Anette Delgado - Diana and Acteon Pas de Deux - Part 2

[jessssssussssss]

el es increible pero ella no me gusta NADA... pero nada nada...

[18Balletlover]

Qué bello Joel Carreño! Ya tiene seguro que en RD tiene una super fan!!!!

[LiveAndBreatheBallet]

I think this was very nice I mean they both have incredible talent! His jumps are incredible. But for me Jose Manuel Carreno is the best for this role.

[lavinder11]

He was on stage for a really long time accepting his applause...

I have to say that it looks like they're both doing tricks instead of dancing. However, he was doing some serious jumps.

[CMGGOttawa]

Yoel Carreño has become a true Divo. Still in the late 20s, he has an excellent control of the scene, he owns the stage with a powerful artistic presence, powerhouse, a pristine technique, control and musicality. There is no doubt that the Cuban school creates the best dancers at the present. First time I see Ms. Delgado dances with the qualitiy of a principal (or first ballerina as they call them in Cuba), I hope she continue to grow artistically. the ones that do not appreciate.

[BernardProfitendieu]

he's rushing to get all the steps in - looks awkward and not at all musical

[KittyUSF]

omg that first jum from the guy was AMAZING!

[MrNocco]

a double cabriole... which he didnt do that well... it was clean but the beat could be much bigger and the jump could be higher

[KittyUSF]

i didn't mean the cabriole lol

[MrNocco]

well it is the "first" jumo which he does...

or do u mean the coda? 540?

[MrNocco]

im sorry i dont get ur definition of good.... it was clean but it was weak... short jump little beat weak arms....

[CMGGOttawa]

@MrNocco You should accept that everybody is entitled to express her/his opinion. I totally disagree with you regarding your comments but I am not interested in imposing you my opinion. Any jump can be higher, three pirouettes could have been 4,etc.. Your comments are so personal and subjective than one can hardly understand what you mean.

[MrNocco]

well i respect everyone to have an opinion, but to me i think that carenno doesnt fit in this role very good, at least the choreography doesnt suit him that well... its just my opinion i'd like to see a stronger dancer in this role.. he did nice attitude pirouettes tho

[luis85698]

@MrNocco You are right

[ashieeeeeeeee]

Freaking awesomeeeee

[Zizinettova]

Muy de acuerdo contigo ElfsArrow94

[jsl1952]

pues a hacerle la visita al oculista, porque no se donde no ven la sonrisa de esta niña.

[Zizinettova]

tienes razon!, es que de lejos no me habia fijado que sonreia:-)

[ScenePoa]

That was amazing.

[ElfsArrow94]

La mujer tiene que sonreir!

[emmanege91]

nono impresionante lo de los dos

pero lo de joel es increible!!!!felicitaciones!!

[qbendanny1]

A.Delgado demuestra su versatilidad con todo lo que baila.Joel Carreno bailando muy bien ya que no vive en la sombra de Rolando Sarabia.

[malunna]

porque tendria que vivir en la sombra de rolando sarabia? si son 2 bailarines muy diferentes!

[luis85698]

@malunna En realidad no veo nada que no se haya visto antes en dimensiones muy superiores en ese teatro, una funcion que tiene mucho de comun y muy poco de asombro. Pues no se trata de estrellas despampanantes que dejen un huella, simplemente el oficio de ser bailarin es lo que se ve,

[luis85698]

@qbendanny1 solo oficio, nada singular. hay que ver a la escuela de la vaganova quien practicamente rediseño el pas d deux y muy pocos latinos han podido con el , vean entonces a Ortigoza, al Carreño y a Acosta, y femeninas Paloma Herrera, Lorna Feijoo y quizas Viengsay valdes, los demas estan en Europa: la Escuela Rusa y