A very vocal violinist, amazingly so. Thank god she no obnoxious vibrato. Watch as the counter-tenor follows her bow. Breathtaking performance and aria; gets me every time.
@chmorzinski It's Peter, who is feeling pain and guilt because he has betrayed the Lord, so the counter-tenor sings "Erbarme dich" or "Have mercy on me", my God. Unexpectedly, Peter is not singing himself, so... who is singing? Bach? Us? Maybe the "sinner", and we all can fit in that character.
@gonrolgonrol: The counter-tenor sings the part of the disciple Peter. Jesus has been arrested hours earlier and Peter has denied three times to the mobs that he knows Jesus (for fear of arrest). During his third denial, a rooster crows and Peter remembers Jesus' prophesy that Peter will betray him three times before the rooster crows next. Alone, a coward to his own revolution, Peter feels great guilt and remorse. All he can do is ask for forgiveness and express his sorrow. Thus it begins.
His voice is almost like an instrument, so lyrical. But I agree that he does not hit the consonants. To me, that is disconcerting. He also lacks the urgency that this piece requires. The singer needs to convey that he is pleading to God for mercy for his eternal soul. This is not a happy song. I don't know when this young man was born, but I am wondering if he will tighten this up as he ages and the timbre of his voice darkens.
The violinist is amazing, absolutely amazing. Thank you!
@tessrosed: the violinist is Clare Salaman. As far as I know she still plays in the English baroque scene, but concentrates more on Scandinavian folk music, hardanger fiddle etc. She has a group called SYM.
Quizás las versiones de Michael Chance's o Jaroussky son mejores técnicamente, pero la expresividad que le pone Jonathan Peter Kenny, no la tiene ninguna de las otras dos versiones.
Perhaps Michal Chance's or Jaroussky's versions are much better technical details, but the expresivity that Jonathan Peter Kenny puts, the another two versions don't have. Amazing, so so beauty performance
His voice doesn't sound like a countertenor's, but as a child's . The music is really good, but Michael Chance's or Jaroussky's versions are way much better. They have a deep voice and here we can see Kenny is missing technical details in some parts of his performance.
@57anthony I personally do not think so, everytime i hear this it blows me away, it´s just beautiful. That´s why Bach is known to be the father of music.
tienes toda la razón, la simpleza de la interpretación del violín conjuga a la perfección con la hermosa voz del contralto Jonathan Peter Kenny... no ha nada más conmovedor, no lo hay.
de las que he oído, sin lugar a dudas esta es la interpretación que más me impacta, la que hace Julia Hamari es más dramática, pero esta, pienso yo, es más melódica y acorde a lo que reclama "ten piedad de mi Señor", es una humilde opinión.
The music doesn't need translations. Feel it my friend!!! Thismasterpiece was produced and ideed by goodness towards a genius. If you feel something strange in you, you'll be understand the essence of this masterpiece.
I saw this production at BAM this year. It was one of the most profound music experiences I've ever had in my 27 years of life!!! Jonathan Miller is a genius. Bach's music is so evocative that it only makes sense to perform the passion this way, and not in a standard concert format where everyone stands in a line, faces forward while chorus and musicians stay still.... so boring
Merci d'avoir mis en ligne la vidéo complète de cette version. Ce voix de haute-contre est très pure et son discours dramatique est fidèle à l'intention de Bach.
Allez écouter la version de kathleen Ferrier, pour la version en voix de femme; Wonderfull
Playing Bach without ornaments is like playing Tchaikowsky's piano concerto with a cembalo. It just sounds quite sectarian. I love this aria though. Who doesn't?
This comment has received too many negative votesshow
It's almost impossible to play Bach wrong... still, these people do a lousy performance... Bach is human, his music is like breathing...this one sounds like a showpiece for American audience...
Can anyone give me links to other fragments of this version of St Matthews Passion? Saw it on TV last year and thought these guys and girls lifted the passion into an opera.
I wonder how such a music could be ever composed. J. S. Bach is "mein Gott". Sometimes , when listening his adored compositions, I can't hold my tears of joy. It's the same when listening Antonio Vivaldi. Those two were from another planet, from another dimension.
Genius Mass great performance amazing tenor by Jonathan Peter Kenny go head J.P.Jenny you have that high sense of greatness like Philippe Jaroussky and Andreas Scholl. I like your throat completely.
The notion of long, flowing lines played with an endless slur mark has nothing to do with the Baroque. That is a 19th c. aesthetic.
Ornaments are a natural part of Baroque performance practice, so natural that the composer didn't have to write them in. In Bach's time, they rarely played music of dead composers. They mostly played contemporary music. Musicians only had to know contemporary performance practice.
This is the best violine on this subjekt for my understandings,vocal is respectable, but violine is better to my ears then usual.Violine in this part must be frendly with modesty. And it is.
I was lucky enough to attend a performance of the St. Matthew Passion, directed by Jonathan Miller, in Glasgow. This is the most powerful interpretation of "Erbame Dich" I have ever seen. The fact that the string player and the counter tenor stand over him, almost chlostrophobically, helps to show the depth of the feelings Peter has.
My favourite Bach excerpt from my favourite Bach mass. I believe the 'male' voice doesn't have this annoying vibrato that female singers tend to produce in the upper registers. But that's a matter of taste of course. It's also more authentic since, if I'm not mistaken, in Bach's time, female singers weren't used in the choirs.
His performance would indeed have been the best I ever heard, but for his terrible diction... That really spoils it somewhat for me. But alas, I still recognize he's doing quite a good job.
This is from the Jonathan Miller production. It is a semi acted production and has been on tv many times. I recorded it yet again, as it was on Dutch tv yesterday- Good Friday. It is very moving and Jonathan Peter Kenny is sublime as counter-tenor. I have been watching it all day!!
This is really one of the greatest pieces of music ever composed.I strongly believe that Bach has reached some levels of beauty and splendor beyond any limits of human understanding.
Soo moving the voice is awesome, having the violinist in view is so touching, the person standing there with head bowed I assume is the person who plays Christ? Such quality of violin and much more the voice is so touching!!!
Estoy de acuerdo, No conozco muchas versiones de pero de todas las que he oido me quedo con esta. Mejor un contra tenor que no una soprano para este aria. Muy acertado la entrada del violín, me gusta más que la habitual. Por cierto no sabrás como conseguir el dvd, verdad?
Original Text Arie Erbarme dich, mein Gott, um meiner Zähren willen! Schaue hier, Herz und Auge weint vor dir bitterlich. Erbarme dich, mein Gott. English Translation Aria Have mercy, my God, for the sake of my tears! See here, before you heart and eyes weep bitterly. Have mercy, my God.
I love the blend he has with the rest of the group. Too many soloists try to stand out, where he becomes a member of the orchestra. Absolutely beautiful
Eu vi a gravação em uma mostra "ovation" da televisão.Era sobre Bach. Eu penso de que é mais melhor no youtube que canta esta parte.
I saw the recording on a Television show "Ovation." It was about Bach. I think that he is the best one on youtube singing this piece. Sorry if my Portuguese is bad.
Where is this video from? I've been searching for it with Google but I only keep finding a CD of highlights from Miller's staging...is the full passion this is taken from available on DVD?
wow this is fantastic
voodoochild12889 3 weeks ago
wow, beautiful playing.
kerumble 1 month ago
I just realized. The violinist looks incredibly like the silent film actress Bridgette Helm.
PointyTailofSatan 1 month ago
Is she simply the 1st violin, or someone famous? I've never heard anyone capture the essence of Baroque violin better than this.
PointyTailofSatan 1 month ago
Stunning!
2partsWhimsy1partWry 3 months ago
This version is amazing! Damn right amazing!
milosbar 4 months ago in playlist Vídeos favoritos de milosbar
this is divine
TheTriana0 4 months ago
A very vocal violinist, amazingly so. Thank god she no obnoxious vibrato. Watch as the counter-tenor follows her bow. Breathtaking performance and aria; gets me every time.
Drakopulous 5 months ago
The Bass line is the thoughts of a doomed man. Boom boom bom.
Drakopulous 5 months ago
@Drakopulous
No, it's a heart beating
kootryte 3 weeks ago
Ok thanks
chmorzinski 5 months ago
Lovely
FinnJohnn 7 months ago
The violin player has good intonation but not enough expression. And who's the guy standing in between the two performers?!
chmorzinski 11 months ago
@chmorzinski It's Peter, who is feeling pain and guilt because he has betrayed the Lord, so the counter-tenor sings "Erbarme dich" or "Have mercy on me", my God. Unexpectedly, Peter is not singing himself, so... who is singing? Bach? Us? Maybe the "sinner", and we all can fit in that character.
sion7111 9 months ago
@chmorzinski
One of the other solo performers Matthaus is more than 2 performing musicians. ;-)
lyriesch 7 months ago
@chmorzinski Needs more cowbell ( vibrato ) lol. Not
Drakopulous 5 months ago
Comment removed
vjunk 11 months ago
Does anyone know in which biblical context this is inspired of?
gonrolgonrol 11 months ago
@gonrolgonrol: The counter-tenor sings the part of the disciple Peter. Jesus has been arrested hours earlier and Peter has denied three times to the mobs that he knows Jesus (for fear of arrest). During his third denial, a rooster crows and Peter remembers Jesus' prophesy that Peter will betray him three times before the rooster crows next. Alone, a coward to his own revolution, Peter feels great guilt and remorse. All he can do is ask for forgiveness and express his sorrow. Thus it begins.
vjunk 11 months ago 3
@vjunk Many thanks! :)
So this is Peters lamentation!
gonrolgonrol 11 months ago
Nice. Great aria. Great Bach. The best version I've ever heard is Nicholas Spanos's. That is just otherworldly.
tamerlano236 1 year ago
@tamerlano236 no way, Scholl is way better
pyrrooo 1 year ago
@pyrrooo Tastes differ. I prefer Spanos's version.
tamerlano236 1 year ago
Esse violino... me deixa tão introspectivo.
fabiocezar 1 year ago
His voice is almost like an instrument, so lyrical. But I agree that he does not hit the consonants. To me, that is disconcerting. He also lacks the urgency that this piece requires. The singer needs to convey that he is pleading to God for mercy for his eternal soul. This is not a happy song. I don't know when this young man was born, but I am wondering if he will tighten this up as he ages and the timbre of his voice darkens.
The violinist is amazing, absolutely amazing. Thank you!
picklevalentine 1 year ago 2
nice...very nice sound but the consonats missing a little bittttt
tastibasti 1 year ago
this is so beautiful. one of my favorites of Bach.
gudnyvalborg 1 year ago
You don't get much better than this - an all star cast, truly mazing performance and certainly one of the best in the world !
Consoltremass 1 year ago
@tessrosed: the violinist is Clare Salaman. As far as I know she still plays in the English baroque scene, but concentrates more on Scandinavian folk music, hardanger fiddle etc. She has a group called SYM.
temporaryparisian 1 year ago
@temporaryparisian Cool, thanks for the information :)
tessrosed 1 year ago
he has such a warm and wonderful voice,,,,any more music of this counter tenor???
hafoko 1 year ago 3
Please, who is the violinist?
tessrosed 1 year ago
This is an extraordinarily moving version. What an amazingly beautiful voice. I think it suits this aria perfectly.
tessrosed 1 year ago 3
thanks for sharing
feel it especially on Good Friday
famousprincesses 1 year ago
this is the best version...
I´ll cry all day now
bobstronge 1 year ago
Extraordinary talent the violinist!
gzaenker 1 year ago
nice!
juliusadamsmusic009 2 years ago
Dios Wonderfulll!!
arolo92 2 years ago
This comment has received too many negative votes show
bit fast, not the right voice this wonderful music
leovandorp 2 years ago
Qué suavidad, qué delicadeza...que delicia escuchar esto...
1627mas 2 years ago
This violin... got me chills...
MusicPortray 2 years ago
La violinista toca muy bien el violin barroco.
BWV2000 2 years ago
This comment has received too many negative votes show
Está bien, pero es GAY
AristYdes 2 years ago
qué extraño que este tipo de comentarios venga siempre de latinoamérica...
senesino83 2 years ago
porque somos mas machos
AristYdes 2 years ago
Comment removed
dego1394 2 years ago
Quizás las versiones de Michael Chance's o Jaroussky son mejores técnicamente, pero la expresividad que le pone Jonathan Peter Kenny, no la tiene ninguna de las otras dos versiones.
Perhaps Michal Chance's or Jaroussky's versions are much better technical details, but the expresivity that Jonathan Peter Kenny puts, the another two versions don't have. Amazing, so so beauty performance
algajerez 2 years ago
His voice doesn't sound like a countertenor's, but as a child's . The music is really good, but Michael Chance's or Jaroussky's versions are way much better. They have a deep voice and here we can see Kenny is missing technical details in some parts of his performance.
oliveratto 2 years ago
It dosn''t really reminds me about : ABBA - Chiquitita
yourdearmirror 2 years ago
Yeah! How come Chiquitita is the first related video to this? Bizarrrrr
violistarevirtuoso 2 years ago
She play very good violin,
5*
louloubeb 2 years ago 2
que pensaría Bach si viera como una de sus mejores obras sigue siendo interpretada de una forma tan hermosa, que pensaría él, el Dios de la música...
tato4527 2 years ago
Bien dicho: el alfa y la omega...
cgrtandil 2 years ago
It also does depend on one's mood probably, but for me this is one of the most impressive compositions I know.
Thank you for this clip.
57anthony 2 years ago 16
@57anthony this is the greatest music ever, you dont need to know more
atirisdes 1 year ago
@57anthony I personally do not think so, everytime i hear this it blows me away, it´s just beautiful. That´s why Bach is known to be the father of music.
milosbar 1 month ago
es la mejor versión que he escuchado en toda mi vida !!!! perfecto!!!! sin el odioso vibrato en la voz y el violín.... aaaah, soy feliz...
joycedusoleil 2 years ago
tienes toda la razón, la simpleza de la interpretación del violín conjuga a la perfección con la hermosa voz del contralto Jonathan Peter Kenny... no ha nada más conmovedor, no lo hay.
tato4527 2 years ago
de las que he oído, sin lugar a dudas esta es la interpretación que más me impacta, la que hace Julia Hamari es más dramática, pero esta, pienso yo, es más melódica y acorde a lo que reclama "ten piedad de mi Señor", es una humilde opinión.
tato4527 2 years ago
The music doesn't need translations. Feel it my friend!!! Thismasterpiece was produced and ideed by goodness towards a genius. If you feel something strange in you, you'll be understand the essence of this masterpiece.
MrAsmodeo666 2 years ago 12
@MrAsmodeo666 : Yes !
3NUNS 1 year ago
someone can please translate it to english?
downloader46 2 years ago
I saw this production at BAM this year. It was one of the most profound music experiences I've ever had in my 27 years of life!!! Jonathan Miller is a genius. Bach's music is so evocative that it only makes sense to perform the passion this way, and not in a standard concert format where everyone stands in a line, faces forward while chorus and musicians stay still.... so boring
fredg77 2 years ago
Comment removed
tato4527 2 years ago
Merci d'avoir mis en ligne la vidéo complète de cette version. Ce voix de haute-contre est très pure et son discours dramatique est fidèle à l'intention de Bach.
Allez écouter la version de kathleen Ferrier, pour la version en voix de femme; Wonderfull
danyto75 2 years ago
Petter Kenny is really good, but in my opinion the best interpretation of this aria is with Rene Jacobs
Petter Kenny es realmente bueno, sin embargo en mi opinion, la mejor interpretacion de esta aria es con Rene Jacobs
LordMagros 2 years ago
I listen now Michael Chance's version. I'm not agree is better than J.Peter-Kenny. J.Peter-Kenny is more intimist and sweet
bartraso 2 years ago
Bach is god
ilovevicecity 2 years ago 2
The dramatization is also quite horrifying...
doppelgriff25 2 years ago
Playing Bach without ornaments is like playing Tchaikowsky's piano concerto with a cembalo. It just sounds quite sectarian. I love this aria though. Who doesn't?
doppelgriff25 2 years ago
This comment has received too many negative votes show
It's almost impossible to play Bach wrong... still, these people do a lousy performance... Bach is human, his music is like breathing...this one sounds like a showpiece for American audience...
Juhanissimus 2 years ago
"Erbaaaarme deeee..." I absolutely love this piece, and what a wonderful voice!!
elvis2517g 2 years ago
Wonderful!
mradaChris 3 years ago
Can anyone give me links to other fragments of this version of St Matthews Passion? Saw it on TV last year and thought these guys and girls lifted the passion into an opera.
stamatis53 3 years ago
JS Bach was the basis of all music made ever after. Listen to for instance Abba's 'Head over heals' intro. It would fit in the Mattheus Passion.
stamatis53 3 years ago
I wonder how such a music could be ever composed. J. S. Bach is "mein Gott". Sometimes , when listening his adored compositions, I can't hold my tears of joy. It's the same when listening Antonio Vivaldi. Those two were from another planet, from another dimension.
cgrtandil 3 years ago 2
Genius Mass great performance amazing tenor by Jonathan Peter Kenny go head J.P.Jenny you have that high sense of greatness like Philippe Jaroussky and Andreas Scholl. I like your throat completely.
whomakemefeel 3 years ago
fagottist, I think you're right. In my opinion Bach never intended to put any ornamentations whatsoever.
brumpchelichka 3 years ago
You are both welcome to your opinions and preferences.
However. ornamentation is a part of the performance practice of the period.
You should see the ornaments Bach added to his personal copies of his published works.
wcbroccoli 2 years ago
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wcbroccoli 2 years ago
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wcbroccoli 2 years ago
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wcbroccoli 2 years ago
How did you form this opinion?
This violinist is playing the ornaments that appear in the original performing part from a performance Bach directed.
vdgplayer 2 years ago
wow that contra tenor is breathtaking...
guitar98765 3 years ago
i mush prefer the violin part without the little ornamentation at the start. i feel the ornamentation spoils the flow of the melody a little.
fagottist 3 years ago
The notion of long, flowing lines played with an endless slur mark has nothing to do with the Baroque. That is a 19th c. aesthetic.
Ornaments are a natural part of Baroque performance practice, so natural that the composer didn't have to write them in. In Bach's time, they rarely played music of dead composers. They mostly played contemporary music. Musicians only had to know contemporary performance practice.
wcbroccoli 2 years ago
Piękny głos i śpiewa bardzo muzykalnie.
Skrzypce mogły by być lepsze.
amabeline 3 years ago
This is the best violine on this subjekt for my understandings,vocal is respectable, but violine is better to my ears then usual.Violine in this part must be frendly with modesty. And it is.
HerrvonFreizeit 3 years ago
I was lucky enough to attend a performance of the St. Matthew Passion, directed by Jonathan Miller, in Glasgow. This is the most powerful interpretation of "Erbame Dich" I have ever seen. The fact that the string player and the counter tenor stand over him, almost chlostrophobically, helps to show the depth of the feelings Peter has.
St00sh13 3 years ago
Erbarme Dich
Mein Gott
Um meiner Zähren willen
Schaue hier
Herz un Auge
Bitterlich
appelsientje112 3 years ago
My favourite Bach excerpt from my favourite Bach mass. I believe the 'male' voice doesn't have this annoying vibrato that female singers tend to produce in the upper registers. But that's a matter of taste of course. It's also more authentic since, if I'm not mistaken, in Bach's time, female singers weren't used in the choirs.
dbertels 3 years ago
This is so flubbergasting beautiful .....
Haaglander 3 years ago
The melancholic dissonance between the voice and the violin is so overwhelming at points.
mzxrandom 3 years ago
Anyone got Buß und Reu from this performance? Can't seem to find it :( he makes it so good... gosebumps 2k!
abbiz 3 years ago
devine music mmm
ikeaantwerp 3 years ago 2
cuts straight through the soul
Nesciio 3 years ago 8
she really looks like elaine, nice 90s style and still the most touching performance of that aria i ever heard
schlagersuesstafel 3 years ago 3
His performance would indeed have been the best I ever heard, but for his terrible diction... That really spoils it somewhat for me. But alas, I still recognize he's doing quite a good job.
InspiredIndividual 3 years ago
beautifull, best performence of the passion in my opinion. btw the violinist looks a bit like elaine from seinfeld don't you think?
janjohandealgenman 3 years ago 2
It's Erbarme Dich not Dee.
oorlam 3 years ago
That was his/her point exactly. LOL
GeminiAmbience 3 years ago
Who's the Dee in 'Erbarme Dee' ?
Nice restrained performance, good sound, terrible diction.
tomistocles 3 years ago
*grin*
Nesciio 3 years ago
By far the best interpretation of the passion..!!
trahew1 3 years ago
... too far!!!
egooidios 3 years ago
puff
kuzeeyy 3 years ago
real baroque....
DannyKnopfler 3 years ago
Sublime
leocorhei 3 years ago 2
wasssen das? so was lol
Mario3933 3 years ago
sissy but sooo beautifull hehehe congratulations
erikkournikov 3 years ago
Sublime music of a genius, never diminishing, down through history.....only adding more and more devotees.
joycehays 3 years ago
does anybody know the name of the violinist?
kakokikiriko 3 years ago
I just finished watching this as well. The counter-tenor is amazing. His voice is so beautiful, I had to stop everything I was doing and just listen.
rushwriter 3 years ago
omg!!! That's what I had to do also....
JMCaldwellAcademy 3 years ago
Where's the rest of the passion???
Someone post it in this version please!
luisfcdarcadia 3 years ago 2
This is from the Jonathan Miller production. It is a semi acted production and has been on tv many times. I recorded it yet again, as it was on Dutch tv yesterday- Good Friday. It is very moving and Jonathan Peter Kenny is sublime as counter-tenor. I have been watching it all day!!
alberspower63 3 years ago
Sagenhaft, wunderbar, göttlich!
Bach sei Dank
berndschafer1 3 years ago 4
huh? jk jk can u like, understand what the guy is singing? can u understand what I'm typing? lol :b
JMCaldwellAcademy 3 years ago
Our German fellow said:
Faboulous, magnificent, devine!
thank you Bach
-I'd say not bad for a 16-year old Dutchman...
MartinMemelink 3 years ago
who's 16? the guy singing? doesn't look like it though...or the German dude?? :)
JMCaldwellAcademy 3 years ago
Bit of a strange reply, sorry. Like the contertenor a lot!
MartinMemelink 3 years ago
Great aria.....
beautiful singing....
BachLoveNat 3 years ago 2
crying violin ( or really cello) and countertenor weaving the melody with these heart breaking words
kiya3 3 years ago
This is really one of the greatest pieces of music ever composed.I strongly believe that Bach has reached some levels of beauty and splendor beyond any limits of human understanding.
vixenutza 4 years ago 19
Soo moving the voice is awesome, having the violinist in view is so touching, the person standing there with head bowed I assume is the person who plays Christ? Such quality of violin and much more the voice is so touching!!!
39neilm19 4 years ago 4
The man with the bowed head is actually Peter, who has just denied Christ.
fennavis 3 years ago 3
Off course! thanks for the information, and have a great Paasdag!weekend
39neilm19 3 years ago
Es una versión verdaderamente maravillosa de un aria tan bella que es casi difícil soportar tanta perfección. El texto en español es:
Ten piedad de mí, Dios mío,
advierte mi llanto.
Mira mi corazón
y mis ojos que lloran
amargamente ante Ti.
¡Ten piedad de mí!
irismichael 4 years ago 3
Estoy de acuerdo, No conozco muchas versiones de pero de todas las que he oido me quedo con esta. Mejor un contra tenor que no una soprano para este aria. Muy acertado la entrada del violín, me gusta más que la habitual. Por cierto no sabrás como conseguir el dvd, verdad?
bartraso 2 years ago
This has been flagged as spam show
jajajjajajaj!!!!
me mató ese comentario q me dejaste,
el q dice...te imaginas presentarle a una d estas a tus viejos??
ajajajjajajj!! estoy en el trabajo...y me tente!! me cague d la risa!!!
muy muyyy bueno estuvo...gracias por la buena onda!!
besos!!
agusgolden88 4 years ago
Extraordinary, not only sound but whole atmosfere. Would you be so kind to post
some more videos, or tell us where to get
full video. Can you tell us something about other artists from video - violin players, ...
This is best performance of Erbarme Dich I
have ever seen.
Thak you. Please some more.
Boriskovich23 4 years ago 6
me gustaria si alguno puede darme la traduccion al español de esta impresionante aria de J. S. BACH.
juanchoargentina 4 years ago 2
god sended both song and bach
buraka9 4 years ago 2
trop sexy ! Belle expression en tout cas, bravo ^^
totocea 4 years ago
Tłumaczenie polskie.
Zmiłuj się nade mną,
Mój Boże,przez wzgląd na me łzy
Spójrz tutaj,
Serce i oczy gorzko płaczą,
Zmiłuj się nade mną ,
Moj Boże,przez wzgląd na me łzy.
Regret and hope of St.Peter in beging for forgiving.What a theme! what a drama!
toisa13 4 years ago 2
linux007 4 years ago 2
I love the blend he has with the rest of the group. Too many soloists try to stand out, where he becomes a member of the orchestra. Absolutely beautiful
bschwartzberg 4 years ago 2
what a magnificent voice. Love the viola part too
memecapotte 4 years ago 2
Nicely done and nicely filmed -- but what a piece of music this is! Stravinsky said of Bach "you can smell the rosin in his violin parts."
engine1385 4 years ago
Lindo timbre de contratenor.
Na minha opinião o mais completo... empostado e cheio de harmônicos.
Será que eles gravaram somente essa aria?
^^
Bruno Rebequi
corodecamaravit 4 years ago
Eu vi a gravação em uma mostra "ovation" da televisão.Era sobre Bach. Eu penso de que é mais melhor no youtube que canta esta parte.
I saw the recording on a Television show "Ovation." It was about Bach. I think that he is the best one on youtube singing this piece. Sorry if my Portuguese is bad.
linux007 4 years ago 2
Good try. Congrats!.
AliMoni2007 4 years ago
wooooooooooow
best of counter tenor
berndschafer1 4 years ago
Very beautiful. Viola obbligato and voice perfectly match. The voice is superb, but I can hear some breathing imperfections.
amfortas83 4 years ago
His voice is so beautiful! But judging from the skills he is not as good as Michael Chance.
hydestein 4 years ago
wow i love this aria.. i will buy the entire dramatization of course ^^
rantech 4 years ago
A great Moment.
renoirjean2006 4 years ago
A beautiful timbre without the "German school" singing in the back of the mouth.
This is like the natural voice element in the steps from base to soprano.
So wonderful... rejoice God, that we, pity, do have such voices among us!
instrumentlada 4 years ago 3
Great, Just Great
linux007 4 years ago
Hey...who are they?? the sound is perfect, and all the perfomance!!
friendlybarman 4 years ago
Where is this video from? I've been searching for it with Google but I only keep finding a CD of highlights from Miller's staging...is the full passion this is taken from available on DVD?
Thanks,
Jim
GeminiAmbience 4 years ago
Jim, did you ever get an answer? I would love to have a full video of the entire Passion.
jleerobbie 4 years ago
Unfortunately I did not. :(
GeminiAmbience 4 years ago
GORGEOUS voice...like a marriage between Michael Chance and Andreas Scholl.
A great performance.
GeminiAmbience 4 years ago
Wonderful recording, violin and voice, both very emotional and yet very reserved and giving full honor to the music.
malwida 4 years ago 2
a great version, very good voice and tempo
madavar 4 years ago