Added: 5 years ago
From: spokoinoi2000
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  • Best performance with the highest-tech at that time!

  • Loved it ! Could listen a it a whole day !

  • It seems like this is the fastest version I've ever seen.

  • Comment removed

  • to think that a demon inspired this

    

  • Molto nuovo... man spaventosamente preciso. Bellissimo.. .

  • Dinner music? Wtf? Are you a musician or a football player? Music for you it´s just easy or difficult?

  • @krakus5813 He means the middle movement is technically easy.

  • @demosj I would say that the middle movement technically very difficult. It's not fast and virtuosic, and it is easy to play all the right notes and right rhythms, but it is still technically definitely very difficult.

  • A true virtuoso

  • Incredible performance, but I wish the sound quality was better.

  • to " snatsching...... ravel ne buvait pas beaucoup , à ma connaissance

    et j habite à Montfort et je connai bien sa maison ,

    je nai trouvé aucune bouteille

  • Something I noticed when just listening to the recording. This was not a good recording in my opinion. It sounds like the microphone was off a-ways from the piano, as we're hearing some extra reverb and noise. Therefore we loose alot of the clarity and subtlety of what Pogorelich is trying to express. A good recording makes all the difference!! I have both studied recording theory and recorded bands, so I appreciate good microphone recording technique.

  • incredibile----...-----

    

  • @OriginalBasaliskos & ProRachStravinsKiev - Bloody rubbish. The most ham-fisted crap I've ever heard in my life. He wants his hands chopping off. Even I can tell that this doesn't sound anything like the theme from Star Wars, and I know nothing about music.

  • Rarely does a pianist approach this piece with an equal combination of musical/rhythmic sensitivity and downright lightning-rod virtuosity. He gives this piece a sense of space and engergy that makes this interpretation downright breathtaking.

  • Yeah, the piano is his bitch :D

  • Wow!! How can one keep all these notes in mind without seing them? Great!

  • it would have been very interesting to see what ART tatum would have made of this.

  • Haha,your telling me of showing off?look how you just bashed me...im not trying to convince anything to anyone,is it so wrong that I ,as a croat, am so proud of Pogorelić?? assuming you are so very talented you should know that both Argerich and Hamelin admire Ivo,especially in playing this piece with him as the only pianist who is closest so far in revealing this piece's true potential using his interpretation...the evidence exists,so backup yourself with information.

  • 2:55.......what the......

  • HAHAHAHAHAHAHAHA COME HAMELIN,COME ARGERICH COME ANYONE....HAHAHAHAHAHA play this piece like this!!!!!!!!

  • @nOObR3dUct10n Pogorelich, Hamelin, and Argerich all have an equal amount of respect for one another, and probably know each other very well. It's only talentless fuckwads like you who assume they're competing against each other. Quit showing off your taste in music, nobody gives a shit.

  • @Rheostatik it's just my opinion i'm not trying to convice any1 here to anything..so looks like only you have personal problems with my comment and if you don't give a shit...why then showing your complex of being talentless to me?,and btw i'm not the one bashing others,look what you just did..in fact what i said IS true,but maybe in a joke way,because I, as a croat, am so proud of Pogorelić...is that so wrong??

  • @Rheostatik And btw...it won't hurt to be more polite as a high social circle musician as you are....I'm almost sure you won't be talking to me like this if you saw me in public believe me...

  • @Rheostatik Apparently you "give a shit".

  • Genius performance. I couldn't play it as fast as he performed even after 2 years of practicing this...

  • It's interesting to note many of you refer to this piece as a 'song'!!!???...

  • Madangel, it's not a 'song'!!

  • I wish I could play piano like that

  • Can anyone tell me where i can find the hi-fi version?!?

    That´s a fantastic song! Ravel was really crasy...

  • Holy shit is right.......I can get through Ondine, albeit at a lesser tempo. Le Gibet, being a middle movement, is easy......almost dinner music. However, Scarbo is one of the most frightfully difficult piano compositions ever written. Ravel himself couldn't even play it!!!! This is sheer, breathtaking, AWESOMENESS. Bravo Maestro Ivo!!!!

  • @jazzkeyboardman Le gibet is anything but easy.

  • @Butters109 I didn't mean A-B-C easy, but certainly easier than the first and last movements. I can play it myself, which isn't saying much.

  • I prefer his recording of this, although obviously this is incredible

  • wow... that's reaaaaalllllllllllyyyyyyyyyy fast.

  • his hands are gargantuann ahh

  • I have "discovered" (for myself) this piece only by Ivo^s interpretation...

  • magnificant!

  • a lot of hatred here isn't there?.... well i guess classical music fans are no different than rock music fans in that respect eh?

    also, though this is amazing to be sure, does anyone know an extremely difficult pieces that were made to sound good? im not saying this doesnt, but it does not sound as good as, say, Chopin's Nocturne in E flat

  • @NachtCrus well that's your opinion. music is a subjective experience.

  • @NachtCrus but if it's lyricism and virtuosity you're after then try liszt transcendental study no. 12 - 'chasse-niege'

  • @NachtCrus that is a very difficult piece (ie, the liszt trans study no. 12). my favourite performances of it are by lazar berman and claudio arrau, both available on youtube. berezovsky is quite popular too but not my preference.

  • @kingdave84 What about Luganskys?

  • @NachtCrus

    I guess for good you mean 'not dissonant'...this piece is about a horrific little monster so it was never going to a nocturne..it's an impressionistic nightmare.

    One of the other movs with 'Scarbo' in Gaspard is 'Ondine' - it is very hard as well (the gentle sounding trills are actually entire chords and are in syncopated rhythms!) and it sounds beautiful....

    Rachmaninoff Piano Concerto No 2 & 3? Lots of other concertos.

    Chopin Etudes - difficult and sound perfect.

  • @NachtCrus I Lol'd at the fact everyone responded to your comment, but what i have to say is that this piece is really deeply affecting to me, you must just not like this song or cant really connect to the feeling that is being expressed, i am a big fan of chopin's works, i especially enjoy the grand valse, sonata #2 in b flat minor op.35, and the funeral/dead march. The Nocturne was nice and all, but i prefer songs with a pang to it, so its all musical preference.

  • @NachtCrus The more you listen to complicated and less diatonic music, the more you'll appreciate it. This piece is not meant to be a peaceful night song like a Chopin Nocturne, it's about a haunting, dancing demon. While the musical world owes a lot to Chopin for his many pianistic innovations, Ravel's musical genius far outshines Chopin's sometimes simplistic meanderings.

  • @ProRachStravinsKiev "Chopin's simplistic meanderings"? Ok, it's clear you don't know what you're talking about.

  • @OriginalBasaliskos Did you see the word "sometimes" before it? Read the whole comment first. And his music does wander simplistically... sometimes. His piano concertos are some of the most non-inspired music I've listened to. I'm not attacking his ballades or scherzi, which are brilliant. You obviously haven't listened to all of Chopin's music.

  • @ProRachStravinsKiev The 'sometimes' doesn't change a thing, because Chopin didn't meander in his music, let alone meander simplistically. The Chopin concertos are some of the most uninspired music you've listened to? What about rap made for fans and not from the heart? That's more inspired? I apologize that you are unable to appreciate their beauty, because instead of listening to them you hear them. U don't like the second movement to the second concerto, or was Chopin's melody too simplistic?

  • @OriginalBasaliskos Something tells me you don't understand much about music, because you haven't really understood what I'm saying. I'm sorry I've offended you for stating facts about Chopin. As a pianist who has grown up surrounded by music, this is an opinion most musicians of my level would hold. It does NOT mean we don't enjoy Chopin. I listen to simplistic music all the time if it's cleverly arranged. And I don't have much of an opinion on rap because I never listen to it.

  • @ProRachStravinsKiev So because I don't share your opinion I didn't understand it and don't understand much about music? I'm sorry. You just keep making all these claims without ever elaborating on them. "Chopin's concertos are the most un-inspired..." "Chopin's scherzi are brilliant..." "Most pianists of my level would hold this opinion as well." "Comparing the second mvt of Ravel's concerto to a Chopin nocturne is a futile exercise..." It's clear again, you just like talking out of your ass.

  • @OriginalBasaliskos I know you don't understand much about music because you can't see the colossal difference between Ravel's piano concerto and a Chopin nocturne. That's all I have to say about that. There also aren't enough characters per comment to describe how absurdly ignorant your comments are, but your ignorance still exists, doesn't it? And next time you accuse someone of talking out of his ass, check your brazenly insecure defensiveness at the door. It's not becoming of you. :)

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  • @OriginalBasaliskos After reading this comment, I understand now. Comparing the second movement of Ravel's piano concerto to a Chopin nocturne is a futile exercise. It's also calculated meandering for the first section. Just how long have you studied music? You obviously have an opinion, but if you understood how amateur it is we wouldn't be arguing.

  • @ProRachStravinsKiev @ProRachStravinsKiev What about Ravel's piano concerto? The second movement in that one? Was that Ravel just simplistically meandering too? The second movement is very much like a Chopin nocturne, after all. Again, I'm sorry you can't enjoy music because it's too simple. It seems to me you just like talking in absolutes, without really reflecting on what you're saying. Oh, and by the way, I own /all/ of Chopin's music on CD and have listened to it all.

  • @ProRachStravinsKiev fail... 

  • @ProRachStravinsKiev Ravel had a more inspired ear than any other composer. Every single note was designed, perfectly crafted. That's just how Ravel wrote. It's a pity his profound genius is overshadowed.

  • @TehYif I agree 100%.

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  • de larrocha is a weak pianist. just like pires.

  • okay, my first thought was to say something about pogorelich's playing, which I don't normally like, but on second thought I can't help but ask myself is this really music? :P

  • Amazing performance, but listening to it you have to wonder just what the composer was thinking when he wrote this. .-.

  • @DJSessum well i heard the name translates to ghost so that gives an idea

  • @DJSessum

    in truth he was actuallt thinking that he was gonna beat Balakirev's islamey as the hardest piano piece ever written for humans

  • @looney1023 And then Sorabji started trolling...

  • @ilikehaku1100 And then no one played his music because it was too ugly and ignored its existence.

  • @demosj Some of it is nice, but most of it is hard to listen to.

  • Wow, it looks like it's in double speed or something.

  • No, I've seen the music; he's definitely playing it at the given tempo!

  • io ho avuto l'onore di girare le pagine durante una esecuzione a questo fantasico pianista!

  • io ho avuto l'onore di sedere di fianco a lui ad una cena post-concerto per poi finire a berci litri di champagne con lui, me e 4 signore tedesche. Ci ha raccontato tante cose. E' simpaticissimo e insopportabile allo stesso momento e nasconde gelosamente e malamente una grandissima sensibilita'.

  • Sei fortunato! You lucky shit.

  • Rupert lacks of control and refinement. He made a lot of dynamics, phrasing, tempo and pedal mistaks. He's what it says, an amateur. He's exceptional because he may play scarbo. Anyway, all of us, musicians, expend many years of our lifes practicing and preparing us to be worthy and responsible musicians. It's ok if he wants to play Scarbo, but for me is offensive to compare him or even post his video next to a master. We already have a lot of fine examples like Argerich, Perlemuter, Delarrocha.

  • Rupert is a joke, and so are you. Rupert would get more respect if he threw his feces at the piano rather than attempting to play it. Enough said.

  • Jajajaj Rupert is a joke and you're stupid... so what can we expect from your comments XD.

  • Post a better performance by you, and I will accept your judgment. Until you do, shut up and enjoy....

  • I enjoy Pogorelich, de Larrocha, Argerich, Perlemuter and many other amazing pianist.

    Your argument is so mediocre. If you don't have anything better to say, shut up and enjoy (this, not Rupert).

  • @Pischnaholic amateur

  • holy shit at 1:23

    and also the rest of the video

  • @gtyler7292

    A true "This has got to be fake" moment...

    This guy is incredible!...

  • Pogorelich is famous in this work. His pianism is very impressive, and his Scarbo has much character, but he is nearer to Hollywood than Montfort L'Amaury. First he should be more faithful to Ravel's markings and second his restless tempo takes away all the mystery and the distressing terror of this work. It's more a demonstration of virtuosity than a visionary rendering of this poetic masterpiece.

  • "distressing terror of this work"? Why impose your abstract description on this piece? Some people may find the dissonant section beautiful as opposed to terrifying.

  • Just read Aloysius Bertrand's poetry from which Ravel composed his Gaspard de la Nuit (3 poèmes pour piano).

  • I agree. Perhaps this virtuosic-but-erratic-and-high­ly-eccentric video helps you to understand why I have such high regard for Rupert Egerton-Smith's brilliant but extraordinarily sensitive and tasteful performance of Scarbo?

    And for sheer virtuosity no one has exceeded RES's scintillating command of the passage in rapid ascending seconds.

    And I ADORE Pogorelich. His Chopin study in thirds Opus 25, #5 is so refined and so expressive it's almost in a class by itself.

  • @rigel48 no you are wrong,if you knew better Pogorelich like myself... this is only one third of Ravel's masterpiece, and the only part where he's "demonstrating virtuosity". Ivo would never play scarbo like this if it was the only independent peace,but it's a part of the "trilogy", check out his atmosphere in "Le gibet" you'll get what i mean,so try to be more objective pls. This is what he always does with his interpretations which makes him so unique and outstanding. A magnifying deviant :)

  • @nOObR3dUct10n I do know the complete recording of Gaspard de la nuit by Ivo Pogorelich for I own his DG recording. In le Gibet there are outstanding ppp chords and his tonal shading is fabulous (his wide span helps). But at the end he changes Ravel's dynamic markings (left hand chords played f) to be more attractive which is completely against what the composer intended. I much prefer him in Prokofiev's 6th sonata than in Ravel's Gaspard.

  • @rigel48 i agree...

  • @rigel48 that's true...i agree

  • @nOObR3dUct10n I agree. Ivo has such a "big picture" interpretation. Even his Islamey at first seemed "wrong" to me until I heard him build it up into a furor before the middle section. He controls not only the dynamics but the arc of the piece. I think the composers of these pieces would very much approve of his liberties. To me they are done with ultimate artistic intent, right or wrong. He never seems to be "showing off". Maybe I'm wrong.

  • @rigel48 No it's not. Most pianists are solely concerned with masturbation when they play this piece. Pogorelich is thinking about sex. As for Ravel's markings - who cares? Markings only indicate the way the composer felt that particular day with having drunk that particular amount of wine the night before.

  • @rigel48 I really think Ravel would have loved this. Remember what he said to Horowitz in Paris

  • @rigel48 I think maybe he just got a way with himself, and went way too fast? His studio recording of this is fast, but not this fast, and it definitely captures more character I'd say

  • A riveting performance. I don't think I have ever heard a pianist get closer to the heart of this piece than Pogorelich. His uncanny ability to understand, not just the demonic character of the music, but its shifting moods, gives poetic force to his interpretation.

    He sees the piece as a whole, building climaxes like a master, and leading the listener inexorably from the first note to the last.

    He is able to achieve all this by means of a technique that follows his thought.

  • just looking at the music to scarbo makes me shit my pants

  • Speed is an accomplished thing to pull off, but when marred by wrong notes, it is not worth the exchange. in a really great pianist - even the wrong notes can sound well. This music shouldn´t turn into a marathon.

  • you are the best musician in the world,BRAVO

  • Was in the Usher Hall, Edinburgh last night as well (Sat, 29 Aug 09). Loved it. The whole program: Chopin, Liszt, Sibelius, Ravel - it was all played with brilliant artistry - the technique is phenominal. It was a privelege to be there - not sure why adience did not clap and stamp their feet longer - an encore would have been great! But all good Edinburgh denizens scuttled off to their buses home to Morningside as soon as was politely possible! Plus ca change!

  • I was hoping that somebody was going to send a comment on the Edinburgh's concert promptly- so nice you, and mrsRogue below, told us about it. The same programme (except Sibelius) was performed a month ago in Porec/Croatia and my impressions were identical. As there is a series of live concerts that Pogorelich recently performed with convincing artistry in Strassbourg, Hamburg, Kotor/Montenegro, Porec/Croatia, Edinburgh it seems that Ivo is in a top form, ready to share with us his visions.

  • I had the pleasure of listening to him yesterday evening (at the Edinburgh festival) and I loved his Gaspard de la nuit interpretation. He is a tremendously brilliant virtuoso and what's more, he has an original personal vision of anything he plays. I might not always agree with his vision but I will always admire his courage of expressing it.

  • not only one the most difficult pieces in the piano repertoire, but also one of my most favourite pieces of music. im going to see him in the edinburgh international festival in august! and this is in the programme!

  • Two hours ago IP was playing Ravel's Scarbo at the concert in Porec/Istria-Croatia. The intensity and virtuosity of his playing Ravel is at least equally convincing and impressive as it was 25 years ago! I wish you enjoy it soon in Edinburgh!

  • I heard "RUPERT EGERTON-SMITH" playing thins and i rly dont understand why ur so obsessed with him. He is good but rly nothing special....This version is much better

  • Indeed we are all entitled to have our own opinion. Especially when it comes to something as subjective as music.

    You are also right that we usually go for the "big" names missing some brilliant performances by other underestimated artists. That's the reason why i listened to Egerton-Smith's performance. Cheers =)

  • This is absolutely marvellous!

  • Hello theallvenerable1

    My opinion is completely different from yours, I think you are wrong.

    For some people this may sound too fast and weird or just a bunch of random notes which make no sense.

    I believe that Pogorelich reached the highest level of musicality of this piece with his interpretation. Check other versions.

    This piece demands very high skills of techique, but just that is not enough.

    It's the only version that captivated me until the last second.

  • It's not the speed what matters

  • Uh huh... there's always someone that is "faster" or "better".

    Bravo Ivo. ;)

  • ahah...Bravo Ivo!!!! He is by far one of the best pianists ever...BRILLIANT, MAESTRO POGORELIĆ ;) man is an artist..................

  • Jesus.......he is crazy!!

    Just look at his fingers!!!

    Is it fast-forwarded???

    This is by far the best execution I have ever heard!!

    Check other versions and compare....

  • of course...he is BRILLIANT....MAESTRO POGORELIĆ ;) one and only!

  • with this Gaspard you have the opportunity to get all components of maestro Pogorelich's expression on the single plate.

  • This mysteriosity that his music creates makes me mad.....

  • He goes so darn fast. This was the first recording I heard, so it was rather ho-hum to go to all the rest.

  • This speed is OK for me. Argerich is faster than this.

  • Gieseking, Michelangeli and Argerich are fantastic in this piece. Pogorelich is unique and probably the best.

  • the best is friedrich gulda for me!the version you find in "Friedrich gulda - the complete musician" :3 cd's box

  • orospu çocuğu

  • Perfect!!!! God!!

  • great!!

  • Perfection....

  • Comment removed

  • ..................

  • This recording is amazing. But I prefer his more recent recording, where he takes it at still a breathtaking speed, yet slower than this one! He really owns it in that.

  • Love his musical interpretation.

    Wonderful talent!

    Bravo! Like the way he bulids the melody line.Great talent!

  • This is extremely impressive. The amount of dedication and discipline it takes to get a piece of this standard to THAT level is truly phenomenal.

  • :O just :O

  • I heard Ravel wrote this just to fuck with the pianists who were better than him.

  • hsbocaj:

    well, sort of...

    Ravel couldn't play it, but he did comment that he wrote it to be harder than "Islamey-an Oriental Fantasy" composed by Mily Balakirev, which was THE hardest piece of music for piano (standard repertoire) that day.

  • If one does not have a good octave and repeated chord technique, I would still say Islamey is harder from a stamina point of view!

  • Yes, you are right. Only those who can last to the very end of Islamey should learn it. If not, practice repeated octaves!

  • islamey is bytheway still harder, i had more problems with learning it than scarbo.

  • well, i think that always depends on your technical abilities and skills. that differs from pianist to pianist, some can do that better, and others something else.

    i guess i personally can't judge the difficulty of islamey, since i never played it, but to me scarbo is as hard as i can imagine a piece to be - especially since it covers such a gigantic variety of difficulties: fast seconds, massive chords, fast repititions of one tone, rhythmic difficulties, a lot of different keys

  • and extreme pathos in one instant and then very small delicate and exact movements in another.

    i think nobody would disagree with attestig the gaspard more "musical" difficulty than islamey.

  • absolutely amazing!

  • Magistral!!!

  • man this guy owns the keys!! its not funny!

  • Good video,great!

  • holy shiiiit

    02:41 - 02:42 unbelievable lol

    is that video fast forward or what

  • I just discovered Pogorelich. He's the real thing - an original. He plays the piano like no one else. Scarbo played like never before. Awesome!

  • Wonder if Ravel himself could play it as well as this?

  • Ravel was not a good pianist. PHENOMINAL COMPOSER-definately my all time favorite composer, AND orchestrator. But he wasn't a good pianist.

  • he definately couldn't. Ravel wasn't that good of a pianist-he couldn't even play this piece at all. That's not to take away from him though-he was a genius composer.

    And Pogorelich is also a genius.

  • But then it is even more impressionante that he could compose that piece, if he could not play it, he could not hear how it would sound while he was composing...

    Thanks for your comment!

  • Sort of like how Beethoven composed his later works when he was deaf, but his situation was different... He COULD play the pieces, he just couldn't hear them!

  • That's true. But Ravel might have had a colleague who could play it that he could listen to.

  • Yeah! and this colleague was a woman, Marguerite Long, who played for the first time the "concerto en sol", piece totally unplayable for Ravel himself!

  • Awesome performance, plus it was performed ten years to the day before my birthday

  • 9 years and 3 days to mine. acctually 9 years minus 3 days but to me its all the same

  • magistrallllll

  • Simply amazing. Have just watched Ashkenazy's live version and this is even better. Pogorelich is a "specialist" pianist - as in he will only live long enough to master a certain number of pieces. This one is his piece. He owns it. Ashkenazy's version is brilliant (and yes there are lots of others out there - Michelangeli, Thibaudet, Argerich etc). But where with Ashkenazy you have a master playing a piece, with Pogorelich you have a piece playing the pianist.

  • TomOwen:

    I'm totally agree with you, I had the opportunity of watch a documentary about how he prepares this piece and he analizes every passage with methodology of a surgeon. Simply marvelous!!

  • where can i watch that. i'm dying to know. am a pogorelich fanatic.

  • i love how he phrases the beginning repeating notes. very well done!

  • obozavam teeeeee!!

  • WOAHHHHHHHH!!!!!!!!!!!!!!!!!

  • Wow, what an energetic performance, and very accurate technique! I need to hear more Pogorelich.

    This piece itself is also amazing. I love the almost vertical position that the hands have to be in to execute some of those crossover parts. The pianist must look diabolical in order to play such diabolical-sounding music!

  • The best

  • bravo ivo

  • im skurd to play ravel...=(

  • I was at his concert today.He played the 3rd Chopin Sonata and gaspard de la nuit.

  • i'm jealous of u i want to see him playing gaspard de la nuit in concert :p

  • o ja pierdole! genialnie!:)