The video monitor showed Gigli in some opera (I don't remember which one it was). It was at the National Archives in Washington, D.C. There was an exhibit in which old film clips were displayed on monitors. This was an unexpected and pleasant surprise! :)
Fantastic! :) I love it when Caruso sings these tender songs. When he does, he strongly reminds me of Gigli. In fact, sometimes I cannot tell the two apart (they even look alike in some ways; just look at their photos side-by-side)! xD One day, I heard a familiar voice coming from a video monitor. I thought "Is that Caruso? No, it can't be; Caruso died before sound films existed. Then can it be...Beniamino Gigli?!" I turned around, and to my surprise, there was Gigli!
Enrico Caruso is and has always ben a very influential singer in my life. who cares about reverb but the singer himself will always be a significant part of my life. try E'i marricordo e nupule i know in some part it very high
There is another rendition of this piece by Caruso that is MUCH better... Youtube won't let me link to it for some whack reason... but do a lil searching and find it.
This version is TERRIBLE compared to the version I speak of.
This version has HORRIBLE room Reverb 'and' Carusos' performance is less than stellar in this version.
Caruso only recorded this aria once - on 11th of February 1906. What makes the difference is the restoration or lack of same. The original 78 recordings are the best as far as I'm concerned, but one has to bear with or ignore the scratching. I've just posted another version (gently restored) as a video response.
Yeah... Bjorlings' performance of this might be technically better/smoother... but something about Carusos' Tone always gets me unlike ANY other voice out there.
If not for his Vibrato, then simply for his pure emotion that he brings to it.
He's unmatched by any as far as emotion being brought out in a voice.... imo.
I feel exactly the same way about the emotion. There is something undefinable about him. Maybe because he's so involved in the singing. He said he never heard himself sing - only on records.
Caruso didn't particularly like the high C, but when he did it, it was with style :-)
When auditioning for Tosca, he asked Puccini to please not ask him for the high C and Puccini agreed saying that tenors can get so fixed on it that they stop singing. The audition, by the way, resulted in Caruso getting the role of Cavaradossi with Puccini mumbling: 'Who sent you to me - God himself?'
Well, I have no perfect ear... but anyways you can always check it on an instrument, or at worst, with a recording you know has a high C in it like Corelli's Di quella pira or something. ;-)
Thanks. No, in fact I haven't found anymore Caruso high C's than the ones you already mentioned. But actually Caruso was not a tenor, not a baritone, not a basso; he was a singer who had the vocal characteristics of all three combined.
Interesting you should say that. A vocal coach I was reading about once said that it was his opinion that classifications like "tenor," "baritone" etc; don't really exist in nature but are just terms created by classical music/opera to try and deal with the human voice. Lanza is another one who could sound extremely baritonal at times.
Used to hear it on a Sunday morning -- coinciding with the duty of going to mass.. At least this is how I remember it... Not a coincidence, I suppose...Love the role of the strings...
I have tried to answer you several times and finally I found out why my answers are not posted: I referred to an external link which YouTube doesn't accept. So here it is in encrypted form: en + dot + wikipedia + dot + org slash wiki slash Enrico_Caruso. There is an explanation...
Fantastic performance!!!
MrGer2295 5 months ago 4
The video monitor showed Gigli in some opera (I don't remember which one it was). It was at the National Archives in Washington, D.C. There was an exhibit in which old film clips were displayed on monitors. This was an unexpected and pleasant surprise! :)
31operafan 1 year ago
Fantastic! :) I love it when Caruso sings these tender songs. When he does, he strongly reminds me of Gigli. In fact, sometimes I cannot tell the two apart (they even look alike in some ways; just look at their photos side-by-side)! xD One day, I heard a familiar voice coming from a video monitor. I thought "Is that Caruso? No, it can't be; Caruso died before sound films existed. Then can it be...Beniamino Gigli?!" I turned around, and to my surprise, there was Gigli!
31operafan 1 year ago
Sublime !***********************infinite .
bodiloto 2 years ago
Good job on this one, Tom. I have the original 12" GP pressing. Do you use any tube equipment in your processing? Just curious.
kjpportland 2 years ago
mmmmmmhmmm??
Schön ist anders!
War vor 100 Jahren vielleicht ok, aber das haut heute niemanden mehr um, auch wenn's ein Caruso gesungen hat
bially5 2 years ago
first time ever hearing him sing a high c:S
Danetenor 2 years ago
Ja, det høje C var ikke hans kop te i begyndelsen af hans karriere, men han lærte det hen ad vejen.
tomfroekjaer 2 years ago
hey en dansker;)
nah men høje c er jo heller ikke det vigtigste:p
Danetenor 2 years ago
The high C begins with voix mix and goes to real tone in crescendo, sounding brilliant
gpin1779 3 years ago 3
HOLY SHIT MANG sounds like good singing, cant really tell from the recording tho.
Webarton 3 years ago
@Webarton it really is
theycallmezach 1 year ago
Enrico Caruso is and has always ben a very influential singer in my life. who cares about reverb but the singer himself will always be a significant part of my life. try E'i marricordo e nupule i know in some part it very high
jbeer82 3 years ago
his best high C is in butterfly´s duet
arturovilla02 3 years ago 2
Guys,
There is another rendition of this piece by Caruso that is MUCH better... Youtube won't let me link to it for some whack reason... but do a lil searching and find it.
This version is TERRIBLE compared to the version I speak of.
This version has HORRIBLE room Reverb 'and' Carusos' performance is less than stellar in this version.
Protoplasym 3 years ago
Caruso only recorded this aria once - on 11th of February 1906. What makes the difference is the restoration or lack of same. The original 78 recordings are the best as far as I'm concerned, but one has to bear with or ignore the scratching. I've just posted another version (gently restored) as a video response.
tomfroekjaer 3 years ago
BS... the version I speak of sounds completely different. There is no horrible Room Reverb present for starters and Caruso sings it way better.
Protoplasym 3 years ago
Protoplasym, pls send the link to me as a private message (click on my username and then Send message) - YouTube doesn't allow links in comments.
tomfroekjaer 3 years ago
Honestly... now that I think about it...
Yeah... Bjorlings' performance of this might be technically better/smoother... but something about Carusos' Tone always gets me unlike ANY other voice out there.
If not for his Vibrato, then simply for his pure emotion that he brings to it.
He's unmatched by any as far as emotion being brought out in a voice.... imo.
Protoplasym 3 years ago
I feel exactly the same way about the emotion. There is something undefinable about him. Maybe because he's so involved in the singing. He said he never heard himself sing - only on records.
tomfroekjaer 3 years ago
This has been flagged as spam show
Does it get any better?
Protoplasym 3 years ago
It is an excelent high C!!! It is the first time I heard Caruso singing it. Even he was enough soft to be in style.
ilbacioditosca 3 years ago
Caruso didn't particularly like the high C, but when he did it, it was with style :-)
When auditioning for Tosca, he asked Puccini to please not ask him for the high C and Puccini agreed saying that tenors can get so fixed on it that they stop singing. The audition, by the way, resulted in Caruso getting the role of Cavaradossi with Puccini mumbling: 'Who sent you to me - God himself?'
tomfroekjaer 3 years ago
I believe he sang high C here and in "Spirito gentil-" do you know if he does in any other recordings? :)
ShawDAMAN 3 years ago
Sorry, ShawDAMAN, I don't know. In fact I'm an operatic ignoramus - couldn't tell when someone is singing the high C ...
tomfroekjaer 3 years ago
Well, I have no perfect ear... but anyways you can always check it on an instrument, or at worst, with a recording you know has a high C in it like Corelli's Di quella pira or something. ;-)
Thanks :)
ShawDAMAN 3 years ago
Thanks. No, in fact I haven't found anymore Caruso high C's than the ones you already mentioned. But actually Caruso was not a tenor, not a baritone, not a basso; he was a singer who had the vocal characteristics of all three combined.
tomfroekjaer 3 years ago
Interesting you should say that. A vocal coach I was reading about once said that it was his opinion that classifications like "tenor," "baritone" etc; don't really exist in nature but are just terms created by classical music/opera to try and deal with the human voice. Lanza is another one who could sound extremely baritonal at times.
ShawDAMAN 3 years ago
Magnifico!
neronnenn 3 years ago
I don't when we remastered an old recording. It's an ideal to have a good quality for the Caruso's voice but we can't change.
Otherwise, Caruso is splendid!
petrof4056 3 years ago
this is amazing.
iltenoredramatico 3 years ago
Used to hear it on a Sunday morning -- coinciding with the duty of going to mass.. At least this is how I remember it... Not a coincidence, I suppose...Love the role of the strings...
sebreathnach 3 years ago
I have tried to answer you several times and finally I found out why my answers are not posted: I referred to an external link which YouTube doesn't accept. So here it is in encrypted form: en + dot + wikipedia + dot + org slash wiki slash Enrico_Caruso. There is an explanation...
Best, Tom
tomfroekjaer 3 years ago
Has this been transposed? as far as I've understood hed did'nt have the high C?
Danetenor 3 years ago
Yes he did, but it was not his cup of tea, like in Domingo's case.
cornificius22vain 3 years ago
To my ears, this is in the correct key. He sings high C near the end.
GermanOperaSinger 3 years ago
yes, it's totally correct... and a typical glorious Caruso note it is!
OettingerCroat 3 years ago