@primohomme alto castrato had lower vocal range then Michael :) and when they completed soprano range with head voice or falsetto they should be classify as soprano contretenor or falsetto soprano?
When did I say Michael Maniaci was an alto castrato? I don't recall.
And a man who is not a natural alto/soprano but accesses that tessitura by use of falsetto is either a countertenor (singing in the alto range) or a sopranist (a high countertenor).
@primohomme Misunderstanding. I notice, that in history of music where some alto castratos who had lower natural register then this of Michael- uncrippled man with higher natural voice then some castrati. An ironic twist of fate.
Dariusz Paradowski had full soprano range with voice unlike to falsetto, it was rich, full, flexible voice. Nobody knows where his natural voice was ending and “unnatural” started, rather up to alto range. He was described both as sopranist and countertenor.
I really cannot understand how people come on here saying there's too much vibrato and it's not what the composer intended. In that case, this is Mozart's last opera - so then would you suggest Pamina and Despina and Figaro and Susanna ALL sing without vibrato? Because that's what your contending! If it's ok for singers of other voice types to sing with vibrato in this repertoire as well as Baroque, then why can't countertenors and male sopranos? Answer that one.... I dare you.
What do you guys think of my version? It's on here under ROBERT E. LEE, MALE SOPRANO - I have my own recording of Parto, Parto on here. Would love to see what you think.
No, pues un castrato producía sonidos fuera de este mundo. Ésta, por supuesto, es voz humana. Aun la del maestro Moreschi suena penetrante, a pesar de no haber vivido en los tiempos de los grandes castrados
@primohomme I see that, I'm just saying that this is not how the original singer did it or the composer wanted it. Many people say that this is quite an approach to the castrati, but it is not.
I listened to Moises Castillo's performance fo Venti Turbini. The orchestra is beyond horrendous, but he sings the coloratura like "Fuck this shit, I wanna go get something to eat" very undefined coloratura, all over the place.
A most unusual voice. I like his voice very much, but it may leave him in a narrow corridor of roles. Apparently has been ill?? A very good looking young man.
@primohomme alto castrato had lower vocal range then Michael :) and when they completed soprano range with head voice or falsetto they should be classify as soprano contretenor or falsetto soprano?
2010wieliczka 1 month ago
@2010wieliczka
When did I say Michael Maniaci was an alto castrato? I don't recall.
And a man who is not a natural alto/soprano but accesses that tessitura by use of falsetto is either a countertenor (singing in the alto range) or a sopranist (a high countertenor).
primohomme 1 month ago
@primohomme Misunderstanding. I notice, that in history of music where some alto castratos who had lower natural register then this of Michael- uncrippled man with higher natural voice then some castrati. An ironic twist of fate.
Dariusz Paradowski had full soprano range with voice unlike to falsetto, it was rich, full, flexible voice. Nobody knows where his natural voice was ending and “unnatural” started, rather up to alto range. He was described both as sopranist and countertenor.
2010wieliczka 1 month ago
Comment removed
2010wieliczka 6 months ago
He is not a castratti just a puberty condition
calev48 7 months ago 2
@calev48
Obviously, specially considering castration of a child is illegal nowadays...
primohomme 7 months ago
I really cannot understand how people come on here saying there's too much vibrato and it's not what the composer intended. In that case, this is Mozart's last opera - so then would you suggest Pamina and Despina and Figaro and Susanna ALL sing without vibrato? Because that's what your contending! If it's ok for singers of other voice types to sing with vibrato in this repertoire as well as Baroque, then why can't countertenors and male sopranos? Answer that one.... I dare you.
rlee1976 1 year ago 2
What do you guys think of my version? It's on here under ROBERT E. LEE, MALE SOPRANO - I have my own recording of Parto, Parto on here. Would love to see what you think.
rlee1976 1 year ago
No, pues un castrato producía sonidos fuera de este mundo. Ésta, por supuesto, es voz humana. Aun la del maestro Moreschi suena penetrante, a pesar de no haber vivido en los tiempos de los grandes castrados
oceanodefuego1 1 year ago
amazing voice!!
DBurg827 1 year ago
too much vibrato for a person who is supposed to sound somehow like a castrato...
leoperarm 1 year ago
@leoperarm
His technique is modern, not of the school of Porpora.
primohomme 1 year ago
@primohomme I see that, I'm just saying that this is not how the original singer did it or the composer wanted it. Many people say that this is quite an approach to the castrati, but it is not.
leoperarm 1 year ago
OMG~!!!Soooooooo beautiful~~~
jeslee123 1 year ago
Loved it, of course!
Guichotpresident 1 year ago
What do you think of Moises Castillo?
kgarmaker123 1 year ago
@kgarmaker123
I listened to Moises Castillo's performance fo Venti Turbini. The orchestra is beyond horrendous, but he sings the coloratura like "Fuck this shit, I wanna go get something to eat" very undefined coloratura, all over the place.
primohomme 1 year ago
@primohomme His preformance of Pace Pace is better than that.. actually quite good and the tone is good. Cute as a button too..
kgarmaker123 1 year ago
A most unusual voice. I like his voice very much, but it may leave him in a narrow corridor of roles. Apparently has been ill?? A very good looking young man.
operbathosa 1 year ago
Very nice!
chris
mradaChris 1 year ago
i have waited a lot for this =)
AndresSopranista 1 year ago