Added: 3 years ago
From: SuzDoyleMusic
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  • So all blues scales are rooted in the minor of the key huh?

  • @dannyg120 One way to think of it is that the blues scale is like playing many notes of the minor 7th chord (e.g. Cm7 chord notes = C Eb G Bb and adding it's b5 (Gb) -- over the sound of the major chord (C E G ). The Eb and F# (or Gb) both sound dissonant against the E natural and G natural of the C major chord, which is what makes it bluesy. Pretty cool!

  • Awesome. Thx. I'm going to try these blues scales out this weekend. Great job!!

  • Not very many people notice this either, but a C blues scale contains notes from a G# diatonic scale (with an added seventh). If we leave out the 4th of the C blues scale (because F is the only Utonal note in a G# scale), we can represent this scale in just intonation. This representation would be 10:12:14:15:18. The fourth would find itself somewhere inbetween the 12th and 14th harmonics (a quartertone sharper than the 13th harmonic).

  • @tomatoe0000 Whoah! This makes my brain spin around. I'll tinker with your ideas and see how they play out. Thank you for the suggestion!

  • Great observation. Thx

  • this tutorial is incredible!

    so easy to understand, thanks!

  • @japon7171 You're welcome! :-)

  • also sounds like a minor played over a major with a b5.

  • @gremboul Exactly!

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