Thanks very well put. Question though: what are some other good keys to learn these modes in. I'm sure learning and getting the feel for all the modes in every key is the eventual goal, but what are some more common keys these would be played in??
" A chord Based on a dorian Mode" Could you explain that a little more please? Like If I wanted to get a real nice Dorian sound I would idealy play it over??? And Etc for the other modes? IF that's not too much bother pleasee and thanks you :D
@Antphoneigh Kind of impossible. That b5 ruins the chord motion. There's no gravity centering the one chord. It's diminished, so it wants to resolve to something else. Unless you're messing with quartertones, it's hard to find anything that makes landing on the one chord sound like a resolution. The best a person can do with locrian or any of the b5 modes is use it for a transitional part of a piece.
That's great but can you explain it more in other keys, so for example : D Phrygian.. urm.. with Phrygian being the third degree/note of the scale from D, so that would be a F# in Dmaj (D E F#) so to play D Phrygian would be (F# G A B C# D E F#).. is this right?
You can learn the whole/halfsteps progression but there is actually a easier way to find out the tones for the scales. Since these modes are derived from a major scale it would make sense to play notes from a major scale they're derived from. In the key of C the phyrgian mode goes from E to E but its NOT C Phrygian, it's actually E Phyrgian. keep in mind that E lays a major thrid above C but the tones are exactly the same. The diffirence is in the order of half and whole steps.
So in the key of D to play D phrygian (beeing a 3rd mode of a major scale) You have to go a major third back (3 wholesteps) to B flat. the notes of B flat major are the notes of D Phrygian. D Phrygian is the 3rd mode from B Flat maj. Otherwords You can think of playing BFlat maj scale over a D Phrygian chord.
i know its a littlle bit confusing at first, but changing to this way of thinking about hte scales (thinking more of keys instead of the actual scale) helped me a lot.
no problem, glad i could help :) You can apply this method to other scales(most of the scales are derived either from major, or melodic minor) too, but it is a little bit simplified though, because You should be aware of so called "avoid tones"
You are a musical master.
drdrtfehytf 2 weeks ago
Thanks very well put. Question though: what are some other good keys to learn these modes in. I'm sure learning and getting the feel for all the modes in every key is the eventual goal, but what are some more common keys these would be played in??
zagnit 1 month ago
i learned more from this video than the other 7 videos i just watched on modes...thanks alot man i appreciate it.
coolchild2001 2 months ago
@coolchild2001 Thanks - glad it helped! Happy new year...
Duane
chordsgalore 2 months ago
" A chord Based on a dorian Mode" Could you explain that a little more please? Like If I wanted to get a real nice Dorian sound I would idealy play it over??? And Etc for the other modes? IF that's not too much bother pleasee and thanks you :D
Strayv1989 4 months ago
is aeolian modal?
ChungFat4eva 5 months ago
people need to compose more pieces in Ionian mode! :D
brooklynPD 7 months ago
people need to compose more pieces in Locrian mode!
Antphoneigh 7 months ago
@Antphoneigh Kind of impossible. That b5 ruins the chord motion. There's no gravity centering the one chord. It's diminished, so it wants to resolve to something else. Unless you're messing with quartertones, it's hard to find anything that makes landing on the one chord sound like a resolution. The best a person can do with locrian or any of the b5 modes is use it for a transitional part of a piece.
samisyosam 6 months ago
Great super smashing... thanks for this Dorian Dream
PerryHemus 9 months ago
cool.
kilobitti 11 months ago
They don't have records because they didn't have recording equipment (just ignore me)
zliminator 1 year ago
Thank you very much
Scout128 1 year ago
Please could you do a more detailed look at locorian. Thanks
homePicShow1 1 year ago
Great instruction. Thank you chordsgalore!
MrAlfredBell 1 year ago
Well explained, thanks for the video
ministeroftuba 1 year ago
I have to know you. This is wonderful.
stillatthetop 1 year ago
Too much noise reduction man.
UMTomaS 1 year ago
Excellent!~
courageux28 1 year ago
You are a very good teacher.. Thanks!!! More lessons please!!
jamesmcrae83 1 year ago
Thank you very much. Dang I messin around and I didn't know there were actually name such as these from scale I never heard of.
Aphablueforce 2 years ago
That's great but can you explain it more in other keys, so for example : D Phrygian.. urm.. with Phrygian being the third degree/note of the scale from D, so that would be a F# in Dmaj (D E F#) so to play D Phrygian would be (F# G A B C# D E F#).. is this right?
DeanoPiano 2 years ago 2
no. In the key of D the scale should actually beginn and end with D :)
bronislaw 2 years ago
You can learn the whole/halfsteps progression but there is actually a easier way to find out the tones for the scales. Since these modes are derived from a major scale it would make sense to play notes from a major scale they're derived from. In the key of C the phyrgian mode goes from E to E but its NOT C Phrygian, it's actually E Phyrgian. keep in mind that E lays a major thrid above C but the tones are exactly the same. The diffirence is in the order of half and whole steps.
bronislaw 2 years ago
So in the key of D to play D phrygian (beeing a 3rd mode of a major scale) You have to go a major third back (3 wholesteps) to B flat. the notes of B flat major are the notes of D Phrygian. D Phrygian is the 3rd mode from B Flat maj. Otherwords You can think of playing BFlat maj scale over a D Phrygian chord.
i know its a littlle bit confusing at first, but changing to this way of thinking about hte scales (thinking more of keys instead of the actual scale) helped me a lot.
bronislaw 2 years ago
Im gettin it now thanks a lot XD
DeanoPiano 2 years ago
no problem, glad i could help :) You can apply this method to other scales(most of the scales are derived either from major, or melodic minor) too, but it is a little bit simplified though, because You should be aware of so called "avoid tones"
bronislaw 2 years ago
Thank you SOOOOO much!!!! You are such a gr8 teacher
dls430 2 years ago
Great explanation, thanks v. much!
xxxMagikMonkeyxxx 3 years ago 2