Added: 2 years ago
From: DubstepTunez
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  • Ha the rasta talking near the start is a sample from a bob marley interview , its just that the pitch is tuned down so his voice is lower

  • Absolutely love both these tunes. Beastly productions

  • I've just listed this on ebay if anyone's interested?

  • haha i love flux paviliion bassline's, benga's drum pattterns , and kode 9 , dont get me started , i just cant explain how boss he is

  • @WangTheGardener listen to goth trads new stuff deep medi

  • haha lol search google: cookingwithskrillex

  • Saying something is Old Dubstep, or New Dubstep is perfectly accurate. Genres evolve over time, You think that what 'Rock' was when the term was first coined is still applicable the shit coming out now?

  • this is the dubstep root

  • this is like underground dubstep :O

  • whyyyy do i see skrillex everywhere. if you hate him so much then why mention him

  • @egobrainss1 how can you not mention that guy, his name grates away at the back of my mind.

  • @egobrainss1 I'm actually thankful for hacks like Skrillex. He and his ilk distract all the e-tards, so that the real bassheads can get down in peace.

  • I just wonder why when anyone says new dubstep is shit or whatever the first name to come up is Skrillex? Like if Datsik, Downlink, Adroa, Excision, Ajapai, Chasing Shadows, Emalkay, Nero etc. don't exist... well there is one diference tho... these artists are actually good, but Skrillex... well... he's actually rubbish even for modern dubstep . His electro house is not bad tho. Anyway "New" dubstep is good (it's intense) "Old" Dubstep is good as well and intense

  • @MoonLightRecordsUK dude i think that his electro house is pretty much th same as his dubstep just different tempo and structure! i like his music its a different style and way of viewing the genre dont really wanna talk bout him on this dank loefah tune tho

  • @Rudobi yes, we are aliens , the human mind cannot contain two things that are so different yet the same thing, this is a gift that we share.

  • they should have dropped loefah on japan goddamn that was insane

  • @locksh You can get different coloured vinyl (it is not "painted"); also etched with designs.

    @Kikaruu Most of the 2004-2007 music now called "dubstep" was mastered at Transition; their policy is tracks should be no longer than 7 minutes so they can be pressed at decent volume

  • Never even knew about stuff like this until the hip mainstream type stuff blew the door open, & now that I'm here I think to myself: these are some of the most ornery, stuck up fans I've ever seen from any music scene on the planet. Shut the fuck up about your underground and "brostep". You're the only person that cares, I promise. This is tight as shit. I think that. Other people think Skrillex is tight as shit. They think that. Some think both are. Chill out. There's enough to go around.

  • Or we could stop fussing so goddamned much over genres and labels and simply like what we hear or not and move on.

  • Okay, I have a question that might sound a little dumb. Most of your underground dubstep videos contain a photo of a CD. Do those CDs really exist or just photoshopped?

    If they do, where do you think I can buy one, and do they contain a few tracks or just one?

  • @locksh Yes, they exist, and to be precise, they're photos of vinyl records, not CDs. You can find them at places like your local record shop, eBay, or Amazon. They're usually two-sided, with two tracks, although that's not universal. For example, this release has two tracks ("Root" and "The Goat Stare"), but a certain release by Bar 9 has three tracks ("Triple Drop", "The Gun Slinger", and "Selled Souls"). So, it varies.

  • @Kikaruu Yeah I knew it's new CD just forgot the name for it.

    Kinda though that I can check in Amazon or eBay.

    Anyways, how can you play 3 tracks on a 2 sided vinyl?

    Thanks.

  • @locksh If the tracks are short enough, you can fit two or more tracks to a side. Also, depending on how hot the mix is cut (which influences the groove spacing), the length of a record can be varied. So, if a mix is quiet, one side could last upwards of thirty minutes, and if a mix is louder, you could have space for just one song. That's why some albums are louder than others, and not all albums are of same length. It's the same with other formats beside 45RPM, such as 33 1/3 or 78.

  • @Kikaruu Alright, thanks. Do you have maybe a Pathephone that you know all of that information?

  • @locksh I used to; one of those CD/casette/radio/vinyl clunkers. Also, I spend a lot of my time reading, and I listen to electronic music, so learning a bit about records was inevitable. Can't be helped. :)

  • @Kikaruu OK, thanks man. But how's that the Vinyls are painted? As far as I know they can only be painted in the middle.

  • @locksh they're not painted, they have stickers in the centre

  • @Kikaruu normally they're not in record shops, old DMZ releases are like 80 quid a go now :(

  • Hell yeah, Loefah is sucha good producer, don't be fucking tricked into thinking that SKRILLEX is dubsep, skrillex is nothing but shitty Electro music, real dubstep focuses on more of the dub part of it, not the anoyying fucking wobble bass shit.... This my friends is real dubstep at its finest

  • this is very chill dubstep, now a days with kids like myself who like to listen to the new age dubstep or more public dubstep like excision or skrillex whoever, we like the headbanger, bass-wobbler, go crazy u kno that kinda shit. but this music right here is for sittin back chillin smoke a few u kno. no disrespect at all

  • @ProTotyype17

    I agree. People are forgetting that the "new dubstep" is actually really exciting and good. So much work goes into producing excisions tracks which are made to be club bangers and get people going crazy, while older dubstep focuses on other things.

  • Every time I see an "Old dubstep is real dubstep" comment and a "this needs to be more filthy, where is the drop?" comment... I wonder why people don't like both old and new dubstep... Am I an alien liking both?

  • @Rudobi actually, the new "dubstep" is not really dubstep. Not saying it's not OK or something, I like some of the new stuff but that's not something I would call dubstep. UKF had its good times too.

  • @locksh UKF is sometimes posting some pure shit that's not even "real dubstep" — as others say for the old —. I know it's not really dubstep, compared to the original style. Because, if I'm not wrong ( correct me if I am ), the original kind of music is based on ambiant sounds and heavy basslines but not meant to be as agressive as Skrillex and Klaypex do it.. I think what made people call that new stuff is especially the wobbling bass.

  • @Rudobi Actually you are not wrong, and it is like that,

    a really good example for that will be "Night" by Benga and Coki. This new UKF shit is mostly electric music and NOT dubstep. Dubstep has an whole new meaning nowadays and there's not much we can't do about it. The last time I have heard good dubstep on UKF was the April mix, now all the mixes are just 10 seconds from each song came out in the last month. Everything I just said applies on old school DNB as well.

  • @locksh Indeed. If at least UKF could provide entire tunes, not just previews bad cutted.

  • @Rudobi It's cos it isn't 'old' dubstep. It's just dubstep. And it's not 'new' dubstep, its midrange bullshit.

  • @Rudobi I like both

  • @Rudobi Yeah pretty much. Or at least understand the fact that old dubstep IS better because IT IS DUBSTEP. This 'new' dubstep isnt dubstep... Theres no dub in 99% of the tunes its all screechy wobble shit and its majoritably awful

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  • @Rudobi People just don't realise that by them doing that they are just contradicting themselves and are just ruining the Dubstep scene. People just love to box/label/separate everything and just can't take things for as they are. Every genre evolves and has its own sub genres, if not there would only be one or two producers. Skream being one of them. By there being new artists and sounds coming from the 140bpm range they have created a movement, even in America its fucking great.

  • @Rudobi I'm 17 and listened to dubstep since about 2007 strangely (and so did lots of my mates). As i'v kind of grown up with cluekid, benga, Lsdub and skream, I feel religious to the original sound of dubstep with the dub still in it. As the even younger generation are growing up with dubstep that I feel to be more metal influenced, I'm fairly open to the change.....it's not my thing......but I'm open to it. Each to their own ear I say.

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  • @Rudobi Yes.

  • @Rudobi no dub. no sub-bass. only thing it has in common is the 2-step rhythm. not even that, most of the time. there's some good stuff coming out still. but it's virtually almost impossible to like skrillex/nero and this stuff. basically, its a death metal concert compared to classical. there might be 1 in 50 that like both

  • @getbakedtonight i like both. well not really skrillex and that newschool shit bit i've always liked the earlier original filth like rusko and bar 9. love the deep stuff as well. what?

  • @getbakedtonight I compare it as soft DnB and hard DnB. They're two really different kinds of the same genre, and I never see any soft DnB fanatics going on hard DnB song videos and bitching about how DnB just isn't the same.

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  • @Rudobi live long and prosper

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  • @Rudobi YES. You are alien.

  • @Rudobi

    True Words Dude :)

  • @Rudobi new 'dubstep' is more like electro-step. id hardly call it dubstep at all. its lost all the 'dub' influence. so yes, old dubstep IS real DUBstep

  • @Rudobi no sir they are indeed the aliens,

  • @SXTCMODE agreed

  • @Rudobi thank god i'm not the only one who likes both

  • @Rudobi new dubstep, is not nearly as good tho haha. theres no soul in it

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  • @Rudobi this.

  • @Rudobi yeah thats fine but one of them isn't dubstep.

  • @Rudobi they're just different, thats all. 'new' dubstep has a stigma associated with it which is basically opposite to what 'old' dubstep is supposedly about, so i'm not surprised at all that few people like both.

  • KEEP THIS SHIT UNDERGROUND!!!!!!

    

  • @TheBrownbomb3r yeah, we all thank skrillex xD

  • @TheBrownbomb3r WORD!

  • I forgot about all these tunes!! I'm going to go engulf myself in some Mala and Hatcha now. Then burn some trees to dutch flowers.

  • this is the real dubstep fuck all that screechy screechy shit

  • real dubstep

  • where does this dem'' voice sample comes from ?!

  • i wub dubstep

  • I feel honored to own this sexy tune. one of my all time favs

  • @DubTHC you own this.... so lucky lol i wish i could get this on dubplate

  • @crayonsRSIcK It is released... Not a dubplate anymore..

  • woww...!

  • "Dubplate"

  • It feels like the beat is a mix of two beats with a different rhytm! fkin awesome.

  • @onefourzerobpm s'called polyrhythms, mate. might want to look into that. it's only what the entire scene is based off of.

  • I FUCKING LOVE DUBSTEP

  • ahhhh so groovy

  • I feel so sorry for the computer that he created this on, how did it cope with so much reverb and bass ha. Loefah is one of my biggest inspirations, he inspired me to start making my own dubstep. Youtube account: SypherDubstep. Please check it out and let me know what you think, I make old-school sounding tunes as I am sick of this new commercial shit that just remixes shit songs in the charts. Cheers.

  • wahhhhhhhh i found it on my ipod this morning since i keep listening to it ! big tune

  • @torment3d What do you mean 'that's not true'? I was expressing an opinion.

    And what do you mean by 'repped'?

  • Last drop caught me by surprise first time i heard it, from then on it was pure addiction. Easily, without a single doubt one of the finest songs ever made

  • @SuperSuperFulham I agree with everything, but the fact, that you call this a song. You don't call all dishes soup init.

  • skrillex - commercial faggotry. this is the shit!

  • i know this guy :)

    

  • @unicornpiggy liar

  • @unicornpiggy i know skrillex. hez better

  • @morningspoon : Obvious troll is obvious.

  • @unicornpiggy you know loefah? negro please.

  • @ YeahFireKoKo Smoke a blunt then come back and listen see if you feel the same way :)

  • @LightWorkerBass lololololololol

  • that reverbed snare is amazzzzzingggg

  • /back to soad.

  • This is slow and boring :/

  • @YeahFireKoko *facepalm*

  • DubstepTunez = Real Dubstep

    UKF = Bro Step, Fidget House...

  • Loefah is the dub emperor, to anybody who disagrees or dislikes this.... this right here sums up my response ------> ,-| |-,_( *_*)_,-| |-,

  • i thought this said robot, so i clicked it. not robots, but still good :D

  • @peguin233 shouldve gon to specsavers

  • oh my fuckin god this shit is the BOMB!

  • ONE HELL OF A MONSTAH

  • All I have are a pair of bookshelf speakers in a medium sized room and my god does the bass hit.

  • goooood

  • This tune just rearranged my room. M A S S I V E indeed!

  • This is the Dubstep I like, I went to DMZ Brixton around the time this came out. Went back last year, things have moved on, a lot!!

  • First time hearing this track...love it!

  • @Spengro Well spoken.

  • I had to stop playing this track in clubs/bars years ago because the bass is so sick no ones sound system could pick it up properly and it sounded lame. It's too bad. It's no wonder everyone started using shitty midrange synths.

  • Guys, shut up and enjoy the fucking tune.

    Can't we all just get a bong?

  • @Spengro Stop complaining? You mean exactly like you're doing right now? Lol if my comment bothered you so much why don't you just ignore it? Hypocrite much? The point is that I don't like needing to deal with the ignorance on a regular basis everytime I mention I like dubstep.

    There wasn't a bunch of ignorant twats following the genre 4 years ago and thats what I miss about it. My whole point was that going mainstream causes that problem.

  • @Spengro No, ruined it. The majority of new dubstep is trash. The problem is that this new overplayed "filthy" brostep is the only thing kids identify Dubstep fans with. Most people who listen to dubstep now as opposed to 4 years ago wouldn't even know who Loefah is, and probably wouldn't even realize this song is even dubstep. The genre changed for the worse, and now every brokid and douchebag is on the bandwagon.

  • @Sja620 You speak wise words. What is with the new dubstep comming out? shit synths, poor beatz etc its like its a "who can make the dirtiest sounding synth" competition these days. What happened to the music?

  • @manonmagiccarpet Great question. I gave up on hip hop after 2004 and only go old school. With dubstep I can't stand this new sound. The old sounds are so much more better, and I can actually feel and enjoy the music.

  • @shadowdeviant44 Agree with you totally on hip hop and dubstep. Expressing it can make you seem obnoxious and one of these "I only like it if it's underground" people. But the truth is, it was so much better. I couldn't care if 1,000 or 1,000,000 people listened, if it sounds good, it sounds good.

  • @kanegills I need to be more accepting as yourself.

  • @kanegills But then people wouldnt care if 1,000 or 1,000,000 listened to decent hip hop. Truth is, just about any good Genre of music that appears gets destroyed for commercial purposes. Only one that has trooped through is UK Hip Hop.

  • @TheSixthQueen I wouldn't know about UK Hip Hop. Got the Kano album and called it a day there. Haha. I don't understand why commerciality ruins music? Granted in a lot of examples it does. More than most probably. But what makes taking the heart and soul out of music, destroying it's roots, running it through hours and hours of post-production electronics to make it sound fake and bringing out the other end sugar coated shite? But obviously the masses love it.

  • @shadowdeviant44

    Absolutely correct sir. Another old skool hiphop fan here, haven't bought any for years though. I like all sounds of dubstep but anything from the DMZ is by far the greatest

  • @jimbob578 It is hard for me to buy any dubstep music. I left England in '05, gotta into the music when i went back in'08 and really only hear about it on Offtopic. And even there it is usually all about the new stuff being pumped out. I'm still searching for the old beats, but Loefah is as far as I can find.

  • @shadowdeviant44 It's true, and it's a shame. And one conspiracy theory I've contemplated is that where dubstep is becoming so mainstream (I heard Skream on Radio 1 drivetime the other day (not my car ...)), that the once low hertz basslines needed to be altered to that annoying buzz in order for them to be heard in everyday car/radio/earphone speakers. I tried Mala - Hunter (a personal favourite) in a friends car. You'd be surprised how much of the music is missing.

  • @kanegills Well it seems that the new sound is what made the genre more popular to the masses.

    Well at least we have the old songs, that have the clear instruments in the back ground and heavy base left for us, it's just sad that it is now a very limited amount.

  • @Sja620 One word to describe the fall of dubstep, Skrillex

  • @DarkAngelEU Luckily he makes electrohouse more than he makes dubstep.

    Not that it matters to most people... sigh... :(

  • @Sja620 dubstep died in about a year, i heard this sought of dubstep at SEONE london bridge, walked out like wow what was that, never heard it in a club again..well apart from Brixton Mass (DMZ) night.

  • at 2:36 when the electro drops it's like the predator has measured you up for a head shot. boom x

  • Once upon a time dubstep was good. Too bad going mainstream ruins every genre.

  • @Sja620 Going mainstream didn't kill Dubstep, laptop speakers did. Because the sub bass can't be heard on shitty speakers, they replaced it with filth. liquido[.]dk/index.php/12-secr­et-selecto%C2%ADr-selections/5­4-who-killed-dub%C2%ADstep

    You can read about it there.

  • damn. thats so good

  • building block... wish dubstep was still this weighty and spacey... classic

  • @timmydnb its still out there - check out the latest kryptic minds album! have to agree, this is absolutely my favorite area of dubstep, i wish more went this direction

  • kinda sounds like the goat stare both are dark tracks

  • incredible

  • Ohhhhhhhhhhhhhh! This voice sample was in Skream vs Hijak - Babylong Timewarp too (: They're both awesome (:

  • Agree with you lot , MASSIVE tune

    Loefah struck a balance between utter darkness and soothing mantra-like calm in his early productions that hasn't really been bettered in the dubstep canon since. BIG UP loefah

  • @vurshon ...4 real

  • @vurshon well said, i love the intro and drop of Fearless anyone agree?

  • @vurshon that's not true - kryptic minds has repped it incredibly well.

  • DMZZZZZZ  !!!! !!!!

  • loeefah had a way diff style in the underground days

  • first, this mother hits so low! BIIIG

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