Added: 4 years ago
From: SarrasaniPianoCircus
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  • Absolutely phenomenal. Can't be much better than this!

  • @5129371

    Thank you by heart!!

  • Your performance is so great. Do you have some main advices you always give to your students? .* A certain way for practice? . Certain studies they have to play?.Ah.by the way, I'm a pianist ,I'm studying "Prelude Choral et Fuge by Ceasar Franck . The Fuge is difficult but I'm trying as much as I can. Thanks.

  • @bronzeantique

    I do not teach piano, and I think that playing is a private and intimate value.

    Unique for each of us. But the technique(s) can be teached.

    I find very useful Dohnanyi excercises, and Brahms 51 excercises....

    And to practice also without pedal, and with different accentuations, rythms, staccato, all FF, all pp......

    All the best,

    Sandro

  • a tear just fall off my eye.

  • @TommyDai1

    It's the better feedback I can imagine.

    Thank you by heart, really.

  • ottima interpretazione, un po' troppo veloce in alcune parti forse...ma che diamine! gran bella esecuzione! la migliore su youtube secondo me ;)

  • @vittocamus

    grazie, gentilissimo. ed in effetti, persino un po' troppo enfati co l'affanno espresso dall'accavallarsi quasi onde in tempesta in molti punti. Se la rifarò darò più respiro, più monumentalità al fraseggio.

  • wonderfull! I like a lot your approach to Chopin! Can I suggest you upload some preludes?...You´re sureñy going to give us 5 stars moment!..Congrats! and thanks for sharing

  • @visionfugitiva

    Thank you much for attention and so kind commenting!!

  • It looks like you're channeling some Glen Gould here. Great performance!

  • :-) thank you for shearing, impressive - passionate and truly amazing !

  • @alicealyona

    thank you!! happy you find and appreciate these values.

  • too much kind, thank you by heart for so generous words.

  • Good! Are you by any chance a piano teacher?

    Correction, BRILLIANT!

  • thank you, very kind!! No, I teach basic music, not piano.

  • Oh My GOd <3<3<3<3<3

  • wow. im very inspired to play this piece very well now! i'm beyond excited. :) thank you sir!!! :D

  • I love your style. It is very lively and never "flat"

  • JUUUST

    F A N T  A S T I C

  • Fantastic is your kindness.

    My kind od playing is "take it or leave it"....

    happy you are in the first group, eheh

  • Troppo lento???

    L'ho sentita suonare dab diverse persone, questa polacca, e si fidi, magari nel suo svolgimento complessivo no, ma il tema principale è scherzoso e veloce.

    O almeno così la suona lei...

    Io, nella mia inesperienza se mai un giorno dovessi suonarla, penso che la suonerei più lenta...Ma come già detto ciò è decisamente opinionabile...

  • Ma infatti. Dico seriamente, anche per me così è troppo veloce, e quando la ri-registrerò sarà sicuramente più lenta.

    Grazie ancora dell'attenzione e del gentilissimo commento,

    Sandro

  • Lodevole, veramente...Forse un po' troppo veloce...Soprattutto nel tema principale...

    Oh, beh ognuno ha una diversa sensibilità rispetto alla musica ^^"

  • Ciao! Guarda mi viene da ridere perchè proprio in questi giorni sono in polemica con alcuni che mi dicono che suono troppo lento. Ma ti seguo, ed in effetti ora la suonerei diversamente, parecchio più lenta; prima o poi la rifarò. Grazie davvero,

    e ciao!

  • Complimenti! Mi piace il modo in cui suoni questa Polacca :)

  • Grazie, e ciao.

    Chissà se piacerebbe a Jean Claude....

    Ho visto che hai nei preferiti "Sensualità a corte", notevole. Ma io ho un bebole per la

    Storia Minima dell'Arte di Balasso.

  • Superba esecuzione :)

  • Troppo gentile, grazie di cuore!

  • Thank you for the wonderful playing! I'm just now starting to learn this song, and you've set quite an example for me.

  • My piano teacher just assigned me this piece, too. I wanted to see what it was like, and well... Wow. Your interpretation is very good (not that I'm one to talk, but i like it) and I know now how I should strive to play it. I have never played a polonaise...

  • Thank you, but pay attention: if you play with this style you'll be banned from each kind ogf school, academies.

  • Why?

  • This style, or similar ones, also at very higher technical levels than mine, is usually hated from academics and "musicologic correct" thinking.

    NOt enough ortodox for their tastes.....

    Bye,

    S.

  • I see. Well, I hope my piano teacher won't mind, because I usually learn pieces by hearing them and copying a lot of it, subconsciously.

  • is Moriz Rosenthal ''correct''?

  • Great artist, than probably not "stylylistical correct". eheh. Bye.

  • how about francis plante?

    if he is not stylistically correct then who is?

  • I've found very interesting that each nationality has a different technique. I like all of them, but the Italian has something I like a lot, most Italians plays with a lot of freedom and flexibility in their hands but they never loose the "proper" posture of the hands. Can you explain something about the Italian technique? I would like to learn something about it.

  • Too much kind. I'm only an amateur, and not probably a good example, but I studied with a teacher of the so called "napolitan" school. I conserve and I have high esteem of this approach to piano technique (strong articulation AND

    weight use), also if I tend to integrate it with different kinds of key attacks.

    My idea is : great thing to cultivate single fingers articulation and independece, also if and when you don't use that approach with the key.

  • I think the music would be better without the histrionics

  • Thank you for attention.

    The "histrionics" are my normal body behavious when I play. Not necessary everyone likes them, but it's none of my business.

  • que envidia...

    me gustaria sacarle al menos 2 notas a un piano.

    felicitaciones

  • I think you like music.

  • Thank you. The question now is: does the music loves me? Eheh

  • The answer is...YES!

  • What a great Polonaise. Bravo! Wonderful and dramatic playing. My only suggestion is after the long trills and then followed by the chromatic climb,like a rocket launch, I think the ending high note is too staccato or perhaps not emphasized enough. It is a climatic point! Give that high note it's due attention. Other than that, many wonderful ideas.

  • Thank you! And I agree with your criticism about that "ending of the scale" note. You are really right, and in my next version I'll play it very louder.

  • Your welcome. I will look out for it. And thank for pointing out it was a scale, not chromatic. All the same, Bravo. I am enjoying your videos.

  • Just curious, why, with such obvious talent, do you act like such a fool? It truly detracks from what would otherwise be very, very good playing. You really look like you are retarded and you aren't so why the act?

  • Many pianists (also famous pianists) feel them free about their body language. I'm among them, and I do not think this is a problem. If one likes really conception and playing, probably the gestures/movements

    don't are disturbing.....

    Thank you for attention.

  • excusemoi mais je ne comprend vraiment rien au tempo et je trouve que vous etes vraiment extremement crispé puis souvent dans vos vidéos il n'y a pas les vrais notes epuis et de point de vue prhasé c'est vraiment n'importe quoi cela dit je respecte tout a fait la passion que vous eprouvé pour la musique classique mais la vous êtes vraiment a coté

  • As you can see here (and in other private messages) someone else appreciate this kind of pianism. You are obviously free to prefer many other pianists, and you are surely right in this. Tastes are tastes, and all we are different in this. Thank you and all the best.

  • hier wird neben einer sehr delikaten und bis in die kleinsten verästelungen ausgeleuchteten darstellung ein extrem emotionales mienenspiel in den vordergrund gestellt - mich lenken gestik und mimik sehr ab,ohne bild hört man hier mehr...sehr gute pianistik und gedanklich beherrscht-very good!!

  • i think that You change tempo too much in some places... and I think that You better play Beethoven :)

  • Thank you for feedback.

  • Ok,here I am.I found your interpretation amazing.This Work of Chopin is difficult and your music has so much tension!I like very much the diffrenece between staccato and legato & between short and long notes.Thanks!

  • You kept the feeling angry the entire time.. but I feel that the anger in the end is even more heartfelt when you play the middle section with more of a beautiful yet sad feeling.. of course this is your interpretation and I respect and enjoy it, but it's just something to ponder.

  • Fist of all thank you for attention and feedback.

    Very interesting, really, your considerations:

    but what do you consider as "middle part"?

    I play with a cut and the strucure is so

    a-b-a-c-a (instead of a-b-a-c-a-b-a): do you conceive b as "middle part"?

    I interpretate so (your words are about b as the "middle part" to play with a different feeling); please tell me if I'm right, I'm really interested.

  • I was referring to the section from about 2:45 - 5:00, some parts within this section you play soft and subtle, and some with a feeling of resentment, for instance from 4:00 - 4:05, and I feel that this section is more of Chopin having to live with the 'war' (as you stated in the preamble). He expresses his feelings but is much more soft spoken because of the heartbreak.. and at 5:16, after the buildup of anguish, he gives up and ends in revolt.

  • Thank you very much SalQrazy: very linear and interesting. I'll consider this. Very kind for

    this your so coherent and robust opinion.

  • A very original and outstanding interpretation, like usual every note seems to come from your sensitive and good musical sensation. Bravo! Very expressively played. I enjoyed it very much.

  • Thank you musicusblau, ever so kind!

  • Told by you (your videos are IMHO amazing, of an incredible artistic level) these words make me really happy. Thank you and happy you

    liked this video.

  • you have great personality, Sandro. listening to you is always very exciting and surprising (in the positive way), you have so many unexpected and originally solutions, and you seem to understand exactely what the music you play is about. bravo!

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