Added: 2 years ago
From: TedGreeneArchives
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  • What Ted was playing at 8:55 is a small piece from Bach, Cantata BWV54. Search here on youtube for "GLENN GOULD - Bach Cantata 54 - 1962 (2)" . Listen to the solo works of Bach play by Glenn Gould. Glenn Gould just like Ted where focus on details.

  • Calling this man "Yoda" barely does him justice.

  • the beauty in this instruction will educate for generations to come

  • What an oracle - thinking analytically without letting it get in the way of making beautiful music.

  • Holy cow...that's was incredibly beautiful and he was improvising it.

  • es increible, el tipo te improvisa una fuga al toque, mientras está charlando con otro

  • His understanding and insight is overwhelming to me. Still, I work through his books, trying to glean some of the magic he knew.

  • Someone disliked this video. Which is wrong.

  • He truly was the "Yoda" of guitar.

  • oh wow yes but that's the point, this way u end up playing unproper simplified clasical music stuff -have somebody here ever watched some classical music guitar player playing? well it's a bit more varied and complex

    Blues is about something else, like Picasso and Pollock, it's just another approch but white asses would always get back to the tiny mannerist formal manners all the time, something that blues put apart already long ago in the name of expression over scolastic grammar rules

  • 3:00 sounds like Bach's late period during which he went for more chromaticism.

    "Talent does what it can; genius does what it must" Edward Bulwer-Lytton

    RIP Ted, you the man

  • He can even make tuning the guitar a part of his music!

  • As a classical guitarist, all I can say is holy crap, how can anyone IMPROVISE that stuff?

  • i love this video so much. i am a real fan of baroque music and its such a treat to hear someone play such music on a guitar without accompaniment and even better... IMPROVISED. Amazing. Thank you for keeping improvisation alive!I hope im not being annoying, but i have a youtube channel which has solo guitar improvisations on my yamaha guitalele guitar. it would honour me if you watched one of my videos.

  • Unbelievable! Others study at a conservatory to be able to compose baroque polyphony and most of them are satisfied when they need not more than 60 minutes for a couple of bars. But this guy IMPROVISES correct counterpoint and even has a small talk at the same time!

  • what an amazing guy, absolute genius

  • Wheeeew... Where's my Galbraith Bach Invention book. Yeeeoooow.

  • Apart from the fantastic ideas and great playing, I'm astounded at how he speaks lucidly and easily while plucking those wonderful ideas out of the air. He reminds me of Glenn Gould talking to Bruno Monsaingeon about Bach's forerunners while playing Sweelink on the piano. Amazing! But then again, everything about Ted strikes me as amazing.

  • Genius.

  • Torn between "that's boring" and "holy shit he's improvising". That's some impressive shit either way.

  • @ kweerb Ted said the way "we" hear it, not the way "humans" hear it. The "he" Ted is referring to is J.S. Bach. Ted is making a reference to the way we hear voice leading, what seems natural to us in this century as opposed to what was common and natural to the ear in Bach's time.

  • This is your mind on imagination.....

  • tremendous finger control and muscle memory. notice how some tones are held as if they were piano pedal sustained..

  • Somebody get this man a lute!

  • how do you pick your chords whene improvising like that? how to know what chord to play. do you use the cycle o fifths somehow?

  • @MrWallerand that's the beauty of it, you don't think chords. Instead, you hear voice leading of the inner voicings/ notes that you play. It's not vapid chord grippes, but real harmonic movement. This is what Parker heard, those half step guide-tones. This is what Bach heard, Lennie Tristano, so on. When you force yourself to listen to everything that you're doing on the frets you develop a connection with the guitar. This is music.

  • Gosh I never knew guitar could be so rich with harmonic possibilities let alone so beautiful. Never heard him before but this man is beyond somewhere...over the top...

    I better start digging this guy.

  • We are all diminished by the loss of this humble genius.

  • 6:06 what does he mean when he says "the way humans hear it." I hear him talk about this quite a bit in his lessons but I don't get it.

  • he is so good and unfortunately i play guitar as well so now i wanna kill myself

  • i love this man for his contribution to music.

  • Chord Chemistry is a MUST for anyone who wants to understand why the guitar works the way it works. It goes back to a time before guitar hero and the shallowness of tablature. His books on jazz soloing are also very good

  • This is amazing.

  • I have no idea what he is talking about, but it sure is captivating

  • Ted Greene was the man... His book (Chord Chemistry) helped me to get and keep my stuff together. I'm glad that this stuff is being revealed about Him. A true Master of guitar. With a clear concept.

  • Ted Greene... a great Master. Thank you very much!

  • Comment removed

  • @Guitarist2095

    baroque is a time period

  • And he could improvise like that without repeating himself over any standart in any key and in any Classical composer style: Bach, Mozart Shoubert beethoven. Shuman Brams.etc...and in any Jazz Composer Style Corea, Hancock , Bill Evans Mc Coy etc...I witness that he was a GREAT Teacher...GENIUS...!!!

  • this guy is a genius !!

  • I tabbed out the progression in 6ths that Ted mentions if anyone's interested - from key of C to Am to F to Dm to Bb to Gm, etc it's IV V I in each key using first inversion (so 3rd in bass for IV and IV to root for I). Minor keys use melodic minor, so IV and V are major chords.

  • @wkriski could you please send it to me? cperez1@gmu.edu i'd appreciate it a lot, thanks

  • @cristuspz sent you link and posted to ted greene forum

  • @wkriski Sorry for the stupid question, but isn't aren't F major, G Major and C Major the IV, V, and I chords in the key of C? Wouldn't Am to F to Dm be VI, IV, ii in the Key of C?

  • @Darksmile1234 you're right but I was referring to the key changes not the chords in the key. so key of C to key of Am to key of F to key of Dm to key of Bb to key of Gm, etc. Each key has a IV V I in it. I hope that clarifies!

  • @wkriski Oh, thank you very much! I was confused and am trying to emulate Ted's/Bach's sound.

    How does he pick the right notes in the chords to sound of the Baroque style? Isn't that called voice leading?

  • @Darksmile1234 voice leading can be used for sure. what I do is target chord tones on strong beats (1 and 3) as a starting point. So try playing root notes in the bass and say the 3rd in the upper voice (for 2 voices) or for 3 voices play inversions of open voice triads. did you know I tabbed out the entire part 1 video note for note? it's in the ted greene forums or send me a private message for the URL

  • @Darksmile1234 Counterpoint.

  • @wkriski Thank you.

  • can anyone tell me what the main chord prog. he is using (presumably a baroque standard) in this video? i find his style of playing very attractive, and am trying to recreate this effect somewhat on the piano.

  • @nomirran i have analyzed and transcribed some of this in the ted greene forums and in my website. progressions vary - first one is I V vidim (F#m to C# to D#dim) with bass moving from root of F# to third of C# to root. the next one is ascending diatonic from F#m. i also found some classical improv books for piano on amazon but I enjoy looking at bach pieces and getting ideas from there about melodic patterns and typical chord progressions

  • The greatest musical genius to every pick up a guitar PERIOD!!..

  • This is just amazing !

    Ted was a truly genius of

    improvisation.

    regards from Brasil !

  • Thank you so much for doing this. This is absolutly fantastic. He is my biggest inspiration when it comes to teaching, his vast knowledge and his will to always learn new things. This channel embodies Teds work as a teacher: We come here to learn and to share. It doesnt get more beautiful than this.

    Best and warmest regards to you Barbara,

    Sandemose

  • Thanks so much for creating this site. Whiile I didn't get to study with Ted, I did get to attend some seminars of his when I was at GIT in the late 70's as well as see him at the NAMM show. Having all of his books which i go back to again and again, and now this great video channel is just an inspiration.

    Great job!!

  • Pure Genius...

  • oh my god. what the fuck. he is obviously the best who ever lived in my opinion. i fail to see how anyone can do it better. i just wish my favorite player didnt have to die before i even owned a guitar

  • I'm slowing down the video as we speak to get some of this down!

  • Dan, thank you so much for creating this site. It offers all the more avenues to share Ted's incredible music and ideas. Ted's knowledge and spirit are invaluable and may well serve to instill beauty in the souls of others.

    He will always be the love of my life and my inspiration.

  • This series of videos is a MUST for anyone who studies guitar

  • Dedicated to all who studied with (or wished they had studied with) Ted.

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