@fiandrhi My guess is because it was on TV and it would only fit into a half-hour slot. With the repeats this whole set lasts easily over 45 minutes...
@handsomechuck1 The harpsichord is a French Harpsichord of the end of the 17th century. The baroque French pitch is A = 392 Hz, that is to say one tone under the modern pitch. Anyway this harpsichord is tuned in A = 392 Hz, but it's good to know the explanation. I hope that my answer suits you.
Perfect. Sometimes he looks a little like a young Jerry Lewis, and watching his hands they sometimes seem a bit awkward, and if you told me that J. S. Bach himself was playing, I would believe you!
A setting truly worthy of such a fine musician, Villa Medici in Rome. A wonderful rendition of Bach's variations, a real pleasure to listen to. Thank you for posting these magnificent works.
So light fingers on those trills. I'm used to Glenn Gould's version, though Gould's and Hantai's can't be compared cause they are on 2 different instruments, both of them are delightful!
i love the transcriptions, specially for the brass quintet... but none can reach the original version, cause that piece was meant for the harpischord, we can't deny
I remember I was at a concert and I heard a harpsichord off of a piano. I nearly died. Nowhere near the rich quality. It was the 5th brandenberg concerto. Every time a note was played my hair stood on end. This sounds just so beautiful. Flawless bliss!
Enfin une interprétation digne de ce nom sur youtube.
Après l'hérésie pianotesque de Glenn Gould, son sentimalisme et romantisme mal placé, ses frasques musicales hors de propos, une vrai et belle interprétation de cette œuvre sublime...
Quand j'aurai un enfant, j'aimerais tellement mettre en place une berceuse avec cet Aria au clavecin, au dessus du berceau. Magnifique initiation à cette musique !
I love this recording, but after a while the constant displacement of the right hand downbeats until AFTER the left hand has played becomes somewhat affected in the aria.
I love this recording, but after a while the constant displacement of the right hand downbeats until AFTER the left hand has played becomes somewhat affected in the aria.
@ahern112 it is necessary to play that way to create the dynamics in the piece. with the unequal playing the ear is drawn to the melody, which is quickly lost when the notes are played at the same time. It is a very Baroque mannerism
Such a beautiful performing. Pierre really got my whole soul with this performing. It's so stylish and emotional, with great handeling of instrument. This is the best performing i've ever heard!!
P.S.: I think he has the same idea of playing this work like i do.
@Helkaluin Thanks for pointing that out, that's so interesting... I remember a long time ago my grandmother mentioned that they used to not use thumbs. lol, I think she said they were insane.
That's probably because period instruments are not tuned to concert pitch; I memory serves me correct, I *think* baroque tuning is supposed to be a semitone off from modern tuning. I could be mistaken, though.
i love how you can actually hear the mechanism on the harpsichord moving when he releases the keys.
i tried playing with harpsichord voice on yamaha's clavinova before and i can say that that's probably the best synthesised version.
but the original instrument is simply beyond this world... i feel so lucky to have been able to just try out the instrument... i think i'd just die if i owned the instrument itself =p
Gould was very talented, but he didn't played baroque music like it should be played. He just didn't have the right knowledge about that music, like all other pianists that do not have it.
There's not much merit in your statement. Any performances of these pieces that make a claim towards stylistic accuracy, or as you put it, "should be played," are only educated guesses and conjecture based on people writing about performance practice at the time.
While Gould is a very quirky product of a time in performance history that is colored by Romantic adaptations and habits that are certainly inconsistent with what we know about Baroque performance practice, his performances are nuanced, well-phrased, and highly conscientious about emphasizing voice-leading. Perahia's recording perhaps splits the difference, capitalizing on the wider timbral palette of the piano, while being much less romanticized than Gould.
Thank you marsvltor2, A harpsichord Goldberg Varaiations. Mant thanks for posting. I still love Glenn Goulds piano version, if at the wrong tempo, but at least bringing it to peoples attention!
I don't think it's appropriate to establish a 'right' tempo for the variations...I think we can all agree that if Bach had a modern piano and a Cavaille-Coll organ at his disposal that his compositions would sound markedly different. That said, it's a great change of pace to hear it on a harpsichord.
Finally - the Holy Grail on YouTube: an original harpsichord...and played by a performer truly worthy of it. Wonderful posting (and the rest of the set).
Johann Gottlieb Goldberg was born in Gdansk (Danzig).
gillette1985 1 month ago
I don't know who could possibly dislike this piece of beauty. God bless Bach and all baroque composers.
aeromech84 1 month ago
Does anyone know what temperament is being used here?
ploschad 2 months ago
@ploschad I think it's equal (I have perfect pitch)
chikechild 1 month ago
Comment removed
ploschad 2 months ago
Comment removed
ploschad 2 months ago
I never understand why some performers don't take the repeats. Why ignore repeats?
fiandrhi 3 months ago
@fiandrhi My guess is because it was on TV and it would only fit into a half-hour slot. With the repeats this whole set lasts easily over 45 minutes...
Bachlives2 2 months ago
It tells you in the title that it is -8, as in going from A=400 to A=392
CalebGrey 3 months ago
@CalebGrey You're wrong...
chikechild 1 month ago
Beautiful! Once i head it, it wont go away 4:00 !
leapingthrutime 3 months ago 2
hes name is hentai
RonHoward2008 3 months ago
Perfect, reflects the composition how it is. Glenn is interesting but whimsical.
Rickriquinho 4 months ago
We all love you, Dr. Lecter.
RobinTeenTitansGO1 4 months ago
Thanks¡¡¡¡
MyPapapitufo 4 months ago
Who knows or has a good ear: is this a bit flatter than our modern standardized A = 440 hz?
handsomechuck1 4 months ago
@handsomechuck1 The harpsichord is a French Harpsichord of the end of the 17th century. The baroque French pitch is A = 392 Hz, that is to say one tone under the modern pitch. Anyway this harpsichord is tuned in A = 392 Hz, but it's good to know the explanation. I hope that my answer suits you.
LaPopliniere 4 months ago
This is wonderfuk. This song is suposedly in an anime
ulquiorra051597 5 months ago
His playing makes me feel like my hearts slowing, but when I feel my chest, it's racing.
DamagedF0X 6 months ago
Perfect. Sometimes he looks a little like a young Jerry Lewis, and watching his hands they sometimes seem a bit awkward, and if you told me that J. S. Bach himself was playing, I would believe you!
virginiaorganbuilder 7 months ago
I simply don't understand that Bach said his keyboard works sounded better on the pianoforte... This is a treasure - thanks for uploading!
JGBaroque 7 months ago
I shit bricks at 6:00!!!!!!!!!!!
aceenigmax 7 months ago
A setting truly worthy of such a fine musician, Villa Medici in Rome. A wonderful rendition of Bach's variations, a real pleasure to listen to. Thank you for posting these magnificent works.
sijag68 7 months ago
So light fingers on those trills. I'm used to Glenn Gould's version, though Gould's and Hantai's can't be compared cause they are on 2 different instruments, both of them are delightful!
SuhmMusic 8 months ago
Now i cannot heard this pieces with a piano !
MrGuitarcat 9 months ago
It's great to see Hantai perform, though I find his Goldberg less exciting than his Scarlatti performances.
hymntonight 9 months ago
@hymntonight wow, his scarlatti interpretations must be out of this world!
pickymoon 8 months ago
@pickymoon They are! I'm pretty sure you can find a few of his Scarlatti recordings on youtube.
hymntonight 8 months ago
Hantai is one of the best harpsichord players out there.
danielbillingsley 1 year ago 4
i love the transcriptions, specially for the brass quintet... but none can reach the original version, cause that piece was meant for the harpischord, we can't deny
srbiruga 1 year ago
Absolutely magnificent!
musicaorganum 1 year ago
Thank you for posting this.
MinorityMans 1 year ago
Je trouve que c'est la plus belle interprétation...
MrBilobaba 1 year ago
Beautiful!!! I like this version as much as I would like the impecable version of Gould!!!
VONHIMMELBACH 1 year ago
Prodigieux !!
Doutrisor 1 year ago
Who the hell disliked this? Oh, and I love the "hammer-like" sound of harpsichords.
LacktionJackson 1 year ago 2
I prefer this harpsichord version rather than the piano version that I have.
sciprio1 1 year ago 3
I remember I was at a concert and I heard a harpsichord off of a piano. I nearly died. Nowhere near the rich quality. It was the 5th brandenberg concerto. Every time a note was played my hair stood on end. This sounds just so beautiful. Flawless bliss!
zjbeast 1 year ago
can't stop watching!
MUSAKOSU 1 year ago
I love this.
steve40004 1 year ago
Enfin une interprétation digne de ce nom sur youtube.
Après l'hérésie pianotesque de Glenn Gould, son sentimalisme et romantisme mal placé, ses frasques musicales hors de propos, une vrai et belle interprétation de cette œuvre sublime...
Manu404 1 year ago
@Manu404 bah tais toi, snob.
vdmerwe 1 year ago
@vdmerwe Ha bon ? et en quoi mon post est "snob" ?
Manu404 1 year ago
This has been flagged as spam show
@vdmerwe Ha bon ? et en quoi mon post est "snob" ?
Manu404 1 year ago
Quand j'aurai un enfant, j'aimerais tellement mettre en place une berceuse avec cet Aria au clavecin, au dessus du berceau. Magnifique initiation à cette musique !
sonogashira44 1 year ago
What an amazing resonant harpsichord. Beautiful flowing sound losing none of the crispness. How does it produce that effect? Lovely rendition too.
pawbard 1 year ago 2
This has been flagged as spam show
I love this recording, but after a while the constant displacement of the right hand downbeats until AFTER the left hand has played becomes somewhat affected in the aria.
ahern112 1 year ago
I love this recording, but after a while the constant displacement of the right hand downbeats until AFTER the left hand has played becomes somewhat affected in the aria.
ahern112 1 year ago
@ahern112 it is necessary to play that way to create the dynamics in the piece. with the unequal playing the ear is drawn to the melody, which is quickly lost when the notes are played at the same time. It is a very Baroque mannerism
templeH81 1 year ago
very nice indeed.
I know I'm hopelessly old-fashioned. But I prefer this played on the Harpsichord played indeed.
DeHeld8 1 year ago
Hear, hear. May as well play it on a steel band as the piano; nasty clanky things.
Zumbruk 1 year ago
Yes, the harpsichord is a wonderful instrument.
Nuker1337 1 year ago
Such a beautiful performing. Pierre really got my whole soul with this performing. It's so stylish and emotional, with great handeling of instrument. This is the best performing i've ever heard!!
P.S.: I think he has the same idea of playing this work like i do.
mrharpsi 1 year ago
Just look at his fingering! Mar Mantai makes it almost effortless to play with historical fingerings. /me envies
Helkaluin 1 year ago
@Helkaluin Thanks for pointing that out, that's so interesting... I remember a long time ago my grandmother mentioned that they used to not use thumbs. lol, I think she said they were insane.
paulusvii97 1 year ago
This doesn't sound like it's in G (?).
mf2101 2 years ago
That's probably because period instruments are not tuned to concert pitch; I memory serves me correct, I *think* baroque tuning is supposed to be a semitone off from modern tuning. I could be mistaken, though.
payrollz1234 1 year ago
Yes - but doesn't it sound like way more than a semi-tone to you? Anyways, I loved it regardless!
mf2101 1 year ago
@payrollz1234 Yep, you're correct: A = 440 Hz for modern standard pitch vs A = 415 Hz for Baroque pitch, which sounds half a step lower
Toweley22992 1 year ago
i love how you can actually hear the mechanism on the harpsichord moving when he releases the keys.
i tried playing with harpsichord voice on yamaha's clavinova before and i can say that that's probably the best synthesised version.
but the original instrument is simply beyond this world... i feel so lucky to have been able to just try out the instrument... i think i'd just die if i owned the instrument itself =p
cutefidgety 2 years ago 3
¿Por qué suena en otro tono?
morgulddt 2 years ago
yo la escucho bien, la comparé con la versión de Richard Egarr
joluqui 2 years ago
Si,es la afinación del La como se dice más abajo. Pero prefiero la versión de Glenn Gould.
morgulddt 2 years ago
en youtub e es la unica version que encuentro que le puede hacer el peso a glenn
dantebulsara 1 year ago
Great, I love to hear these variations on harpsichord. I think it's a shame Gould's recordings mean everything else gets overshadow.
Mantis06 2 years ago 41
This comment has received too many negative votes show
These recordings are great, but don't undervalue Glenn Gould's playing; he was unbelievably talented.
jor1199 1 year ago
Gould was very talented, but he didn't played baroque music like it should be played. He just didn't have the right knowledge about that music, like all other pianists that do not have it.
mrharpsi 1 year ago
There's not much merit in your statement. Any performances of these pieces that make a claim towards stylistic accuracy, or as you put it, "should be played," are only educated guesses and conjecture based on people writing about performance practice at the time.
hmaren 1 year ago
While Gould is a very quirky product of a time in performance history that is colored by Romantic adaptations and habits that are certainly inconsistent with what we know about Baroque performance practice, his performances are nuanced, well-phrased, and highly conscientious about emphasizing voice-leading. Perahia's recording perhaps splits the difference, capitalizing on the wider timbral palette of the piano, while being much less romanticized than Gould.
hmaren 1 year ago
@Mantis06 I KNOW! Gould is rot, IMHO
templeH81 1 year ago
@Mantis06 anyone who understands these works doesn't take sides :))
suninmoon4601 1 week ago
Thank you marsvltor2, A harpsichord Goldberg Varaiations. Mant thanks for posting. I still love Glenn Goulds piano version, if at the wrong tempo, but at least bringing it to peoples attention!
knoxy7777 2 years ago
I don't think it's appropriate to establish a 'right' tempo for the variations...I think we can all agree that if Bach had a modern piano and a Cavaille-Coll organ at his disposal that his compositions would sound markedly different. That said, it's a great change of pace to hear it on a harpsichord.
willowthebored 2 years ago
pour qui joue-t-il ?
fontanax 2 years ago
if this is a=440 then my name is mickey mouse
Invisus944 2 years ago
There really is no need to nag about pitches, Donald Duck.
Helkaluin 2 years ago
Why should it be a=440 ?
Totennebel 2 years ago
Finally - the Holy Grail on YouTube: an original harpsichord...and played by a performer truly worthy of it. Wonderful posting (and the rest of the set).
marsvltor2 2 years ago 41
What reference pitch is this harpsichord tuned to? I suppose A=395Hz
shaind 2 years ago