Added: 1 year ago
From: HMV163
Views: 1,735
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (9)

Sign In or Sign Up now to post a comment!
  • I have this one on a Luis Russell CD "The Luis Russell Story 1929 - 1934"

  • Is that bass player suing a specific style of playing, or is this how basses all sounded back then?

  • @Joebone18974 : I guess the bass player is placed near the microphone to get that sound. This exposed style of playing the bass / recording the bass player is not common, at least not on all other records i own from this period.

  • @HMV163 Great jazz 78! My guess why the string bass is getting that percussive slap is to double for the missing traps man.(drummer) There isn't even a cymbol at this session, as you hear the banjo fade it out instead. Great record!  Could these guys be from the Mills Blue Rhythm band? Red and Higg were members.

  • @Joebone18974 This style of bass playing is called " Plucking the bass" It was in fashion at the time along with Slapping the bass....Plucking the strings give a much more pronounced bass sound..Welman Broaud of the Duke Ellington band used this style to good effect on the later 20s records

  • This 1930 recording is by a slightly condensed Luis Russell Orchestra . I suspect they used an alternative name because of contractual issues . J.C. (later with Fletcher Henderson) of course played trombone.

  • The saxophonist is altoist Charlie Holmes, trumpet: Henry 'Red' Allen and the strong bass player is Pops Foster.

  • Higginbotham plays trombone, not saxophone.

  • Nice "shag" - love the groups name lol.........

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more