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From: volodya2
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  • too high velocity, virtuos, but not the right interpretation, horowitz meaning is: hey, people I'm the fastest, but i love horowitz

  • i think horowitz had a lot fun playing this prelude like this... but he should do this at home, not in a recording... i confirm that it is very funny to play this piece without trying to hit the right notes...

  • @phipeli1 :D :D

  • In the case of this recording, the likes or dislikes of mere mortals are irrelevant. This recording was made in 1931, shortly after Horowitz had left Russia, the homeland of both himself and Rachmaninov.

    The power of Rachmaninov's music is contained within, and transmuted through, Horowitz's extraordinary hands. Intense, almost terrifying, excitement , intercepted by a passage of swooning passion, and finished off with a throw away end. Dont' judge, just listen and understand.

  • to fast..

  • @atvrealty way too fast !

  • completed in 1901, recorded in 1931, played in 2011...and still timeless

  • Too fast for my liking. But certainly a virtuosic performance

  • ...I just love that picture of him!

  • This is wonderful, and you can hear Horowitz's love for Rachmaninoff in the playing. I'm sure Rachmaninoff would forgive the missed notes and applaud the passion.

  • Ive heard Horowitz used to experiment with new fingerings during recitals. Pretty fearless!

  • Mistakes? Is this what you really stuck at?

  • oops... who was first? albert einstein or horowitz???

  • great recording of the master at work, with mistakes, which lots of people in the music world regard as "bad" or "wrong" but i love to hear a great musician kinda skip over his own hands or play a wrong note cuz it just shows how human they are. Idk maybe he was thinkn about something else. It also seems like he had a few pots of coffee beforehand.

  • Holy shite, that picture is going to haunt me at night

    

  • this is a really bad performance. how do they get away with it? people would lap it up. might be when he is old or drunk, because hor is always my fav as well as richter.

  • So exciting!

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  • Is that a doctored image of Horowitz or is that really Horowitz?

  • @erken That's actually Horowitz sticking his tongue out. There's something with geniuses doing that (think of Einstein) =P

  • @Matt90o i really wanted to reply saying that those with the best minds seem to have the best sense of humor. Although this might not be the truth, i tend to think it would be nice if it was.

  • Addirittura migliore di quella dello stesso rachmaninoff...

  • At 2.50 he loses it completely!

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  • @TheSJeon Thank you for your reply. It's always rewarding when someone replies to a comment made and I certainly do not reckon that I have the last word on one so great as Horowitz. I'm just dismayed when someone of his calibre appears to 'dash off' a great work such as this. I love Cortot's recordings too but felt that this one has sneaked in under the radar. It's very interesting to hear all the same.

  • At 1.27 he plays wrong octaves????

  • По моему убеждению, суть этого гениального произведения удалось передать только Рихтеру. Остальные или изголяются, или просто не дорубают. Хотя первые изголяются потому что тоже не дорубают.

  • many mistakes  ??

  • einstein used this same facial expression. was this a common facial expression during this time period? what's the meaning actually?

  • @threelegduck

    It's the expression of genius.

  • wow

    

  • Notice the break he puts in at 0:30 - it increases the feeling of a "calm before the storm". He knew Rachmaninoff very well, and supposedly he always played it like that. What a genious!!

  • 2:50 ahah torppo forte quando si incarta :DD

  • @New4785689 Poverino, si sarà sentito in alto mare in quel secondo..

  • When you hear Horowitz play, you know he had a giant Schlong.

  • This is the BEST version by Horowitz. Too bad if people never get to hear this except few other versions (are not as good as this) are available on youtube!

  • It's a very good pianist, just this style...

  • is the one in the photo rachmaninoff?? :P

  • @EduOrta142536 its horowitz

  • HORRIBLE, VERY FAST AND NOT FEELING THIS IS HORRIBLE¡¡¡, VALENTINA LISISTSA IS BETTER PLAYING THIS PRELUDE.

  • @Total0Tiempo

    OKAY111iiii.

    There is another recording of it on YouTube done in 1981 though.

  • @Total0Tiempo gtfo

  • The young woman who recently won the Chopin competition plays this piece also in her selections. But hearing the master play it, brings out the weaknesses in her unusual performance. She has neither the technical skill nor the range of emotional expression that Horowitz displays here. But then, she is very young.

  • He even played it faster than me...

    but I made more mistakes than him ! xP

  • It´s impossible for a piece not to change subtly and become your own after time and continuous playing. We see this all the time in popular music. It´s the same here, he made it his own. That´s what makes Horowitz, Horowitz and everyone else everyone else. Absolute strict renditions of these pieces would make them indistinguishable from one artist to the next. I´d bet the farm Chopin, Liszt, Mozart..... were the same. Their pieces evolved and changed over time in their own interpretations.

  • in my youth, i could reach an 11th with little trouble. This helped me in no way with the music of Sergei Vasilyevich!

    for those young pianists, this has ALWAYS been a speed contest. Even with Rachmaninoff. Gary Graffman probably renders the best of this piece.

  • in my youth, i could reach an 11th with little trouble. This helped me in no way with the music of Sergei Vasilyevich!

  • omg, this is by far tht fastest play of this prelude I've heard as well as the most wrong! I dont know if he intetionlaly changed SO MANY notes but it does not make for good listening, Since I can currently play this piece I can say its really amazing to play it so fast but whoever thinks speed is a virtuosity indicator then they should be watching rugby, not piano videos...

    I personally like Horowitz, but this is a bad interpretation IN MY OPINION obviously...

  • @Or3st1s yes i think exactly the same, and i am performing this piece also, looking for some inspiration on youtube :)

  • what a genious!!!

  • Classy photo of horowitz lol

  • Angus Young can stretch to the 14th interval! What difference does it make? My bros all had these arguments about "who can stretch the furthest" & none of it matters at all. I can play intervals longer than they can and I have smaller hands than any of these people. What matters is whether you can interpret the piece properly & that you can play with the proper dynamics and feel that the original composer intended. Sure, some of these things require piano "gymnastics," but...you get the idea.

  • beast unleash ....XD

  • WIN Picture XD

  • By the way, picture is funny ^^ =) =P

  • Not a huge fan of the outer sections of this version, but it really does blow my mind in parts. 2:30-2:35 is amazing. He must have really light wrists to be able to play at that crazy tempo.

    The voicing in the middle section is awesome - most pianists settle for bringing out one line, he manages to bring out both so clearly - it's like he had an extra hand!

    There is another version on YT - apparently recorded when he was 78. Musically, I prefer that one. But, thanks for posting.

  • Now that's some Horowitz!

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  • Sorry! Found it terrible. I have to say dislike

  • he was the last romantic.. rip meastro

  • Horowitz oraz Cziffra to mistrzowie fortepianu.

  • You should have put a picture of him when he was young! This one is a bit misleading (But fun, nonetheless)...

  • Oh my, he looked old and senile even back in 1931!

  • Horowitz was sn incredibly great pianist. Toscanini thought Horowitz was the world's best, he certainly wasn't far wrong.Horowitz was unbelievable. Like all greats he was human !!! I am still amazed at how much actual talent and ability he really had. I am an enormous Horowitz fan.

  • So he slipped up a couple times, it's still amazing! Well done.

  • @MostlyExistent you might be wrong because alot of people hear ' mistakes' in his variations but if you look at the sheets he writes by hand they do have them notes its a common mistake but u might be write in this piece

  • @MostlyExistent stop this shit. IT IS SOOOOO CLEAR THAT YOU DONT KNOW HOROWITZ IT MAKE ME LAUGH!!!!!!!!!!

    He did NOT slipp. someone like him CREATES what he thought would fit better.

  • He may have some slipped notes, but how he played it on some of the parts is miraculous.

    I guess i'll go practice piece for a while before goign to bed.

  • dr. Zhivago- This is genial!...I thought that it was Rachaminov! hhaa

  • he probably had a bad day, this stuff happens. still one of my favourite pianists.

  • seems Horowitz was having a lot of fun!

  • Мне кажется, Рахманинов не писал таких нот, какие играет г-н Горовиц....

  • i tot i drugoi dopuskali nekotorie interpretatsii. ob etom i o svoei druzbe s nimi govoril natan milshtein( "znamja", #10 ili #11 za 1998 god, statja solomona volkova).

  • Rachmaninov and Horowitz knew each other like father and son. They got really close after Horowitz´s mother passed ! According to Rachmaninov; Horowitz was the best pianist he had ever heard

  • @moster808 Very true,but about this prelude for example I prefer Askenazy'version,indeed.

  • @moster808

    hey where did you read that??? I hope u didn't make that up. according to what I've read so far Rach said in an interview: there are two good pianists in our time: Hoffman and Myself.

  • @moster808 RachmaninoFF

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  • i am not sure if this is realy Horowitz because there is another video which is much better. In my opinion there is no real interpritation. everything is based on opinion. I always tend to like the original work.

  • sorry but this is horowitz. i have got a cd with this recording.

  • Can any one tell me how long rachmaninoff fingers can be stretched. i know it's long but i dont know how much. mine is until the 8th key

  • He can take C-F whit comfort.

  • That means he can play til the 11th key, is it?

  • Ya, if I'm not wrong.

  • @volodya2 Really?? I have the same extension of Rachmaninoff????? Nono, i though it was untill the 14th key...

  • @shinyflygon35

    No way... I seriously doubt he could reach a 14th. A 14th is one key short of a 2 octave spread.

    I seriously doubt he had a reach of that length. An 11th is a big reach for normal. I can do a comfortable 11th, But can't get a 12th. A 14th is probably impossible. Unless you are like a giant.

  • @GodGiftedMusician

    Well, big, but not too big...I hope I'll take a comfortable 11th too,

    one day...But even a 12th, who knows? I'm still too young.

  • @volodya2 With he's left hand he could reach a 12th.

  • @volodya2

    He could reach a 12th, C to G.

  • @volodya2 wtf? it's impossible...

  • @volodya2

    You're not wrong, just not telling how big his span really was. According to a few different sources he could play a left hand chord of c-g-c-eflat-g. For him to have that he'd have to be able to hit a 13th.

    Which is absolutely gigantic. I have an 11th span. My hands must be like a child's compared to his.

  • @hafYAHA as i say to volodya2, as i remember he could play 12ths - left hand could do C-Eflat-G--C-G, right hand C-G-C-Eflat-G.

  • @hafYAHA he could play further then that if he such a well known reputation of giant hands

  • volodya2 - as i remember he could play 12ths - left hand could do C-Eflat-G--C-G, right hand C-G-C-Eflat-G.

  • @volodya2 holy guy 

  • @volodya2

    that's nothing else but sick...i wonder if such big hands are rather to be seen as advantage or disadvantage for a piano maestro... by the way, do you know anything about maestro Debussy concerning the size of the hands, because he also has this really widened chords..!? (excuse my english, it's not my mothertounge..)

  • I'm pretty sure Rachmaninoff could reach a 13th on the keyboard. He was also 6 and a half feet tall as well.

  • Are you serious! 2 more keys and he can go for 2 octaves. I wish I have his hand. And one more thing, in prelude c minor what is the longest key. cause i saw in the video 'rachmaninoff had big hands', the pianist had to use stick to play the piece. hahaha

  • Ah, don't believe a bit of it. Rachmaninoff actually tended to write so that chords fitted comfortably under the hand. The most impressive-sounding bits are, surprisingly, the easiest to play (in this piece and in others).

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  • @hafYAHA Same here. Hahha. I can reach from C, to D and E [next octave]

  • @hafYAHA he is able to reach C - to G ( octave higher) with out pressing any other keys slightly

  • @hafYAHA Rachmaninoff is said to had reached 13th

  • @hafYAHA Same. Hahha,

  • @hafYAHA

    he can play a 13th (do-la) after all, he's 6'6

  • @hafYAHA

    13 white keys.

  • @hafYAHA From C to A (an octave + a sixth, 13 keys).

  • @hafYAHA only 8.. thats only an octave,, i can strech 10 grand,, i can hit 11 but not comforably

  • @hafYAHA he can span a 13th.

  • @hafYAHA he had a span of a thirteenth (c to a)

  • @hafYAHA

    I read that could reach C-Eb-G-C-G :)

  • @hafYAHA 13 inches or C-A he was 6'6" so yeah lol

  • @hafYAHA What I've heard is 12, but maybe I am wrong

  • @hafYAHA He could do a twelve, from what I've heard. That's C to the G in the other octave.

  • There is another link, rachmninof prelude-vladimir Horowitz (best) cover, it´s really really better, I don´t know why this recording,....

  • I don´t know when Rachmaninof said this, maybe when Horowitz plays this diferent in other time, cause it´s is terrible, one should to see the score....

  • what a shocking unmusical and rushed tossed borderline evil way of playing this masterpiece. i'm sick of horowitz. he was a a totally overrated self-adoring teen in a man's body. and he misses so many notes. those descending octaves are appalling. shame on anyone who continues to praise this man in our modern error of infinitely higher standards. i'm sooooo over this fraud. i once fell for it, but no more. i'm outta here.

  • finally, a picture that expresses the clown and fraud that this man was.

  • This sounds like a NYSSMA grade 5 audition. Actually, not even.

  • Its not a train wreck.. its a train wrecker.

  • Advisor - are you going to start talking to yourself AGAIN?

    All kidding aside - have you EVER heard WORSE piano playing on the world stage in your entire life? I haven't. And I have heard some of the most calamitous 'performances' of all time.

    The photo of him tells a lot - particularly, that he knew he duped the masses.

  • Well yes, I love the sound of my own voice.

    Remember this is "musically correct" according to fans.

    I'm just a 17 year old boy.. it makes me scarred.

  • Yet another train wreck by the great horrorwitz.

  • Because Hexameron and rmannion have spoiled me, I have a lot of trouble enjoying these videos, and I feel bad for that.

  • Its music.

    Its pleasing to the ear.

    Who gives a fuck if he didn't play it exactly like Rachmaninoff.

  • A simple "He did not bring him no justice," would have done.

  • Actually it's ironic that people act like they know what they're talking about when Rachmaninoff said that Horowitz interpreted his pieces better than he did...

  • wow, I didn't know that

  • Yeah, depending on the piece though. He also prefered Moiseiwitsch's recordings of a few pieces, like Op. 32 No. 10

  • SO: and this is much more the way pianists used to play when they weren't always being recorded...

    0:53 - he skips 4 beats mm 29 - 30

    1:28 - m 40 plays F - G - A instead of E - F# - G

    2:51 - adds an extra bar between m 73 - 74

    3:10 - improvises a new double-time ending of arpeggios; of course on his 78 Rachmaninoff also changes the ending, adding a loud octave G.

  • yes, exactly!!!!

  • what a waste of time trying to figure out all of the "mistakes." Horowitz understands Music perfectly and transmits it in a very unique way, as we all are unique in a way.

  • hey rickypix. thanks so much for the details. i heard the same crap. did you notice that three people gave you minuses? they couldn't take the fact that their "great master" made this many horrific mistakes and changes, even when he was very young. thanks for taking the time to point them out exactly. i find these errors shocking.

  • What's up with 0:53 - 0:58????

  • what about it?

  • I see a technique conversation. Horowitz only had poor technique near the end of his life. Rubinstein had great technique for a concert pianist, pretty good technique for a great concert pianist.

    Rachmaninov slays them all. I've only heard one mistake in all the recordings of him I heard and it was only maybe a mistake.

  • Rachmaninov had a more secure and practised technique...horowitz's was completely natural, and could have "slayed" them all had he practised. But that wasn't his style; he was spontaneous, and his technique allowed him to be so, so I would say horowitz had the greatest technique in the end.

    Ps. Not that it's important, Rachmaninov made loads of little slips!

  • Horowitz practised like mad during his early years. He had a fantastic technique early on. Famous pianists came to his concerts to see how he achieved certain feats like the Tchaikovsky Concerto Octaves.

  • nah. rubinstein was the most spontaneous, especially in those anecdotes where he would sight read a piece on the train to his concert for where he would be playing them for the first time! Horowitz had a very irregular hand posture, extremely flat and makes many mistakes. he is extremely unorthodox with average precision but the ability to create the most incredible colors and tones

  • I think Hofmann's version is in its own league. Most of his recordings were, despite the fact that many (from his prime especially, but even some from when he was an old alky lol) were on piano rolls and much of his phrasing and almost subliminal nuances are lost in translation.

  • If there is man of such a face in the side,

    I'll come to calm falls.

    I'm sorry if English does not match.

  • I can't understand this translation.

  • Unless you were trying to claim that you will go to 'Calm Falls' of there is a man with a face on his side, then it doesn't match.

  • Horowitz was known for technical perfection. It was Rubenstein who was known for his many, many missed notes. But HE was a star, and the hero to all the little Jewish kids slaving over a piano.

  • Horowitz was known for great technique, not perfection. Rubinstein hardly hit any error notes, only made many reading errors! I don't know where you may have heard this, as all of Rubinstein's recordings are far closer to "perfection" than Horowitz's, even if he did have the biggest facility.

  • Rubinstein had a tremendous memory, but memory lapses from him were not unheard of (ex.: Chopin's Op. 35 from his Moscow recital, not the spliced BMG version). His "perfection" was achieved in the studio--Rubinstein even had a falling out w/Reiner after criticism of his mistakes. Rubinstein also made a somewhat backhanded compliment about the young Horowitz's perfectionism in his autobiography, but still admitted he'd give several years of his life to claim 1 wrong note after a concert.

  • I am still extremely excited about this. It may be madly fast; but there are some amazing things in this. To me he was the greatest pianist ever. He was human!!!!! I still feel the flair in this playing. Generally he was absolutely phenominal normall at this time in 1931.

  • this recording dissapoints me...

    with all the respect towards vladimir this was horrible......

    he played it way too fast at the start....

    although you have to respect a guy who can play 4 finger right hand chords that fast!!!!

  • Wow, this is pretty bad...(not as bad as Kissin's, but still...) His later version is far superior.

  • This version is fucking amazing for its pure interpretation quality.

  • davidgray2 is retarded.

  • If there is an idiot that was you.

    This is Horowitz, you can listen this recording on the 30's Emi recording.

  • Well maybe it is him. But then I think he would even agree that he is the idiot here. He's going way faster than even he could; quite an immature thing to do especially by his standards. It's just a slap dash interpretation (compared to his older one which was magnificent in comparison). You'll probably get all pissd off with me saying that, but know that he is one of my favourite pianists, if not my all time favourite. Yet he has let himself down here terribly I feel, if it is a real recording.

  • I think it's a rather refreshing performance, actually. It's really, really staccato and light in the first march, which is something we don't often hear. I agree that his other performances and Gilels are better overall than this, I think that it is always worth finding something you like about the performance.

    (Except Lang Lang, whose performances of this piece are not good.)

  • Horowitz always hit lots of wrong notes. He was known for that. He had amazing technique but nobody is perfect. He is just messing around with this piece. Thats why it doesn't meet your standards.

  • Wow, I missed the pause button and hit "rate as 1 star" by accident. Sorry about that...

  • Horowitz is good, but i love Richters interpretation more... Horowitz plays it 2 fast

  • 0.41 What a speed i didn't pay attention to it woooow ; horo !!!!

  • has someone noticed that almost pianists play this part forte ( 0.31) while rach himself plays piano ??

  • No, I guess I hadn't. As an amateur pianist, I find it very difficult to play that part piano, so I resort to the forte. I prefer that interpretation, and a lot of other performers seem to like it as well.

  • most people see it as a grand heroic calvary storming in type thing, so that would explain the forte

  • This section is marked, in all reliable scores, as forte, and the first beat of each bar has an accent. It is not uncommon to hear Rachmaninoff performing the opposite of what he indicated on the score, although I am not sure why.

  • WTF is with the damn pic?

  • he might be impersonating the einstein pic lol.

  • I agree that it is a bit fast. However, I do like the extreme staccato sound that he gets at this speed and without the sustain pedal. I also like 0:13, where he makes a big deal out of the second time he plays the F#-Bb-D augmented triad.

  • Too fast.

    Horowitz is very good, but I don't like his performance on this piece. Gilels and Richter are better.