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From: qtpipi
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  • Listen to a few other performances. Then realize how metronomic and boring this one is .. just a lot of notes one after the other. Look I can play the notes! Some of them are pretty loud! Wow, so what.

    Try Horowitz or watch Cziffra, for example. Even less to look at (his head moves maybe an inch up and down) but so much subtlety in the interpretation.

  • People who comment on performances should stop using abusive language which contributes nothing at all and might as well not be there. Those who whine about certain details seem such know alls, one wonders if they can play anything on the piano themselves. By any standard the Schumann Toccata is a monster piece to play. Horowitz cheated with his special light action keyboard, but it does not detract from the performance. This pianist is to be congratulated on every level, without snide carping.

  • @acer4me Horowitz could never be meaningfully described as cheating. There are no rules of the piano that state your keyboard has to have such-and-such a weight: every piano that makes a good sound is artistically valid. Including Horowitz's piano, and any pianoforte Schumann might have played in 1830, which certainly had a much lighter action than a modern Steinway. So Horowitz is probably the most faithful to the practice of Schumann's time. Toccata means touch, not smash and bash.

  • Could be played with a little more emotional expression at some parts, for example the ending, and make breaks and accents more clear. Not a bad performance, just not polished completely. It's a very hard piece after all though.

  • Perfect balance of concentration and expression. The result is phenomenal, an excellent interpretation.

  • This is frightening!! And I mean that in a good way.

  • I just want to know one thing: Where did he get those fabulous glowing balls on the floor?!

  • Well, good that he is resting while playing this... My granny could play this with more entusiasmo!!!

  • @MrStefdj Do you have any idea how hard this piece is? Don't be such a jerk. Your granny couldn't even play measure one.

  • @Sviolinist I now that it is hard , i played it... don`t get upset for my opinion :)

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  • In my opinion, he plays very poorly and is an awful interpretation - he needs to add much more emotion to his playing. At the beginning of the video, you can only see him playing notes without any inspiration of some sort. His posture is appalling by the way.

  • I remember watching this video a long time ago... I forgot to say something: "He's cute."

    There. Said it.

  • His hands are very even. Is it me or does he play it a bit slow??

  • my personal opinion is that this is a very empty interpretation. and I do not have a problem with his physical presentation of this piece I just think that musically it was empty. but to each their own opinion.

  • thankyou mr stadtfeld

  • wow, so clean touch...

    this perfomance is best toccata(schumann)

  • pagliaccio raccomandato

  • Breathtaking performance!!

  • @BettyCope yes but sounds in slow motion compared the Cziffra

  • A tribute to Pogorelich.

  • Nice cycle of 5th round about 3:00

    this is good,but a little unrelenting- -the elephantine Richter and brittle brilliance of Pogorelich (to take to wildy different performances)are in another world altogether. Still,this handsome young man (yum!) is only at the start of his career.

  • He can sit on whatever he wants, there is no sitting "correctly". It's the sound that matters (about which I will not comment here). And also, there's nothing wrong with playing Schumann on your sofa on a Steinway & Sons.

  • How do you know what he is feeling? You have no respect, and deserve none.

  • That comment is directed at wookyval.

  • @wookey val Overall piano music & MUSIC IN GENERAL for EARS...eye-talks for media & press... you are probably an American...so as your "philosophy" about "piano-show" ...Glen Gould is dumbest pianist on the planet as he were sitting almost UNDER the keyboard...?but he was & still the GENIUS ! even if did not get any awards... Grammy or Oscar...

  • @sam0xin as a matter of fact, Gould did get a Grammy for the 2nd set of Goldbergs... and he played on the American made piano and recorded for Columbia (American label). What this person (wookey) wrote is stupid, nay is reprehensible, but you assuming that he (or she) must be an American puts you pretty much on the same level...

    ===

    that said, I like Stadfeld's recording. the somewhat flat dynamic is probably because of his affinity for Bach. This is not great but quite credible,

  • @NotAgain90 I'm sorry if I hurt your patriotism to America...It's impossible to find all those plenty of comments here in YT to show you . But MOSTLY Americans are commenting on classical performances about how musicians sitting, walking , looking, moving , dressed etc. ...almost about anything except performance,genre or just about music in general. I have nothing against St. & Sons or Columbia rec. comp. ,

  • @NotAgain90....comp. but if you read my comment ones again, after GENIUS ! comes word [ EVEN...IF didn't get..] means I know he had a Grammy, & I know as well , that Oscar goes....at least to composer of film , ..:)) I just tried to explain that person that EVEN ALL KINDS OF NOISY AWARDS ARE secondary to me , simply because many GENIUS performances are underrated..( NO GRAMMY) & many movies had an Oscar as a best pic. but I FOUND VERY PURE..I MENT , WHAT You're ( wookey) TALKING ABOUT !!

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  • @NotAgain90 error on Perahia's birthplace...not NJ but NY , Bronx.

  • Es precioso , gracias por poner estos videos!!

  • Only complaint I have is why skip the repeat? It's short enough to repeat.

    Hehehe, seriously, this is a good performance. Could use some more dynamic contrast, but this is a very difficult piece to play; takes much stamina. This video was posted years ago... I'm sure if the pianist has practiced more he can play it even better.

  • No, no, no, no ! E ancora no ! grandi mani, piccolo cuore.

  • @Aulin67 La prossima volta la suoni tu la toccata di schumann così vediamo se ti viene un infarto e muori di crepacuore! ahah

  • L'infarto non mi verrà, il mio cuore è già scampato all'esecuzione di stadtfeld, e se ha superato questo trauma, reggerà tranqullmente altre dure prove.

    Confermo il precedente giudizio: il pupo crucco potrà diventare un grande pianista, ma per ora è un grande "tecnico".

  • @Aulin67 Tecnica deriva dal greco techné, e vuol dire "arte". Indi mi pare già abbastanza che il "pupo crucco" sia un tecnico. Addio apoplettico

  • Non puoi fare il pignolino e farti sfuggire le virgolette. La tua lettura è superficiale come l'ascolto della toccata, ma su questo già non avevo dubbi. Ad ogni buon conto, ho espresso la mia opinione, che tu puoi non condividere, e la cosa non mi turba. Non fare l'isterica con me.

    Che dire poi dei "tecnici", o se preferisci "artisti": il mondo ne è pieno, e ognuno dà secondo le proprie capacità, fornite dal padreterno e dall'esperienza. Vuoi paragonare stadtfeld a gould ? Saluti e baci !

  • @Aulin67 ahah perché vuoi paragonare te a stadtfeld? ;D

  • @TipheretV Il paragone fra me e stadtfeld: lui è secco mentre io in lieve sovrappeso, lui è figa lessa e io finocchio mascolino, lui sa suonare, ma io so ascoltare. Resto quindi convinto che questa toccata sia un po' ...da "tempesta ormonale". Tuttavia questa mattina mi ascoltavo das wohltemperierte klavier (suonato proprio dalla lessa) e devo dire che alcuni preludi sono veramente magnifici. Resta da ascoltare beethoven, speriamo in bene, diversamente farò una settimana di cura kempff.

  • @Aulin67 Neanche poi tanto grande a dire il vero... Comunque concordo.

  • @Aulin67 completamente d'accordo!

    ;)

  • full of joy!

  • i'm just amazed by his sitting position. Very interesting and certainly very intriguing, very close to the piano, but still have enough freedom of movement.....and he's like a movie star!....lol

  • like glenn gould...he had his own chair

  • by the way, if you guys didn't notice, the last comment was definitely sarcastic....since nowadays, you have to have to looks to be a classical musician....long gone are the days when glenn gould, richard goode, perahia, pianists with superb musicianship can get lots of performance opportunities and establish their musical careers. Yes, I'm amazed, but not necessarily agree with his posture or interpretation

  • very good :D. but i prefer cziffra's interpetation

  • Kinda want the whole story. Very good performance, why the back on the piano bench/chair? Does he have some physical problems?

  • EXCELLENT piano playing. Even throughout. Good solid tone. Never bangy. Never bombastic. Never skittish or erratic. Played with near perfect control.

    Only Mr. Levhinne, who plays with unique elegance and affection -- as though it were a character piece, instead of a formidable challenge to the fingers -- and Vladimir Horowitz, who makes of it a scintillating, star-spangled circus, give better accounts of Opus 7, Schumann.

    There's no mannered striving for effect here.

    GOOD! GOOD! GOOD!

  • Well, I just heard Pogorelich, and in his unique way ranks with Levhinne and Horowitz above the excellent Mr. Stadtfeld, who does need to learn to play with greater dynamic contrast.

  • I do have to agree with you on that even though he seems effortless. A lot of critics of him usually pick on his limited dynamic range. Maybe that's how he perceived piano playing.

  • Interesting comment, that Stadfeldt may perceive piano playing as with a limited dynamic range, since he is known (and presents himself) mainly as a Bach player.

  • .....you are right whith Levhinne and Horowitz....I would add the version of Sergio Fiorentino.......I don't like Stadtfeld, but this is really good.....

  • The fingers work okay, sort of, but just press notes down mechanically. Considerations of shape, phrasing, placing,timing, color......they don't exist apparently. This guy is ASLEEP, musically. The overall effect is of ugly, clanking, unremitting machinery.

  • if you dont like his performance you can still judge by the looks of this hot young guy. hope he's gay.

  • Except for those who made intelligent, musical comments, I must say that the rest of you are the absolute DREGS! Who are YOU to criticize a wonderful performance, and where's YOUR recording of this difficult piece of music? You people make me sick! You poor, simple boobs! I feel sorry for you. Could you comment on ANYTHING intelligently. I KNOW that you could not!

    Congratulations to the pianist on a great performance!

  • "wonderful performance"?

    mister,although you are pretty advanced in your age,i must notice,that you have no idea of anything.

    so what,according to your age one could expect a bit more know-how how to play the schumann toccata properly.

    but perhaps you like only the interpreter as an atta boy from the vantage point of an olster!! LOLL

  • The arrogant rude remarks, made by nitwits who probably cannot play even a scale without a mistake.

    Who cares if the pianist has his eyes closed or open. He is not playing with them.

  • o my god, so good palying and so bad sitting :D

  • Heh. You're all so violently angry at a young man for sitting down in front of his instrument and not putting on a show for your eyes.

    Here's a thought: close your fucking eyes. Musically it's not an outstanding performance but it's not especially bad either. To suggest that someone with this person's talent "plays like a cunt" is mean-spirited and ignorant.

  • @Buldaner I understand your anger at the vulgar criticism of the previous blogger but when you respond with equal vulgarity you stoop to his level.

  • Evidentemente a quienes ven los videos de musica con el afan de expresar subjetivismos no les detiene nada. A algunos pianistas les critican porque se mueven mucho,porque hacen gesticulaciones,porque usan tecnicas no ortodoxas.

    A otros porque no muestran expresividad,porque tienen economia de movimientos. La verdad es que aparte de esos subjetivismos este joven toca tecnicamente muy bien,nada puede reprocharsele y decir que es frio conscientemente es mucho arriesgarse.

  • Más de acuerdo no puedo estar, tiene una técnica que ya muchos quisieran... No hay más que decir

  • Me agrada que un pianista profesional, y ademas de los buenos,tenga la objetividad de escribir que este joven es un pianista de primera linea,porque eso deja desarmados los comentarios mezquinos de quienes solo abren videos para ver defectos en los esfuerzos de los artistas por salir avante. Ademas de comentarios mal intencionados se usa un lenguaje que deja mucho que desear de la cultura de tales comentaristas. Es una lastima .

  • I think he was consciously trying to look effortless and relaxed, but instead he looks like a drunkard desperately trying to seem sober. A viewer can tell when a performer is trying to force an image.

    So yeah, it's displeasing to the eye AND the ear. No excuse or marketing performance can save this performance.

  • This is nothing special. He plays the piece like the majority of piano players do. It's so... plain.

  • That is so true, although he is very good looking, what's with the posture?

  • I'll say what everyone's thinking: He plays like a cunt.

  • You are tasteless and vulgar. Your remarks musically, have no meaning --except the "c "word is not said by intelligent people, which of course leaves out you

  • Wirkt sehr emotionslos....die ganze Haltung, dazu Stuhl mit Lehne, unterstreicht dies noch.

  • He looks like he's just sitting playing cocktain lounge music! No musical interest but technically very good.

  • definitely don't like. sorry

  • Performs this piece like he is playing in his sleep and has no idea what the music is saying. Is he deaf? Does he know that a piano makes music?

  • It's a little too slow and a little too sloppy to be interesting.

  • ein furchtbarer bubi. und was er da abliefert ist wieder mal alles andere als gut... wie kann so jemand nur so hochgejubelt werden...

  • ...right!

  • One volume does not interest make.

  • lol look 2.40 -2.47

  • that's what she said

  • damn, this piece sounds very very good. the best from schumann i think.

    during his playing stadtfeld looks as if he had an orgasm. which strong feelings he had...

    but its really amazing, my respect!

  • ...it sounds g a y ;))

  • Kajohada, I don't want any misunderstanding: I don't say that you are stupid. But do you realise the stupidity of your comment ? Comments of this kind have no place here. ... Come on ! ...

  • ok,i shall correct myself------->it sounds g a y and f e m i n i n e and what´s the worst thing is------>it sounds b o r i n g and u n i n t e r e s t i n g!

  • I don't know exactly what it is to sound "gay" for a piano player. Thank you for your reply.

  • gay means------>who´s that girl touching the piano shortly before a broken wrist,without any competence to express schumann´s world.prrrobably he is sitting on something i will not mention at all LOLL------>but if u consider that all gays like it u will understand what i mean ;)))

  • 1:59 - coolest part ever

  • Close your mouth and try to think idea of this peace. You are perfect example of pianist that has no clue in that what he plays, he has no idea, and perfect example of how shouldnt look pianist...as i see you trying to imitate Cziffra but you are just stupid :). no offense but you sound it like it...

  • ya,an imitator has born...he sits on the chair like radu lupu and and the label wanna sell him as a new glenn gould,which overconfidence.he looks like a "second-life" baby trying his first steps on a asthonished piano;))

  • Yes, he is very funny with this chair. And when it comes difficulty part he moves toward the keyboard...Its a clear mechanicar performance, and no emotions and some idea, it has nothing. Just technic and mechanical performance is NO MUSIC, there isnt music at all.

  • Wow! The opening chords...and again around 2:30-2:40 are intense sounds and performance...

  • you have very strange idea of intensity... :)

  • :)...the sound, his sound -- loud and sonorous!...

  • Ya I have to agree that this guy has no idea how to correctly interpret the way the piece is to be played. Just because the mechanical aspect is correct, does not mean it is a great performance, it lacks emotion. It might as well be a player piano.

  • if you want to hear a contemporary German pianist play it get Bernd Glemser's CD-- Glemser is not known to be among the most exuberant and imaginative musicians, but HEy, his is exciting compared to the posted sleeping pill

  • this is DREADFUL!! Man! Is that boring! das ist ja furchtbar, wie so etwas vermarkted werden kann-- towards the end it's all dirt, no imagination, no tonal range, no Klangfarben whatsoever, no emotions--one can argue over what is the *right* Schumann interpretation but his has no ground to even TALK about INTERPRETATION!

  • man, get a life... music not for you... at least not Classical.

    My computer is more interesting than you !

  • awful, uninteresting!

  • this is dreadful.

    Where is the hint of madness in the music? The sense of falling over the edge?? It is not there in any shape or form.

    I have never heard a worse interpretation.

    Who cares about the right notes when it sounds like this???

  • Pop a pill, adamo, and you will get that "over the edge" feeling. What does it have to do with this particular composition is a different matter, and the answer is NOTHING! You have no clue.

  • uninteresting

  • Cos'è, Pianobar??

  • what a horror

  • Czerny will be a great choice for the mister here.

  • haha

  • daran sieht man einfach,dass der junge nicht begabt ist und aber auch keine ideen hat. begabung ist nicht alles aber man kann sich auch bemühen. schaut euch die anderen videos mit dem stück an (z.B. mit horowitz)und vergleicht das mit diesem schrott . da sieht man was wahre begabung und durchdachtes klavierspielen ist.

  • An cigarre93net: Ich stimme komplett zu. Ich war aber heute bei grossem Musikladen, und es gibt eine Dutzend CDs von ihm, nagelneu, mit entsprechenden Preisen von ca. 20€..

    Ich verstehe nix.

  • boah sry aber das ist soo eine schlechte aufnahme :( selten so was langweiliges gehört...

  • I like the tempo. Prhasing could be better but unlike others on youtube this is not too fast,too slow, too noisy or mistake ridden. This is very good.

  • So Canadians always sit in chairs. First Gould, now Statfeld :)

  • but he isn't canadian^^

  • Klingt wie üben, und dabei gibt er sich auch mühe, für das kalte unmusikalische Ergebnis. Natürlich ist es ein sehr sehr schwieriges Stück, man sollte es aber lassen, wenn man nicht etwas vernünftiges daraus holen kann. Echt verwunderlich, dass dieser Pianist erfolg hat und gefragt ist, und mit Plattenvertrag bei Sony...

  • der typ ist doch ein reines plattenprodukt!

  • this is dreadful!!!! there is absolutely no shape, in the first 50sec introduction is as flat as a piece of paper run over by a steam roller. The irst theme at 50 sec isnt at all prepared and there is absolutely no lyricism introudced. Listen to Czifra just the first 50 sec. you will understand actually what this piece is about....!

  • Ignoro cual sea el criterio de relación que existe en Youtube para que a la par de esta excelente interpretación y donde solo hay ejecuciones pianisticas,aparezca un vídeo vulgar

    que absolutamente ninguna relacion tiene con el tema de la interpretacion musical .???????????????

  • Es verdad, yo tampoco lo entiendo. Probablemente fue el mismo pibe del video el que hizo que apareciera aca (no se cómo), sino es inexplicable.

  • Ignoro cual sea el criterio de relación que existe en Youtube para que a la par de esta excelente interpretación y donde solo hay ejecuciones pianisticas,aparezca un vídeo vulgar

    que absolutamente ninguna relacion tiene con el tema de la interpretacion musical .???????????????

  • this isn't to great...

    But why on earth is one of the related videos 'Masturbating niehbor strikes again: I took pictures'?! Thats completley vulgar, and has nothing to do with a schumann tocata! I wish youtube would be more acurate with the related videos.

  • I don't understand that either. There proably exists a way of puting your videos where you want to, otherwise it is out of my comprehension.I agree whit you about the rendering of the toccata.

  • you people need to stop bitching about it being too "mechanical" do you know how difficult this piece is? you guys dont even notice what a fiendish piece he is playing, so stfu

  • This piece is not that difficult, if you got the hand to play it. I know it, I have played it in recitals. And even if it was difficult, you could always put more feeling, even with wrong notes. I wouldn't say he's "an idiot", because the sound is good and the technique OK, but he doesn't know what he's playing.

  • How disappointing. I read very positive things about this young pianist. But as many here have already observed, this is cold, mechanical, disengaged, boring. It has no musical content. It isn't even interesting as a technical achievement.

    People debate endlessly the pros and cons of the Toccata interpretations by Richter, Horowitz, Cziffra, Gilels, Lhevinne, etc. But Stadtfeld engenders no discussions. It's too flat, and immeasurably below any of those great renditions. What a letdown!

  • I play this piece, I'll publish in september one CD with this piece, among others by Schumann. I don't like this interpretation. It must be more appassionated, more happy, more free, more expressive. Even the technique is not quite clean and he doesn't take any risk. A bit boring. I'm sure he's a good pianist, but this piece must be played with more humour.

  • is he idiot or what? nothing happens in his interpretation... it seems to be the soundtrack of an idiot movie... no organization! no phrasing! no construction to some climax... nothing! the same sound everywhere! he shouldn't be so well promoted.

  • He's a very mechanical player. Same problem with his Goldbergs.

  • I prefer the Lhevinne version of this piece. This current performer plays it like a Hanon exercise.

  • This beautiful Schumann's composition would need the performer played so that the listner can well perceive the rich interlacement of the parts and the cromatic structure. Cziffra performed it a astonishing virtuosistic way, but cannot make the listner enjoy the real vaòue of the composition. this rendition is a little better to get that aim, but is yet very unripe...

  • Who gives a toss what he looks like? MUSIC IS A SOUND YOU LISTEN TOO!!! Horowitz was a master because he produced a magnificent expressive SOUNDDDDDDDDDD!!!!!!!!!! and you could say he looked bored. But music goes through the ear not the eye! Come on people think for yourselves don't let society control you!!!

  • i agree with every word!

  • =)) is this boy a great piano star?! not only that he is almost ridiculous, but also he definitely doesn't understand a thing of what he plays... how can some of you compare him to Cziffra? an arrogant, technical executor, compared to a great pianist similar to Liszt himself?

  • Listen to his recording of Bach's Goldberg-Variationen. Brilliant. One of the very few after Glenn Gould that deserve to be mentioned.

  • A little bit of emotional involvement wouldn't hurt him. I agree that he looks bored and totally not interested. Technically he can do it, but that doesn't mean a whole lot to me as a fan. Richter is unmatched in this!

  • Martin, prometti bene, prima o poi ti innamorerai, e allora sentiremo tutt'altra (e migliore) musica.

  • This is better than Cziffra, 3MTom. Compared to Richter this version is abridged, and Richter's earlier account is technically unmatchable.

  • try it with longer hair and a cigar in your mouth, it's a party song!

  • This is good. It is not his fault that Cziffra was better - Cziffra is one of the handful of finest pianists that has ever lived

  • Wow. Cleaner than Richter and just as fast. If I had to play this monster I would jump off a bridge, right after Schumann. For those who want more dynamics remember a Toccatta is a Bach specialty, the only dynamic is f or p, anything else is else.

  • nice; nice to hear it like this.

    Cheers.

    from,

    del-boy.

  • the comparison another reviewer made with the Cziffra performance is quite interesting: if Cziffra is a bit too freewheeling, this one errs on the other side, being a bit too "classical". this guy probably practiced with a metronome, and it shows. good technique but needs a lot more dynamic range.

  • he looks bored and uninterested jus sitting bak in his chair :S

  • I listened to this after Cziffra. I hate armchair critisism but I did prefer the whimsical poetry and effortless virtuosity of Cziffra?

  • sounds quite "academic" - of couse he has good technique, but this isn't enough to be a great piano player

  • pretty competent in my opinion, not as good as Horowitz/Richter etc.. but that is not a very fair measuring stick to apply.

  • this sounds so trivial and naive like he is just testing piano before concert

  • He's talented and attractive. Please post more!

  • Boooooooring! I know it's a Toccata, but this is nothing but the notes. It's a cool piece nontheless, but listen to Richter in stead. He has dynamics below mp and above mf. Sorry for my criticism, but you have to have colors in your mind for this piece..

  • KazBerlin is on laudanum...her critique sounds like an anti-Romantic critic in the early 1920s in the vanguard of the objectivist revisionist movement encouraging a dearth of humanity in performance and hailing it..."progressive"

    This sounds like every other mechanized version of the last 50 years.

  • Yeah. All that's missing is the metronome clicking in the background. There's no variety of color at all.

  • da gibt es an den musikhochschulen europas schon jetzt mehrfach bessere.

  • Excuse me but I think Stadtfeld is onto something here: his sober yet completely involved play goes beyond the usual emotionalized and, I am sorry to say, rather simplistic and thus boring interpretations which advocate "feeling" above all things. There is emotion too in Stadtfeld but it seems to me to be rather refined, rather checked, rather reflected. This may be the way to go; 21st century style.

  • I went to the trainstation-stop marked...

    "Schumann"... But the only trains that went by were named..."Stale Modern Revisions" or

    Passionless Pedantic longlines"...SO

    I went to a bar & ordered a Scotch on the rocks and mused over a Classical music world that doesn't deliver what it advertises,& praises itself for respect for the product.

    Thank god the bars don't go this route!

  • Flowless but boring... I prefer Richter's and Cziffra's performance

  • Well, he plays it very sterile but not bad, I like it. He's not even as famous as you suggest over here, I don't get your anger, seriously. And wow, people who say that they like him are rated with minus numbers...it's strange, kind of a VERY bad hatred against him.

  • I like his style.

  • i don`t understand why he is so famous!

    he plays without deep feelings... but it`s typical for german musicians i think.

  • He is "so" famous because he won the Bach competition and, as the Germans don't have any good pisnists to boast with, certain people decided to make money by promoting him, giving him Echo classic award etc., although he is - obviously to most serious musicians - as good a pianist as an average musical college student. But showbiz people don't care about art, as long as good looks sell well, as everybody knows

  • It's not.

  • No generalizations, please... Bach, Mozart, and Schumann were all from German-speaking territories, weren't they?? Please don't tell me that THEY created expressionless music.

  • If he wasn't that good-looking, nobody would care about his piano playing !

  • This guy is amazing. I love the clarity with which every note is heard, the relentless flow, the fastidious adherence to timing, the singing melodies brought out. This made me order one of his Bach CDs.

  • actually it isn't that bad i kinda like this flat interpretation

  • THAT is not good...no expresion, no understanding, nothing.

  • You know, you have a very good opint: Fistly,He plays the toccata as though bach wrote it; to omantique qualities needed, secondly like many other pianists he pretends to have a 'different dimentional' stimulation to the piece, Although his crescendos are are actually decent.

  • Nasty jacket!

  • exercise again

  • I'd recommend Cecile Licad - amazing technique - yet thoroughly inspired, and impeccably musical