How very wonderful it is to have this great recording, but also, the history, the mystery, and the wealth of information, including the anecdote bearing on the young Mozart. It brings new magic to the piece.Thank you so much treblechoir99. The photos are also outstanding.
How very wonderful it is to have this great recording, but also, the history, the mystery, and the wealth of information, including the anecdote bearing on the young Mozart. It brings new magic to the piece.Thank you so much treblechoir99.
I heard David Willcocks in an interview say that the day they recorded this they started late because Roy was late coming in from the rugby field! Plenty of fresh air in his lungs and clearly no time to sit around getting nervous. Just another day in the life of a chorister - and so much pleasure for us.
@treblechoir99 Re. Willocks's anecdote about lateness and rugby: he also mentions it and talks in much detail about this recording and others in an extensive interview recorded in 1984, which you can hear on the British Sound Archive website (a search for 'Willcocks' brings up the one result).
Do any New Yorkers remember Bill Watson opening his all night classical music program with a recording of this performance at midnight of the day President Nixon resigned from office? It's an experience I will never forget.
Should the online version of the Oxford English Dictionary ever require a definition for the phrase - 'Nailing it', they'd do well to simply provide a link to this recording.
I am not religious at all, but since I first heard this (in a CD I was given around the time of my Irish leaving cert) it has been the singularly most stress-relieving piece of music I have ever been graced with. It's one of the few things I am ready to thank Christianity for. Sheer transcendent beauty - like a transportation to the clouds.
@BandWagon1987 well said,I am not Christian although I had sung many years in boys choir/serious quality/.But the feeling of singing amazing works in huge cathedrals and goose humps is something out of this world.I like many types of modern music , but this is something I will always go back and enjoy.I really thanks Christianity for this although I am an Atheist....
@rabin1111 This is why I love the net. People who would never meet conversing on a common theme. Thank Science, and as the supersaturation of religion dictates, thank God I'm an Atheist :p
C'est très très beau. Je souhaite la chorale de mon église pouvait chanter quelque chose d'aussi merveilleux que cela. Superbe interprétation de la pièce. Tout le monde dans ma maison se turent quand j'ai commencé à jouer et je pense que ma mère était au bord des larmes. Très bien fait!
I'm not entirely sure if my french is correct in places. i'm a little rusty!
Nice comment, Boolph. You are right. When I was a schoolboy in England, the King's choir was held up to us as THE standard for tone and tuning. But more recently this style of voice production for boys has been under attack, with directors favoring the "forward" tone that George Malcolm introduced at Westminster Cathedral.
just another aspect of why this is so good is the tuning..major 3rds and major 7ths sung almost sharp and 5ths(dominant ) almost flat. I suspect David Willcocks worked harder than most choral conductors on this with boys in rehearsal. I don't think the recent kings choir you hear at christmas is quite as good at this.
Roy himself said that he needed good pitch on the last G, he found it really hard to stay in tune. I bet he work reeeeeeeeeeally hard to get it this good.
I own several versions of the Allegri Miserere, but this is the one I come back to most often. English cathedral and college choir schools have a wonderful tradition of teaching choral singing. Add to that the sublime voice of the young Roy Goodman and the result is exquisite.
"I looked and saw before my face the 200 angels who rule the stars and their services to the heavens, who fly with their wings and come round all those who sail" --- Secrets of Enoch
Thank you for including the very informative and useful history...essentailly important for understanding this sublime work. The performance is quite wonderful. The soprano is perfectly pure, the only minor disadvantage being that the boy understandably is not able to sing the high, solo passage all in one breath, thereby having to break the line. The Colmar recording with soprano Patrick Husson is the only that I am aware of in which that line is sung unbroken.
Thank God im an athiest. intresting !. ur thanking someone u dont believe in Rabin111
193malibog 2 months ago
It is good.It makes me feel.......I can listen I do not have to read.......It lets me cry i do not have to bleed.
rowanmark21 7 months ago
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How very wonderful it is to have this great recording, but also, the history, the mystery, and the wealth of information, including the anecdote bearing on the young Mozart. It brings new magic to the piece.Thank you so much treblechoir99. The photos are also outstanding.
Ravensbread 11 months ago
How very wonderful it is to have this great recording, but also, the history, the mystery, and the wealth of information, including the anecdote bearing on the young Mozart. It brings new magic to the piece.Thank you so much treblechoir99.
Ravensbread 11 months ago 3
@Ravensbread You're very welcome
treblechoir99 11 months ago
I heard David Willcocks in an interview say that the day they recorded this they started late because Roy was late coming in from the rugby field! Plenty of fresh air in his lungs and clearly no time to sit around getting nervous. Just another day in the life of a chorister - and so much pleasure for us.
If you ever read this, Roy - thank you!
Jamaleen 1 year ago 3
@Jamaleen I remember too, but in music's magazine, maybe in BBC music magazine.
treblechoir99 1 year ago
@treblechoir99 Re. Willocks's anecdote about lateness and rugby: he also mentions it and talks in much detail about this recording and others in an extensive interview recorded in 1984, which you can hear on the British Sound Archive website (a search for 'Willcocks' brings up the one result).
straypixel 10 months ago
Do any New Yorkers remember Bill Watson opening his all night classical music program with a recording of this performance at midnight of the day President Nixon resigned from office? It's an experience I will never forget.
bronxboy47 1 year ago
@bronxboy47 And one you are so lucky to have had.
custhdard94 1 year ago
@bronxboy47 I remember Watson. He was a very good friend. "Here will we sit and let the sounds of music creep in our ears. . . "
reybuono1 4 months ago
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bronxboy47 4 months ago
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@reybuono1
Indeed!
bronxboy47 4 months ago
Should the online version of the Oxford English Dictionary ever require a definition for the phrase - 'Nailing it', they'd do well to simply provide a link to this recording.
damnthistinleg 1 year ago 2
Unquestionably one of the best - if not THE best -- recording of this I've ever heard.
Mischafour 1 year ago
Fantastic, bought the Goodman version last year, frightened of wearing the disc out,. When you are down just listen to it!!!
Thaikappatau 1 year ago
I am not religious at all, but since I first heard this (in a CD I was given around the time of my Irish leaving cert) it has been the singularly most stress-relieving piece of music I have ever been graced with. It's one of the few things I am ready to thank Christianity for. Sheer transcendent beauty - like a transportation to the clouds.
BandWagon1987 1 year ago 3
@BandWagon1987 well said,I am not Christian although I had sung many years in boys choir/serious quality/.But the feeling of singing amazing works in huge cathedrals and goose humps is something out of this world.I like many types of modern music , but this is something I will always go back and enjoy.I really thanks Christianity for this although I am an Atheist....
rabin1111 1 year ago 2
Comment removed
BandWagon1987 1 year ago
@rabin1111 This is why I love the net. People who would never meet conversing on a common theme. Thank Science, and as the supersaturation of religion dictates, thank God I'm an Atheist :p
BandWagon1987 1 year ago
Comment removed
BandWagon1987 1 year ago
C'est très très beau. Je souhaite la chorale de mon église pouvait chanter quelque chose d'aussi merveilleux que cela. Superbe interprétation de la pièce. Tout le monde dans ma maison se turent quand j'ai commencé à jouer et je pense que ma mère était au bord des larmes. Très bien fait!
I'm not entirely sure if my french is correct in places. i'm a little rusty!
CTHSava 1 year ago 2
@CTHSava No, perfect your french. Et vous pouvez le demander à votre chef de chorale de chanter cette pièce. Je crois que ce serait possible.
treblechoir99 1 year ago
@treblechoir99 Mon choeur n'a pas plus de la diversité. Très bien fait si, il était belle.
CTHSava 1 year ago
I had this on a tape in 1987. They later released it on CD. It's the first recording I ever heard of this.
Nathan1097 1 year ago
@Nathan1097 You're very nice connoisseur, very appreciat. Really.
treblechoir99 1 year ago
Sublime....absolutely sublime!
Sidcup12 1 year ago
Amazing!
stnorberts 1 year ago
Absolutely Beautiful! Never have I heard a version in English, and this is stunning! Thank You for uploading!
P.S. J'adore la photo du Vénéré Pape Jean-Paul II le Grand!
God Bless!
hiroshi2020 1 year ago
@hiroshi2020 Oui j'aime cette photo, ça le représente bien.
treblechoir99 1 year ago
@hiroshi2020 I have listened to many versions myself, and this is the most beautiful, what a glorious voice
tudorlondon 1 year ago
God that C is so clear! I doubt anyone else could get a C that sharp and clear.
danball7777777 1 year ago
c'est vrament magnifique et glorieux. merci
HarmouzeGaff 1 year ago
Beautiful, beautiful performance of this sublime piece.
yourforte 1 year ago
Nice comment, Boolph. You are right. When I was a schoolboy in England, the King's choir was held up to us as THE standard for tone and tuning. But more recently this style of voice production for boys has been under attack, with directors favoring the "forward" tone that George Malcolm introduced at Westminster Cathedral.
blarny38 1 year ago
A window into heaven! thank you!
ninnie1943 1 year ago
just another aspect of why this is so good is the tuning..major 3rds and major 7ths sung almost sharp and 5ths(dominant ) almost flat. I suspect David Willcocks worked harder than most choral conductors on this with boys in rehearsal. I don't think the recent kings choir you hear at christmas is quite as good at this.
boolph 2 years ago
Absolutly, you're all right. Roy Goodman, exposed top Cs, remains unsurpassed in the haunting effect he achived.
Appreciat your comment, thank you.
treblechoir99 2 years ago
@boolph
Roy himself said that he needed good pitch on the last G, he found it really hard to stay in tune. I bet he work reeeeeeeeeeally hard to get it this good.
danball7777777 1 year ago
I own several versions of the Allegri Miserere, but this is the one I come back to most often. English cathedral and college choir schools have a wonderful tradition of teaching choral singing. Add to that the sublime voice of the young Roy Goodman and the result is exquisite.
C'est vrai, c'est magnifique!
Jamaleen 2 years ago 3
Exactly, agree at 100%.
treblechoir99 2 years ago
"I looked and saw before my face the 200 angels who rule the stars and their services to the heavens, who fly with their wings and come round all those who sail" --- Secrets of Enoch
ucsteve 2 years ago 2
music was the website and computer programming and video gaming of its time
LLCoolPass 2 years ago
I love this treblechoir! :)) Thanks for posting.
cabbalistic 2 years ago 2
Welcome.
treblechoir99 2 years ago
Astonishing music, astonishing performance.
dorofacol 2 years ago 3
I love soprano singers- but not much of ladies they tend to sound (in my opinion) very opra like which I hate.
JenseninBrizo 2 years ago 2
These are not ladies... the voices u can hear are the voices of young boys...its a boy choir
GhostisBoo 2 years ago
Tallis Scholar does a good rendition of this as well.
JenseninBrizo 2 years ago 3
Après les commentaires d'illustres experts, je contenterai de dire : c'est magnifique! Merci.
loupblanc26 2 years ago
Oh absolument Loupblanc. L'une des plus illustres pièce de toute la musique sacrée.
treblechoir99 2 years ago
Thank you for including the very informative and useful history...essentailly important for understanding this sublime work. The performance is quite wonderful. The soprano is perfectly pure, the only minor disadvantage being that the boy understandably is not able to sing the high, solo passage all in one breath, thereby having to break the line. The Colmar recording with soprano Patrick Husson is the only that I am aware of in which that line is sung unbroken.
sfkcbf 2 years ago
Oh yes, I remember with Husson come from Maîtrise des Garçons de Colmar, remarquable. I know why you think I remember too lol. Thank you SFKcbf
treblechoir99 2 years ago