You are absolutely correct!!! This is the last of 5 etudes (posthumous) in Des-dur. Schuman wrote more than 12 etudes and later "edited" them to a more "compact" form. Brahms wanted to include them into opus 13, but Clara Schuman thought it was R.S. wish to keep only 12 of them. I personally love these 5 dearly and always play them...
Off the top of my head: Perahia, Pollini, Kempff, Kissin. The first three put the posthumous variations in the rear of the main body, as an afterthought, or rather an adjunct; while Kissin (if I remember correctly) follows Richter in incorporating them within the original 12
I guess certain pianists feel that the inclusion of the posthumous variations undermines the dramatic unity of the work, making it less concentrated...
Have you heard of how much Clara Schumann mistreated Liszt? she really gave him a cold reception for how generous he was, and not only that, but we all know Liszt and Schumann were fond of one another.
Personal relations between big artists are not always friendly and rosy. Often they are strong and ambitious individuals. The same goes to Liszt, Schumann, Chopin, Mendelssohn, Thalberg... Probably Schumann was the most generous man in terms of accepting success of others. The relations between these Greats were such a mixture of mutual respect, jealousy, admiration and competition...
Indeed. I can't but agree. I was wanting to ask if there was anything truth to the fact that Liszt put on several concerts to commemorate R. Schumann posthumously, and C. Schumann wasn't exactly the most savory character to him (that's about as politely as I could put). I read that information from a few letters between them, but I'm sure you know better than me, so I didn't see the harm in asking whether or not it was true.
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Where would my friend be able to get sheet music to this? email him at jbwooten89@gmail.com. He's been trying to find it for a while now!
jballguitarist 9 months ago
whether the second repeat in etude 9 was planned or a pure accident, it was a genius and what an agility!
musicy88 1 year ago
Ingenious!! The best performance ever.
apollonianclockwork 1 year ago
Casi nadie suele incluir en los estudios esta pieza. Para mi es genial, una de las mas bellas.
hardlybreath 1 year ago
wonderful performance... real power, fire! thanks for uploading
PrestoPossibile 2 years ago
Who can tell me why most pianists don't play 0:00~2:10? This part is so beautiful!!
felix0911176727 2 years ago
You are absolutely correct!!! This is the last of 5 etudes (posthumous) in Des-dur. Schuman wrote more than 12 etudes and later "edited" them to a more "compact" form. Brahms wanted to include them into opus 13, but Clara Schuman thought it was R.S. wish to keep only 12 of them. I personally love these 5 dearly and always play them...
truecrypt 2 years ago
Yes! I love them, too! They are really beautiful! Do you know who had played these 5 etudes? I only know Richter and Stefan Vladar had played...
felix0911176727 2 years ago
Off the top of my head: Perahia, Pollini, Kempff, Kissin. The first three put the posthumous variations in the rear of the main body, as an afterthought, or rather an adjunct; while Kissin (if I remember correctly) follows Richter in incorporating them within the original 12
I guess certain pianists feel that the inclusion of the posthumous variations undermines the dramatic unity of the work, making it less concentrated...
punkpoetry 2 years ago
Have you heard of how much Clara Schumann mistreated Liszt? she really gave him a cold reception for how generous he was, and not only that, but we all know Liszt and Schumann were fond of one another.
Any truth in these facts, truecrypt?
Lukecash12 2 years ago
Personal relations between big artists are not always friendly and rosy. Often they are strong and ambitious individuals. The same goes to Liszt, Schumann, Chopin, Mendelssohn, Thalberg... Probably Schumann was the most generous man in terms of accepting success of others. The relations between these Greats were such a mixture of mutual respect, jealousy, admiration and competition...
Read their letters! Fascinating documents!
truecrypt 2 years ago
Indeed. I can't but agree. I was wanting to ask if there was anything truth to the fact that Liszt put on several concerts to commemorate R. Schumann posthumously, and C. Schumann wasn't exactly the most savory character to him (that's about as politely as I could put). I read that information from a few letters between them, but I'm sure you know better than me, so I didn't see the harm in asking whether or not it was true.
Lukecash12 2 years ago
@truecrypt
I'm sure you've heard Arrau play these - great tenderness!
joestephens3 1 year ago
when Schumann revised this piece, he deleted this part.
andou7 2 years ago
I don't understand why anyone would perform at such speed; it only makes it worse. Still worth hearing though.
oblifan132 3 years ago 5
Would be nice to know which etude/variation you're directing your comment to...
truecrypt 3 years ago
This comment has received too many negative votes show
To oblifan132: Yes, you don´t understand.
hansmeyer111 2 years ago
I'm with your idea!
It's absolutely a problem!
This speed makes this wonderful piece worse!!!
MemyH567 2 years ago
At least he is not rushing the hell out of it :P
morvensky 2 years ago
tembral'noye bogatstvo,shirota palitri y v toje vremia isklyuchitel`naya delikadnost'...
nairigrigorian 3 years ago
this is better than the old Russian recording i have where the piano was out of tune. thankss
chad410 4 years ago