Added: 5 years ago
From: avelaz3
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  • dang those are some nice piano chords trane's playing...

  • Work of Genius and Genius !

  • This is truly a great movie for mating type mausicisti two very different in style and technique, Getz passionate, impetuous and unconventional Trane, but I remember that in those years Getz has been a big Bopper. However, both great. Beautiful.

  • Excellent!

  • What John Coltrane does here is beyond everything. It is a more then magnificent improvisation.

  • This is total bliss...!!!

  • @dell4bq "Getz was the Kenny G of that time"...really? Wow, that's the dumbest comment I've read in a long time. Stan Getz was a master saxophonist and he and Coltrane both had great respect for each other. It's completely childish to turn this into some 'Trane vs. Getz' thing and touting your favorite while ripping on the other player. So if Stan Getz was the Kenny G of that time, then I suppose that would make Lester Young the Kenny G of the swing era? That's how dumb your comment sounds.

  • @dell4bq You could find countless quotes from jazz masters talking about what a great jazz musician Stan Getz was. Look no further than the autobiography of the pianist in this video, the one and only Oscar Peterson (it's called "A Jazz Odyssey"). Oscar devotes a section (called Jazz People) to musicians he loved playing with, one of them being Stan Getz, and he highly praises Getz's playing. I guess Oscar Peterson was just too dumb to realize that Stan Getz sucked, huh?

  • @WindyCityJazz ..... or perhaps dell4bq would compare Miles Davis to Chuck Mangione because Miles was also understated and "cool"..........

  • what tune is this?

  • @RiversideIndian Hackensack

  • incredible to hear several of my favourite players in one recording. thanks so much for uploading!

  • Comment removed

  • hey cats, what tune is this?

    its keeellllaaaannnndddd

  • ridiculous. just ridicuolous.

  • siiiick

  • Nice;-)

  • Must have been January of 1960 when I first saw Getz in a small night club in Munich. Fun memories!

  • @ydraki I'm jealous

  • @jhm85

    While I still love listening to Getz, Coltrane and other greats, now, in

    advanced years, I tend to prefer classical music and never tire listening

    to Gustav Mahler's Adagietto, especially with Herbert Karajan conducting.

    But good music, in whatever category, is always pleasurable. Stan Getz was

    an amazing musician, educated, sensitive man.

  • What a gem you gave us! Can't thank you enough.

  • I just don't understand anybody could give negative rating on this footage. It is a super rare moment of jazz history. We are lucky to be able to see it.

  • wow my 2 favorites of all time

  • this video shows 5 gods playing JAZZ!

  • I like the attempted trane flurry by stan in his solo at 5:15. Both were great players, and had their own styles.

  • Colt has his roots in Africa. That explains a lot of the difference between styles.

  • search (GSA "Project Funk Jam"/ "All Blues")

  • Lucky folks in Dusseldorf!

  • It doesn't get any better than this.

  • Hackensack, also by Monk... as several people have stated, but others don't want to believe. If you doubt it, Monk's own is on YouTube, too. Check it out.

  • @TheGWFrog Who would doubt this was "Hackensack"? I have several covers of it, and it is unmistakable.

  • @DarkeningSkies1 You know it's "Hackensack," I know it's "Hackensack," several others know it's "Hackensack," but, if you check back, several people thought it was "Well You Needn't."

  • @TheGWFrog I even have Andy Summers doing a rendition of it, and as on every other version, including the original, that intro is note for note. "Well, You Needn't" is somewhat similar, I suppose, as several of the Monk tunes from that period were, but.... really? Ah, well.

  • Just fabulous, as you'd expect from this lineup. For any who might not recognize it, the starting point and ultimate resolution is Monk's composition, "Well You Needn't," with nothing but great jazz improvisation in between.

  • What's not to like about this jam?

  • Hackensack

  • What an exceptional treat and rare collaboration with:

    The Sound

    The Trane

    OP

    Mr PC

    & Mr Cobb

    One of a kind quintet!

  • trane  and getz togheter?OH MY GOD , GREAT MUSIC!

  • if u listen close...1 of the microphones is picking up someones voice....1 of the musicians??....maybe voicing what they're playing....cobb?, petersen?

  • 9 people like justin beiber

  • Now that's music !!!

  • True Musical Excellence.

  • Great soloing from two of the all time greats of the saxophone in front of a great rhythm section!

  • And the clowns who now break my my balls on TV or radio call themseves "musicians". Thanks for this great moment

  • "We'd all sound like Stan Getz--if we could."--John Coltrane

  • what can you say "The Masters" !

  • Perfect Perfection

  • simply amazing. being a tenor sax player myself, these two are a couple of my most major inspirations. btw, does anyone know wat song are the playing. i cant remember the name

  • Words fail me :>

  • Awesome. TY avela23 for posting.

  • @nicoleglover1 Coltrane has a much stronger sound than getz.. Getz sounds woolly in comparison.

    There is definitely nothing wrong with comparing players. Tenor battles have been going on for decades.so.. why don't u Getz lost ;-)

  • Comment removed

  • OH! Yes. This tune is"Well,You needn't" ...final decision.

    Very Confusing. similar to Monk's Dream, Night in Tunizia and Scrapple from the apple.

    Writing from Japan.

  • @lemonearth55 That's "Hackensack".

  • No, no, I made a mistake.

    This tune must be "Monk's Dream" by Thelonious Monk.

    --Wtiting from Japan.

  • @lemonearth55 Rifftide.

  • This tune is "scrapple from the apple" by Charlie parker, I think. 

  • @lemonearth55 LOL i dont think so

  • brings me back to the university of nebraska outdoor jazz jam sessions under the blue nebraskan sky fresh air and pure joy.

  • masterful...

  • Wow! Stellar footage!

  • What an awesome contrast in tones from two players who always played beautifully. Thanks so much for posting this!

  • TRuly wonderful! thanks for posting

  • Allstar team if there ever was one. Loved the way the great John Coltrane effortlessly took the ball first & did his thing with it & then lobbed his perfect solo to Getz & how Getz was ready & caught the ball perfectly almost like in stride wTrane & then contributed his thing for the winning touchdown. It was of course, a team effort. Amazing historic video!

  • Fifteen yard penalty. Too much talent on one stage.

  • Oh, damn, I live about 500 metres away from the Place where this has been recorded (in Düsseldorf, Germany) - and I was not there (well not even born)...

  • What's the title of this tune?

  • @jazzabelle35 A night it tunisia I think :)

    

  • @vibralids No!

  • is this an arrangement of well you needn't or some other tune?

  • BEAUTIFUL DICHOTOMY

  • restlessness vs relaxing, the opposites are touching each other!

  • both tenor giants.... in totally different ways

  • What an amazing blend of trane's making the sax into a human voice and Getz's playing the sax with pure European tone...both are geniuses!

    Trane is the shouting preacher and Getz is the tasteful, emotionally restrained Mozart!

  • oh and OSCAR PETERSON he's a nobody right? he doesn't deserve to be mentioned.... goodness...

  • oh and OSCAR PETERSON, he's a nobody right? goodness....

  • Holy shit, what a band! I'd pay thousands to see that concert, but alas,

    All but Jimmy Cobb have passed, RIP.....one helluva jam goin on in Heaven.

  • What a fantastic band! A real one off.

  • wish people could still play like this

  • @spizak people do. actually. ie Cris Potter, Dave Koz

  • Thanks so lot for this video!

  • Great is not enough, incredible !

  • damn those guys can rock a tux. an amazing performance from a true jazz dream team, i honestly can't say which solo I like the most!

  • The pianist is a MF, who is that?

  • @Thelookoutslookout Read the text just below the video box.

  • @Thelookoutslookout Oscar Peterson, second only to Art Tatum, aka God.

  • Great post

  • WOW!!

  • Must have been a great show. As much as I hate aging I sometimes wish I had been born a little earlier.

  • Did Trane played with Peterson more?

  • Could be the best Coltrane song I've ever heard. The lighting - or lack thereof - is beautiful. Getz is young, Coltrane is lucid, both are masters.

  • Euphoria: Achieved

  • That rhythm section is from another planet. 

  • hey this getz and trane thing knocked me out stanley the steamer thats what diz called him he was right 2

  • It's hard to believe all the schmucky comments on such great music. Getz was on the scene earlier than Coltrane and was a star by the time he was 21 and had already formed his style- Prez meets Parker. They were mutual admirers and it's well documented. They were both great in different ways. In terms of Getz' chops and musicianship do your fucking HW. Some people here obviously don't know shit. Listen to the early Getz recordings and research statements from other great players.

  • @raneyjr chill out man,they're only comments. both coltrane and getz are great in their own way.

  • March 28th, 1960... twas a Monday... twill be archived , and resurrected too , I hope, in Heaven someday for all of us to enjoy again!!

  • when is this?

  • Whats the song at :43 ???

  • both these cats swung hard, keeny g had nothing on either..

  • Thanks so much for posting this!

  • I stand corrected , maybe that was Wynton Kelly at the beginning..

  • Curious how McCoy Tyner is playing at first before Oscar sits down....too bad there wasn't two pianos handy....

  • Curious how McCoy Tyner is playing at the very beginning before Oscar sits down....too bad there wasn't two pianos handy...

  • May I politely suggest.....Fuck Kenny G ! He has NOTHING to do with real jazz, period....he's about as close to jazz as , let me think.......Jim Nabors comes to mind..John Phillip Souza......Kenny G is a fraud , music for yuppies with nice little beards and tiny dicks , for women who won't take a piss without a protecto ....

  • What is the name of the tune?

  • in the pocket....

  • REAL musicians are too busy following the song argue as much as you losers on this video. Take your feet out of your mouths. 

  • Fire and Ice!

  • Please oh please don't forget to talk about oscar peterson's comping and soloing!

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  • this is fantastic

  • Where are Lester Young and Cannonball?

  • jazz fans are such PC idiots, it's sad

  • @EchoCannon89

    extrapolate pls

  • You've got to be kidding me. Unbelievable! How can anybody dislike this music?!

  • You've got to be kidding me. Unbelievable!

  • As a big fan of both I have to say that Stan getz my heart an John trane's my head.

  • getz, trane, oscar peterson AND paul chambers. epic

  • OMG 3 OF THE TRULY JAZZ GIANTS I,M SPEECHLESS

  • Trane- urgent, unfiltered, visceral, tapped in. Getz- canned, white bread, predictable. If you want at least real Getz, listen to Zoot Sims on a good day.

  • @taintwig now if I said 'Trane, a million notes signifying nothing...." it would be a stupid comment. Basically, the equivalent of your comment about Getz.

  • Now we are talkin'! Jazz is not only an intelligent music, escaping the mental grasp of some supposedly inherent intellectuals because they fail to appreciate subtlety, the hard swinging that Stan Getz reaches both melodically and soundwise. Volume is not the only answer to burnin'. I love both styles. Lovely rihythim section as well. Kudos for posting this one.

  • One does not compare wrungs on the same ladder.

    As to love and respect, Getz is clearly aware of how Trane has taken the instrument so much further. As to Trane; he complimented one day, "We'd all play like Stan Getz if we could. "

  • @tommymorey Getz isn't "unaware" of Coltrane's progressive style towards tenor, he's just not interested in moving out of the sonic consistency of his own style. Coltrane is moving forward and Getz is sticking to his guns, which is fine by me.

  • @shankbone01 Excellent observation...

  • Have you lisrten to J.J. Johnsons and Stan Getzs Blues in the closet?

  • Cool

  • who did oscar boot off the piano at the start?

  • @musicalrt -- It was Wynton Kelly, the member of Miles Davis's rhythm section at the time. He, Paul Chambers, and Jimmy Cobb played some standards together with Trane before. -- Miles was supposed to appear as well, but couldn't make it for what reason ever. So, Stan was kinda "subbing" for Miles.

  • @BrunoJazzmanLeicht Haha, awesome. Thankyou so much for the knowledge. I should have recognised Wynton.

  • @musicalrt -- Never mind, buddy. -- By the way: For getting my below "speech" right, one should start to read from the bottom upwards. And please make that "...be it in school" in my 2nd comment ;)

  • Hey folks -- you don't know what you're talking about. Trane & Stan is like fire & water: Two completely different playing concepts. We jazz improvisors can't live without both of them so very inspiring saxophone (jazz) giants. Pairing the two was one of the helpless attempts to revive the bad old "battle of the saxes" routine of Flip Phillips versus Lester Young who sported similarly diametral styles. -- Anyway, some of those battles generated brilliant music. This also happened here ...

  • ... I can't see any envy in Stan's face. What I can see, is an exchange of friendly smiles between the two. Both grew up in very different socio-cultural environments, as you may imagine. One is an African-American with everything attached what came along with that, be it musically, racially (I don't like that word at all), or religiously; whereas the other has been raised by Ucranian-Jewish immigrants, also with the typical assets: Ambition to be better than the (Jewish?) boy next door ...

  • ... be in school, or on the instrument, okay? -- Considering all that, it's ridiculous to create some imagined fights between the two. That's only for the ones who like such kinda gossip. -- Let's be happy that we have (had) them both, and their tons of creative musical output. -- To the piece: Trane was ahead of everybody at the time, and he was more familiar with Monk's music than anybody else then (with the exceptions of Steve Lacy, and Sonny Rollins). So, it's no wonder that he sounds ...

  • ... more convincing than Stan who relied on what he could do best: Let's hear the melody. And he was a master of long, melodic phrases in the upper register of the tenor. -- Trane was the ever searching preacher who was never content with the status quo. He went far beyond anything he had learned from his masters. -- So, stop reading now, and listen again (as I did it at least three times while writing that speech.)

  • Coltrane kicked the crap out of Getz, no comparison. And someone mentioned here in the comments Getz was the Kenny G of that time and that was so true. You can see Getz in awe and perhaps envious when you see him watching Coltrane playing solo and Getz doesn't get it. THAT'S how to play sax. Yet Getz was a putz playing crap pop sax which should be looked at as an embarrassment compared to anything Coltrane had done. Coltrane is an inspiration and one of the greats, and Getz is a putz!

  • Absolutely amazing. Thank you SO much for sharing this!

  • what is this song called

  • Wow --- Oscar is kicking it here. The whole band, amazing.

  • The finest. Enough said.

  • Love them both-Getz is melodic and Trane is harmonic but the rhythm is there.

  • c' est un bijou. Que des grands du jazz, c' est impressionnant.

    Il ne manque que Birdie

  • Coltrane is so boring! All those runs because he hasn't a coherant thought. Getz blows him away

  • @lgkownacki You got to be kidding me! Getz is an amateur compared to the brilliance of Coltrane. Getz is playing like a remedial version of Paul Desmond circa 1955 only without anything original. Coltrane is playing circles around Getz and making him look like a fool. You think Getz would have remembered this gig and made it his life's worth to devote his life to learning the intricacy of playing like Coltrane. No wonder this only happened once, as Coltrane only played with the best!

  • @dell4bq haven't you read any of the comments here? both of them are great for different reasons. Coltrane, a revolutionary, an unstoppable train. Getz? John Coltrane once said about Getz: "We'd all play like Stan if we could". Learn your history.

  • @shankbone01 That's just Coltrane being polite with respect for a colleage. Not to say he didn't know himself that he was just being nice as Coltrane plays circles around Getz no question. Listening to both in various recordings Getz isn't my cup of tea, sounds dated and boring, whereas Coltrane, is well Coltrane. I will stand by my earlier statement, Getz was the Kenny G of that time and I think most would agree Kenny G is crap.

  • Comment removed

  • @dell4bq 2 great men, 2 great ways of playing, but different. Both are giants. Thats like saying why listen to Desmond, when you can hear Garrett. Both are great, but they are different.

  • @jazzmasta92 In your example I would agree both Kenny Garrett and Paul Desmond are great but different in a lot of ways, as well as being in 2 different generations of jazz history. With Getz though, I just find his phrasing and solo style tired, weak and boring. Nothing inspiring at all, and while better by far than the crap Kenny G does, for it's time it seemed like it was the Kenny G of that era.

  • @dell4bq you're trying to compare a 1950s cool jazz artist with a contemporary smooth jazz artist, and it just doesn't work. Kenny g serves an audience that has no recollection of jazz history, while stan getz served an audience that existed when hard bop, bossa nova, cool jazz and modal jazz were first being realized. Jazz artists in the 1950s are more like hip-hop lyricists now. Go listen to Stan Getz's "Night Rider" or "Blood Count". We're talking about apples and oranges here.

  • @shankbone01

    you you're talking about honey and shit

  • @lgkownacki Getz is brilliant yes, but u sooo dont understand coltrane if thats what u think!

  • @lgkownacki getz is absolutley brilliant yes, but u sooo do not understand coltrane if that is what u think.

  • @lgkownacki That was, by far, the most brainless (and anti-musical) comment I've read all week. What you heard was thousands of "coherant [sic] thoughts", layered and poly-lingual, but the crude receptacle of your smugly delusional mind wasn't quite up to the task of perception. So, instead, you took a fancy to Getz' formal wear. Now run along and dust off your Harry Connick Jr CD box set...

  • Still Oscar have a probleme here.

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  • sooo much heroin

  • Comment removed

  • Two of the greatest players ever. I saw both of them, but not together.

    They were amazing and the rhythm section ain't too bad either !

    Thanks for posting this.

  • Planty I could say, friend, however, I'm in a wonderful state of mind, and choose not to relinquish it.

  • Stan Getz walking backwards, alone, up the impressive entrance steps into the 5*****Midland Hotel in Manchester uk during an interval break from a nearby Free Trade hall concert was as amazing as his sax playing. Not one falter in his substance induced trance. What a diversly talented guy! His playing after interval was amazingly wonderful.

  • What the heck is that idiot comparing Stan Getz to Kenny G. Getz had a complete command of his instrument and swung hard, had a great sound. Suck lemons. None of that detracts from John Coltrane's command of his instrument. Some have a gritty approach on some tunes and there is nothing wrong with either approach.

  • @ocnoreen I agree!! kenny g is nothing compared to getz!!!!!! :)

  • @ftenorsaxist95 Absolutely correct, but sometimes people become popular because their pretense of being musical is taken by the tin eared to be something it is not. Back to Getz, a master, as was Trane. And Bird!

  • @ocnoreen to hell with Kenny G

  • @noobasdfjkl And, why are you writing that ill tempered remark to me? I do not believe you read what I wrote which also leads me to believe that you don't comprehend jazz at all or you need to explain it more succinctly. Meanwhile, I will ignore any responses from no-nothings.

  • @ocnoreen Psh. I will answer your questions in order.

    Obviously, because i do not like Kenny G because i think he's, while a decently good saxophonist, not worth the attention that has been given to him. This comment comes ESPECIALLY after that sacrilege of covering "What a Wonderful World."

    You used the phrase "tin eared" which can be defined as "a poor ear for music"; ergo; my only conclusion can be that you believe people who listen to Kenny G to have bad taste in music.

    Part One

  • Comment removed

  • @noobasdfjkl The term braindead comes to mind in reference to you. Probably no balls as well.

  • @ocnoreen Then disprove anything i said if i am indeed so brain-dead.

    And, by the way, "braindead" is not a word.

  • @noobasdfjkl colloquialism

  • @ocnoreen Colloquialism is ruining the english language. When people start actually using the term "BRB" in substitute for actual speech, there's something wrong.

    That, and your claim that this example is colloquialism at all is disputable.

    Everything i said still stands. If you want to dispute over one word you wrongly left un-punctuated then i will have to retire from this conversation.

  • @ocnoreen haha bitch got flagged (and not by me)