I love bitch fights back stage - do you know the story about Obratszova and Vishnevskaya in the green room at Carnegie ? Galina slapped Elena hard across the face. She did. I was there.
Aprile Millo is, in my humble judgement, the Queen of Italian Opera. Everything that I hear her singing is the best. Amazing voice and perfect technical skills. She sings with her SOUL!
She has all the bravura of the old school sopranos: Tebaldi, Scotto, Ponselle; she is by far one of the great interpreters of the Italian verismo roles! Go GIRL!!!!!
Let me know if it took place aat Municipal Theatre of Rio de Janeiro. If so, I, fortunally, was there. Please, if possible, post the "bis", Canzone D`Amore !!!!!
This video is from her recital at the Theatro Municipal in Rio de Janeiro where she achived a great success.
To my judgement she is the best soprano that I have seen in opera. I have atteded to all her performances in Rio (Aida, Andrea Chenier, Gala with Placido Domingo and this recital) and she is the most beloved singer here since her stunning historical debut in the new production of Aida.
Millo is one of the best and passionate singers in the world. Her voice is a gift and , even sometimes acs "macarronic" she is someone unforgetable. Love her as I love Baltsa. DIVE!
The critic of the newspaper "O Estado de São Paulo" wrote that her performance as Maddalena with Opera Brasil was one of the 3 best performance of all the artists that have appeared in 80 years at the Theatro Municipal, who has applauded legendary artists such as Callas, Tebaldi, Muzio, Sayão, Caballe, Caruso, Gigli, Rubinstein, Pavlova, Nijinsky, Casals, etc,etc...
Aprile Millo is the most beloved singer that visit Brazil in the last 25 years.
This comment has received too many negative votesshow
Kohn -- the name rings a bell connected with Shicoff. I believe he worked with Neil Shicoff years ago and Neil had high praise for him as I recall. Contrubas passed away sometime ago.
As much as I loveTebaldi, and have heard her in her prime being 68 years old and in house in Italy but I have to say that Millo for me has the more beautiful voice and I only say this because of the constant comparison with Tebaldi. I never thought when I heard Renata that I would hear anything that would be more beautiful as a Spinto but this voice is it.
she is always the best of them all. it is a very big voice believe me heard her in a 3,700 seat theatre and she filled it up to my balcony seat with a golden sound.
He is the infamous Kohn who was thrown out of the met after the fiasco of Contrubas and her not wanting an amateur conductor, Kohn, to conduct her. He called her a bitch and the Met fired him. Millo adores him, took him all over the world, why I will never know. better at the piano.
The greatest, what can you say about a voice like this? nobody who can surpass her as a spinto soprano, hearing her in the house is an experience I will take to my grave and I heard them all from 1957 on too this day and her spinto was best, Piano, Forte-- it is just a wonderful rich Italian sound from the golden age, thank you for this post.
Yes, this wonderful performance was at the Theatro Municipal do Rio de Janeiro, in 1988.
One year later, she sung "Maddalena" in the concert version of Opera Brasil, both in the Theatro Municipal de Rio and also de São Paulo, with incredible success and raving reviews. One critic even wrote that she gifted the audience with one of the 3 best performance in the 80 years history of the Theatro!!!
Maestro Eugene Kohn is my favorite opera conductor. He is "singer´s conductor" that is also loved by the orchestra musicians in Brazil. He was the Music Director of the historic performance of Andrea Chenier by Opera Brasil with Aprile Millo, in 1989.
NOT ONLY IS SHE GREAT HERE BUT SO IS THE SOUND. MAESTRO KOHN ALSO WORKED WITH NEIL SHICOFF, HE SPOKE HIGHLY OF HIM. I PREFER HER TO ANYBODY HERE and in the opera complete she is just awesome
Nobody can top Aprile Millo in interpreting Madalena di Cogny in Andrea Chenier in our times, period !
And I do not know a better pianist accompanist in the opera world than Eugene Kohn, who also I rate as one of best opera conductors of all times - he is always tuned with the singers, he makes the piano or the orchestra breath with them,
exactly, and following the great traditions of these two great exponents. Millo is their successor. To me it is just as beautiful as the Muzio, and Muzio is a God to me, tons more beautiful than the Bruna Raza and the best thing? It sounds like Millo. Divina
The pianist is Maestro Eugene Kohn who was also the painist for Callas on her Juilliard masterclasses when he was very young. Maestro Kohn is an excellent pianist, couch and conductor!
Milo shines in this aria... the octave higher ending is astounding... i however do NOT like the pianists improvisations with the arias accompainment. they take away from the aria itself... beautiful nonetheless
An excellent interpretation. With her very Italiate timbro, Millo was born to sing this kind of repertoire. Some may find it too slow because the most famous version of this aria is probably Callas', who sings it faster than almost everyone else. The only thing I dislike in Millo's rendition is that awful ending one octave higher.
I agree completly with Betcha22. It's not too slow. Quite to the contrary; it could have been even slower at certain places. She gives such an incredible intensity to the piece. That's why it works. Of course, she has a great pianist behind her too.
It is not too slow. This is the tradition of parlato, and it is written to tell a story. Tebaldi, and MIlanov sing it at this speed, it is metronome marking 54. That is slow. Brava Millo
watch the painist watch her...he watches her every move and is with here every step of the way. and she is amazing by the way...she rivals callas on this aria. (yes i said it!) this is a hard aria to pull off with just piano and excerpted from the opera. she is very very very good!! gave me goose bumps
definitely better than callas. callas is too lyric in this aria, whereas millo remains spinto from the bottom to to the (very perfectly intonated) high h...
The accompanist is Eugene Kohn, for some years an assistant conductor at the Met and coach who is best known as the accompanist for the Callas master classes at Julliard (not the Macnally play but the original event with Mme. Callas herself) Don't know where he is now.
I completely agree with you,Idialegre. When will opera directors learn that people are capable of suspending their disbelief where opera plots are concerned and are going to listen to the wonderful soaring voices such as Millo.She is not even that overweight by some operatic standards. Thanks for the clip, jmahlon. Where was it filmed?
Aprile is one of the greatest voice I have ever heard. And she is a delightful person. I had the pleasure to work with her doing my first Sacristan in Tosca and she was a jewel! Awesome voice and a great artist. Brava Millo!!!
my friend introduced me to opera with this voice and I am hooked. What a goregous color, and real emotion. Hope to catch her perfromances this season at the Met.Like listening to a grammaphone. love it.
My friend introduced me to opera with this voice and I am hopelessly hooked. What a great color. How beautiful the sense of pain and emotion. I hope to catch her live this season at the Met. Like listening to a grammaphone. love this.
weight is keeping her off the stage.she never played at being the grand diva,that spin was spewed by some publicist for her rivals. I was with the Comunale for press and she was so kind and gracious,the orchestra applauded the night of her first performance. There is a certain gravitas to this music and she knows this and so did the old guard who embraced her from day one as one of their own. Once the weight comes off, we'll see how much the houses avoid her.
She started out back in the 80's singing really nicely, but never really developed artistically. I will say that she was one of the few singers who actually had an "idea" of what an italianate voice should sound like, but her preoccupation with acting out the grand diva persona on stage and off backfired, and she's now pretty much avoided by the major houses. She sang one of the most magnificent Liu's I've ever heard back then.
I do not think she is underated at all, at 48 she is twenty years into a fabulous career. If she would stop pulling the Garbo and actually show up, and lose some of the weight, we would hear her more. Inspires a lot of controversy but the talent and the "goods" are still there.
when I handled her press for the comunale dear Zerlina freshly signed up to you tube, she lost her passport and submitted a copy of her birth certificate-sorry for you seemingly, she is 48 in april of this year. If you must have her older to right some personal wrong in your own life, be my guest.
i just love millo, one of the great voices.....don't understand why she is so underrated... i close my eyes and i can hear tebaldi....lovely lady, such and artist
BRAVA! If I love anything it's that aria done well. It was nice and pure throughout the entire voice. This is actually the aria that made me want to become an opera singer when I heard Callas do it in the film "Philidelphia". There aren't a lot of times where I can sit back and enjoy this aria in recital form because the piano tends to get a little too choppy for my taste, but I did enjoy this. Thank you for the clip!
What year is this?
TreblesBasses 1 month ago
vraiment costaud !!!
so451 6 months ago
VERSION TRES INTERESSANTE !!!!
so451 6 months ago
I love bitch fights back stage - do you know the story about Obratszova and Vishnevskaya in the green room at Carnegie ? Galina slapped Elena hard across the face. She did. I was there.
johngotwalt 7 months ago
Never heard of her, and glad to meet her. Thanks for posting. Very nice voice!!!
ykaiilah 7 months ago
Apriile is melting voice and art, her soul vibrate the stage!
So amazing!
ausieart 10 months ago 2
Tebaldi was once her teacher - Aprile just love Tebaldi.
tebaldicallas 11 months ago
I wonder why she did make more recordings, now it is a bit too late.
tebaldicallas 11 months ago
@tebaldicallas no it's not.... I assure you.
A7sogno 11 months ago
@tebaldicallas Callas and Tebaldi also Sutherland made recordings early - it is too bad
that recording companies don't ask her. When they are retired, i least they have recordings for
peoples to remember her. Tebaldi said when she was in London in 1992 they were lining up
to see her and those peoples were not even alive when she was singing.
tebaldicallas 11 months ago
The most beautiful Soprano ever live and hearing her in the house as I did is a never to forget experience. Wonderful voice and Lady.
SHICOFF1 1 year ago
Stunning performance! TY.
paulostroff99 1 year ago
Fan.
SandrineSoprano 1 year ago
BRAVA!
shiicoff1 1 year ago
In one word- MAGNIFICENT MILLO
chuntsiack 1 year ago
Il piu grande soprano vivente . Ricorda i grandi del passato come Tebaldi. Sono onorato di essere stato suo tenore in qualche occasioni.
tenorotti 1 year ago
@tenorotti
Sono molto d'accordo.. ma Lei chi 'e?
eastfiftyseven 1 year ago
I love love love this lady!!! She is truly a dynamo! MY MY MYYYYYYYY
courtneybaritone01 1 year ago
BRAVA!!!!!!!!!!!!!!!!!1
Pagliacci411 1 year ago 2
Aprile Millo is, in my humble judgement, the Queen of Italian Opera. Everything that I hear her singing is the best. Amazing voice and perfect technical skills. She sings with her SOUL!
AdrianoGuerraRio 1 year ago 5
She has all the bravura of the old school sopranos: Tebaldi, Scotto, Ponselle; she is by far one of the great interpreters of the Italian verismo roles! Go GIRL!!!!!
Pagliacci411 1 year ago 2
She is fabulous! So emotional and textured, and the voice is gorgeous.
sopranosd 1 year ago 3
Let me know if it took place aat Municipal Theatre of Rio de Janeiro. If so, I, fortunally, was there. Please, if possible, post the "bis", Canzone D`Amore !!!!!
baltsabrasil 2 years ago 2
This was a concert in San Francisco.
jmahlon 2 years ago
This video is from her recital at the Theatro Municipal in Rio de Janeiro where she achived a great success.
To my judgement she is the best soprano that I have seen in opera. I have atteded to all her performances in Rio (Aida, Andrea Chenier, Gala with Placido Domingo and this recital) and she is the most beloved singer here since her stunning historical debut in the new production of Aida.
AdrianoGuerraRio 1 year ago
Millo is one of the best and passionate singers in the world. Her voice is a gift and , even sometimes acs "macarronic" she is someone unforgetable. Love her as I love Baltsa. DIVE!
baltsabrasil 2 years ago
amazing
ElliePearl 2 years ago
The critic of the newspaper "O Estado de São Paulo" wrote that her performance as Maddalena with Opera Brasil was one of the 3 best performance of all the artists that have appeared in 80 years at the Theatro Municipal, who has applauded legendary artists such as Callas, Tebaldi, Muzio, Sayão, Caballe, Caruso, Gigli, Rubinstein, Pavlova, Nijinsky, Casals, etc,etc...
Aprile Millo is the most beloved singer that visit Brazil in the last 25 years.
She takes me to another dimension of Life...
DrFernandoBicudo 2 years ago 2
I can't believe I'm just now redicovering Aprille Milo after last hearing her 17 years ago. I can't get over just how good she really was and is!
kmillard 2 years ago 6
What a great pianist!!!
Schollistico 2 years ago
This comment has received too many negative votes show
Kohn -- the name rings a bell connected with Shicoff. I believe he worked with Neil Shicoff years ago and Neil had high praise for him as I recall. Contrubas passed away sometime ago.
halavey 2 years ago
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As much as I loveTebaldi, and have heard her in her prime being 68 years old and in house in Italy but I have to say that Millo for me has the more beautiful voice and I only say this because of the constant comparison with Tebaldi. I never thought when I heard Renata that I would hear anything that would be more beautiful as a Spinto but this voice is it.
halavey 2 years ago
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The most beautiful wonderful sound here I have ever heard in this aria is hers. She owns a divine instrument.
halavey 2 years ago
questa si ke è una signora maddalena!!!!!!!!!!!!!! GRANDE!
carloge77 2 years ago 4
im singing this in concert!!!
bicgal 2 years ago
Only two artists can give justice to this song in MY opinion. Maria Callas and Aprile Millo.
rjdelosreyes 2 years ago 2
And Tebaldi. And Scotto.
Rory1956 2 years ago
Rory1956,
Tebaldi, yes. Scotto, absolutely no way.
kmillard 2 years ago
Jesus !!!
johngotwalt 2 years ago 3
so much Tebaldi in her voice
johngotwalt 2 years ago 2
"Cossì fui solla"
ehehe
kotiplessa 2 years ago
I'm so moved by this performance. Aprile you are a GODDESS !
fookyoufookme 2 years ago 6
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she is always the best of them all. it is a very big voice believe me heard her in a 3,700 seat theatre and she filled it up to my balcony seat with a golden sound.
pearlmuth3 3 years ago
I met her backstage after her Carnegie debut with Bergonzi in Lombardi and told her that she was the 'real deal.' She still is.
Get rid of the ham-fisted pianist.
johngotwalt 3 years ago 11
@johngotwalt ham -fisted, LMAO!!!!!!!!!
ykaiilah 7 months ago
I love you Aprile, one and only
guappaione 3 years ago 5
Thanks for posting it, great pleasure to listen the wonderful Millo!
I didn't noticed the loudness of the piano...I was enjoying this divine singing...
emmatoth 3 years ago 3
A very speacial artist... great post. Kindest regards.
WiseMonki 3 years ago 5
This comment has received too many negative votes show
Who is the pianist? great!
1111cek 3 years ago
He is way too loud.
Anchetu 3 years ago 2
However, in this case it might not matter as much -- since Millo has an exceptionally big voice.
JLFAN2008 3 years ago 2
He is very exciting but a little too loud for my taste.
EnriqueCross 3 years ago 2
He is the infamous Kohn who was thrown out of the met after the fiasco of Contrubas and her not wanting an amateur conductor, Kohn, to conduct her. He called her a bitch and the Met fired him. Millo adores him, took him all over the world, why I will never know. better at the piano.
palcofunesto 3 years ago 10
The greatest, what can you say about a voice like this? nobody who can surpass her as a spinto soprano, hearing her in the house is an experience I will take to my grave and I heard them all from 1957 on too this day and her spinto was best, Piano, Forte-- it is just a wonderful rich Italian sound from the golden age, thank you for this post.
pearlmuth3 3 years ago
she's kind of great, i also recomend to listen the same song performed by maria callas (la davina) more than perfect
manuelbeastie 3 years ago
I prefer Millo, thanks the same. Callas is bel canto. NOt verismo. This and tebaldi is the best.
EnriqueCross 3 years ago 3
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no one can beat Callas in this aria... not even Aprillo who always sang these arias so incredibly
Lohengrin 3 years ago
Brava!¿Habrà alguna ahora que cante con esa fuerza esa convicciòn de lo que es dramàtico????
anguimoto 4 years ago
I have done a complete 180 on this woman. I read too many critics. She is AMAZING!
FoggyRoad81 4 years ago 2
In the last decades there has come nobody along with such vocal glory.
What on earth happened to her? I did hear her last year and much of this was left but where had she been and why did she stop.
CONTESTAR 4 years ago 2
Wasn't that in Rio de Janeiro Theatro Municipal?
LazarNewDeal 4 years ago 3
Yes, this wonderful performance was at the Theatro Municipal do Rio de Janeiro, in 1988.
One year later, she sung "Maddalena" in the concert version of Opera Brasil, both in the Theatro Municipal de Rio and also de São Paulo, with incredible success and raving reviews. One critic even wrote that she gifted the audience with one of the 3 best performance in the 80 years history of the Theatro!!!
fernandobicudo 3 years ago 3
The pianist is awesome. Love him!
1calaf 4 years ago
Maestro Eugene Kohn is my favorite opera conductor. He is "singer´s conductor" that is also loved by the orchestra musicians in Brazil. He was the Music Director of the historic performance of Andrea Chenier by Opera Brasil with Aprile Millo, in 1989.
fernandobicudo 3 years ago
At 3:03 she did a little word's mistake....anyway she's divine!!!
grafab2001 4 years ago
Bravo!!!
Aprile una gran intérprete y Eugene un excelente pianista. Muy bueno.
mbaez 4 years ago 2
NOT ONLY IS SHE GREAT HERE BUT SO IS THE SOUND. MAESTRO KOHN ALSO WORKED WITH NEIL SHICOFF, HE SPOKE HIGHLY OF HIM. I PREFER HER TO ANYBODY HERE and in the opera complete she is just awesome
pearlmuth3 4 years ago
I understand Tebaldi had coached Millo for a while. It makes you think...doesn't it?
Tenor5274 4 years ago
Think only that Millo continues the great traditions.
Betcha22 4 years ago
We miss you! return quickly! Sublimate!!!!!!!!!!!!
marioj34 4 years ago
Millo is in a league of her own. No one comes close today to what she has.
EnriqueCross 4 years ago
Nobody can top Aprile Millo in interpreting Madalena di Cogny in Andrea Chenier in our times, period !
And I do not know a better pianist accompanist in the opera world than Eugene Kohn, who also I rate as one of best opera conductors of all times - he is always tuned with the singers, he makes the piano or the orchestra breath with them,
Bravissimi !!!!!!!!!!
fernandobicudo 4 years ago
POWERFUL!!!! What a great voice!!! magnificent!!!! The pianist is terrific too!
callastoujours 4 years ago
almost as beautiful as Bruna Rasa & Muzio
jozefsterkens 4 years ago
exactly, and following the great traditions of these two great exponents. Millo is their successor. To me it is just as beautiful as the Muzio, and Muzio is a God to me, tons more beautiful than the Bruna Raza and the best thing? It sounds like Millo. Divina
Betcha22 4 years ago
Aprille you are magnificent I love you!!!! and your singing!!!!!
potitodos 4 years ago
Love the gliss at 4:49 and 4:54. So musical!
court0114 4 years ago
Only the piano and her voice: a true artist!
I enjoy it even if it's not my favorite execution (i like more Tebaldi or Callas).
extranged 4 years ago
PErfectooo! Maravillosoooo!! Bravissimo a la soprano y al pianista!! I loveee...
Contratenor18mlg 4 years ago
Absolutely perfect.She lives every moment of the aria.
perfumedlife 4 years ago
She is unequalled in this part
oleganna 4 years ago
I adore her voice; she is special and brilliant in this aria
pavarottiM 4 years ago
absolutly WONDERFUL ... Who is that GREAT pianist ???
GREAT ... GREAT.... GREAT ... BRAVA MADAMA ....
laurencemalherbe 4 years ago
The pianist is Maestro Eugene Kohn who was also the painist for Callas on her Juilliard masterclasses when he was very young. Maestro Kohn is an excellent pianist, couch and conductor!
georgeo 4 years ago
Not bad but a little too loud and creative with the score. he doesn't play what is written.
EnriqueCross 3 years ago 3
GReat. What understanding of the Italian style.!!!!!
hernandezhhh 4 years ago
i love this brillant voice ... brava lady you are a wonderful!
zovirotto 4 years ago
Milo shines in this aria... the octave higher ending is astounding... i however do NOT like the pianists improvisations with the arias accompainment. they take away from the aria itself... beautiful nonetheless
isinglouderthanu 4 years ago
I agree with you in regards of the pianist accompaniment. It would have sounded more haughting with one violin or cello. But very good anyway.
lhalabi1959 4 years ago
¡ Maravillosa !
La escuché en esa misma aria en Chile y el Teatro se vino abajo.
ricardofriascarrion 4 years ago
Puf... I love her voice!! Bravissimo!!
Contratenor18mlg 4 years ago
GREAT!!! I'm absolutely agree with baritenor81
bellsole 4 years ago
An excellent interpretation. With her very Italiate timbro, Millo was born to sing this kind of repertoire. Some may find it too slow because the most famous version of this aria is probably Callas', who sings it faster than almost everyone else. The only thing I dislike in Millo's rendition is that awful ending one octave higher.
thetuscanman 4 years ago
bravissima
massidob 4 years ago
I agree completly with Betcha22. It's not too slow. Quite to the contrary; it could have been even slower at certain places. She gives such an incredible intensity to the piece. That's why it works. Of course, she has a great pianist behind her too.
basbaryton 4 years ago
She's wonderful.
Laeliapurpurata 4 years ago
It is not too slow. This is the tradition of parlato, and it is written to tell a story. Tebaldi, and MIlanov sing it at this speed, it is metronome marking 54. That is slow. Brava Millo
Betcha22 4 years ago
beautiful voice, as usual. Too slow, rather boring
trojaio 4 years ago
Beautiful interpretation...
irenesarris 4 years ago
I love the Callas interpretation. This is one really good. When has it been taped?
dortmund1966 4 years ago
What's all the crap about weight.Voice first.
Cantachepassa 5 years ago
Brilliant. With such insightful performing you can understand what the composer wanted. Totally wonderful. Great artist.
bgbcam 5 years ago
watch the painist watch her...he watches her every move and is with here every step of the way. and she is amazing by the way...she rivals callas on this aria. (yes i said it!) this is a hard aria to pull off with just piano and excerpted from the opera. she is very very very good!! gave me goose bumps
nycmetbound 5 years ago
definitely better than callas. callas is too lyric in this aria, whereas millo remains spinto from the bottom to to the (very perfectly intonated) high h...
baritenor81 4 years ago
This is phenomenal!!!
pawdaw 5 years ago
a great artist. how come i haven't heard of her before...
baritenor81 5 years ago
Check out Aida DVD from 1989 with her. Phenomenal.
sirenadellopera 5 years ago
Brava! Aprile!
pertile1981 5 years ago
The accompanist is Eugene Kohn, for some years an assistant conductor at the Met and coach who is best known as the accompanist for the Callas master classes at Julliard (not the Macnally play but the original event with Mme. Callas herself) Don't know where he is now.
Great Millo, by the way!
Figaro48 5 years ago
I've seen that guy as a director in many Placido's concerts, but I can't remember his name,I don't think he's that good anyway.
corellilover 5 years ago
Kohn is a great accompanist and a great conductor. Better than Herr Muti.
BeauTenor 5 years ago
Does anyone know the name of the pianist? He does an excellent job along Millo!
avfortozo 5 years ago
Comment removed
missflump 5 years ago
For heaven's sake, who the hell cares how much she weighs?!?! Not me.
idialegre 5 years ago
I completely agree with you,Idialegre. When will opera directors learn that people are capable of suspending their disbelief where opera plots are concerned and are going to listen to the wonderful soaring voices such as Millo.She is not even that overweight by some operatic standards. Thanks for the clip, jmahlon. Where was it filmed?
missflump 5 years ago
Comment removed
missflump 5 years ago
Aprile is one of the greatest voice I have ever heard. And she is a delightful person. I had the pleasure to work with her doing my first Sacristan in Tosca and she was a jewel! Awesome voice and a great artist. Brava Millo!!!
georgeo 5 years ago
sorry for the double post.
Anchetu 5 years ago
my friend introduced me to opera with this voice and I am hooked. What a goregous color, and real emotion. Hope to catch her perfromances this season at the Met.Like listening to a grammaphone. love it.
Anchetu 5 years ago
My friend introduced me to opera with this voice and I am hopelessly hooked. What a great color. How beautiful the sense of pain and emotion. I hope to catch her live this season at the Met. Like listening to a grammaphone. love this.
Anchetu 5 years ago
I cried with this perform...thank for sharing it...
spectrum3 5 years ago
weight is keeping her off the stage.she never played at being the grand diva,that spin was spewed by some publicist for her rivals. I was with the Comunale for press and she was so kind and gracious,the orchestra applauded the night of her first performance. There is a certain gravitas to this music and she knows this and so did the old guard who embraced her from day one as one of their own. Once the weight comes off, we'll see how much the houses avoid her.
palcofunesto 5 years ago
She started out back in the 80's singing really nicely, but never really developed artistically. I will say that she was one of the few singers who actually had an "idea" of what an italianate voice should sound like, but her preoccupation with acting out the grand diva persona on stage and off backfired, and she's now pretty much avoided by the major houses. She sang one of the most magnificent Liu's I've ever heard back then.
Sempion 5 years ago
I do not think she is underated at all, at 48 she is twenty years into a fabulous career. If she would stop pulling the Garbo and actually show up, and lose some of the weight, we would hear her more. Inspires a lot of controversy but the talent and the "goods" are still there.
palcofunesto 5 years ago
She's not 48, she just gives that age. Closer to 52 actually :)
Zerlin735 5 years ago
when I handled her press for the comunale dear Zerlina freshly signed up to you tube, she lost her passport and submitted a copy of her birth certificate-sorry for you seemingly, she is 48 in april of this year. If you must have her older to right some personal wrong in your own life, be my guest.
palcofunesto 5 years ago
i just love millo, one of the great voices.....don't understand why she is so underrated... i close my eyes and i can hear tebaldi....lovely lady, such and artist
chapuzeto 5 years ago
BRAVA! If I love anything it's that aria done well. It was nice and pure throughout the entire voice. This is actually the aria that made me want to become an opera singer when I heard Callas do it in the film "Philidelphia". There aren't a lot of times where I can sit back and enjoy this aria in recital form because the piano tends to get a little too choppy for my taste, but I did enjoy this. Thank you for the clip!
Bigoperaman 5 years ago