And yo, honestly you are the first white guy that I've personally seen that really has the gospel feel to your licks, how did you learn this style of play? And you explain them so well, that now I finally understand how to emulate the feel I've been looking for for so long! I just had a crazy epiphany, thanks <9000!
@Danielcrspo Glad to be of help. Nice when people enjoy the video.
Also, not to be preachy, but race has nothing to do with learning the style... anybody can learn to play any style. If you grow up with it, it comes faster and possibly more easily, which is why you'll usually see black people playing gospel, Brazilians playing samba, and white people playing rock. But by no means are these styles exclusive to people of a particular color.
You can learn anything you want. Just open your ears..
What's up! Wandering Stars Management is looking for a male drummer and, a female bass player that would love to take a shot at stardom with our artist Diggz Mcleod.
@thatsmypeanuts haha sounds good. well mainly i was wondering how one would practice the polyrhythm kind of thing where you go from a simple groove to a beat using grouping of 5 or 7 at the same tempo. i see a lot of 5's incorporated in to a beat not even as a fill. i guess you'd just set a metronome and count like crazy?
I've been looking for this video since this summer. I didn't add to my favorites, n i was on a serious search. I love the way you explained that groove from 4:40. Being a gospel drummer, I picked up the first groove but the way you played it, thats what i've been trying to tighten up. Thank you
Hey man. Nice stuff here. The great thing about putting a 4 beat phrase into triplets is you can use all your rudiments (paradiddle, flam tap etc) in the same way and it creates a great cross rhythm.
check out my video that I posted as a response to this. Its totally different but still based around triplets.
Nah, I never wrote it down. Think of it this way: write out a beat in 4/4, make the hi-hat play constant 8th note triplets, then accent every 4th triplet so you have three accents in a measure. Go from there
i crank up my volume each time you start talking and then BOOM BOOM BOOM my room explodes, and i've gotta turn it down again (repeat x10)
nice playing though! :)
sk8rdudeism 2 months ago
And yo, honestly you are the first white guy that I've personally seen that really has the gospel feel to your licks, how did you learn this style of play? And you explain them so well, that now I finally understand how to emulate the feel I've been looking for for so long! I just had a crazy epiphany, thanks <9000!
Danielcrspo 2 months ago
@Danielcrspo Glad to be of help. Nice when people enjoy the video.
Also, not to be preachy, but race has nothing to do with learning the style... anybody can learn to play any style. If you grow up with it, it comes faster and possibly more easily, which is why you'll usually see black people playing gospel, Brazilians playing samba, and white people playing rock. But by no means are these styles exclusive to people of a particular color.
You can learn anything you want. Just open your ears..
thatsmypeanuts 2 months ago
Dude this is killer, you literally just blew my mind, I've been wanna learn these type of licks for so long! Thanksss
Danielcrspo 2 months ago
This has been flagged as spam show
What's up! Wandering Stars Management is looking for a male drummer and, a female bass player that would love to take a shot at stardom with our artist Diggz Mcleod.
Check out Diggz Mcleod on You Tube:
Contact Info:
Vincent Steele
wandering.starz.mgt@gmail.com
Tommie Clemons
wandering.stars.mgt.tc@gmail.com
MegaHardworkpaysoff 4 months ago
NICE DRUMMING YES BUT THE SOUND IS LOW!
MrDbk13us 1 year ago
WHERE could i get a book on this kind of stuff???
drumsandivory 1 year ago
@drumsandivory Maybe I'll write one. :D But for now I could answer any questions you have...
thatsmypeanuts 1 year ago
@thatsmypeanuts haha sounds good. well mainly i was wondering how one would practice the polyrhythm kind of thing where you go from a simple groove to a beat using grouping of 5 or 7 at the same tempo. i see a lot of 5's incorporated in to a beat not even as a fill. i guess you'd just set a metronome and count like crazy?
drumsandivory 1 year ago
@drumsandivory Exactly. As you do it more and more you'll have to count less and less...
thatsmypeanuts 1 year ago
@thatsmypeanuts ok thanks and just as my last question what's your favorite kind of lick to do with triplets?
drumsandivory 1 year ago
@thatsmypeanuts DUDE if you wrote a book.... damn I'd pay gooooood money for that, I love your playing so much!
AlanColeslaw 9 months ago
did you end up shutting the window??
Feesharp9er 1 year ago
@Feesharp9er HELL NO!
thatsmypeanuts 1 year ago
thanx man this video helped a lot... i've been looking for a video tht explained this stuff for a while
Mojo206 2 years ago
at 1:44 what is the sticking and foot pattern
sounds like triplets but i think I hear double kicks
TommyGadd 2 years ago
starting on the and of 2 with sixteenth note triplets:
RLRFFRLFFL
The final L, on the snare drum, is beat 4.
thatsmypeanuts 2 years ago
is that Yamaha drums?
cocacolalight1994 2 years ago
Nope, Gretschs from the mid-90s before they changed ownership. Nice drums but not Yamaha nice...
thatsmypeanuts 2 years ago
Comment removed
cocacolalight1994 2 years ago
3:14? purdie shuffle
hebronsawyers 3 years ago
I've been looking for this video since this summer. I didn't add to my favorites, n i was on a serious search. I love the way you explained that groove from 4:40. Being a gospel drummer, I picked up the first groove but the way you played it, thats what i've been trying to tighten up. Thank you
musicmadman23 3 years ago
Hey man this is a wicked video. I'm really into this kind of playing. Your an inspiration! Check out some of my videos. cheers!
Funkydrumbum 3 years ago
Excellent!!
Feesharp9er 3 years ago 2
nobody asked u shyt, bruh
angrysamoan6802 3 years ago
great but SO QUIET!!
AlanColeslaw 3 years ago 3
GREAT vid thanks!
vangied 3 years ago
Hey man. Nice stuff here. The great thing about putting a 4 beat phrase into triplets is you can use all your rudiments (paradiddle, flam tap etc) in the same way and it creates a great cross rhythm.
check out my video that I posted as a response to this. Its totally different but still based around triplets.
samnadel 3 years ago
I get you man, I just wish I had these rudiment things you speak of... :)
thatsmypeanuts 3 years ago
awesome video! this is exactly what ive been looking to learn and you did a great job of explaining, thanks.
tony9156 3 years ago
Remember Kevin Hayden? All reasoning applied. Pretty cool betwixt both of u. Play on.
FATEFUL5 3 years ago
Thanks. I got nothin on that cat :)
thatsmypeanuts 3 years ago
I'm trying to follow this but do you have this written down.if so could you share.
scoopgh45 3 years ago
Nah, I never wrote it down. Think of it this way: write out a beat in 4/4, make the hi-hat play constant 8th note triplets, then accent every 4th triplet so you have three accents in a measure. Go from there
thatsmypeanuts 3 years ago
I'm trying to follow this but do you have this written down.if so could you share.
scoopgh45 3 years ago
Really great video man, right on.
eldowns 3 years ago