CP33, CP300 and P-120 use the same action called "GHE - Graded Hammer Effect", so theoretically speaking, they should all feel the same, right?
Not quite, although action is the same, keybeds aren't, keybeds in these three pianos are a bit different, that's why key repetition is some model is better than others. However, the all feel very close, let's put it this way, if you don't like the action on CP33 and you decide to upgrade to CP300, you will be disappointed. But if you already
Regarding studio monitors, again it depends on how you would use them. If you only want to hear the sounds from your piano, the HS-50 would be fine (not much coloration, sounds very detailed and clear, produces sufficient bass). However, if you will also use this pair of speakers to mix and master songs, the HS-50 may not be enough.
Last but not least, thanks for the compliment on my playing! :)
(contd.) what you need is the tone that will sound good in the band (cut in the mix).. so it basically has to be brighter, crisper, and in some cases, "thinner". That is why Yamaha put this kinda sound into their stage pianos (play CP300, and you'll know what I mean). Therefore, the answer to your questions is "it depends" if you play in the band, keep your CP33, if you only play at home and you need a bit warmer tone, then go for Home pianos!
If I were you I would stick with CP33 since I like its bright and crisp tone which is perfect for pop/jazz and stage use. Yamaha certainly knows the game:- They put the warm piano sound with emphasis on the mid into their home pianos, including P-Series, Clavinovas, YDPs, and...you get the idea. This kind of sound (warm, mid-emphasis) is good for solo, because when you play alone, you need the tone to be very "complete". However, for "stage" use, you don't need such a complete tone...
No you don't need the subwoofer, since what you need isn't quantity, but quality of the bass. Most reasonably-sized studio monitors (with 4-inch or larger woofers) should be able to produce sufficient bass required for piano playing.
Hooking up your piano with 2.1 speaker set will actually fool your ears, the excessive bass produced by subwoofer will eclipse details and depth of the hi and the mid.
what the ..... are you wrabling ???
olekike 1 year ago
@jmac1334
CP33, CP300 and P-120 use the same action called "GHE - Graded Hammer Effect", so theoretically speaking, they should all feel the same, right?
Not quite, although action is the same, keybeds aren't, keybeds in these three pianos are a bit different, that's why key repetition is some model is better than others. However, the all feel very close, let's put it this way, if you don't like the action on CP33 and you decide to upgrade to CP300, you will be disappointed. But if you already
TheSoundChefHD 1 year ago
@jmac1334
(contd2)
Regarding studio monitors, again it depends on how you would use them. If you only want to hear the sounds from your piano, the HS-50 would be fine (not much coloration, sounds very detailed and clear, produces sufficient bass). However, if you will also use this pair of speakers to mix and master songs, the HS-50 may not be enough.
Last but not least, thanks for the compliment on my playing! :)
TheSoundChefHD 1 year ago
@jmac1334
(contd.) what you need is the tone that will sound good in the band (cut in the mix).. so it basically has to be brighter, crisper, and in some cases, "thinner". That is why Yamaha put this kinda sound into their stage pianos (play CP300, and you'll know what I mean). Therefore, the answer to your questions is "it depends" if you play in the band, keep your CP33, if you only play at home and you need a bit warmer tone, then go for Home pianos!
TheSoundChefHD 1 year ago
@jmac1334
If I were you I would stick with CP33 since I like its bright and crisp tone which is perfect for pop/jazz and stage use. Yamaha certainly knows the game:- They put the warm piano sound with emphasis on the mid into their home pianos, including P-Series, Clavinovas, YDPs, and...you get the idea. This kind of sound (warm, mid-emphasis) is good for solo, because when you play alone, you need the tone to be very "complete". However, for "stage" use, you don't need such a complete tone...
TheSoundChefHD 1 year ago
@jmac1334
Thanks for watching!
No you don't need the subwoofer, since what you need isn't quantity, but quality of the bass. Most reasonably-sized studio monitors (with 4-inch or larger woofers) should be able to produce sufficient bass required for piano playing.
Hooking up your piano with 2.1 speaker set will actually fool your ears, the excessive bass produced by subwoofer will eclipse details and depth of the hi and the mid.
TheSoundChefHD 1 year ago
เยี่ยม รีวิวได้เจ๋งไปเลยครับเชพ :)
Narishane 1 year ago
@Narishane
ขอบคุณคร้าบบบ ขอให้มีความสุขกับ L5 หูฟัง และดนตรีนะครับ อิอิ ซ้อมแล้วลองเอามาลงไว้ในนี้บ้างนะครับ!
TheSoundChefHD 1 year ago
ชอบครับ
narioxp 1 year ago
@narioxp
ขอบคุณคร้าบบบ :)
TheSoundChefHD 1 year ago