being buried by this rendition, rather than being brought out to sing above the rest of the clusters, as I think is proper. Ives does not seem to have marked where the melody is supposed to be, but I can make some guesses. Also, I think the piano is voiced FAR too harsh and bright.
Although I'm thankful four you uploading this version, complete with the score so we can all follow along, I'm rather disappointed by Alexei Lubimov's performance. Although technically it is correct, I do not hear the SOUL of the piece in this, although Lubimov is doubtlessly accomplishing a personal interpretation here.
kind of interesting to hear the viola (?) come out of no where at around the 15min mark
davidleitman 4 days ago
This is fscking crazy.
cuallito 2 weeks ago
Keep looking for performances until you find one that makes sense to you.
privatecustomer 1 month ago
Over the years of listening to many different performances the comprehensibilty of this piece rests in the hands of the pianist. I know there is no one way to play any music and sometimes within a rendition I'm not particularly liking there I find real gems. So - with that in mind there is much tonality here we just need to learn how to listen to it. Motives, paraphrased melodies, full blown melodies, this is a masterpiece of content. This is Ives' Emerson in music. Keep listening, 100s of x"s.
privatecustomer 1 month ago
I can't really feel the direction of music when it is written in such a through-composed atonal style. I enjoy hearing the jarred rhythms and harmonies, but I sometimes feel personally that the music is not going anywhere (this is especially true in Sorabji's music.) But I do think this is awesome music.
classicalnut1 1 month ago
Bonjour,
Thank you very much for uploading the music and the score !
Have a Great Joy of Creating,
Serge Bach
SergeBach 1 month ago
Thanks a lot for uploading whit the score ,helps a lot!
di6na 2 months ago
Where is the time signature
emopz13 2 months ago
@emopz13 Where is the question mark?
RufusLoacker 1 month ago
@RufusLoacker Sorry! Where is the time signature?
emopz13 1 month ago
@emopz13 xD in contemporary music the tempo often change bar after bar, depending on the rythm and the emotion of the melody... A composer can write the time signature every time the tempo changes or he can leave blank space, and the musician should study how the accents go through the melody, according to his interpretation of the piece.
Sorry for my English, I hope you can understand ;)
RufusLoacker 1 month ago
This comment has received too many negative votes show
This piece HAS no soul.
jkovert 2 months ago
@jkovert why?
ThomasLigre 2 months ago 8
@jkovert Although I disagree with you, and can perceive some soul behind the music. If on the other hand, and you are correct, and this peice HAS no soul. Perhaps consider whether or not that was the intent?
SnifferOfPuss69 1 month ago
@SnifferOfPuss69 Indeed. A lack of soul substitutes for soul.
jkovert 3 weeks ago
who needs barlines!
thinker93 3 months ago 2
I have a feeling that if I read the complete works of Emerson, I will get a better feel for this piece, too.
KawhackitaRag 3 months ago
As a postive note, I like the part beginning at 7:50 (and, more or less, the performance)... I feel there's some nice stuff in there, although it still feels a bit disjointed. Again, I feel you can make almost any piece of music sound better (or more logical) just by PHRASING it correctly.
KawhackitaRag 3 months ago
I will listen to some other versions of this sonata before I pass further judgement on this performance. Also, I would eventually like to learn this piece and post my own version, on a mellower old piano, such as a nice Chickering, Estey, or Knabe. One should always put their "money" where their mouth is (in this case, I have a big mouth so I better post an entire performance). Although I have no problem with the giant chords, it will take me ages to learn the fast passages like at 6:18.
KawhackitaRag 3 months ago
After being spoiled/enlightened by hearing a recording of Ives' own rendition of the second movement "The Alcotts", I feel this first movement also has some pretty bits (and, in places, entire melodies) which are being buried by this rendition, rather than being brought out to sing above the rest of the clusters, as I think is proper. Ives does not seem to have marked where the melody is supposed to be, but I can make some guesses. Also, I think the piano is voiced FAR too harsh and bright.
KawhackitaRag 3 months ago
Although I'm thankful four you uploading this version, complete with the score so we can all follow along, I'm rather disappointed by Alexei Lubimov's performance. Although technically it is correct, I do not hear the SOUL of the piece in this, although Lubimov is doubtlessly accomplishing a personal interpretation here.
KawhackitaRag 3 months ago
@KawhackitaRag
I know, but i could upload only this version....!
I prefer Gilbert Kalish!
ThomasLigre 3 months ago
I haven't heard this recording before. It's very fine. Thanks for posting.
Cramnella 4 months ago
Could any here help me analyse this piece? I had been very happy:)
wikan93 5 months ago
@wikan93 a;sdlkj35dfkdr320dvljgoeruoeijlkxcljvhwoet208euoifsvkcv;wet8weusfdkxvcncljgow08eutr8edjslxvcmn;oweut0wueiokjvlkxclvgiwut09weuoisdxmc.cv.sjoituweuweisdxvcv.ietu09weutosdxlkvmcgjw9etu9weutoisdjm.v.xcgjiotu09wut9ewjglksmcxjipset90weiuofsdjxlvkmpew9t9weutoisdjmxkvcms9it90weuisdjkmxv.xkmjpos9et0weut9jsdklgmxkgj9ewut0eutisldkxmkv.mpsid9tu9weujlgsdkxcmk.jpsiugt9ewutijdskkmxgsug9esdjxlkcvkjseituetsildkmvk.xcmvkseipotuesilxzjflxk.mck.csipetupidjlkesmdx.vmewt9weptsjidgxd.gk. HOPE THIS HELPS!! :-)
ZacharySmith89 3 months ago
@wikan93 Ives Studies by Philip Lambert (Google Books) p. 27.
Unbihexium 3 months ago
@Unbihexium It's too late now, but thank you anyway.
wikan93 2 months ago
Absolutely wonderful, thank you for sharing this!
DeaconBlues2 7 months ago
cool
FlyingBlackAndWhite 8 months ago