It's too bad that Wyschnegradsky isn't appreciated more today for his musicality and interesting extensions along the lines of Scriabin. Nevertheless, he's very well-known to microtonal aficionados. Probably he isn't better known because he appealed to neither the conservative nor the extreme avant-garde taste. This has always been a problem for composers who are somewhere "in between" the two extremes.
Very easy to follow and stylish .Unlike Scriabin very definite tonal centers and one can anticipate the events.Not what I want. The old fashioned narrative going forward. I'm glad I heard this but I want more Radulescu! Schnittke ,Finnissy and Wuorinen.,Sciarrino.I like it when it is less obvious. I need more contemporary stuff.
i think its really funny when your following the music on these things and then you get to the last note and it changes but you dont see it so the your like oops must have been following it worng and then you nnotice the whole page has changed
thank you for learning and posting this difficult to play and neglected music! Whether one likes it or not (and I do like these) we owe you a debt of gratitude for this excellent performance.
this is really harmonic sounding for microtonal music. i was beginning to worry "western conditioning" had rendered me incapable of appreciating other systems beyond their darkly eerie invocations.
A funny detail: Ivan Wyschnegradsky is also the name
of a former russian finance minister who lived mostly in the second half of the nineteenth century. He was also a mechanical and maths teacher. According to wikipedia, his position as a finance minister has been successfull at that time since he managed to balance the empire's economy. Like a chief orchestra, he conducted the russian economy in an harmonious way, and that could be the bridge between him and the musician Wyschnegradsky -:)
this would be such a pain to play! especially where the left hand does duplets and triplets at the same time. umm, I disagree with 77orchardjim, I think anyone with classic piano lessons learns that those sixteenths are lead in notes and should thus be building to a stronger eighth note.
Don't flame me too badly here... I believe that the rhythmic execution of number II Allegro Irato is incorrect. If I am listening to the opening ( and subsequent ) bars and read the music , the em-PHA-sis should not be on the second syl-LA-ble. I.E. not on the dotted eighth, but rather the downbeat on each 16th note. Just seems wrong. Fantastic peice and brilliant playing. Thanks for posting this and all others!
very good!!! I have been studying his music for quite some time and evem taught his etude 'sur le carre magique sonore' recently ... thanks for this!!! XD
Great and wonderful music! Thank you!!
PhilPhilUSA 4 months ago
the 2nd one kicks ass
MrFullyawesome 6 months ago
Comment removed
Tunaan360 9 months ago
Awesome and bold.
iamalittlespy 10 months ago
It's too bad that Wyschnegradsky isn't appreciated more today for his musicality and interesting extensions along the lines of Scriabin. Nevertheless, he's very well-known to microtonal aficionados. Probably he isn't better known because he appealed to neither the conservative nor the extreme avant-garde taste. This has always been a problem for composers who are somewhere "in between" the two extremes.
JonathanRabson 1 year ago
Thanks for sharing; I enjoyed this piece very much.
javiertw89 1 year ago
Sorry but I'm ignorant in matter:
...this preludes can be play with normal piano or with the duble piano's keyboard?
elisabettapicello 1 year ago
@elisabettapicello With normal piano. It's music tuned normally.
juanmaMCMLXXXII 1 year ago
Look for "Wyschnegradsky Twenty- four preludes in Quarter tones". It sounds a bit different ;)
juanmaMCMLXXXII 1 year ago
@juanmaMCMLXXXII
Thanks!!! =)
elisabettapicello 1 year ago
@elisabettapicello de nada :)
juanmaMCMLXXXII 1 year ago
@ch252525 no
WinleyCZ 1 year ago
I wish I could play that but I ain't there yet :(
Too much jumpin around.
BGMLV 1 year ago
Very easy to follow and stylish .Unlike Scriabin very definite tonal centers and one can anticipate the events.Not what I want. The old fashioned narrative going forward. I'm glad I heard this but I want more Radulescu! Schnittke ,Finnissy and Wuorinen.,Sciarrino.I like it when it is less obvious. I need more contemporary stuff.
lovesGenet 1 year ago
i think its really funny when your following the music on these things and then you get to the last note and it changes but you dont see it so the your like oops must have been following it worng and then you nnotice the whole page has changed
KBMKBMKBMKBM 1 year ago
Thanks for posting the info about his work.
BenUriyahMay 1 year ago
thank you for learning and posting this difficult to play and neglected music! Whether one likes it or not (and I do like these) we owe you a debt of gratitude for this excellent performance.
Hrbmus3 1 year ago
i havent expected such a series of composers.......
Very romantic, deep....
Thank you very much for uploading.
It is much more than encycropedia!
hagiwaramasayuki1205 1 year ago
That's because this isn't microtonal.
ElVeintitres2323 1 year ago
this is really harmonic sounding for microtonal music. i was beginning to worry "western conditioning" had rendered me incapable of appreciating other systems beyond their darkly eerie invocations.
theletter23 1 year ago
This isn't one of his "microtonal" works. Check out his quarter tone stuff. Its Beautiful!
stanchinsky 1 year ago
A funny detail: Ivan Wyschnegradsky is also the name
of a former russian finance minister who lived mostly in the second half of the nineteenth century. He was also a mechanical and maths teacher. According to wikipedia, his position as a finance minister has been successfull at that time since he managed to balance the empire's economy. Like a chief orchestra, he conducted the russian economy in an harmonious way, and that could be the bridge between him and the musician Wyschnegradsky -:)
kalduglun 2 years ago
This is... too good...
MusicalDesert 2 years ago
this would be such a pain to play! especially where the left hand does duplets and triplets at the same time. umm, I disagree with 77orchardjim, I think anyone with classic piano lessons learns that those sixteenths are lead in notes and should thus be building to a stronger eighth note.
sawunit 2 years ago
Вышнегра́дский <3
addeex1 2 years ago 7
wow this is great!
skryabyn 3 years ago
Don't flame me too badly here... I believe that the rhythmic execution of number II Allegro Irato is incorrect. If I am listening to the opening ( and subsequent ) bars and read the music , the em-PHA-sis should not be on the second syl-LA-ble. I.E. not on the dotted eighth, but rather the downbeat on each 16th note. Just seems wrong. Fantastic peice and brilliant playing. Thanks for posting this and all others!
77orchidjim 3 years ago 6
Comment removed
Lukecash12 3 years ago 9
@Lukecash12 shut up
googlekopfkind 1 year ago
@googlekopfkind Sorry about that. I wasn't exactly thinking cohesively during that time period.
Lukecash12 1 year ago
Thanks for this...cool performance and great bio info. Never knew of this fellow before. Amazing Scriabin's influence...
classicpiano7 3 years ago
Scriabine's influence for the second but the first one seems more related to szymanowky to me. Interesting pieces.
carbiscool 3 years ago 2
Comment removed
KeithWhalen11 3 years ago 2
thanks for this VDO
cholapat 3 years ago 2
very interesting! Definitely scriabinesque, I especially like the minor ninths in the first prelude.
...omg now i wanna play them
coqdorysme 3 years ago 3
very good!!! I have been studying his music for quite some time and evem taught his etude 'sur le carre magique sonore' recently ... thanks for this!!! XD
scriabinwasmydad 3 years ago 2