I instantly thought the tempo was too fast. The singers can barely get through it. The running time says it all at 90s faster than usual. I have heard much better versions
Really difficult to decide tempo Herr unser herscher. Many pro contra. Fast tempo..... i feel great energi like God destroy everything bad energie. But Philippe Herreweghe also very greatttt , slow version make powerful spiritual energie. Better we play sometimes fast version and anotherday slow version
@timolobo Because the conductor really understood this music.
You probably think it's too fast, but that's just because you're used to certain other recordings.
Personally, I prefer being flexible and listening to radically different interpretations that reveal aspects not touched by conventional interpretations. It's a question of whether one wants to have a broad or a narrow horizon.
as much as I like slow tempos in this piece. Richter for instance, I do love the intensity here! Who are the performers? I think it's sublime. Tempo is an interpretative tool.... The conductor gets through. I however wish to know who they are and where are they performing?
Et alors ? Quand vous regardez un tableau de Claude Manet vous vous préoccupez plus de la dimension de la toile que de la palette de couleurs ? Pareil pour Bach: le contrepoint passe avant le tempo que je sache. Cette version serait inaudible dans une grande cathédrale, mais là, c'est très bien fait, et les volées de doubles-croches passent sans problème. Bon, c'est peut-être pas très adéquat pour une "passion", mais même là, il y aurait beaucoup à dire...
It's not made to just be beautiful but actually because this was, for Bach at least, the best possibility to transport the message st. Johann was telling in the bible.
this tempo is exactly right - it highlights the sturm und drang effect that late Bach works were designed to express. the tempo highlights the intense pathos of this opening movement -- lines of imitative polyphony blended together into a single dark stormy swirl of emotions.
As to tempo... this is not rushed. The pulsing bass and the counterpoint in the vocal lines seem to fit into this tempo naturally. Slower seems a little labored. Suzuki and the Bach Collegium Japan perform it at only a slightly slower pace... just a smidgen... and it works well too. It all adds to the tension, foreboding and urgency of the message of the whole Oratorio. Love it!
@Mmmmmmmbacon I just looked all over YouTube to find a version of this at just the right tempo. Bach is always played too slow, I believe. This one is just fine.
Bach is considerably groovy and moving music and needs tempo to emphasise the rhythmicality of the music.
ó, én végig itt voltam/vagyok, csak annyira angolul megy a diskurálás, hogy nem szálltam be! jobb, ha ebből kimaradok. viszont a véleményem igaz, nagyon szeretem, és szerintem úgy jó az előadás, ahogy van! hogy miért ilyen gyors? Akit érdekel, kérdezze meg Vashegyit, kiforrott véleménye van erről. Engem meggyőzött! :) Neked mi a véleményed?
I can only recommend to attend the performance by the Thomanerchor and the Gewandhaus-Orchestra in Leipzig. This is the place where this piece was performed first.
I've looked in vain for info on the name of the choir and director so I can buy a DVD or CD. Can anyone help me?
It's one of the most beautiful performances I've ever heard. Tempo's perfect. I've listened and watched many others and they're so boring when slower.
There are two reasons why I love this recording. (1) the appropriate speed of the performance, and (2) at least one musician does not grab himself into the score.
For me, the rest of the musicians are a bit distracting.
Sorry, not my cup of tea. I favor the Harnoncourt version with a choir of men and boys - and ... BOY SOLOISTS who are more than adequate, fabulous the alto aria "Es ist vollbracht" - with authentic old instruments - nothing can match that performance. Period.
wir haben die johannespassion vor einem jahr gesungen. mit ca200 leuten und einem wahnsinnig guten orchester. diese wunderbare agressive mitreißende musik macht mir immer wieder gänsehaut...
Ich habe sie 1975 im Straßburger Münster unter der Leitung von René Metter, dem damaligen Leiter des Konservatoriums von Colmar gesungen, begleitet von einem Stuttgarter Orchester. Dieses einzigartige Erlebnis werde ich nie vergessen. Gänsehaut- ja, das ist es! Aber mir fehlt bei YouTube doch DIE Interpretation: ich wünsche mir eine Aufnahme mit dem Thomanerchor aus Leipzig. Hab ich nicht gefunden...
johann sebastian bach é o pináculo da música erudita, sua música dramática e religiosa demonstra o terrível conflito espiritual em que a humanidade se encontra, até o advento do Messias.
Since we're all being bitchy about this video, I've got to say the one man in the choir who doesn't hold music is really, really distracting. He might be impressed with himself for having the piece memorized, but he's really drawing attention to himself, which a choral singer never, ever wants to do.
Good balance, clear voices, strong tempo, microphones well placed. The opening piece of a very emotional play, meant to shake you up, certainly not to please. I find it strong, maybe 1% too fast.
Actually, I rather like this tempo, and yes, it is rather brisk! On the other hand, the chain suspensions in the oboes work better. As for temp markings in the baroque- we really don't know what they really meant.
Stormy tempo and not understandable details are important to correctly recall the passion, what was quickly over just before anybody could understand what was really going on.
The right tempo is faster than the emotion of the audience. It is right not to give room for the audience to catch all the details during the performance. The understanding comes later in mind.
Passion was an unexpected storm between two fronts: what the mankind was expected, and what the Lord gave to the mankind.
@prohlep I like this video, specially because I understand what you mean by "understanding comes later in mind". This is perfect, when we talk about this Bach's masterpiece...
das tempo ist genau richtig. wir führen das ende des monats auf und singen's auch so... bin mal gespannt, wie das konzert wird! so im zusammenklang hört's sich ja richtig gut an! Wenn man im Chor steht und immer nur seine eigene Stimme hört, wirkt es etwas wirr... ;) Kommt aber wahrscheinlich wirklich davon, dass man sich total konzentrieren muss... naja... wird schon! ;) Freu mich drauf!
When I hear this music, I feel as though death is closely stalking me, and looking over my shoulder at my most vulnerable of moments.... this music is thrilling because it is provocative and ridden with angst.... I LOVE IT
Das Tempo ist OK. Erinnert euch doch mal an die laschen Tepi von Richter und Friends. Johannespassion ist wirklich konzentriert, dramatisch und einfach nur genial.!
Ja, das ist wirklich ein wenig zu schnell, doch was solls. Wir klagen darüber, dass das Tempo zu schnell ist, aber selber können wir so etwas nicht zu Stande bringen. Der Chor ist wunderbar, bedenken wir an die Zeit, wo dieser geniale Komponist- BACH - lebte. Ihm standen grade mal ein Dutzend Sänger zur verfügung- das mag auch an den Kosten liegen-.
Inicio de "La pasión según San Juan."El tempo algo rápido,mas la interpretación con la intensidad y el rigor necesario.Las voces excelentemente conjuntadas.
I've heard the slower versions and they sound rather lacking in assurance... and also very pompous. "Beloved in all countries" should sound like a joyful zip round the globe, not a foot-dragging stodgy business... to my mind. Yay Hungary!!
they speeded it up like in the version mixed with african music: lambarena, bach to africa! they did a great job with bach's prelude n°14 they slowed it down and it is just marvelous!!
Hey muscarine2000 you're the only other person I've ever met that knows the Lambarena recording ...the blended African and classical renditions of various Bach works. The St. John Herr unser Herrscher with the tapping of sticks and odd instruments accompnaning gives it a more fighteneing posture doesn't it. Kind regards, Joe
...viel zu schnell..., aber ich werde nicht einschlafen! The passion is a fundamental drama between the God and the mankind, concentrated into less than 24 hours, featuring rapid evolution of the action. A speedy and noisy introduction is needed.
hm es gibt noch schnellere versionen. Ich finde das ist nicht das Problem, sondern, dass die Balance zwischen forte und piano fehlt. Sie singen die leisten passagen zu laut. Da geht eine Menge verloren durch diese Unsauberkeit
Reading over the comments one can, with relative assurance, be assured that jury's out - the damn thing is too fast.
However, the choir does not falter under the demands of the fast tempo...melismatic lines don't drag; there is not a compromise of pitch for speed...the ensemble is fit for battle, but they are not to blame if their leader causes them to falter.
This comment has received too many negative votesshow
It is pretty clear the musicians aren't really motivated. They hurry their way through this piece like they have to catch a train afterwards.. It's like the tape is pressed on fast forward. Their haste is a waste of this masterpiece
I quite like this speed becasue musically it is quite dramatic and dark like this. However, I recently saw a very heartfelt performance with a much smaller choir at a slower speed. The singers were able to be more expressive and the overall effect was much more magical and atmospheric than this one. Harnoncourt has emphasised the dramatic side here.
Too fast, my God, absolutely too fast: it's the introductive choir of a Passion, not a Gloria. I can't believe conductors still committe such serious mistakes, as I can't believe this conductor doesn't understand that this choir is designed to introduce the mood of the whole passion, and so he ruins the magical, intense, drammatic atmosphere he could easily reach at a slower speed. Bad, very bad.
The faster tempo makes the piece sound natural--the music is free to speak for itself at this pace. There isn't any artifice or dramatic shifts and pauses, the piece just unfolds outward...beautifully.
I think this recording is (ignoring the terrible quality) generally very good, although I remain partial to a fractionally slower tempo. I do think it's rather amusing that the orchestra is full of period of instruments when half the chorus is female however. . . .
Although I take no sides, I'm very pleased that the 'period performance' debate exists, because it means we, the listeners, benefit from twice as many recordings, in a whole spectrum of styles.
Who gave euphrialstream a negative rating?? I think his opinion was quite correct. The fast tempo makes the music much more transparent and dynamic, and the choir and orchestra did an excellent job. What's wrong with you guys? Do you really think this experiment went so horribly wrong that you have to give everyone who liked the outcome a bad rating? The rating system is here for punishing trolls and spammers, not for punishing those with a different taste than yourself.
I think the tempo is fine. There's no relationship between speed and dramatic content, as long as the harmonic tempo is reasonable, which is absolutely the case here. This obsession or slow tempo is just a romantic topic. This conductor is extremely good.
Beautiful composition but way too fast. The best I've heard so far is by Peter Schreier (Dresden), I truly think that performance of German music is best when performed by Germans.
It's very much too fast. The sad character of this piece pictured by the oboe can't not be expressed at this velocity. The beautiful fuge isn't heard in its full extent.
This piece of music is the beginning of a "requiem" (one should not forget this when considering if it is played "right") and in this respect it is much too fast. Consider going to a funeral and hearing such a fast chorus ... it's not appropriate! It loses the character Bach gave it
Actually, he nailed the character of Bach's interpretation of the Passion of St. John, which is essentially a hurried and confusing rush from Gesthamane to Gologtha, with the disciples scattered and Jesus caught up in a rush to judgment.
WOW!! What a velocity!!!!! Its fantastic!!! I see this chorus like a desperate prayer raising to Heaven, and when you are really groaning of pain you don´t have time for patience.
The disciples anguish, the mockeys of jewish men, the blood tears of Jesus are quasi real in the introduction. I give a 10 for this version.
I agree, and I think that J. S. Bach was one of the very few composers who understood what you say so well that it is so genuinely conveyed in his music.
The tempo is fine I think. The opening chorus has an urgency, just listen to the oboes. It's almost an opera overture, and tells us that this is not going to be a happy story.
I kinda prefer it fast, maybe a tad slower than this, but I find it often drags when slow, i mean this depends on the choir and the conducting of course though too, I like how in this version I can actually hear the most of the words,
No, I don't think the tempo is too fast. The tempo is justified by the context and the dissonant chords: this is the opening chorus of a passion music, which should convey the dramaticity and the anguish of Jesus' passion. And I find that the quick tempo serves the lyrics perfectly
This is much too fast, one cannot hear it to the end. I don't understand the conductor's intention in playing so fast .. it's a pity for this wonderful piece of music
hahaha, so, that's the Purcell-Choir and Orfeo-Orchestra, directed by György Vashegyi at the Music Academy, Budapest, Hungary, eastern 2004. On the rightest side, in the bass - that's me :D
Fantastic! I wouldn't change the tempo at all. The effect is dramatic and electrifying. Truly Inspiring! Just the way a Passion should be. Some of the other renditions posted here seem mechanical, pedestrian, almost sleepy, by comparison. Bach reworked this piece several times. Perhaps this tempo achieves the effect he was striving for. Bravo and Thankyou
Perhaps five or eight beats less in a minute would be the perfect tempo. But they go like wind -as somebody said before, and it allows us to imagine a dark, near demonic yet heavenly choir in a tremendous windstorm. Wery dramatic, and this is what anybody would expect from an opening section of the Passion secundum Johannem. Plus, we can listen torough the da capo section without being bored.
the conductor is György Vashegyi. the ensemble is from Hungary and the subtitle is in Hungarian, needless to say. and by the way, this piece is one of my faves.
I instantly thought the tempo was too fast. The singers can barely get through it. The running time says it all at 90s faster than usual. I have heard much better versions
gtinebike 1 month ago
Really difficult to decide tempo Herr unser herscher. Many pro contra. Fast tempo..... i feel great energi like God destroy everything bad energie. But Philippe Herreweghe also very greatttt , slow version make powerful spiritual energie. Better we play sometimes fast version and anotherday slow version
Liantotjahjoputro 3 months ago in playlist Johannes Passion Guitar Herr unser Bach Lianto Tjahjoputro'
Fantastic
Liantotjahjoputro 3 months ago
wer hockt da im Puplikum?
potatoepeter1 3 months ago
Gardiner is the BEST (along with Herreweghe)
Tsotne16 3 months ago
Why is the tempo so fast?
timolobo 4 months ago in playlist Bach
@timolobo Because the conductor really understood this music.
You probably think it's too fast, but that's just because you're used to certain other recordings.
Personally, I prefer being flexible and listening to radically different interpretations that reveal aspects not touched by conventional interpretations. It's a question of whether one wants to have a broad or a narrow horizon.
Timrath 1 month ago
as much as I like slow tempos in this piece. Richter for instance, I do love the intensity here! Who are the performers? I think it's sublime. Tempo is an interpretative tool.... The conductor gets through. I however wish to know who they are and where are they performing?
marcellny 7 months ago
Much too fast. It seems the conductor still had another appointment this very evening.
achim56nrw 7 months ago
Viel zu schnell. Warum hat es denn der Dirigent so eilig? Hatte er noch einen Termin an diesem Abend?
achim56nrw 7 months ago
The tempo Was perfect
JosephPatrickMcmahon 8 months ago 3
Scopiazzata l'interpretazione di Harnoncourt fin nei minimi particolari, a parte il tempo, molto più veloce. Deprecabile! Incredibile!
vercio1972 9 months ago
Scopiazzata l'interpretazione di Harnoncourt fin nei minimi particolari, a parte il tempo, molto più veloce. Deprecabile!
vercio1972 9 months ago
Excuse me, why so fast? the conductor did hurry?
ciatro 9 months ago
Et alors ? Quand vous regardez un tableau de Claude Manet vous vous préoccupez plus de la dimension de la toile que de la palette de couleurs ? Pareil pour Bach: le contrepoint passe avant le tempo que je sache. Cette version serait inaudible dans une grande cathédrale, mais là, c'est très bien fait, et les volées de doubles-croches passent sans problème. Bon, c'est peut-être pas très adéquat pour une "passion", mais même là, il y aurait beaucoup à dire...
JeanFonsse 10 months ago
@JeanFonsse Claude MONET JeanFonsse. Ralala
JeanFonsse 10 months ago
the guy in the middle at 1:26 is hot.
benz981 1 year ago
i love it !!!! odd since i am a fan of Karl Richter's ever so profound version. this is exciting, moving and at the same time effective. Love it!!!!!
marcellny 1 year ago 2
this isn't Bach, it's the Tarkovsky soundtrack ;P
definitely not "beautiful"
baiNEKO 1 year ago
Bach is a synonym for beautiful!
It's not made to just be beautiful but actually because this was, for Bach at least, the best possibility to transport the message st. Johann was telling in the bible.
Sockekatze1 1 year ago 2
Bach is a synonym for beautiful!
Sockekatze1 1 year ago
@Bachelio Who's the conductor?? Is there a CD recording of the whole Passion? I love it! Brilliant interpretation.
Siewai7 1 year ago
Even in this unusual-modern tempo... BACH still GENIUS ! HE IS UNPARALLELED FOR GOOD ! 3:45 !!!! HE is REALLY LOVED BACH ! singing by heart....
sam0xin 1 year ago
This is perfect.
MAXAcca 1 year ago
this tempo is exactly right - it highlights the sturm und drang effect that late Bach works were designed to express. the tempo highlights the intense pathos of this opening movement -- lines of imitative polyphony blended together into a single dark stormy swirl of emotions.
juenatics 1 year ago 8
Great!
Where's the rest of it?
dunepassat 1 year ago
too fast!!!!
meepmeep79 1 year ago
Nagyon szép! Jó tempo, artikulació, előadásmód!
Congratulations!
FabioCostaMusic 1 year ago 3
MMmmmm.... sublime.
As to tempo... this is not rushed. The pulsing bass and the counterpoint in the vocal lines seem to fit into this tempo naturally. Slower seems a little labored. Suzuki and the Bach Collegium Japan perform it at only a slightly slower pace... just a smidgen... and it works well too. It all adds to the tension, foreboding and urgency of the message of the whole Oratorio. Love it!
Mmmmmmmbacon 1 year ago 5
@Mmmmmmmbacon I just looked all over YouTube to find a version of this at just the right tempo. Bach is always played too slow, I believe. This one is just fine.
Bach is considerably groovy and moving music and needs tempo to emphasise the rhythmicality of the music.
arglborps 1 year ago 2
Szeretem! Nagyon szeretem!
iblaaa 1 year ago
Na végre egy magyar is szól valamit
Belenderer 1 year ago
ó, én végig itt voltam/vagyok, csak annyira angolul megy a diskurálás, hogy nem szálltam be! jobb, ha ebből kimaradok. viszont a véleményem igaz, nagyon szeretem, és szerintem úgy jó az előadás, ahogy van! hogy miért ilyen gyors? Akit érdekel, kérdezze meg Vashegyit, kiforrott véleménye van erről. Engem meggyőzött! :) Neked mi a véleményed?
iblaaa 1 year ago
nem tudok válaszolni
Belenderer 1 year ago
I can only recommend to attend the performance by the Thomanerchor and the Gewandhaus-Orchestra in Leipzig. This is the place where this piece was performed first.
karl43klotz 1 year ago
I've looked in vain for info on the name of the choir and director so I can buy a DVD or CD. Can anyone help me?
It's one of the most beautiful performances I've ever heard. Tempo's perfect. I've listened and watched many others and they're so boring when slower.
Areohsea 2 years ago
Purcell Choir and Orfeo Orchestra, directed by György Vashegyi.
AutumnLullaby87 1 year ago
My goodness, what's the rush?
JanPB 2 years ago
<3 <3 <3
iblaaa 2 years ago
Not using the score is distracting?
There are two reasons why I love this recording. (1) the appropriate speed of the performance, and (2) at least one musician does not grab himself into the score.
For me, the rest of the musicians are a bit distracting.
Why they use any score? Are they well prepared?
prohlep 2 years ago
El tiempo No es definitivamente rapido.
Hacen falta muchas audiciones para observar lo que quiere transmitir el director.
El Coro es simplemente impresionante.
paradoxicus 2 years ago 2
Sorry, not my cup of tea. I favor the Harnoncourt version with a choir of men and boys - and ... BOY SOLOISTS who are more than adequate, fabulous the alto aria "Es ist vollbracht" - with authentic old instruments - nothing can match that performance. Period.
maestrovoci 2 years ago
what is this rush? was jesus running up the hill with the cross?
19871014 2 years ago
wir haben die johannespassion vor einem jahr gesungen. mit ca200 leuten und einem wahnsinnig guten orchester. diese wunderbare agressive mitreißende musik macht mir immer wieder gänsehaut...
don't forget: it's a passion!
Foinse91 2 years ago
Ich habe sie 1975 im Straßburger Münster unter der Leitung von René Metter, dem damaligen Leiter des Konservatoriums von Colmar gesungen, begleitet von einem Stuttgarter Orchester. Dieses einzigartige Erlebnis werde ich nie vergessen. Gänsehaut- ja, das ist es! Aber mir fehlt bei YouTube doch DIE Interpretation: ich wünsche mir eine Aufnahme mit dem Thomanerchor aus Leipzig. Hab ich nicht gefunden...
Memale2009 2 years ago
johann sebastian bach é o pináculo da música erudita, sua música dramática e religiosa demonstra o terrível conflito espiritual em que a humanidade se encontra, até o advento do Messias.
erasmo67adr 2 years ago
estou facinado .e incrivel
99826237 2 years ago
Since we're all being bitchy about this video, I've got to say the one man in the choir who doesn't hold music is really, really distracting. He might be impressed with himself for having the piece memorized, but he's really drawing attention to himself, which a choral singer never, ever wants to do.
pagerbear 2 years ago 3
I totally agree. Unless he is blind.
ozandevrimyay 2 years ago
Yes, his stance reminds me of a blind singer I know and eyes remain ahead always - in the right direction, but never quite looking at anyone
DustyDCM 2 years ago
Simply a superb performance!
lefekir 2 years ago
Fantasztikus felvétel. Gratulálok! :)
Csiga1000 2 years ago 2
Good balance, clear voices, strong tempo, microphones well placed. The opening piece of a very emotional play, meant to shake you up, certainly not to please. I find it strong, maybe 1% too fast.
JAOudshoorn1 2 years ago 2
JSB,admite ésto y mucho mas.
paradoxicus 2 years ago
I love tempo a nice brisk early tempo
JosephPatrickMcmahon 2 years ago
Actually, I rather like this tempo, and yes, it is rather brisk! On the other hand, the chain suspensions in the oboes work better. As for temp markings in the baroque- we really don't know what they really meant.
Cantormatis 2 years ago 3
what is crazy about the tempo???
he who has ears to hear will hear that this tempo is perfect.
by the way tzhe whole interpretation is extremely tasteful.
muadanbua 2 years ago 2
This comment has received too many negative votes show
absolutely tooo fast.
waidrius 2 years ago
Terrible! It seems they're in a hurry to end the concert... which had just began!
As if it wasn´t enough the tempo chosen, they still manage to accelerate!
A little bit out of control, no?
mmgcl 2 years ago
Maybe you are just used to another version. Maybe used to the first version you have heard.
Tripmania123 2 years ago
Tempo is absolutely not too fast as some of you suggest.
gbernhards 2 years ago 5
@gbernhards -> It is really too fast!
Baerli70 1 year ago
Stormy tempo and not understandable details are important to correctly recall the passion, what was quickly over just before anybody could understand what was really going on.
The right tempo is faster than the emotion of the audience. It is right not to give room for the audience to catch all the details during the performance. The understanding comes later in mind.
Passion was an unexpected storm between two fronts: what the mankind was expected, and what the Lord gave to the mankind.
prohlep 2 years ago 29
@prohlep I like this video, specially because I understand what you mean by "understanding comes later in mind". This is perfect, when we talk about this Bach's masterpiece...
milenapopovic 7 months ago
wonderful.and don't fast!!!
nicu71 2 years ago 2
das tempo ist genau richtig. wir führen das ende des monats auf und singen's auch so... bin mal gespannt, wie das konzert wird! so im zusammenklang hört's sich ja richtig gut an! Wenn man im Chor steht und immer nur seine eigene Stimme hört, wirkt es etwas wirr... ;) Kommt aber wahrscheinlich wirklich davon, dass man sich total konzentrieren muss... naja... wird schon! ;) Freu mich drauf!
clumsy109 2 years ago
I love this crazy tempo. Make the situation more dramatic !
Marccub 2 years ago 4
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When I hear this music, I feel as though death is closely stalking me, and looking over my shoulder at my most vulnerable of moments.... this music is thrilling because it is provocative and ridden with angst.... I LOVE IT
japanrussell 3 years ago
death doesn't need to stalk you.. it will claim you eventually.
everydaywarriors 3 years ago
Comment removed
japanrussell 3 years ago
Das Tempo ist OK. Erinnert euch doch mal an die laschen Tepi von Richter und Friends. Johannespassion ist wirklich konzentriert, dramatisch und einfach nur genial.!
piccard911 3 years ago 4
Ja, das ist wirklich ein wenig zu schnell, doch was solls. Wir klagen darüber, dass das Tempo zu schnell ist, aber selber können wir so etwas nicht zu Stande bringen. Der Chor ist wunderbar, bedenken wir an die Zeit, wo dieser geniale Komponist- BACH - lebte. Ihm standen grade mal ein Dutzend Sänger zur verfügung- das mag auch an den Kosten liegen-.
Mein Lob
kevin18x9 3 years ago
no, it is not much too fast, the violins could play louder!
FMatt099 3 years ago 2
¡Cierto.!No me gusta la dirección.Parece que está dirigiendo un "Andante cantabile."y que pierde el tren.
Lo que pasa es que aún así es tan grande ésta "Passion",que suena bien.
Grande la labor del coro y del bajo sin partitura.¡Puestos a lujos..,!
debartzen 3 years ago
what do u want?
andante means walking.
try to walk with it: perfect!
and: più cantabile di così si muore...
muadanbua 2 years ago 3
too fast!
jujajuja22687 3 years ago
yes it is a little too fast
FMatt099 3 years ago
Oops... I'm sorry...Sorrysorrysorry... But I see you love Emma Kirkby too:)
kirkbybonnerthomas 3 years ago
Look at this man in bass without score... Why is he singing from memory? He's terribly show out!!!!!!!
kirkbybonnerthomas 3 years ago
El bajo con barba o perdió la partitura o no la necesita.Lo cierto es que lo hace muy bien.
Otra cosa es la dirección unánimente todo el mundo dice"too fast".Todos no pueden estar equivocados.
Aún así ,es tan grande,el introito de ésta pasión que no puedo por menos que decir.Excelente.
debartzen 3 years ago 2
Too fast... needs to be dramatic and pesante.
ckeledjian 3 years ago
Inicio de "La pasión según San Juan."El tempo algo rápido,mas la interpretación con la intensidad y el rigor necesario.Las voces excelentemente conjuntadas.
debartzen 3 years ago
I've heard the slower versions and they sound rather lacking in assurance... and also very pompous. "Beloved in all countries" should sound like a joyful zip round the globe, not a foot-dragging stodgy business... to my mind. Yay Hungary!!
ekadza 3 years ago 3
Lovely clean sound - as for the speed I guess I'm prejudiced as this is the speed I last sang it. Great!
ekadza 3 years ago 3
much too fast!
joejoosten 3 years ago
they speeded it up like in the version mixed with african music: lambarena, bach to africa! they did a great job with bach's prelude n°14 they slowed it down and it is just marvelous!!
muscarine2000 3 years ago
Hey muscarine2000 you're the only other person I've ever met that knows the Lambarena recording ...the blended African and classical renditions of various Bach works. The St. John Herr unser Herrscher with the tapping of sticks and odd instruments accompnaning gives it a more fighteneing posture doesn't it. Kind regards, Joe
JosephPatrickMcmahon 2 years ago
Can someone please post that on YouTube? I would be very interested in listening to it!
musicalidea 2 years ago
...viel zu schnell... das ist keine dramatik das ist schweinsgalopp
ClemensZwei 3 years ago
...viel zu schnell..., aber ich werde nicht einschlafen! The passion is a fundamental drama between the God and the mankind, concentrated into less than 24 hours, featuring rapid evolution of the action. A speedy and noisy introduction is needed.
prohlep 3 years ago
hm es gibt noch schnellere versionen. Ich finde das ist nicht das Problem, sondern, dass die Balance zwischen forte und piano fehlt. Sie singen die leisten passagen zu laut. Da geht eine Menge verloren durch diese Unsauberkeit
Adeltraut 3 years ago
Vashegyi a király! Gyertek vidékre is zenélni!
ignatio82 3 years ago
I think this is the Hungarian Karaoke version.
DavidMJordan 3 years ago
I performed this with my choir just last night :) this is wonderful
staybeautiful101 3 years ago 4
A risky experiment with this speeding it up but I think they pulled it perfectly, I think it adds tension and urgency. Who are the performers?
RusskiSuperPower 3 years ago 4
György Vashegyi conducting the Purcell choir and Orfeo orchestra
benkopal 3 years ago
This is the normal speed! I like this tempo, it's perfect!! Nothing wrong with it.
niamaztor 3 years ago 5
Reading over the comments one can, with relative assurance, be assured that jury's out - the damn thing is too fast.
However, the choir does not falter under the demands of the fast tempo...melismatic lines don't drag; there is not a compromise of pitch for speed...the ensemble is fit for battle, but they are not to blame if their leader causes them to falter.
musicalidea 3 years ago
Quel tempo rapide ! Est-ce bien le tempo précisé par Bach ? (s'il en précise un)
rachmaninov67 3 years ago
This comment has received too many negative votes show
It is pretty clear the musicians aren't really motivated. They hurry their way through this piece like they have to catch a train afterwards.. It's like the tape is pressed on fast forward. Their haste is a waste of this masterpiece
jhonnybgood90 3 years ago
I quite like this speed becasue musically it is quite dramatic and dark like this. However, I recently saw a very heartfelt performance with a much smaller choir at a slower speed. The singers were able to be more expressive and the overall effect was much more magical and atmospheric than this one. Harnoncourt has emphasised the dramatic side here.
Rik77 3 years ago 2
This is a Passion...NOT a Requiem! It is a huge difference! I I can´t believe that Jesus crawled his way to his judgement...or did he?
This performance is brilliantly executed, with a swing!
boytrack 3 years ago 2
è bellissima
Terra1990 3 years ago
Sehr schön Vielen Dank und alles gut
MFG The-Good:Bad_Ugly
pnro1 3 years ago
yeah it's much too fast indeed
richter91 3 years ago
Too fast, my God, absolutely too fast: it's the introductive choir of a Passion, not a Gloria. I can't believe conductors still committe such serious mistakes, as I can't believe this conductor doesn't understand that this choir is designed to introduce the mood of the whole passion, and so he ruins the magical, intense, drammatic atmosphere he could easily reach at a slower speed. Bad, very bad.
Maspixxx 4 years ago
The faster tempo makes the piece sound natural--the music is free to speak for itself at this pace. There isn't any artifice or dramatic shifts and pauses, the piece just unfolds outward...beautifully.
euphorialstream 4 years ago 2
True. But it is mainly a matter of acoustics. Not every 'room' can digest music that fast. That is why music is slower in (mainly) big churches.
PuppyZwolle 4 years ago
I think this recording is (ignoring the terrible quality) generally very good, although I remain partial to a fractionally slower tempo. I do think it's rather amusing that the orchestra is full of period of instruments when half the chorus is female however. . . .
Although I take no sides, I'm very pleased that the 'period performance' debate exists, because it means we, the listeners, benefit from twice as many recordings, in a whole spectrum of styles.
CharlieDraper 4 years ago
Just twice? :-)
PuppyZwolle 4 years ago
Who gave euphrialstream a negative rating?? I think his opinion was quite correct. The fast tempo makes the music much more transparent and dynamic, and the choir and orchestra did an excellent job. What's wrong with you guys? Do you really think this experiment went so horribly wrong that you have to give everyone who liked the outcome a bad rating? The rating system is here for punishing trolls and spammers, not for punishing those with a different taste than yourself.
I liked it too. Sue me.
Timrath 3 years ago 16
Beautiful? No, this is Bach music.
laplantine 4 years ago 5
you speak like rafa nadal! lol! i think it is cute!!
muscarine2000 3 years ago
Yes, not Rafa's cup of tea. But I think this version is more preferred by Novak Đoković and maybe Goran Ivanišević ;)
AnselmoHabbibi 3 years ago
oha atlı mı kovalıyo a.q. tabakhaneye bok mu yetiştiriyonuz.
dfnvksdvnvsdkvn 4 years ago
I think the tempo is fine. There's no relationship between speed and dramatic content, as long as the harmonic tempo is reasonable, which is absolutely the case here. This obsession or slow tempo is just a romantic topic. This conductor is extremely good.
osdepeluix 4 years ago 2
Beautiful composition but way too fast. The best I've heard so far is by Peter Schreier (Dresden), I truly think that performance of German music is best when performed by Germans.
JaffarAleksandersson 4 years ago
yes.. its really too fast.. but wonderfull <3
Myaquarelle 4 years ago 4
Too faaaaast!
Filmauge 4 years ago
On dirait du swing !
Not interesting !
Kerlerot 4 years ago
AMAZING
diesiraestudios 4 years ago 2
It's very much too fast. The sad character of this piece pictured by the oboe can't not be expressed at this velocity. The beautiful fuge isn't heard in its full extent.
This piece of music is the beginning of a "requiem" (one should not forget this when considering if it is played "right") and in this respect it is much too fast. Consider going to a funeral and hearing such a fast chorus ... it's not appropriate! It loses the character Bach gave it
toppix7 4 years ago
Actually, he nailed the character of Bach's interpretation of the Passion of St. John, which is essentially a hurried and confusing rush from Gesthamane to Gologtha, with the disciples scattered and Jesus caught up in a rush to judgment.
villa72 4 years ago 5
i agree..
lhiram23 4 years ago
not appropriate?
try silence. its golden.
SECRETofLIFEstaYoung 4 years ago
i agree totally (bis)
Karl Richter... oooh yes! ;-)
lhiram23 4 years ago
As an oboist who has played this, I can understand why someone would want to play it this fast. It's a chop buster. . .
hautboishavoc 4 years ago 3
This performance is the best I've ever heard.
It sounds very inspired en enthousiastic. I think György Vashegyi is a great conductor.
esthertje12 4 years ago 4
The choir and the orchestal is really very good, but Vashegyi is terrible! I know him.
kirkbybonnerthomas 3 years ago
The choir and the orchestal is really very good, but Vashegyi is terrible! I know him.
kirkbybonnerthomas 3 years ago
I mean... orchestra.
kirkbybonnerthomas 3 years ago
"Beautiful? No,This is Bach music!!"! - And, time to time, if If I may... The God sounds, God's music !!!
Vihor189 4 years ago 3
henochdavid- So how did it feel to sing next to the hottest female choir on the planet? :)
Seriously, some of these women of the Purcell are too gorgeous--they almost outshine the beauty of the music!
gpwerner 4 years ago
:)) gpwerner, that's true.
henochdavid 4 years ago
WOW!! What a velocity!!!!! Its fantastic!!! I see this chorus like a desperate prayer raising to Heaven, and when you are really groaning of pain you don´t have time for patience.
The disciples anguish, the mockeys of jewish men, the blood tears of Jesus are quasi real in the introduction. I give a 10 for this version.
abnerwagner 4 years ago
I agree, and I think that J. S. Bach was one of the very few composers who understood what you say so well that it is so genuinely conveyed in his music.
stepaushi 4 years ago 2
The tempo is fine I think. The opening chorus has an urgency, just listen to the oboes. It's almost an opera overture, and tells us that this is not going to be a happy story.
Bachsoboe 4 years ago 3
yes the tempo, is quite fine. I recommend you the Paul McCreesh version....
grossetp 4 years ago
great
silla20 4 years ago
too fast , it takes away the drama of the moment
Dopplereffektz 4 years ago
It is not very fast really. Noraml tempo.
pyq1983 4 years ago
I agreed. Way too fast. The Karl Richter version comes at you with the inevitability of history itself. Slow but sure.
ghostwriter11 4 years ago
Nein, das ist nicht zu schnell.
Es ist nichteinmal schnell genug;)
Man höre sich die Brnensky Akademicky Sbor Goia della musica Praha, Andreas Kröper an.
Das ist wirklich schnell. Und sehr passend.
SenJiGenko 4 years ago
I kinda prefer it fast, maybe a tad slower than this, but I find it often drags when slow, i mean this depends on the choir and the conducting of course though too, I like how in this version I can actually hear the most of the words,
RAATCC36 4 years ago
No, I don't think the tempo is too fast. The tempo is justified by the context and the dissonant chords: this is the opening chorus of a passion music, which should convey the dramaticity and the anguish of Jesus' passion. And I find that the quick tempo serves the lyrics perfectly
otfried 4 years ago
Thanks! I've watched this about 10 times now.
DavidMJordan 4 years ago
i think the speed is all right, very interesting, it really swings...
Atma108 4 years ago
This is much too fast, one cannot hear it to the end. I don't understand the conductor's intention in playing so fast .. it's a pity for this wonderful piece of music
toppix7 4 years ago
Too fast... but don't kill it :P Listened Harnoncout :-D!
key2738 4 years ago
its really too fast, but although good (:
Kruemel63 4 years ago
its too fast ..kills it !
JameleeBond 5 years ago
I agree with gr8musicfan & Contrapvntvs - this version is very dramatic and compelling.
angryoldfatman 5 years ago
Too fast, this attempt against the dramatic character of the work.
grupetto 5 years ago
hahaha, so, that's the Purcell-Choir and Orfeo-Orchestra, directed by György Vashegyi at the Music Academy, Budapest, Hungary, eastern 2004. On the rightest side, in the bass - that's me :D
henochdavid 5 years ago 2
henochdavid- So how did it feel to sing next to the hottest female choir on the planet? :)
Seriously, some of these women of the Purcell are too gorgeous--they almost outshine the beauty of the music!
gpwerner 4 years ago
well... not bad at all, I like it! I love the video with Suzuki too.
disolk 5 years ago
fast execution...
but... good!
tekamalkav 5 years ago 2
Fantastic! I wouldn't change the tempo at all. The effect is dramatic and electrifying. Truly Inspiring! Just the way a Passion should be. Some of the other renditions posted here seem mechanical, pedestrian, almost sleepy, by comparison. Bach reworked this piece several times. Perhaps this tempo achieves the effect he was striving for. Bravo and Thankyou
gr8musicfan 5 years ago
Too fast execution...
RiccardoP1983 5 years ago
Soo fast that they murdered the motiffs and emotional atmosphere that they were supposed to prompt.
hhancerli 5 years ago
Beleza!!! sin palabras
Es aca cuando me doy cuenta que esto no lo escribio J.S. Bach solo, me doy cuenta que esta la mano del señor detras, de otra forma no lo creo posible
drjotais 5 years ago
I've never heard this performed so fast before.
dabruster 5 years ago
It is rather swift.. I have to agree. I suppose they could have performed it more slowly.
firebreathone 5 years ago
Perhaps five or eight beats less in a minute would be the perfect tempo. But they go like wind -as somebody said before, and it allows us to imagine a dark, near demonic yet heavenly choir in a tremendous windstorm. Wery dramatic, and this is what anybody would expect from an opening section of the Passion secundum Johannem. Plus, we can listen torough the da capo section without being bored.
Contrapvnctvs 5 years ago
the conductor is György Vashegyi. the ensemble is from Hungary and the subtitle is in Hungarian, needless to say. and by the way, this piece is one of my faves.
jormundgard 5 years ago
could you tell me who the performers are? and when and where was this? and just out of curiosity, what language is that subtitle?
vitellia 5 years ago
Conductor/orchestra? They go like the wind.
morindhe 5 years ago
arkandan atli kovaliyo oolum yavas yonet su orkestrayi
dfnvksdvnvsdkvn 5 years ago
Perhaps the greatest religious piece ever written
guyincognito84 5 years ago
Possibly. But even many who sincerely love this work would claim that that distinction belongs to Bach's St. Matthew Passion & its opening chorus.
eyesk8er 1 year ago