Added: 4 years ago
From: professorV
Views: 52,223
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:
see all

All Comments (40)

Sign In or Sign Up now to post a comment!
  • Hey maestro Could you tell me how you play the spiccatto of czardas of monti? I´ll apreciatte.

  • I was so happy when I learned how to do sautille. Then I realised I was playing off the string and it was supposed to be on the string ;( and I was NOT happy

  • The only way I'm able to do it quickly like you is to use the wrist. Is that wrong?

  • Ahh, thank you so much! I've been having a lot of trouble with the fast part in Zigeunerweisen, but hopefully this will help :D

  • esse video é muito bom, é disso que estou falando, agora eu vou tentar tocar a Suite in A minor Op 10 (Sinding)

  • It tool me about 11 months to master this bowing but I finally got it. I don't have a private instructor so these videos are really helping me keep advancing. Otherwise I would probably have just stopped learning anything new. Thank you. :D

  • lol at 0:42

  • Thanks! I never thought about utilising my fingers as well as the wrist technique. Wonderful video for helping me with Tchaikovsky's Serenade!

  • thankyou sooooooo much, Ive been stuck on this for weeks and I'll probably be able to do it now cuz I tried doing it with the wrist but without the fingers moving and I had all my fingers on the bow

  • I've just started to learn sautille on Kayser 19, the bouncing action halts when I put my finger on the board (changing notes). How can I conserve the motion?

  • Todd, you're awesome. :)  I remember when I first started violin 2+ years ago, and watched nearly ALL of your videos, so I knew what was coming (like the importance of finger flexibility). Now that I'm starting suzuki book 4, I think it's so cool how far I've come, and that these "WAY-beyond-me" videos are now appropriate for me. :) THANKS!

  • good piece to practice on is perpetuum mobile by novacek

  • is this stroke used in tremolo?

  • Excellent lesson, you are a great teacher! As a guitarist and guitar teacher, this gives me just one more reason to envy you bowed-string players! :)

  • Very nice lesson! this is the technique that I really want! I really want to play czardas! :D

  • What is the name of the composer whose concerto you mentioned?

  • ahh finally...... i needed this

  • so... many bowing techniques o.O....

  • This stroke is driving me crazy!!!! :-(

  • ....yeah, cant wait to try this on Csardas.

    i'm gonna die. haha but thank you for the help :)

  • @trollhunter60312 u spelled czardas wrong

  • constant practise definitely helps

  • @jessicadrhp try to lower a vit of your elbow and straiten your arm hope that helps :) (pm me 4 ur response)

  • Wow. This is ridiculously more difficult than I thought it would be.

  • i can't get the finger opening thing i think i can kind of do it by using m handish part but i dont know...tips?

  • Hi Mr Ehle, Thanks for posting videos of the different sautille techniques. I just tried what you taught in this video. I'm not sure if I've acheived the 'popping corn' sound.

    A problem I have is that my shoulder-neck muscle tightens up a lot while doing the bow-movement. My upperarm muscles also contract but not as much. Is there anyway I could relax my bow arm?

  • Yes, i had the same problem with my bow arm. After a few moments my arm is already tired. Sometimes i could achieve the 'popping corn' sound but i don't know what causes it so that i stay that way.

  • THANKS

  • darn it! i already learned that piece and man was it hard. now i know why that fast part was so hard for me. thank you! this helped a lot.

  • Thank you for this lesson

    When you played the musical example starting around 3:15

    Your right hand was not in the shot.

    If you do a part 3 please include the right hand in a longer musical example.

    That said this has to be one of the best videos on the subject if not the best.

    Thanks again.

  • thank you todd.

  • Thanks alot. Also for people struggling its easy to press down harder when you are bowing down and lift off when bowing up.

  • Interesting. I could already do this just by experimenting, but my control is off. I was still wondering why no one else could ever do it.

  • I can do the bow stroke but I cant get my fingers to move together with my bow. I can move my fingers fast enough but I cant put them together with the bow movement!

  • I'm having the same problem. I have mastered the sautille movement, but can't control it's speed preciesly to fit my fingers. Playing Czardas as r4pang. :( Would you be so kind to give us some advice how to practice synchronization between fingers and sautille?

  • A good way to learn how to get the fingers and bow in sync for those notes is to play 4 sautille stokes for each note printed. If you can't do 4, try 8. When you are good at playing 4 notes per note, try bowing 2 notes for each note, and after lots of practice you'll be able to do one bow for each note.

    Be patient, if you keep at it each day, your co-ordination and finger strength will improve and it will all work for you. You have to keep at it each day to improve though.

  • Thanks :)

  • you are amazing!! thankyou soo much!! i was killing myself trying to do really fast spicatto on the moto perpetuo by paganini. this has helped me alot.

  • Great violin lesson, thanks again.

Loading...
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more