Heh, when I listen to this masterpiece I think the music is evolving backwards, how else could something awesome like this turn into modern bullshit like Lady Gaga and the like? (Of course I'm not saying everything that is new or mordern sucks, but for me 80% or more of the charts and "top songs" just suck and this has been true for quite some years now.. though I have to admit the number seems to be increasing a little bit over the time.)
I just heard this played for a viola recital live as a violin viola duet. I don't think I have heard anything more powerful. Absolutely amazing piece.
LIstening to this pair (they were in their 60's) after listening to newer very much younger players. This recording does not lose in the comparing. Their playing is controlled, passionate without being loud, rough, and brash, and they match their style of playing so much better than many of the much younger, modern pairs. For a pair of old men, they kick ass.
Great playing of course but the sound is not wonderful. Try the Sammons/Tertis version (the original, with viola); one gets a real impression of the beauty of Sammons' playing. (It's on youTube)
The pianist at 4:40 is Leonard Penarrio, and I believe the photo is from the early to mid 1960's. Penarrio was one of the few pianists that Heifetz got along with (his longtime accompanist Brooks Smith was the other), and they and Piatigorsky recorded and performed extensively for many years, as well as meeting informally when all were free (which was rarely). Supposedly, at least one of their recordings has never been released.
I liked the whole thing very much (but for the sound quality), save for the Molto energico before the allegro con fuoco. I didn't like the sound of the doublestops very much at. That said, the Allegro con Fuoco that follows is likely the best I've ever heard. All in all, definitely not a "thumbs down".
Wow! So excellent! Absolutely lovely! I've never heard the Passacaglia violin part done with the cello before. I played this work (on violin) obviously with viola during my teens and onwards but I'd never known it to be alternatively scored until today,
O wow.. Heifetz was 62 and Piatgorsky was 60.. Both way past their primes.. Imagine if they eamed up at 35 or 40.. Holy amazing!!! And I love how they basically rewrite the molto energico at the end haha. Halvorsen did not write that lol
this is one of my favorite versions of this piece that ive ever heard. The level of playing and ensemble in this recording makes it unreal to listen to. Chills every time i hear it, despite the fact that ive heard it so many times. I can't wait to play this duet myself
Thanks for this. I have the original LP, but some of the photos were new to me.
A few thoughts: the sound quality of both artists is instantaneously recognizable; this cannot be said of any string player now before the public; both Heifetz and Piatigorsky played with physical restraint--no mugging for the audience, no theatrical emoting. Just sublime playing.
The connection between the modern-day made-for-TV visual style and a the lack of any recognizable tonal profile is striking to me.
Who wrote this Passacaglia?
Juom3n 3 weeks ago
@Juom3n Johan halvorsen
RWW124 2 weeks ago
@RWW124 I thought that this was wroten by Handel. Sorry my poor english.
Juom3n 2 weeks ago
@RWW124
Isn't it the Handel-Halvorsen Passacaglia?
Nime64 1 week ago
This has been flagged as spam show
@Juom3n
Isn't it the Handel-Halvorsen Passacaglia?
Nime64 1 week ago
Great Performance by Legends , Thank you for sharing the Clip and very educational description .
nicolotar 4 weeks ago
Mi piace questa musica-Bellissima
aldomasi 1 month ago
I love this piece! Thank you!
KyotoMelody 1 month ago
Heh, when I listen to this masterpiece I think the music is evolving backwards, how else could something awesome like this turn into modern bullshit like Lady Gaga and the like? (Of course I'm not saying everything that is new or mordern sucks, but for me 80% or more of the charts and "top songs" just suck and this has been true for quite some years now.. though I have to admit the number seems to be increasing a little bit over the time.)
DasMastaduke 1 month ago
I cried listening to the ending.
dileizhan 2 months ago
I just heard this played for a viola recital live as a violin viola duet. I don't think I have heard anything more powerful. Absolutely amazing piece.
BombedNevada 3 months ago
so much soul, wonderful!!!
berituka 3 months ago
ok now 1:30 just looks wrong
MrCello1912 3 months ago
@MrCello1912 lol = D
SomeAnimeOtaku 3 days ago
it makes me homesick
chenywyun01 3 months ago
LIstening to this pair (they were in their 60's) after listening to newer very much younger players. This recording does not lose in the comparing. Their playing is controlled, passionate without being loud, rough, and brash, and they match their style of playing so much better than many of the much younger, modern pairs. For a pair of old men, they kick ass.
b3north 4 months ago
Superb! TY C.R.for posting
paulostroff99 4 months ago
Comment removed
liger740 4 months ago
Comment removed
liger740 4 months ago
Fantastic♥
Patruki09 4 months ago
Great playing of course but the sound is not wonderful. Try the Sammons/Tertis version (the original, with viola); one gets a real impression of the beauty of Sammons' playing. (It's on youTube)
Delcini 4 months ago
The pianist at 4:40 is Leonard Penarrio, and I believe the photo is from the early to mid 1960's. Penarrio was one of the few pianists that Heifetz got along with (his longtime accompanist Brooks Smith was the other), and they and Piatigorsky recorded and performed extensively for many years, as well as meeting informally when all were free (which was rarely). Supposedly, at least one of their recordings has never been released.
TomBarrister 5 months ago
@TomBarrister If you search my channel, I have posted an excellent version of Dvorak's Trio in F minor with all three of them.
ClassicalRecords 5 months ago
I want cello lessons now O.o
612curtis 6 months ago
best version on youtube
ralfyrules 6 months ago
Beautiful. Thanks for posting this.
Schtofenbach 7 months ago
@hkobb7 um...could you explain what the "molto energico" and the "allegro con Fuocco" are?
Cellolife97 8 months ago
@Cellolife97 very energetically & fast with fire
JFKWT 8 months ago
(Though that could totally be the recording)
hkobb7 8 months ago
I liked the whole thing very much (but for the sound quality), save for the Molto energico before the allegro con fuoco. I didn't like the sound of the doublestops very much at. That said, the Allegro con Fuoco that follows is likely the best I've ever heard. All in all, definitely not a "thumbs down".
hkobb7 8 months ago 2
2:14 - 2:31 Wow!! that part is just wonderfull!!!
Cellolife97 9 months ago
Watching Perlman play this piece, I didn't feel a thing. But just listening to Heifetz, I'm definitely beyond moved.
nymjenny 10 months ago
@nymjenny I think that says something about you and not about Perlman, I was definitely moved by Perlman's playing..
SomeAnimeOtaku 3 days ago
It is just me, or is Heifetz's sound unusually thin and flims sounding in this recording?
blazer2800 11 months ago
If there is such thing as soul music... this is it.
xfallenfornarutox 1 year ago
Wow! So excellent! Absolutely lovely! I've never heard the Passacaglia violin part done with the cello before. I played this work (on violin) obviously with viola during my teens and onwards but I'd never known it to be alternatively scored until today,
25th January 2011.
concertviolinist 1 year ago
@concertviolinist You're late! :D
Th3R3M1nd3r 10 months ago
@Th3R3M1nd3r Just saw ur comment - not understand it
concertviolinist 2 months ago
i want to play it !! :D
anybody have got the sheet?
xX0maRta0Xx 1 year ago
@xX0maRta0Xx I saw someone post free sheet music, but unfortunately the video is down. Try Google.
Th3R3M1nd3r 10 months ago
@xX0maRta0Xx go to petrucci.com its a public domain site for all instruments and type in passacaglia in the search bar down the page on the left
ViolinistZach218 9 months ago
@ViolinistZach218 oohh thanks! :) I got it ! ^^
xX0maRta0Xx 9 months ago
love it
themusicdr 1 year ago
Beautiful... I grew up with the Heifetz-Primrose version, but this is equally great!
HeadfulOfHollow 1 year ago
I've heard many versions... but this one is the best!
God, Heifetz is too good! So pure!!! I shiver everytime I hear 1:24!
Aiglea 1 year ago 2
BRAAVOOO
cellomaniac94 1 year ago
NOOO, hes smoking! the smell will get into the cello...!
ericgable 1 year ago
Hhhmmmmmm, delicious! I listen to some of the heaviest bands of metal, but this song ALWAYS will stay in my top 5 (L)
angelonktk 1 year ago
O wow.. Heifetz was 62 and Piatgorsky was 60.. Both way past their primes.. Imagine if they eamed up at 35 or 40.. Holy amazing!!! And I love how they basically rewrite the molto energico at the end haha. Halvorsen did not write that lol
hotrodda413 1 year ago
Thank you very much for uploading this... gives me goosebumps!
kyokotag 1 year ago
ive got to say, the wells cunningham version is a bit more...inspired
MrAlexbradley 1 year ago
hermoso!!
100violinista 1 year ago
BRAVISSIMO
Arrtak 1 year ago
Magnificent, it was available on CD as partf the 65-volume Heifetz Collection
spind 1 year ago
Awesomeness in its purest form.
NagihikoCantabile 1 year ago
thanks for share this audio document.
ibv56 2 years ago
Heifetz and Piatigorsky bring an intensity that only adds to the performance and really leaves their own personal mark on the music.
Domuu 2 years ago
This song is most agreeable.
Morphae 2 years ago 14
Beautiful.
I love this piece so much and this performance is a phenomenon.
skraisorn 2 years ago
this is one of my favorite versions of this piece that ive ever heard. The level of playing and ensemble in this recording makes it unreal to listen to. Chills every time i hear it, despite the fact that ive heard it so many times. I can't wait to play this duet myself
elfcon11 2 years ago 19
Thanks for this. I have the original LP, but some of the photos were new to me.
A few thoughts: the sound quality of both artists is instantaneously recognizable; this cannot be said of any string player now before the public; both Heifetz and Piatigorsky played with physical restraint--no mugging for the audience, no theatrical emoting. Just sublime playing.
The connection between the modern-day made-for-TV visual style and a the lack of any recognizable tonal profile is striking to me.
AbPanormo 2 years ago 3
Thank you for posting!
celloman 2 years ago
Superb, great, fascinating !!!
speedybabyface 2 years ago 2