yeah you're right. the thing is that even this 'monster' didn't take single string practice as serious as he could have. or he thinks of licks as a visual thing, even though they could be played on one string... i don't know, i love him either way ;)
@JacqueShredo He probably means bebop type licks. It would be difficult to play a bebop solo on just one string for example. Arpeggios become less easy but playing on scales is more natural.
I listened to his album "while we are young". The tracks "Rain Forest "and "Stormz" are incredible. Have listened to this album again after along time
Nice one, John! It's fun to leave those patterns behind and think more like a saz, a dulcimer, or a sitar. These one string improvs of yours are smoking. The guitar student may wish to consider that Joe Satriani is also a big advocate of learning scales linearly, or on one string. The push to think melodically and outside of known patterns is a huge developmental tool.
This way of improvising,on a single note,is a very good idea to improve the real,play melodys,and the best way to find the notes you want by ear.And to see the guitar more horizontal versus vertical. And incredible good idea for soloing,and to break the patterns,the liks,and the things we the most part of our time are thinking. The musiciam has to find the music.
I had the huge lucky to go one seminar of jazz in Spain with john abercrombie long time ago,in San lorenzo del Escorial,Madrid. And that was amazing for me,and i never forget that. Thank you John,for your music,your way to see the improvisation,and your words.
"that way nobody gets hurt", lol said like a true leader of his troops. I didn't know that John had such a delta force attitude towards music, the mans a true leader who leads by example rather than just command and control.
Hell yeah, if John gives you the "death look" you had better kiss your ass goodbye, lol. Otherwise one of the classiest human beings I have ever had the pleasure of meeting.
Great little lesson by John. You know, this is amazingly the first time I've heard someone discuss this in an instruction tape, and it's so key.
As a beginner I immersed myself so heavily in theory and shape patterns that it wasn't until almost 4 years of playing I realized I was "playing guitar by numbers" and not heart. Using single string playing as an improvisational tool is ultimately how I got out of that.
john is actually my favorite player. since the early days with peter erskine. its funny because this is how i played (and still do at points) when i first picked up the guitar. one string, sliding and jumping away. it seemed easier that way to me.
I first try to improvise on one string, and then on 4 or 5 notes (a good exercise I think). I think this exercise, and learning scales on every single strings, make you go back to something more basic, and more "natural" in a way. Really a good thing. you can learn your scales on one string by playing, per exemple for Cmajor, on one string : c, e, d, f, e, g, f, a, g, b, a, c and go back to the upper part of the string.
ive actually seen a player with one string on his guitar with no frets and a super extendable tremolo bar. id didnt event hin it was a guitar at first but it was a parker body. this is so much better tho being constricted to string length and position.
The Unitar! Wow, this is very cool and very sightful. I saw Abercrombie at LA's Lighthouse in the 70s, and at one point he pulled out an electric mandolin. Just great stuff. I like the one-string tactic from time to time myself.
mrfish60035; This concept has a base in Indian sitar/ mohan vina music. This Eastern sound is also present in gypsy jazz guitar. The first people i saw use this idea was John McLaughlin way back in 1965 and a brilliant Anglo Indian jazz guitarist called Amancio D'Silva. Gabor Szabo used the idea too and got it from Django Reinhardt.
jazzman3071; That must've been a helluva experience. John Abercrombie is 'timeless' (like his debut album) He also seems to have a wonderful sense of humour.
He's in upstate New York. He teaches lessons through SUNY Purchase I believe--I take lessons with him at his house. He's still touring with different bands and its somewhat difficult to find exactly where and when he is playing. He's writing is absolutely stellar as of late I must say.
@liveintheglory - Reminds me of a Paul Glasse song called the "Paper Bag Rag." There's no snare drum on the track, just a paper bag. I can't find it on Youtube, but it's on his "The Road Home" from 1993.
chuck norris.
iamthe7thwalrus 8 months ago
thats all alex lifeson does and hes great.
noodlesmealey 1 year ago
everything that he plays sounds great
eloyhbermudez 1 year ago
John Basile is awesome should check more of him out!!!
mayvin1975 1 year ago
how about playing with your feet?
GaryNull 1 year ago
This seems true. I saw Steve Morse break his high e string in the middle of a song and he finished the entire thing without a hitch.
JonWRowe 1 year ago
AAAAAAAMEN!!
tedybear335 1 year ago
SURVIVAL!!!
vividorrrr 1 year ago
This is from a really good instructional video.
mwill210 1 year ago
Pat Metheny must like to solo one one string!! Very nice.
shanonobanion 2 years ago
whats the name of the other guitarist.. he is awsome
amrob 2 years ago
Great musician! I love John playing with Kenny Wheeler
notoriusjazz 2 years ago 3
VIEJO HIJO DE UNA GRAN REMIL PUTA!!!!
bula92 2 years ago
it's strange he says you can't play licks on one string
There are a ton of licks possible on one string.. very very very many actually
JacqueShredo 2 years ago
yeah you're right. the thing is that even this 'monster' didn't take single string practice as serious as he could have. or he thinks of licks as a visual thing, even though they could be played on one string... i don't know, i love him either way ;)
hellprchr 2 years ago
@JacqueShredo He probably means bebop type licks. It would be difficult to play a bebop solo on just one string for example. Arpeggios become less easy but playing on scales is more natural.
awesomewelles90 1 year ago
I listened to his album "while we are young". The tracks "Rain Forest "and "Stormz" are incredible. Have listened to this album again after along time
georgemargaris 2 years ago
Abercrombie's music is very creative and subtle. Check out albums like Timeless, Gateway, Animato... I like watching him play here!
edgluhrs 2 years ago
Ant the record called "Characters" he recorded solo with multitracks : simply brillant.
acousticangelo 2 years ago
the other guitarist John is also real killer...
This video changed the way i play, opened me up to so much...
THE MAN = J A
dragondix 2 years ago
Nice one, John! It's fun to leave those patterns behind and think more like a saz, a dulcimer, or a sitar. These one string improvs of yours are smoking. The guitar student may wish to consider that Joe Satriani is also a big advocate of learning scales linearly, or on one string. The push to think melodically and outside of known patterns is a huge developmental tool.
stereomorphic 2 years ago
@stereomorphic - Indeed, it reminded me of bouzouki playing!
arsene737 2 years ago
J.A....a legend.
NotYourTypicalNegro 2 years ago
John is one of the bigs.
This way of improvising,on a single note,is a very good idea to improve the real,play melodys,and the best way to find the notes you want by ear.And to see the guitar more horizontal versus vertical. And incredible good idea for soloing,and to break the patterns,the liks,and the things we the most part of our time are thinking. The musiciam has to find the music.
camarasaurus 2 years ago
I had the huge lucky to go one seminar of jazz in Spain with john abercrombie long time ago,in San lorenzo del Escorial,Madrid. And that was amazing for me,and i never forget that. Thank you John,for your music,your way to see the improvisation,and your words.
camarasaurus 2 years ago
"that way nobody gets hurt", lol said like a true leader of his troops. I didn't know that John had such a delta force attitude towards music, the mans a true leader who leads by example rather than just command and control.
AmericanDiaz 2 years ago
OK! Now I'm beginning to understand what Mick
states in his book. The Science of the Unitar!
CarlosMacMartin 2 years ago 2
stella by starlight・・・
redplouhg 3 years ago
John Ambercromie is passive-aggressive? Who knew?
FaaarLeft 3 years ago
Hell yeah, if John gives you the "death look" you had better kiss your ass goodbye, lol. Otherwise one of the classiest human beings I have ever had the pleasure of meeting.
AmericanDiaz 2 years ago
someone FINALLY mentions mick goodrich's amazing guitar methods in a video. Thank you John!
Some slick stuff on this.
webberm3 3 years ago
Just like having 6 pianos!
lidesnowi 3 years ago 2
yes but tiny ones ^^ 22touches piano :p
trojanlol 3 years ago
not quite
FaaarLeft 3 years ago
Great little lesson by John. You know, this is amazingly the first time I've heard someone discuss this in an instruction tape, and it's so key.
As a beginner I immersed myself so heavily in theory and shape patterns that it wasn't until almost 4 years of playing I realized I was "playing guitar by numbers" and not heart. Using single string playing as an improvisational tool is ultimately how I got out of that.
yagamei 3 years ago 2
john is actually my favorite player. since the early days with peter erskine. its funny because this is how i played (and still do at points) when i first picked up the guitar. one string, sliding and jumping away. it seemed easier that way to me.
trwylekat 3 years ago
I first try to improvise on one string, and then on 4 or 5 notes (a good exercise I think). I think this exercise, and learning scales on every single strings, make you go back to something more basic, and more "natural" in a way. Really a good thing. you can learn your scales on one string by playing, per exemple for Cmajor, on one string : c, e, d, f, e, g, f, a, g, b, a, c and go back to the upper part of the string.
trojanlol 3 years ago
ive actually seen a player with one string on his guitar with no frets and a super extendable tremolo bar. id didnt event hin it was a guitar at first but it was a parker body. this is so much better tho being constricted to string length and position.
funkbeastbasslover 3 years ago
The Unitar! Wow, this is very cool and very sightful. I saw Abercrombie at LA's Lighthouse in the 70s, and at one point he pulled out an electric mandolin. Just great stuff. I like the one-string tactic from time to time myself.
jongreek 3 years ago
the unmistakable abercrombie touch
mrgone78 3 years ago 4
これはなんと言ってるんですか?
tkhs6 3 years ago
tkhs6: to answer your question, yes, it is.
try to talk about the music next time
fluffhead059 3 years ago
The accompanist is great, who is he?
ElWischi 3 years ago
Just a rounded, beady tone. Completely unlike anyone else in sound and style.
jevoshawke13 3 years ago
I totally disagree. I thought it was actually a little harsh for jazz tone and very bright. just my opinion...peace.
timmonsisbest 3 years ago
He'll be playing at Birdland in New York City in September 2008 with his working band. He's playing better than ever, a real original voice.
Gtrhd 3 years ago
this guy is totally alien
Uazikoff5 3 years ago
Guide tones are the 3rd and 7th of the given chord.
soykeee 3 years ago
gives it kinda a theriman vibe
mrfish60035 3 years ago
no .
ZWestfall 3 years ago
...no
maxweinbergisgod 3 years ago
mrfish60035; This concept has a base in Indian sitar/ mohan vina music. This Eastern sound is also present in gypsy jazz guitar. The first people i saw use this idea was John McLaughlin way back in 1965 and a brilliant Anglo Indian jazz guitarist called Amancio D'Silva. Gabor Szabo used the idea too and got it from Django Reinhardt.
taildragger51 3 years ago
I have played with John and he is a hip and laid back cat and so "real" and very humble.
jazzman3071 3 years ago
jazzman3071; That must've been a helluva experience. John Abercrombie is 'timeless' (like his debut album) He also seems to have a wonderful sense of humour.
taildragger51 3 years ago
What a great lesson!
paulrichardschuster 3 years ago
"one finger lick" coo~!! hahahah
Great musicion !
uzzz 3 years ago
Does anyone know where he is now? When I was in college he used to hang out at my house as my roomate's sister was his girlfriend.
ronpurser 3 years ago
He's in upstate New York. He teaches lessons through SUNY Purchase I believe--I take lessons with him at his house. He's still touring with different bands and its somewhat difficult to find exactly where and when he is playing. He's writing is absolutely stellar as of late I must say.
cardboardflap 3 years ago
Hey, thanks. I didn't know him that well...but I do remember him hanging out at our house when I lived in Rohnert Park, CA.
ronpurser 3 years ago
i've met him twice, once in Manny's and once in Nags Head, NC.
he's my favorite guitarist. john, i know it's _______ but you and pat must do a record.
ichisatori 3 years ago
does any one have anything else from this dvd?
mharlen03 4 years ago
Met him. Nice man. Great player.
hatebadmusic 4 years ago
This is real teaching by example. Excellent and provocative relevance.
Chromatype 4 years ago
GREAT video. i took a couple of lessons with john a few years ago and they were monumental in learning. i have to call him for some more!
prsguitarsr4me 4 years ago 2
wouaaouuuuuu!!!!!!!!
luczoe 4 years ago
To paraphrase Larry Coryel, Abercrombie is cliche free.
sullyb23511 4 years ago 2
wow thats fantastic !
shvru 4 years ago 2
Abercrombie could make music out of playing a paper bag. Awesome.
liveintheglory 4 years ago 12
@liveintheglory - Reminds me of a Paul Glasse song called the "Paper Bag Rag." There's no snare drum on the track, just a paper bag. I can't find it on Youtube, but it's on his "The Road Home" from 1993.
StereoEarth 1 year ago
ive always considered him an innovator
listening to the live trio recording with erskine and johnson literally changed my life
scottbos68 4 years ago 3