Added: 2 years ago
From: AllmuthAndorsch
Views: 19,660
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  • Que simplicidad y que resultado, impresiona!

  • My first thought when i saw the guzheng player was that she was Yuan Sha, I had to check the credits, to find out that it was Yuan Li playing, she looks so much like her sister now. She has come a long way.

    As for using the Guzheng as a percussion instrument, it works well in the right piece, same goes for pipa and koto, a sound system with decent bass reproduction helps. A few modern composers have exploited the Asian zithers range of percussion effects.

  • I love Tan Dun's Conducting.. it's so off!! :)

  • Amazing!

  • Wow...this music blows me away.  What an arrangement and composition! Ony Tan Dun...his signature...

  • Isn't the opening the same as his Ghost Opera 1st movement 4min 50sec?

  • really don't understand how he makes any instrument to be as a percussion. though it sounds harmony but not beautiful or classical, not serious music at all.

  • @melodiesong

    Consider the origins of so-called serious music. The violin derives from someone's concept of stretching animal sinew over a resonant chamber and stroking it with horse hair.

    Tan Dun capitalizes on the 20th century emancipation of sound and composes quite seriously attainable, accessible, and enjoyable music.

  • I recall reading in a music history book that in a Chinese treatise on musical theory, dividing the octave into 12 steps could be done, but only by ''fudging' on the mathematical precision of some of the supposedly equal number of vibrations per second to make them fit. This did create a family of scales that

    could flow into each other through modulation

    formulae: i.e., the tempered tuning system of Western music. It was seen just as an interesting footnote to the science of acoustics.

  • she look like her sister!

  • This is sooo COOL!

  • where is the venue?

    any performance information?

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