Added: 5 years ago
From: akagrin
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  • cziffra's a lion

  • I wished i knew the notation he used from 1:40-1:50. I think it was beautiful. So what if it's not the way others believe it should be. Only the best can play at this level. He earned the right to do it his way.

  • For a moment i thought i saw 4 hands on the keyboard.

  • (two words) Byron Janis ;)

  • 4:56 he made a Remix.

  • that was genuinely disappointing...

  • Comment removed

  • LOL @ 6:05 you can clearly see the expression on his face on how strenous those octaves are!

  • Hungary has nothing to do with gypsies, though gypsies represented in great numbers in hungary they are not natives, actually the native hungarians have lost of problems with them.:(

  • @csakegyvid

    what a stupid remark!

  • Am I the only one that finds this sloppy? Maybe I'm just so used to Argerich's interpretation.

  • @OriginalBasaliskos Amen. Lol. He improvises WAY too much. I can't handle it. Argerich is a genius. I listen to her recording of this often!

  • His hands were just like *SNAP* !!!

  • audio is outta sync

  • HOLY SHIT

  • i like the piece its good

  • what a speed... OMG.

  • the piano was so muddy.

  • some information about Franz Liszt (List). ..you can find in the book...Miroslav Demko: Franz Liszt, compositeur slovaque (google.books).. just search!

  • This is nice. I don't usually like Cziffra - I just plain hate his transcriptions, but that's not what this video is about, so I won't discuss that - but this is very good. He's not always the most-expressive pianist, though his technique is great. This may just be a perfect recording, though.

  • I agree

  • This is the most amazing recording I have ever heard. Bravo Mr Cziffra - and thank you YouTube!

  • If you want to listen to a "master record" just search for one. You can find enough. Its special and uniqui because he was Cziffra. Just listen how he gives the real hungarian gypsy effects in the piece. That is why its so goooood.:)

  • you have no idea what good music is then

  • thanks for your opinion but I've been playing the piano for over 16 years...but thanks youtuber.

  • You say you played the piano for over 16 years and you sound like some 12 year old sitting behind the computer thinking hes the best because he can play Mozarts Turkish March Sonata.

    The answer to all your " assumptions" is simple. Its called a interpretation. And if you didn't like it , why would you come on here and say its horrible? No one wants to hear it. Go somewhere else. We Cziffra fans, fans of a REAL muscian fillied with musicality and technique do NOT want to hear your silly comments

  • 12 years old...haha...that made my day. If you can't play anything but the Turkish March then I'm beginning to understand your frustration. You are just another ignorant, close-minded Cziffra fan. Indoctrination by others but have no opinion of your own. Btw, I came on here looking for a good verison of this song and this wasn't it.

  • First off , I am a student in Vienna. Soon to be a pianist so I play alot more complicated things than that little Sonata. Second , you call me a ignorant close minded Cziffra fan when in fact you know nothing about me , and you have no right to make such a statement about my person. I have a opinion of my own. A very good one. If you came here and looked for a good version and you didn't like it.. its called clicking to the next video and not trolling instead.

  • Cziffra has some good interpretations don't get me wrong but I didn't perfer this one. Get over it. My opinion has been stated. That's that.

  • You sir, have no idea about music then. Theres no such thing as "way too fast". Its the power of his interpretation , and if you don't like it stop trolling.

    The octaves can be played in many ways. Argerich plays them fast all the way as well. Yes he does play them fast all the way through and I love it that way because it gives the Friska more exciment. You did hear a masterpiece only you have corks on your hears.

  • If you consider "Cziffra" great...then all the power to you. I personally didn't like this interpertation. If you don't like my opinion about your omnipotent Cziffra then don't read it. It's that simple. I've been playing music for a very long time and I have the right to say what I said. It's a horrible version of this song. Though to each his own.

  • Everyone is entitled to their own opinion , and I do troll sometimes because some things are just plain terrible to me.. but the simple thing is move on and not make bad comments about the second best pianist the world has ever seen besides Horowitz. " It's a horrible version of this song" excuse Mr. Pianist that hs played for 16 years , wheres the lyrics?

    Yes everyone has their own opinion and I will stand tall to mine.

  • @contagious6969 at least if you have really been playing music for a very long time..you would have used the word piece..not song..for this piece of music.

    Get a life and start getting some piano lessons and you will know how big Cziffra was.

    You have to be big enough to know how small you are.

  • Thanks for the intellectual lesson however just because I don't use the same vocab as you means that I haven't played for years??? Ok...I understand the logic. Lol. Go bother someone else with your inane logic.

  • then..maybe after so many years of playing..isn't it the right time to get a professional teacher?

  • Also one last thing, Cziffra is known for his amazing technique. Its true his musicality was not as good sometimes but is technique was never questioned. Of course , I assume you can do a better job if you can make a statement like that?

  • I play the way I play. This song has feeling and depth...not just play as fast as you can. If you like that, then like I said before to each his own.

  • Its great that you play the way you play because everyone takes music differently. Thats why.. you should understand that instead of trying to make a statement , just say it as a opinion. Maybe stick a 'I think' (?) , He's not just playing fast. He unleashes a very emotional lassan. Its his interpretation.., you don't like it.. then just go on and not make stupid , comments.

  • You are entitled to your opinion. I have the right to say what I will about his interpretation and that is that it was horrible. I've heard many versions of this song and have played it myself and I simply do not like this version. If you don't like my comment, don't read it and don't remark on it. I was leaving a comment about what I thought of the video so that others don't have to waste their time listening to it.

  • OH my goodness. He's doing for 4-5 on those repeated octaves! That's insane!!!

  • This is too showy for Cziffra, and that's saying something.

  • This is so clean, it's almost too perfect.

  • 6:33-6:35 ! I can't keep up !

  • seriously, that's intense!!!!!

  • usually i dont really like how Cziffra plays , but i like his hardcore style here :) in fact its my favorite playing of this rhapsody , its a pitty for the quality though

    általában nem tetszik ahogy játszik Cziffra de ez kivétel , ezt ő játsza a legdurvábban , én is így szeretném játszani ezt egy nap :) .. kár hogy tényleg gyenge a minőség ...

  • whats the advantage of playing octaves with 1 - 4?

  • You save time, and speed cause you can hit another one right after 1-4 with 1-5:P if you have a big hand it will help you a lot, if not keep on 1-5:P

  • Besides, since 4th finger is longer, when playing octaves on black keys, you can hold thekeys easier.

  • Well when you plays octaves he uses this technique ( I assume I have not seen the fingering ) 1 -5 , 1-4 , 1-5 , 1-4. He switches them and the advantage is that you can play octaves quicker without making your hand hurt.

  • @MEPLUSMEEQUALSME I think that conventionally, you usually use that particularly with black notes - 4 plays black keys, 5 plays white keys. Quite helpful.

  • I'm gonna have to disagree with you there, Ben.

    1-4, even on black keys is a stretch and twist, do that for a few pieces and you'll be very tired. Using 1-5 on octaves, if you let Gravity do the pushing is much more efficient, and especially in pieces like this, efficiency is everything.

  • @assfuck15 Interesting. I get tired pretty quickly using 1-5, because I tend to start relying on my forearms for the force. If I use 1-4 just on black keys, I find it helps me transfer the energy quicker. And no; if you're doing it right and your hands are big enough, there won't be any of that stretching, twisting, or fatigue your talking about.

    Plus, letting gravity doing the pushing is probably not the best way to describe proper technique - ex. Horowitz' hands barely leave the keys.

  • He's switiching between 1-4 and 1-5 for maximum speed and clarity.

  • je suis sans paroles.......trop beau....

  • i can see him now doing finger weights

  • alucinanteeee!!!!!!

  • 6:52 to 6:57 is BRILLIANT!

  • 6:20 omg!!!

  • his technique is great, his improvisation is even better !!

  • Cziffra- wonderful playing.

  • Comment removed

  • I already finished it and I will be giving a concert on the 5th of August in Warsaw , Poland ;)

  • I'm 54 and I can't play this. There are no easy pieces. When you are older, you'll understand this. All pieces have musical challenges, not just technical challenges.  Can you play this Rhapsody as well as Cziffra?

  • Young and arrogant! It's good for you if you can play it at eleven (I strongly doubt it) but it certainly does not make the piece easier...look at the end and tell me it's not harder than any part of fantaisie impromptu for example, which is already a challenging piece...well was it simply zealous boasting or underestimation? I hope it's the second one

  • Um. He really dose play it. If you would only bother to click his name and um.. look at the video. So next time please don't insult someone when you even don't know anything.

  • he changed many things.. that's not the original version

  • Wow! You just found that out!?

  • wow..i have to learn this song soon.. :( its gonna be so hard

  • Trust me , if you know how to play good octaves , your home :)

  • Cziffra - one of the history's giant here proves it!

    Perfection!

  • Comment removed

  • liszt wrote a lot of his pieces with the intention to take everything out of the pianist. that means, go wild and crazy sometimes...sadly he also simplified most of his pieces to make them playable for the "rest". too sad. I would give my right arm to see liszt going crazy on the hungarian rapsody or better on the grand galop chromatique! but cziffra I guess is still the closer to to liszt then any other pianist.

  • Horowitz ruined HR6 as he did the HR2 I used to like his HR 2 and 6 but now I understand they are bad , he destroyed them.

  • I disagree with you here. Horowitz came from a different tradition and improvisation and changes were part of this. He always wanted to be a composers so he made changes or "improvements" as he saw fit. He did things in good style. You may disagree with what he did.

  • Yes you are right , but you have to understand the simple thing it what " I " thing what he did maybe I made it a bit unclear , and I do not want to say that he was a bad pianist but his "improvements" are not liked by me :)

    Eryk

  • I don't always agree with the"improvements" or improvisations done by Horowitz.. Marc-Andre Hamelin does his improvisation in HR2 and I don't like it. Volodos does his improvisation in these HR 13 and I much prefer Hamelin's changes. Sometimes I like the" improvements' or "improvisations' of a performer and sometimes don't. It depends on how stylish the improvement or improvisation is and how much it either adds to the piece or detracts from it.

  • What a brilliant virtuoso and refined musician!

  • i will argue that he was the greatest pianist in all of history.

  • here is what we (hungarians) were, and what we will be again soon, hopefully

  • The best pianist,, ever

  • I'm getting tendinitis just watching this.

  • Cziffra = BADASS

  • Flawless.

  • it was alllllllll PERFECT ,,,, its a pitty at the and xd

  • Georgie's PISSED!

    Nice.

  • Commentaire élégant et raffiné.

  • Vous le savez!

  • tout ça c'est un péché de jeunesse!

  • say what?

  • May not be the hardest but still needs great technique

  • Amazing

  • This song (Thompson ver) was revised in the famous 'Thompson Piano Etude' as any pianist can play.

  • it looks like his fingers just live on their own.I wish I could have fingers like that.flying over the piano with such a confedence. like liszt's hands were reborn in cziffra...hahaha

  • At 1:49 this guy improvises the part just before the Presto, and it sounds bad and excessive compared to how its written. He also adds two chords at the ending, also excessive. I think this guy is just trying to show off. I think Horowitz and more recently Martha Argerich play this piece better.

  • u have no idea waht u r talking about...hahaha!horowitz plays the hungarian rhapsody better than cziffra?hahaha

  • oh really? I have the music in front of me and can play the piece (but not any comparison to this level of playing). Go ahead, pull the music out and read along you will see what I am talking about. have you even listened to Horowitz or Argerich play it?-there is actually a video here on youtube comparing them. In that recording and other recordings Cziffra plays the piece better than here but I still prefer the other two interpretations. You should listen to Horowitz play the last few pages!

  • of course you are not able to play it like Cziffra.otheriwse you would be one of the most famous pianists of our time. I guess you are just like all the other pianists(me incl.)who play most of the music on a normal level. that cziffra improvise is normal for him and makes him the unique pianist he is.he is not pretending to be the compser, he plays the idea he has about the music.watch the vid again.doesn't his fingers look like galloping horses?

  • see my reply comment above (misplaced)

  • well, "reductive cat" should reduct his claws ahah, cziffra is showing off in a way that is very musical and not just for show, so its not "bad" or "excessive". and i think horowitz might have less difficulty at the end of the piece, but just becus of the ending chords where Cz slows down. no biggy. but I'm not gonna say Horowitz plays it BETTER, that's for opinion's sake, and for opinions sake, i like both.

  • Cziffra doesn't slow down on the ending chords. He is keeping tempo. Everyone else just speeds way the hell up there for some reason, which I honestly don't like much.

  • ya, he keeps tempo as tight as it gets, i just meant the very end, the chords at the end of the octave scale in both directions, the chords (top and bottom of piano) don't seem to go as fast as the rest of the "feeling" of the piece (speed) if that makes any sense.

  • Cziffra's playing is very impressive in it's virtuosity. His improvisation is interesting, but I don't find it tasteful. I prefer the mastery that Horowitz and Argerich have of playing expressively- their use of dynamics, tone and rubato is amazing. I find Cziffra sounds somewhat mechanical in his playing compared to the other two.

  • I disagree.

  • reductivecat: you have made some excellent points.

    It's all preference people. Why compare anyway? Enjoy what you like. Live and let live. Rachmaninoff once said that Moiseivitsch played his music even better than he himself did.

  • Comment removed

  • Why there is written "Polonaise No.2"?

  • Liszt was the man.

  • hey love the video. you said you had to weaken the quality for it to work- could you split in two but keep the quality high?

  • at the end is he trilling with his 4 and 5???

  • i think he's alternating his fingers on the repeating notes. he does it in grand galop chromatique too

  • huh huh, don't even ask

  • five stars... aren t enough

  • wow very nice very very nice

  • A GREAT PERFORMANCE.

  • I love this spontaneous playing. his cimbalom effects are different from the 'live' French performance also on this site. terrific octaves. exciting as Liszt Rhapsodies should be.

  • wow he plays this even faster than alexei grynyuk

  • His hands almost look animated at the friska, this is truly a great piece played by a great preformer, he made it seem so easy, yet I have a lot of difficulty with it.

  • The octaves...awesome!!

  • See my comment supra

  • Only fantastic and astonishing ! L'une des plus belles oeuvres de Liszt sous les doigts de l'un des premiers grands lisztiens - même encore aujourd'hui... Une interprétation inégale à pleurer !!!!!

  • Cziffra plays the ending of the Hungarian Rhapsody #2, just aded to YouTube.

  • WOAH!

    Ending So Cool

  • Is this piece harder than Jeux d'eau by Ravel?

  • The Friska is (thats the octaves)

  • I just love watching Cziffra play - there's nothing as beautiful as someone who loves the music. You can just feel that he does.

  • beautiful tune miraculously played and looks very difficult

  • i like his improv-ish section at 1:37+

    and his ending haha

  • lmao that looks hard

  • Nice Recording. I still prefer the 1950's recording by Horowitz. The excitement in the finale is absolutely electrifying, where Horowitz starts slowly but by the time it reaches climax all hell breaks loose. Some might not consider it very musical but who cares, what an adrenaline rush

  • It should be obvious that Cziffra has a way "tossing off" the most difficult pieces. Listen to his Chopin Etudes- he plays them with such a bandon and accuracy as though they were Czerny, for which he has been criticized. I like his spontaneous improvisations in the Liszt Rhapsodies- better than the Horowitz transcriptions- Cziffra rules!!!!!!

  • The only pianist around 2day that deserves 2be thought of in the same breath may be Evgeny KISSIN. For Cziffra was a sacred being in the annals of pianism. Everything he played seemed as childs play. Thee most natural player we have record of. Truly an astonishing improvisor and remarkable tone and temperament. Makes HOROWITZ look like an idiot.

  • I'm playing this piece for a competition. The octaves are the BEST part!

  • You people that negatively criticize this performance are trying to turn art into science, GIVE IT UP! This performance was incredible. Apparently with hyper critical piano critics perfection is in the eye of the beholder; though I think a lot of people would agree with me and say that there really isn't a perfect performance, so leave it alone. :)

  • holy crap.. that one handed run alone ... is so awful for me to even try.....

  • omg...that looks like it would kill the wrist >.<!! so good!! thx for posting~

  • i've only heard a few of the hungarian rhapsodies, but this seems to be the most difficult, does anyone know how it compares to the rest of them?

  • According to my piano teacher this one is the most difficult of them all.

  • oh no, this is the one i'm going to be learning!! i'm doomed.

  • Your teacher is wrong and you should never listen to teachers anyway-

  • right... thanks for the insightful reply

  • oh that's not true! i actually can play this one, so be sure it's not the most difficult! i've studied some of them (6th, 9th, 10th, 11th, 12th, 13th). in my oppinion the toughest are 2nd and 9th (i gave up playing this one), after these, maybe the 12th, and then the 6th (this one). the others are quite manageable... :)

  • The 9th is utterly horrific to play x_x all those thirds etc.

  • could anyone explain why my comment was rated -1??? hahahaha

  • Its actually one of the better constructed Rhapsodies, next to the 2nd Hungarian Rhapsody in popularity, difficulty depends a good deal on the assets of the individual technique, hand size. Octaves are easy for some and challenging for others. Many of the other Rhapsodies are more difficult but not as musical or programmed as these 2. I think the 2nd H.Rhap. is more difficult and most musical needless to say famous as well.

  • yes, you are right. and in that case, this is definately the hardest for me, cuz i am a small person so octaves are my biggest weakness.

  • Then why play a piece one is not suited for?

  • because it's a great piece and i like a challenge. and i can do octaves well, they're just harder for me than other things.

  • I agree. This piece is not that difficult. One of the easier ones in my opinion.

  • A piece is not measured just by its technique,but what it has to say,and the master composers knowledge that it is inside. Only one person played rhapsody 6 perfectly and that is Alexei Grynyuk,in my hungarian eyes and ears.

  • Ill have to disagree about Alexei (but everyone has his own opinion on interpretations) but i agree with your previous analysis

  • whoever says he cheats is a complete dumbass, you can't cheat on a frickin' piano, u just play, and if it sounds good, congratulations, jesus, retards these days

  • That was breathtaking! His skill with octaves is amazing!

  • I love it!

  • okay, do you guys know if he could play the tenths during the middle section in the left hand, or he rolled it?

  • I much more prefer the Argerich version. He is attacking the piano in many parts like it is his enemy...

  • yes he may attack the piano, but that fits in the meaning of "rhapsody". I'm a Hungarian and I feel every note played. it is Played "from the guts"

    Cziffra is a milestone, he is the one to compare to when Liszt is played. Another Liszt pianist milestone is Ervin Nyiregyházy, but seldom recordings were made by him.

    Alot of pianists can "outplay" them but I'm sure no one can "outsmart" them

  • What?

  • poignantpianist1, This guy don't cheat! It's pure skill and technique. Do you know who Cziffra is?!

  • well, i use cheat loosely

    yes, it does take skill and technique to .... cheat

    i do it quite frequently in this piece

  • What did you mean cheat? Your supposed to play every black note octave with 1-4. And if your good enough like Cziffra, he can do 1-4 on white notes perfectly also, (and faster). When I used to play this piece, I would play it slower then build up to presto. But Cziffra does like double presto lol

  • It's not the fact that he alternates between 4 and 5 on the repeated octaves that's cheating but that he seems to be omitting the thumb at times on these very octaves to make it easier to play faster.

  • alternating 4 and 5 is not cheating, that's exactly what you're supposed to do!! that's like common knowledge.

  • there is no tempo gradient.  i dont think its effective to start the octaves presto and keep presto throughout the end of the piece.

    also, i think cheats sometimes by disregarding the thumb in the octave

    he also uses 1-(4-5-4-5-4-5-4-5) alternating between fourth and fifth finger to speed up his octaves

  • So let me guess, switching fingers on repeated notes, or using one finger to hit two notes, or sliding off a sharp to hit the next note is cheating also. Give me a break

  • certainly not. i do it all the time. esp in rachmaninoff.

  • one of the best pianists the world has ever had.

  • My god - If I hay just one quater of his talent...And by the way, that monologue at the start was absolutely right...I personally consider No.6 to be the hardest out of the 4 I have learnt. I didn't even attempt it until I had had a fair wack at No.2. I am absolutely hopless at the start (D flat maj) - but have nearly got the Allegro (B flat maj). I mustn't have been doing it right, because last week, trying to play it that fast screwed my wrist up!

  • Does he also play Hungarian Rhapsody no.2 ? Do you have it?

  • OMG! Amazing!!!

  • WOOW!!! That's impossible (or even not), he starts the octaves with highspeed 120 and goes up to 130!!! I can't have enough of cziffra...

  • lol, i have to perform this piece next week, and watching this made me feel like a piece of ...crap.

  • lol, i have to perform this piece next week, and watching this made me feel like a piece of... crap.

  • he is unreal!:)

  • cziffra is soo good at improvising. i love his impro on this man its so gd

  • good job :)

  • Awsome!!!

  • tiz betta WIZ embellizhmentz

    n tru, diz iz 1 of da bez perfz eva