Thank you for uploading. My cassette is hammered, and I don't have money to replace it with a CD. This tune is transcendental, holy, sacred, any word you could use to describe something beyond JUST great.
@Musicalme96 In the earlier Baroque period (Lully, Marais), when all things French-style dominated European courts this common dance was known by the French 'les folies d'Espagne' – 'the madness of Spain' (even though the dance may have originated in Portugal or even Brazil). The words 'folia' and 'folie' are cognates of the English 'folly'. I recommend Marais if you like this, but Vivaldi's folia is still my favourite.
Hello, please can you tell me where all your amazing imagery is from? If from a book I would love to own. Your videos are an endless source of pleasure and discovery! Bravo.
Ah, yes, 'La Follia e' bellina', but Handle took an almost simple tune and turned it into something that makes the hairs at the back of the neck rise in awe!
Truly beautiful. James Newton Howard also did a unique arrangement of this for his film "Restoration"-- although inspiration was accredited to Handel's Sarabande (which is quite similar to this)
I've noticed that a lot of your songs use Baroque tuning, it's throwing me off a lot because I see D minor and I think "okay let's hear a D" and then I hear a C# (I think) and now I'm all confused :S
That's cause the A440 was not used as reference at Baroque time. One of the Standard tuning frequency at that time was 415 hz (but there was also 390 hz in other countries ...). This piece was written in D minor (with a A 415 = G# for now). Which means that this D minor is for us a C#.
If this is 415 tuning, then it will be roughly a semintone down (so you're right, a C#). The area of what is correct baroque tuning is definitely an area ripe for argument, for even during the baroque period, different tuning systems were used depending on type of composition or locality. Nowadays, the majority of recordings on 'original instruments' will either be 415 or 392. 392 would totally mess with your eye though!
@RaindropCantabile There's not much to be confused about, in the baroque era, they did not use today's "standard", it was a half step (approximately) down. So if someone says D , in baroque tuning, it's about a C# by our modern standards.
Corelli didn't even write the original melody either. La Folia is a dance based around a particular chord progression that dates to the early renaissance.
Corelli wrote the theme, yes. But Vivaldi did write variations. Along with other baroque composers including Marais, Scarlatti, Geminiani and CPE Bach.
Surely - at least in Baroque period? If he was the best composer in world history then he would be able to compose waltz' and pop music aswell! His techniques might or may not suite it. But he is - in my opinion - the best composer in Baroque period before Bach.
@jennythemusicmaker just that they lived around the same period doesn't mean bach wouldn't be influenced by vivaldi's work, take for instance BWV1065 concerto for 4 harpsichords wich he composed after vivaldi's concerto for 4 violins
@139jjpb I... didn't actually say that. But yes Bach arranged many of Vivaldi's solo concerti for other instruments. Why did you use those two pieces as an example when it is clearly Bach's arrangement of Vivaldi's? I thought you were arguing against Bach being influenced?
Brilliant, thanks for this Harmonico101. I like the Siciliana style variation at 6:46, and others of course. You can hear the Corelli influence! Vivaldi must have been in awe of a fellow Italian super-violinist who had done so much for musical language and instrumental music in general! I have Vivaldi's Op. 2 violin sonatas in score (not yet on CD) and from my own feeble attempts at playing some well, I can hear the influence from Corelli, in various melodic passages etc., it's great!
Actually, I have a couple of those sonatas uploaded on my channel if you would like to hear them. Also, I own 2 facsimiles of the Op. 2 sonatas, one of which is type-set. I had a friend of mine get them for me when he went to Florence last year.
Oo thanks, I will check them out at some point :) am I to take it you are a fellow violinist? If so, how long have you been playing, how much do you practice etc.?
I think I can guess what you mean by that. Bach is my favorite composer too, and I'd use all manner of superlatives to compare his music with anyone else's. My point, though, was that Vivaldi's influence is so apparent in most of Bach's mature works, especially chamber music, that I would probably not hold Bach to such esteem if it weren't for Vivaldi. So literally, to me, Bach without Vivaldi is not Bach. =]
Something like 13 I think, that are known of. But the Italian flavor crops up so often for the remainder of his career, that one has to speculate about how lasting that influence was.
Well, Bach follows the Vivaldian model for his concertos. Plus Bach's transcription of the concerto for 4 violins was likely made in the later years of his life.
what about Verdi, or Palestrina, from whom all composers of the aferwards came, or Monteverdi, or Gabrielli, who was a real star in his time, or Frescobaldi?
Pergolesi wrote a Stabat Mater that became very famous just after he died of tuberculosis in his twenties. It became the most published musical work of the 18th century, and remains a popular piece to this day. J.S. Bach even wrote a cantata using the music of the Stabat Mater, but with German text.
Although his other works have been generally ignored, his Mass in F for two choirs and two orchestras (which I have uploaded) was hailed as genius in his own time.
Marin Marai's and Vivaldi's folias are the best ones, simply because both of them had deep minds I believe... Marais were quite... sad men periods of his life... In Vivaldi's music we find many musical sentences with great emotions.... Oh gof bless them both;)
Many pitches were used all over europe until it's standardization in the 20th century. There's a wonderful book by Bruce Haynes, "A History of Performing Pitch: the Story of A" that's more than complete. Think of it as the pitch bible. 'And yea, it was decided that ton d'opera in Paris was to be 392 while Church pitch in Venice was to be 465.' :P I jest but you guys get the idea.
In fact, I've seen the tuning as low as 375hz, which is around a whole tone lower. I've only seen that with Corelli, Marin Marais, and Buxtehude however.
Goodness, how silly of me. Thanks for pointing out the link. My cybernetic incompetence continues to transcend the phenomenal. Do you perchance have a recording of Marin Marais' Folia? "Les Folies D'Espagne" I think Marin's is usually titled. Or is this also extant on your site and my deaf, dumb & blind navigation has again triumphed in failing to spot the baluchitherium in the room? Thank you again for laying out this tantalizing banquet for the soul.
Such a lovely folia. Choosing between Vivaldi's and Corelli's is like choosing between fresh raspberries and fresh cherries. Are you aware of the site "la folia a musical cathedral"? I recommend googling the phrase and having a look. But fear not, they don't have even a sample of Vivaldi's trio sonata folia there. Yours is the best on the net I've found to date. Many kind thanks.
Are there... seven stringed instruments in this picture? An allegory perhaps for 7 wisdoms or 7 vices, depending on how the heart beats. Lovely music by which to contemplate them.
I prefer Corelli's version as well but, as you said, there isn't much to choose between them. Both are excellent. Vivaldi's effort is probably more elaborate.
Шедевр!
takror 3 months ago
No number of likes could possibly do this piece justice.
itsmedude1020 5 months ago in playlist Listen to later when there is time to focus
Thank you for uploading. My cassette is hammered, and I don't have money to replace it with a CD. This tune is transcendental, holy, sacred, any word you could use to describe something beyond JUST great.
morgmagg 5 months ago
bravo con Vivaldi...esta es su mejor composición
erickluna123 6 months ago
Eccelente!
Rosario15731 9 months ago
wat duz la folia mean?
Musicalme96 10 months ago
@Musicalme96 means .."the madness"
Learkos 10 months ago
@Musicalme96 In the earlier Baroque period (Lully, Marais), when all things French-style dominated European courts this common dance was known by the French 'les folies d'Espagne' – 'the madness of Spain' (even though the dance may have originated in Portugal or even Brazil). The words 'folia' and 'folie' are cognates of the English 'folly'. I recommend Marais if you like this, but Vivaldi's folia is still my favourite.
Gustaveleloup 10 months ago
@Musicalme96 google translate says that it mean bag or leaf depending on if you say follia or folia but can you trust translate...
notethisname 9 months ago
Hello, please can you tell me where all your amazing imagery is from? If from a book I would love to own. Your videos are an endless source of pleasure and discovery! Bravo.
timcliftongreen 11 months ago
Quiero comentar la exquisita calidad de los videos ofrecidos por HARMONICO101 y expresarle mi gratitud.
Muchas gracias
AGLMIL 1 year ago
Una vera Follia! Grande Vivaldi, uno dei pochi motivi per cui sono fiero di essere italiano.
ale92LP 1 year ago 3
what happens after 1:30 gives me the chills when heard LIVE...bow touching chords, sound and vibrato expanding through my soul...just so wonderful
smark911 1 year ago
FUCK, I CAME HEARING THIS
eldeantes 1 year ago 2
Well done, as always. Many thanks Harmonico101
tommaso1618 1 year ago
I am glad Vivaldi is being rediscovered on baroque instruments !
WQXR90FM 1 year ago 4
@WQXR90FM about time
PraeludiumUndFuge 1 year ago
did you come across it by chance or what ?!! -_-' .
tislani 1 year ago
is that the song by vivaldi
bunnyz324 1 year ago
The theme that comes in 6:45 was used in some of Vivaldi's concertos as well, I think.
But I can't find it... if you know it, please reply!
Dzikslol 2 years ago
haha i played this on harp :)
mazimi95 2 years ago
Perfectly well! Can Somebody give scores (notes) on this composition?
hgfjzsdfvtewhwegvc 2 years ago
Ah, yes, 'La Follia e' bellina', but Handle took an almost simple tune and turned it into something that makes the hairs at the back of the neck rise in awe!
GeaVox 2 years ago
Truly beautiful. James Newton Howard also did a unique arrangement of this for his film "Restoration"-- although inspiration was accredited to Handel's Sarabande (which is quite similar to this)
tricofilms 2 years ago
I've noticed that a lot of your songs use Baroque tuning, it's throwing me off a lot because I see D minor and I think "okay let's hear a D" and then I hear a C# (I think) and now I'm all confused :S
RaindropCantabile 2 years ago 10
That's why I'm glad I don't have perfect pitch! :)
HARMONICO101 2 years ago 13
@HARMONICO101 Lucky you... I do too... :/
jennythemusicmaker 1 year ago
@HARMONICO101
LOL! Yeah, sometimes it's more curse than blessing! :) :)
chlorr 8 months ago
That's cause the A440 was not used as reference at Baroque time. One of the Standard tuning frequency at that time was 415 hz (but there was also 390 hz in other countries ...). This piece was written in D minor (with a A 415 = G# for now). Which means that this D minor is for us a C#.
Magemax 2 years ago
Yeah, I know. It still throws me off though : (
RaindropCantabile 1 year ago
@RaindropCantabile
I am likewise glad for not having perfect pitch.
If this is 415 tuning, then it will be roughly a semintone down (so you're right, a C#). The area of what is correct baroque tuning is definitely an area ripe for argument, for even during the baroque period, different tuning systems were used depending on type of composition or locality. Nowadays, the majority of recordings on 'original instruments' will either be 415 or 392. 392 would totally mess with your eye though!
direngrey2143 1 year ago
@RaindropCantabile
Totally understand! It makes my brain hurt. ;) For real.
chlorr 8 months ago
@RaindropCantabile There's not much to be confused about, in the baroque era, they did not use today's "standard", it was a half step (approximately) down. So if someone says D , in baroque tuning, it's about a C# by our modern standards.
SynthWoof 1 month ago
@SynthWoof Oh I don't mean confused about the concept, the tuning actually screws me up because I have perfect pitch.
RaindropCantabile 1 month ago
@RaindropCantabile Unless you lived in the Baroque era! then your perfect pitch would be attuned to that time period's standard
SynthWoof 1 month ago
@SynthWoof Sure, but with respect to my "modern-day" perfect pitch, this is confusing : )
RaindropCantabile 1 month ago
Comment removed
AlexiBastos 2 years ago
Corelli didn't even write the original melody either. La Folia is a dance based around a particular chord progression that dates to the early renaissance.
HARMONICO101 2 years ago
Quite right ;)
the ''Follia'' seems to have origins in a potoguese dance of the middle ages
callimacos 2 years ago
Does anyone have Handel's La Folia that they would be willing to post?
jmarckesano 2 years ago
Handel never wrote one. The closest thing would be that famous sarabande in D minor orchestrated for strings in Barry Lyndon.
HARMONICO101 2 years ago 4
Comment removed
AlexiBastos 2 years ago
Corelli wrote the theme, yes. But Vivaldi did write variations. Along with other baroque composers including Marais, Scarlatti, Geminiani and CPE Bach.
mrsherman109 2 years ago
Wow!....Great piece! Great sound & recording too!
WildhorseDream 2 years ago
vivaldi--best composer in world history
tshoebat 2 years ago 3
Surely - at least in Baroque period? If he was the best composer in world history then he would be able to compose waltz' and pop music aswell! His techniques might or may not suite it. But he is - in my opinion - the best composer in Baroque period before Bach.
Montyleeny14 2 years ago
yes but bach is so "german"! I prefer italian music.. it is so much enjoying!
theanswer00 2 years ago
This comment has received too many negative votes show
Vivaldi is a German composer = german music. =)
Montyleeny14 2 years ago
vivaldi was italian >_> he was in strong relations with the venetian school, even when he was in vienna
theanswer00 2 years ago 3
vivaldi was born in Vienna but lived most of his life in Venice.
Montyleeny14 2 years ago
born? Maybe you're confused, Vivaldi DIED in Vienna ^^
theanswer00 2 years ago
You are talking BS. Vivaldi is the arch-master of the Italian baroque because he was ITALIAN. Born and raised in Venice.
HARMONICO101 2 years ago
oh i'm sorry, i got my facts wrong :P
Montyleeny14 2 years ago
Comment removed
jennythemusicmaker 2 years ago
@jennythemusicmaker just that they lived around the same period doesn't mean bach wouldn't be influenced by vivaldi's work, take for instance BWV1065 concerto for 4 harpsichords wich he composed after vivaldi's concerto for 4 violins
139jjpb 1 year ago
@139jjpb I... didn't actually say that. But yes Bach arranged many of Vivaldi's solo concerti for other instruments. Why did you use those two pieces as an example when it is clearly Bach's arrangement of Vivaldi's? I thought you were arguing against Bach being influenced?
jennythemusicmaker 1 year ago
@jennythemusicmaker well sorry, i must have misunderstood, you are clearly aware of bach knowing vivaldi's work. my bad.
139jjpb 1 year ago
how can a man take just 4 chords and make so many variations out of it............JUST AMAZING
knaxcomanche 2 years ago 2
They should put Vivaldi in the dictionary.
AytidaRed 2 years ago 9
An absolute definition:
An unknown mind in the midst of music, composing nothing but the word of god.
Montyleeny14 2 years ago
@AytidaRed He's not there already? WTH!?
marcusunlimited 1 year ago
Brilliant, thanks for this Harmonico101. I like the Siciliana style variation at 6:46, and others of course. You can hear the Corelli influence! Vivaldi must have been in awe of a fellow Italian super-violinist who had done so much for musical language and instrumental music in general! I have Vivaldi's Op. 2 violin sonatas in score (not yet on CD) and from my own feeble attempts at playing some well, I can hear the influence from Corelli, in various melodic passages etc., it's great!
thelightisahead 2 years ago
Actually, I have a couple of those sonatas uploaded on my channel if you would like to hear them. Also, I own 2 facsimiles of the Op. 2 sonatas, one of which is type-set. I had a friend of mine get them for me when he went to Florence last year.
HARMONICO101 2 years ago
Oo thanks, I will check them out at some point :) am I to take it you are a fellow violinist? If so, how long have you been playing, how much do you practice etc.?
thelightisahead 2 years ago
cool!
pablinichiri 3 years ago
This comment has received too many negative votes show
Pretty good, but nos as good as Bach.
PlanyTC 3 years ago
Bach without Vivaldi is not Bach. =]
bubbafet2200 3 years ago
This comment has received too many negative votes show
I'm sorry, but Bach took music to a higher level. Vivaldi is nice, but just nice.
PlanyTC 3 years ago
I think I can guess what you mean by that. Bach is my favorite composer too, and I'd use all manner of superlatives to compare his music with anyone else's. My point, though, was that Vivaldi's influence is so apparent in most of Bach's mature works, especially chamber music, that I would probably not hold Bach to such esteem if it weren't for Vivaldi. So literally, to me, Bach without Vivaldi is not Bach. =]
bubbafet2200 3 years ago 16
I completely agree. Bach did after all transcribe something like 6 or 7 Vivaldi works.
HARMONICO101 2 years ago
Something like 13 I think, that are known of. But the Italian flavor crops up so often for the remainder of his career, that one has to speculate about how lasting that influence was.
bubbafet2200 2 years ago
Well, Bach follows the Vivaldian model for his concertos. Plus Bach's transcription of the concerto for 4 violins was likely made in the later years of his life.
HARMONICO101 2 years ago
Comment removed
orliczek4 3 years ago
How much I love this piece of music!
Nattyduck 3 years ago
Vivaldi la musica.
Vivaldi l'armonia.
Vivaldi la vita.
Vivaldi la bellezza delle note.
Vivaldi..............
riflessoblu 3 years ago 5
It's absolutely outstanding. I can listen to it non stop. Thank you very much for posting it.
Nattyduck 3 years ago 3
i am the same ^^
gnatkowa 3 years ago
beautiful
caribchick87 3 years ago 3
You can actually hear a short part of this theme in the 3rd movement of Summer by Vivaldi, but it's only about 15 seconds long or so
unchained1978 3 years ago 2
undeniably the greatest "italian" composer
I could not choose between vivaldi or bach. both are perfection
tnix80 3 years ago 5
Yep.
CielBlanche 3 years ago
what about Verdi, or Palestrina, from whom all composers of the aferwards came, or Monteverdi, or Gabrielli, who was a real star in his time, or Frescobaldi?
jewish1972 3 years ago 2
Or Pergolesi, or Alessandro and Domenico Scarlatti, Locatelli, Arcangelo Corelli, probably one of the most influential composers of the Baroque.
HARMONICO101 2 years ago
Comment removed
mc07fvjf 2 years ago
Pergolesi wrote a Stabat Mater that became very famous just after he died of tuberculosis in his twenties. It became the most published musical work of the 18th century, and remains a popular piece to this day. J.S. Bach even wrote a cantata using the music of the Stabat Mater, but with German text.
Although his other works have been generally ignored, his Mass in F for two choirs and two orchestras (which I have uploaded) was hailed as genius in his own time.
HARMONICO101 2 years ago
Comment removed
mc07fvjf 2 years ago
Indeed, Handel's famous sarabande is very similar to this, and it was likely Handel new that as well.
HARMONICO101 3 years ago
folia is a dance, so you can find many pieces looking to be similar.
hervemuraccioli 3 years ago
The main theme of Handels Sarabande for the hapsicord concerto is a follia indeed
gdbalck 3 years ago
Does anyone have the score and parts of this piece?
pianist7137 3 years ago
Marin Marai's and Vivaldi's folias are the best ones, simply because both of them had deep minds I believe... Marais were quite... sad men periods of his life... In Vivaldi's music we find many musical sentences with great emotions.... Oh gof bless them both;)
KarlAmade 3 years ago 2
Many pitches were used all over europe until it's standardization in the 20th century. There's a wonderful book by Bruce Haynes, "A History of Performing Pitch: the Story of A" that's more than complete. Think of it as the pitch bible. 'And yea, it was decided that ton d'opera in Paris was to be 392 while Church pitch in Venice was to be 465.' :P I jest but you guys get the idea.
sk8nruff 3 years ago
There's a whole book on the history of performing pitch? I have to go look for that... thanks!
HARMONICO101 3 years ago
that's noy d minor, it is C#m
nfrolo 3 years ago
With baroque tuning it is indeed C# minor.
HARMONICO101 3 years ago
Yes, back in the Baroque era, A was 415Hz, unlike the 440Hz /442Hz standards that we use now.
vcmuzik 3 years ago
In fact, I've seen the tuning as low as 375hz, which is around a whole tone lower. I've only seen that with Corelli, Marin Marais, and Buxtehude however.
HARMONICO101 3 years ago
very good video
RoiSoleilC 3 years ago
Love it, indeed. Love Vivaldi and Corelli. Love that picture, too. :)) !!
barbkaus 3 years ago 2
This is a fantastic record! Do you know whether Alessandro Scarlatti's variation of the folia can be found somewhere?
SalvadorHU 3 years ago 2
Goodness, how silly of me. Thanks for pointing out the link. My cybernetic incompetence continues to transcend the phenomenal. Do you perchance have a recording of Marin Marais' Folia? "Les Folies D'Espagne" I think Marin's is usually titled. Or is this also extant on your site and my deaf, dumb & blind navigation has again triumphed in failing to spot the baluchitherium in the room? Thank you again for laying out this tantalizing banquet for the soul.
wsmith49 3 years ago
I do actually have a recording of the Marais Folia, but it is too long to post (around twelve minutes).
HARMONICO101 3 years ago
Such a lovely folia. Choosing between Vivaldi's and Corelli's is like choosing between fresh raspberries and fresh cherries. Are you aware of the site "la folia a musical cathedral"? I recommend googling the phrase and having a look. But fear not, they don't have even a sample of Vivaldi's trio sonata folia there. Yours is the best on the net I've found to date. Many kind thanks.
wsmith49 3 years ago
Actually, just in the description, I conveniently have a link to the very site you speak of!
HARMONICO101 3 years ago
Oh and by the way, your analogy comparing the Vivaldi and Corelli folias couldn't be more true!
HARMONICO101 3 years ago
Thank you, thank you.
KyotoMelody 4 years ago
God I hope I can do this in my chamber group this semester. Would be ****ing awesome!
jonathantosio 4 years ago
ive yearned to know the name of this masterpeice; im so very glad i found it.
cochise1318 4 years ago
Are there... seven stringed instruments in this picture? An allegory perhaps for 7 wisdoms or 7 vices, depending on how the heart beats. Lovely music by which to contemplate them.
BarNuun 4 years ago
BarNuun,
So, don't leave us hanging! How does your heart beat regarding the 7 vices? Patricia
guirexyz 4 years ago
from i come to this world this is the best song i have ever heard....no matter what how i will love this song
ferdyjuniantyo 4 years ago
I like this. Excellent. Didn't Rachmaninoff compose some variations based on the "La Folia" theme?
homousios 4 years ago
Yes, but I think he worked on Corelli's version.
flaviotrue 4 years ago
Yes he did, so did the master Antonio Salieri
wolfgang7445 4 years ago
I need to listen to some Salieri. I hear that he wrote some really excellant music.
HARMONICO101 4 years ago
Excellent!
byf43 4 years ago
This is the best Vivaldi I have ever heard!
catnet1 4 years ago
I still prefer the Corelli version, even although there aren´t much differences
oepsewoeps 4 years ago
I prefer Corelli's version as well but, as you said, there isn't much to choose between them. Both are excellent. Vivaldi's effort is probably more elaborate.
daemonolator 4 years ago
Very beautifull...
Pianist1991 4 years ago