Added: 5 years ago
From: regmarshall
Views: 77,804
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  • Come on guys!!!!!!!!!Do you wanna learn from him or me?!:D

  • Not bad, but I think his ghost notes need to be quieter to accentuate the quarter pulse.

  • muchas grasias

  • Lol he looks like Steve Wilkos

  • Agreed

  • pretty coool

  • for paradiddles, when u play the double strokes on the right hand and left hand, must u hit the stick twice, as in there are 2 movements of the hand, or do u just simply let the stick bounce twice, which means theres only one hand movement?

  • You want to let it bounce twice with one movement. So it goes single, single, double, single, single, double. Practice your open double stroke roll to improve paradiddle

  • woah ok now i know thanks!

  • Really, I wouldn't let it bounce. When I play, I try to stick everything, therefore you have way more control and you can accent whatever notes you want to.

  • yeah, i agree, because in this way, you're actually playing the right rhythm because sometimes i hear people playing the diddles as a double stroke instead of 2 sixteenths.

  • I would suggest that it's actually somewhere between the two. In the same sense as dribbling a basketball, you are letting the stick do most of the work but guiding it with your fingers.

  • its definitely easier to do the double as a bounce but it is more beneficial down the road to play the double as 2 single hits with one hand. it allows for better drum to drum transfers and it gives it a really cool feel if you accent the second note of the double. i think you should practice it as 2 single hits but perform with a double for the mean time cause its easier to pull off

  • ....4-4 "drom" beat.....i love english ppl

  • that helps thank u man u are well cool

  • nice job, but i think that you're a bit out of sync (tooo fast) with the snare drum in the slow parts, such as 0:27 - 0:31 and about 1:11.

  • Twat.

  • thanks alot man, just got some drums and this lesson is one of the beast so far!! paradiddle away!

  • are you using heel-toe in there, it's hard to tell

  • Very good job! Five stars for this lessson, always wondered how to incorporate the paradiddle.

    Cheers, Antill

  • thanks

  • you're doing great!

  • Got the concept... I just can't do it that fast! :(( or maybe... yet? :-/ Got the drums thing going, got rhythm and stuff... but I'm terrible at speed - I see you doing your thing and I'm like... :O How am I ever gonna do that? Is it just me... or are there some other folks that need a lot of practice on that? :-/

  • how old are you? :-) and how long have you been drumming? just practice practice practice :-D

  • practice at one speed until ur literally bored doing it take a break and come back and speed it up it'll get easier

  • worth puttin on youtube..

  • It's Will Sasso disguised as an Irish drummer....brilliant!

  • he isn't irish. english accent.

  • he looks like a hooligan ! bt great drummer...

  • ke brutto il suono della cassa. grazie per la lezione di paradiddle

  • thanks

  • OMG hax0r :), nice man!

  • sir your sick... in a good way!

  • thank you!!!

  • a paradiddle is always in 4/4 because of the amount of notes in each segment. unless you want to deconstruct the two parts, if so, that means it is not a paradiddle anymore. so a paradiddle will be in 4/4 if you play it as crotchets, quavers or semi quavers. anyway nice vid.

  • paradiddles is only sticking, not duration value.

  • yes but because it has eight notes in it, that are counted as either crotchets quavers or semi quavers it is 4/4.

    It can't be 6/8 for example because it doesn't have 6 quavers in.

  • oh, well what about

    6/8 right left rest rest right right

  • RIGHT! i see what you are talking about.

    The problem is, if you put rests in it like that, it isn't a single rudiment.

    what you wrote is two single strokes two rests and the two double strokes.

    this makes it two aeperate rudiments because of the two beat rests.

  • okay okay fair enough. i gotchya now. rests arent part of the rudiment paradiddle. makes sense to me.

  • ok cool. peace man.

  • I fail to see the connection between time signatures and phrases of certain length. Are you saying that you can't play a paradiddle in 3/4? Or 17/16? A paradiddle is a phrase of four notes that has the sticking of RLRR (LRLL). The subdivision or the time signature has nothing to do with the phrase itself -- if you play four consecutive notes of any subdivision with the paradiddle sticking, it's a paradiddle.

  • yes, you do fail to see that this is simply a paradiddle for 4/4. the guy is just showing the one for the 4/4 beat. not to complicated i hope...

  • I wasn't referring to this video, but the comment that stated that "a paradiddle is always in 4/4", which clearly isn't true.

  • He never said "a paradiddle is always in 4/4".

  • Please read conjigalo's comment, in which he stated that "a paradiddle is always in 4/4 because of the amount of notes in each segment." This is of course incorrect, and I was referring to this comment only and not the video itself. Come on, people. Reading isn't _that_ difficult.

  • I watched twice before i wrote. Chop is there but groove is shakey. Smooth out the accents & get your kick to thump & your beats will travel better. I mean that as constructive opinion. Cheers from a fellow drummer.

  • Nicely done I learnt it like right left right right left right left left.

  • in the zone meng

  • notas fantasmas muy fuertes

  • nice

  • dammit. man i need to know how u do that triplet diddle on the bass drum

  • reminds me of sunday bloody sunday when you do it slow at the begining

  • haha me too it was cool

  • I really need to learn this paradiddle! the only problem is is that my left hand stiffens when it is its turn to hit...

  • wowww!!

  • Dude, I thought you were gonna suck balls, but that actually sounded good!!

  • Man, you friggin' rock-- and you make it look so easy.

  • That was insane...i need lessons bad. xD

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