There are major intonation & pitch problems here; and at such a young age, the overtaxed voice is already begins to spread at the top.
This sort of career could brings in new audiences on dramatic merits alone.
But to Hell with anyone who is just LISTENING or who thinks a professional singer should have a patent ability to sing on pitch more than 60% of the time AND be a compelling stage presence.
With so many contemporaries who COULD, I fail to see why anyone ever paid attention to Silja.
I don't normally like her or her repertory (except as Senta) but here she is amazing, she may well be the perfect Brunnhilde: young voice and physique, perfect German pronunciation, great stage presence, deep knowlegde of Wagner and most off all a fearless approach! These are her first 2 minutes in the Opera, she is still not warm, but how she "attacks" these hight notes! Like laser beams, sharp, she is not coming up to them gradually and "safely" like most other singers. Brava!
This is pleasantly surprising as I still don't believe her to be a dramatic voice. Still, she does a very good job here...though you cannot compare it to Nilsson...
Franchement on aurait que des Brünnhildes de ce niveau actuellement le chant wagnerien se porterait très bien. on sait très bien que cet air est casse gueule. Et Merci de rappeller que c'est un rôle de Soprano pas de Mezzo.
Absolument. Malheureusement, on n'a que des froussardes aujourd'hui qui s'inquietent toujours a elles-memes et pas a la musique. Grace aux engregistrements, on peut profiter des vraies serviteuses de la musique Wagnerienne.
Je ne connaissais pas cette chanteuse et je trouve son interprétation de grande qualité. Je vais me renseigner un peu plus pour savoir ce qu'elle a subit. ;-)
J vais vous le dire. Comme elle avait une aventure avec Wieland Wagner on a prétendu qu'elle chantait mal. Les critiques l'ont lapidée. Et une fois Wieland mort elle n'a jamais pu remettre les pieds à Bayreuth ne rechante du Wagner.
C'est que maintenant que JUSTICE commence à lui être rendue. Ecoutez sa magnifique Elisabeth de Tannhauser.
They say Gwyneth Jones did but she had, in my humble opinion, just as wide, if not wider, a vibrato and a less focused sound. I feel like I would be a greater fan of Silja's Brunnhilde if I could hear all of it.
Heard Gwyneth's Walküre live and we all know the centennial ring DVD. I was lucky enough to get some(...) performances with no annoying vibrato at all! On a good evening there was hardly a match for her Brünnhilde... Audiences went MAD! Had sceptic friends who came prejudiced and by the end of the evening almost jumped from the balcony screaming "brava" at the top of their lungs. I have only experienced similar reactions for one or two great singers in my rich -not a brag- opera going history!
There are many singers who do justice to ho-jo-to-ho: Kirsten Flagstad of course, Helen Traubel, Helene Wildbrunn - several others. The one for me that is the most exciting - and the way Wagner intended it (I think) is Frida Leider.
Exelente interpretación, y para no recaer como generalmente se hace. Yo solo añadairía que si bien, ella no es la Brunnilda perfecta, es capaz de transmitir la fuerza y coraje de la poderosa valquiria (aspecto que era uno de los fundamentos del estilo musical de Richard Wagner). ¡¡¡Extraordinaria la obra de 'Die Walkure' y EL ANILLO DE LOS NIBELUNGOS.!!!
Everyone thinks that singing the portamenti Wagner wrote is wrong. Each of those octave jumps IS to be done with a portamento and the upper note IS to be sung quite short and cut off as soon as you reach it. That is what Wagner wrote. You may not like it, but he was, after all the composer. Just because no one sings what he wrote doesn't make it "right" or even "good." The trill he wrote is also SELDOM Sung, and no one seems to notice that. I like singers brave enough to sing Wagner.
BDSCalgary--How do you know that the octave leaps are to be done with a portamento? Did Wagner write the word "portamento", or was it just understood in his day? Please don't think I am being confrontational; I am really interested to know more.
good job! video! my names Zoe, kinda feelin bored if any1 wants to join me on cam or wana chat i will be signed on at __ PLAY-CAM...dot...COM __ my user ID there is Zoe_fzxndgyho chat soon xx its FR33 to j0in! mwah
Excellent performance, not at all poor. She's one of the few Brunhildes whose high Bs and Cs are hit head-on (rather than scooped or let go after a split of a second). She reminds me (slightly) of Nilsson here, though Nilsson's high Bs and Cs were, of course, unparallelled in strength, ease, and shine in this.
Let us begin to promote the ceasing and desisting of comparing singers. It is absolutely ridiculous to compare Anja Silja anad Birgit Nilsson in any way. Voices are made of human tissue...it's not like comparing cars or computers. Or even violinists or pianists. Every single voice has its own size, weight, and color, and every artist who learns a specific piece of music must teach it to her body and muscles, her psyche, her personality...comparing is silly.
I brought up Nilsson to complement Silja; I wasn't really trying to compare the two. Even if I was, so what? It's not as if I would be stepping down on one singer to elevate the other. A lot of the fun of opera, precisely, comes from the comparing of different singers: how does one singer's attribute contribute to a given piece, whom do I prefer, what might one singer benefit from listening to the other? Of course, blind comparison is a waste, but contemplative comparison is completely positive.
that's not the way her career worked. she did a lot of isoldes, but few brunnhildes. when wieland wagner died, she all but gave up her wagner parts - but she did keep senta in her repertoire. it was only in the 80s she "reinvevnted" herself as Kostelnicka etc etc etc - Emilia Marty perhaps the greatest of them all. this Brünnhilde is from 67 in Osaka, the production was created for Nilsson in Bayreuth
Thank you for your response. But there you are, the production was created for Nilsson and there were simply very few voices, if at all, like hers. If compared to the great Nilsson in this repertoire others cut short. I love Silja hough but much more so in her later days.
Her Kostelnicka last year at the Met was a model of vocal manners and technique. She started this Wagner stuff in 1961 after earlier successes in light roles. At 66, she gave a vocally perfect performance. Spot-on top Bb. It had to be heard to be believed. She was criticized only by those who did not know who she is, and they should have pretty much shut up. Like most people most of the time who are sharing their opinions about music...they don't know.
Yes, her voice had matured from a lighter lyric voice into a more dramatic voice; she didn't sing the role when had a lighter lyric voice. If she had of sung that role earlier on in her career; she'd have damaged her voice. Like I said, this soprano did find it out; she damaged her voice, this doesn't outlaw lyric voiced singers maturing into dramatic voice singers (or vice versa) at all.
I was very pleasantly surprised by the outcome of this video, haha. I'm typically not Silja's biggest cheerleader, but I find this a very credible performance of this infamously difficult gut-buster.
When it comes to vocal prejudices, I love being wrong.
hey, she made it to the B's and C's, which is a lot more than can be said for the current crop of Brunhildes. I was surprised that having begun as a coloratura she didn't attempt the trills.
But the Valkyries ARE children... big, cruel, heartless, irresponsible, sadistic children who are afraid of their daddy and treat everyone else with contempt. What makes Brünnhilde great is that she is the only one who grows up and becomes a woman instead. But this only happens much later in the opera. Silja's performance is simply brilliant.
A long way from great. One of the best (and slowest) I have ever heard was Rita Hunter. She sang all those portamentis and had absolute security across her entire register. Shame there is nothing of her on Youtube.
There are major intonation & pitch problems here; and at such a young age, the overtaxed voice is already begins to spread at the top.
This sort of career could brings in new audiences on dramatic merits alone.
But to Hell with anyone who is just LISTENING or who thinks a professional singer should have a patent ability to sing on pitch more than 60% of the time AND be a compelling stage presence.
With so many contemporaries who COULD, I fail to see why anyone ever paid attention to Silja.
coryisawake 2 months ago
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coryisawake 2 months ago
Comment removed
coryisawake 2 months ago
I don't normally like her or her repertory (except as Senta) but here she is amazing, she may well be the perfect Brunnhilde: young voice and physique, perfect German pronunciation, great stage presence, deep knowlegde of Wagner and most off all a fearless approach! These are her first 2 minutes in the Opera, she is still not warm, but how she "attacks" these hight notes! Like laser beams, sharp, she is not coming up to them gradually and "safely" like most other singers. Brava!
DemisLian 2 months ago
Swing those hips you sexy bitch!
Littlechatteringman 4 months ago
fodaaaaaaaaaaaaaaa
onotuoedaul 5 months ago
What does Adam sing? "Bald entbrannt' brünstiger Streit"? "Brünnhilde stürme zum Fight"?
Bastikalk 5 months ago
@Bastikalk He does not sing. He barks. Silja is too light for this part, she has to scream to make dramatic effects.
TsarBovov 4 months ago
It may be Schippers conducting, but she's singing at Böhm's tempi... Revelatory clip; where do you get this stuff? Thanks again!
gratecourt 6 months ago
I just listened to her in ROH in late 2009. he's about 70 years old then.
This woman is unreal.
amfortas1978 8 months ago
This is pleasantly surprising as I still don't believe her to be a dramatic voice. Still, she does a very good job here...though you cannot compare it to Nilsson...
Brunnhilde66 11 months ago
La cabalgata de las valkirias.
Chapulinazuladomx 1 year ago
ANJA! MIRACLE OF MIRACLES!
nohaylamujer 1 year ago
Silja has one of the longest and most important careers in opera.
Buondelmonte123 1 year ago 2
supernatural
caraca!
fofisternurinha 1 year ago
She was amazing as Senta. I am surprised by her Johotoho! Marvellous.
Chrissie19242 1 year ago
La cabalgata de las Valkidias
de Rikjard Wagner.
El Tercer Reich admiraba a Wagner.
Chapulinazuladomx 1 year ago
@Chapulinazuladomx
SO WHAT!
nohaylamujer 1 year ago
what a voice !!!!!!!
A7madeus 1 year ago 2
HOT!!! Thank you for posting!
MissFireMagic 1 year ago
If you really want to enjoy the miracle Silja, then get her live Holländer recording from Bayreuth. Awesome!
The conducting sounds like Schippers instead of Böhm.
Altonahh10 1 year ago
che bello!
segu82 1 year ago
Is this Böhm conducting?
felipetavares79 1 year ago
It s knappertsbusch conducting
fabriou 1 year ago
I believe the conductor is Thomas Schippers
segu82 1 year ago
Theo Adam is my favorit Wotan and i am very impressed of Anja silja with 27 years as Brunhilde. wow ! Power and you can understand every word !
sportjungegmx 1 year ago
Too bad that sound and image are not synchronised 'cause it sounds and looks magnificent!
SopranoSandra 2 years ago
I buy it.
Leonnidik 2 years ago
Tiene una voz perfecta para esta aria y llena todo el escenario, tiene una gran presencia esta soprano. Me encantó
grizabela00 2 years ago
Franchement on aurait que des Brünnhildes de ce niveau actuellement le chant wagnerien se porterait très bien. on sait très bien que cet air est casse gueule. Et Merci de rappeller que c'est un rôle de Soprano pas de Mezzo.
Bravo.
Et dire qu'elle n'avait que 25ans (née en 1942).
isabelle070209 2 years ago
25 ans? Mais c'est plus incroyable en fait. Je la trouve merveilleuse .
babydrane 2 years ago
Imaginez si nous n'avions QUE des Brünhilde de cette qualité?
isabelle070209 2 years ago
Absolument. Malheureusement, on n'a que des froussardes aujourd'hui qui s'inquietent toujours a elles-memes et pas a la musique. Grace aux engregistrements, on peut profiter des vraies serviteuses de la musique Wagnerienne.
babydrane 2 years ago
Oui mais bon... si on avait de meilleurs prof de chant aussi... entre nous sa technique elle est impeccable.
climatechangekills 2 years ago
Quand on pense à tout ce qu'elle a subit.
isabelle070209 2 years ago
Je ne connaissais pas cette chanteuse et je trouve son interprétation de grande qualité. Je vais me renseigner un peu plus pour savoir ce qu'elle a subit. ;-)
climatechangekills 2 years ago
J vais vous le dire. Comme elle avait une aventure avec Wieland Wagner on a prétendu qu'elle chantait mal. Les critiques l'ont lapidée. Et une fois Wieland mort elle n'a jamais pu remettre les pieds à Bayreuth ne rechante du Wagner.
C'est que maintenant que JUSTICE commence à lui être rendue. Ecoutez sa magnifique Elisabeth de Tannhauser.
isabelle070209 2 years ago
I have to admit i am impressed with Sija when I remember some clips of her very young, singing a delightful Queen of the Night!
CONTESTAR 2 years ago
Wow I don't think I've ever seen anyone who sings Brunnhilde well AND looks the part as well.
ilovechocolatechip 2 years ago 6
They say Gwyneth Jones did but she had, in my humble opinion, just as wide, if not wider, a vibrato and a less focused sound. I feel like I would be a greater fan of Silja's Brunnhilde if I could hear all of it.
babydrane 2 years ago
Heard Gwyneth's Walküre live and we all know the centennial ring DVD. I was lucky enough to get some(...) performances with no annoying vibrato at all! On a good evening there was hardly a match for her Brünnhilde... Audiences went MAD! Had sceptic friends who came prejudiced and by the end of the evening almost jumped from the balcony screaming "brava" at the top of their lungs. I have only experienced similar reactions for one or two great singers in my rich -not a brag- opera going history!
CONTESTAR 2 years ago
wow, Adam sounds like he's on his last legs!
and laughing because no one realizes it's not Silja singing at all--the soundtrack is out of sync because it's the Nilsson/Bohm recording, overlaid!
donmelvin5000 2 years ago
Donmelvin buy yourself a few ears. This is 100% Anja Silja.
You can hear it from a hundred of things: the vibrato, the throat "r" etc etc etc.....
martello79 2 years ago 2
There's no way that's Nilsson. Tone is way to "impure."
Plus, it's just not her voice.
weepingforbrunnhilde 2 years ago
If there is a voice that can ALWAYS be recognized, it is the voice of Anja Silja >> HERE
petatap 2 years ago
dude not cool. this is obviously not nilsson. quit talkin' smack.
raigekimaru 2 years ago 2
Only an idiot with no ears at all would either think Adam sounds on his "last legs" here, or she sounds like Nilsson.
countceprano 2 years ago
Pardon my pedestrian comment, but this KICKS ASS.
Cerra33terra 2 years ago 2
There are many singers who do justice to ho-jo-to-ho: Kirsten Flagstad of course, Helen Traubel, Helene Wildbrunn - several others. The one for me that is the most exciting - and the way Wagner intended it (I think) is Frida Leider.
sigridonegin 3 years ago
This comment has received too many negative votes show
She is Flat & has a wobble!
Operaman41 3 years ago
I could watch this all day.
TakeThisUserNameN 3 years ago
Exelente interpretación, y para no recaer como generalmente se hace. Yo solo añadairía que si bien, ella no es la Brunnilda perfecta, es capaz de transmitir la fuerza y coraje de la poderosa valquiria (aspecto que era uno de los fundamentos del estilo musical de Richard Wagner). ¡¡¡Extraordinaria la obra de 'Die Walkure' y EL ANILLO DE LOS NIBELUNGOS.!!!
Alleeexoscm 3 years ago
Everyone thinks that singing the portamenti Wagner wrote is wrong. Each of those octave jumps IS to be done with a portamento and the upper note IS to be sung quite short and cut off as soon as you reach it. That is what Wagner wrote. You may not like it, but he was, after all the composer. Just because no one sings what he wrote doesn't make it "right" or even "good." The trill he wrote is also SELDOM Sung, and no one seems to notice that. I like singers brave enough to sing Wagner.
BDSCalgary 3 years ago 4
BDSCalgary--How do you know that the octave leaps are to be done with a portamento? Did Wagner write the word "portamento", or was it just understood in his day? Please don't think I am being confrontational; I am really interested to know more.
karlakor 3 years ago
I suggest you read the score it's all there
mariahelleberg 3 years ago
This Woman is really Wagnerian. Better stage acting than Nilsson. She is astoundin . Her voice is also perfect for this Aria.
germanengeneering314 3 years ago 19
Wow. I am blown away by her voice and it's magnitude...simply amazing....
Operachikie 3 years ago 12
This has been flagged as spam show
good job! video! my names Zoe, kinda feelin bored if any1 wants to join me on cam or wana chat i will be signed on at __ PLAY-CAM...dot...COM __ my user ID there is Zoe_fzxndgyho chat soon xx its FR33 to j0in! mwah
BabyLiciiouZ 3 years ago
Excellent performance, not at all poor. She's one of the few Brunhildes whose high Bs and Cs are hit head-on (rather than scooped or let go after a split of a second). She reminds me (slightly) of Nilsson here, though Nilsson's high Bs and Cs were, of course, unparallelled in strength, ease, and shine in this.
VivaMariaCallas 3 years ago 5
Let us begin to promote the ceasing and desisting of comparing singers. It is absolutely ridiculous to compare Anja Silja anad Birgit Nilsson in any way. Voices are made of human tissue...it's not like comparing cars or computers. Or even violinists or pianists. Every single voice has its own size, weight, and color, and every artist who learns a specific piece of music must teach it to her body and muscles, her psyche, her personality...comparing is silly.
Steinweg9 3 years ago
I brought up Nilsson to complement Silja; I wasn't really trying to compare the two. Even if I was, so what? It's not as if I would be stepping down on one singer to elevate the other. A lot of the fun of opera, precisely, comes from the comparing of different singers: how does one singer's attribute contribute to a given piece, whom do I prefer, what might one singer benefit from listening to the other? Of course, blind comparison is a waste, but contemplative comparison is completely positive.
VivaMariaCallas 3 years ago 3
This comment has received too many negative votes show
Take lighter singers and use microphones.
atomkraftteddy 3 years ago
Not in the same league as Nilsson or Jones of course but not bad at all...there's hope for a Wagner-crazy, tweetybird lyric coloratura after all:)
Hypermnestre 3 years ago
Could you repost this with synchronisation between picture and sound corrected?
band3kafsh 3 years ago
Too young for such heavy role. Her voice soon gave up at this level and she re-invented herself and did some wonderful work, Janacek etc
robertdonkers 3 years ago
that's not the way her career worked. she did a lot of isoldes, but few brunnhildes. when wieland wagner died, she all but gave up her wagner parts - but she did keep senta in her repertoire. it was only in the 80s she "reinvevnted" herself as Kostelnicka etc etc etc - Emilia Marty perhaps the greatest of them all. this Brünnhilde is from 67 in Osaka, the production was created for Nilsson in Bayreuth
mariahelleberg 3 years ago
Thank you for your response. But there you are, the production was created for Nilsson and there were simply very few voices, if at all, like hers. If compared to the great Nilsson in this repertoire others cut short. I love Silja hough but much more so in her later days.
robertdonkers 3 years ago
AMAZING!! Makes me wonder why more lyrics don't do wagner.
chloric1 3 years ago
Because it's risking vocal health; as this soprano found out.
Counterten0r 3 years ago
Her Kostelnicka last year at the Met was a model of vocal manners and technique. She started this Wagner stuff in 1961 after earlier successes in light roles. At 66, she gave a vocally perfect performance. Spot-on top Bb. It had to be heard to be believed. She was criticized only by those who did not know who she is, and they should have pretty much shut up. Like most people most of the time who are sharing their opinions about music...they don't know.
Steinweg9 3 years ago
Yes, her voice had matured from a lighter lyric voice into a more dramatic voice; she didn't sing the role when had a lighter lyric voice. If she had of sung that role earlier on in her career; she'd have damaged her voice. Like I said, this soprano did find it out; she damaged her voice, this doesn't outlaw lyric voiced singers maturing into dramatic voice singers (or vice versa) at all.
Counterten0r 3 years ago
ha ha shes still singing, so shut up!
mariahelleberg 3 years ago
MOOOLA!!
TrovadorManrique 3 years ago
I was very pleasantly surprised by the outcome of this video, haha. I'm typically not Silja's biggest cheerleader, but I find this a very credible performance of this infamously difficult gut-buster.
When it comes to vocal prejudices, I love being wrong.
Gigglingatagas 4 years ago
Impresionante Brunilda!!!!!!!! Ella empezó como soprano de coloratura y después esto... Es una extraordinaria cantante
Anibaal 4 years ago
hey, she made it to the B's and C's, which is a lot more than can be said for the current crop of Brunhildes. I was surprised that having begun as a coloratura she didn't attempt the trills.
tenore23 4 years ago
Many singers lose vocal flexibility when they enter more dramatic repertoire and when they pump up vocal size.
VivaMariaCallas 4 years ago
Da hat eine Frau mal Figur UND Stimme und wird trotzdem in ein Zelt gepackt! Dabei ist sexapeal doch der Frauen grösste Waffe!
emmagoodwill 4 years ago 2
Dat hat Wieland sicher auch gedacht...
EinFremderAusElea 4 years ago
And she sang LULU after this! WOW!!
altodivo 4 years ago
Voices that could drive through there like trucks, wreaking havoc in their wakes!
godivapaw 4 years ago
But the Valkyries ARE children... big, cruel, heartless, irresponsible, sadistic children who are afraid of their daddy and treat everyone else with contempt. What makes Brünnhilde great is that she is the only one who grows up and becomes a woman instead. But this only happens much later in the opera. Silja's performance is simply brilliant.
Matt75003 4 years ago 3
Ahh.. I was hoping to see the infamous viking attire.
venusianbanshee 4 years ago
Not bad... a little rushed but she hits the high notes which some of the current "dramatic sopranos" today can't do. I also buy her in the role.
jlee800 4 years ago
not a very good battle cry...
bellatrix013 4 years ago
Are you both kidding? This sounds like a child screaming or imitating opera. Bash away... it's only my opinion.
urgrad03 4 years ago
and you're entitled to it. we think she's great, which we are entitled to.
gmr2broadway 4 years ago
thank goodness for respect;o)
urgrad03 4 years ago
But by the way, you are not totally wrong, she was also nicknamed "Kindertrompete"(=children's trumpet)
Mahler1912 4 years ago
A long way from great. One of the best (and slowest) I have ever heard was Rita Hunter. She sang all those portamentis and had absolute security across her entire register. Shame there is nothing of her on Youtube.
Ahdren 4 years ago
I SO agree with you :-)
dhng1982 4 years ago
She's supposed to sound like a child screaming!
Brunnhilde, I mean! A spoiled, fussy little child with boundless energy, which is what she is!
I think the performance is great. I've always enjoyed Silja's work.
They can't all be Kirsten, you know?
weepingforbrunnhilde 4 years ago 2
fabulous!
gmr2broadway 4 years ago
I love Anja Silja!
Dramaticmaleprano 4 years ago