NB: Robert Schumann's 3rd Symphony, that is; mea culpa (re: previous post by DWLindeman). That he obviously invokes chorale, and the fugue, albeit the latter not entirely, is part of his retrospective and forward-looking strategy, integrative and revolutionary simultaniously. Mazur has not fallen into the trap of taking Schumann's retrospective references literally, and thereby, he fulfills the real intentions of his (Schumann's) endeavor here, revealing the revolutionary dynamic he intended.
This is a profound, and very important interpretation of this movement of Schumann's 4th Symphony. Mazur has chosen to juxtapose Schuman's Romantic melodic line, with the internal harmonic, and, melodic structures, which support it. There is a dynamic play between an obviously melodic motif, and sub-motifs that themselves function melodically. This is a major contributionto the interpretation of this part of Schumann's oeuvre, that reveals him as the avant-garde composer he truly is
I read somewhere that Schumann (who was then living in Dusseldorf) was present at the enthronement of Johannes von Geissel as Cardinal-Archbishop of Koln, in 1850. This event undoubtedly gave a strong impetus to the completion of the cathedral to the original scheme of the mid-13c ( which had been preserved on scribed board). Schumann, I feel, was harking back to pre-Reformation days, notwithstanding the actual scoring.
What alto is Alessi playing on in the beginning??? I'm looking for an alto, and I'm deciding between an Edwards, Rath, Yamaha, and Courtois. Anybody know what he's on?
Love the shots of Phil Meyers and then the whole horn section emptying their horns in unison. I feel like I do that more than play. LOL Classic performance. Thanks for posting.
@beanzaronii: i think the person above was simply referring to the thick, Bachian (18th century) counterpoint. that occurs throughout the movement. that's the only thing i can think of.
I cant tell you how many times I've listened to the first 40 seconds of this symphony. I am a trombone player and this just motivates me even more! Joseph Alessi is my Idol!
Well Schumann wrote for an Eb alto so why not play it on alto? lol well, i mean if your stuck with a tenor its manageable, but not what the composer intended
Phil Myers (1st horn) is a god on this piece! If someone made me choose (like torture or something) I might say this was my all-time fave. Schumann created over 5 long minutes of exquisite soulful tension in this movement.
It also invokes the first four notes of the c# minor fugue from BooK I of Bach's Well Tempered Clavier. Schumann said that the WTC shold be the musician's daily bread.
As far as this Chorale,being a tribute to the Baroque, it is specifically a trubute to Bach. The theme is almost, not quite, Bach's name, Bb, a c, b. Schumann wrote six organ pices based on that theme.
to get enough power for the Eb eight note + half-whole. The high Eb drained alot of his air so he needed to breathe there, though it's a little too distinctive of a breathing.
sure of that? I was told by my trombone teacher that this excerpt is played exclusively by the three trombones. And yes... the tenor part is boring, alto's good... but the bass is better!
Listen to the high Eb. You can hear how the horn and alto are a tiny bit (emphasis on tiny) out of tune. You can hear a very slow intonation wave. Watch his slide and you can see him adjusting.
The opening brass chorale, the moving counterpoint--are you kidding me? Of course the apoggiaturas are harmonically thicker than that of baroque chorales, but there are echoes of Bach's St. Matthew's Passion here, others.
NB: And Kurt Masur, with an 's', of course
dwlindeman 1 month ago
NB: Robert Schumann's 3rd Symphony, that is; mea culpa (re: previous post by DWLindeman). That he obviously invokes chorale, and the fugue, albeit the latter not entirely, is part of his retrospective and forward-looking strategy, integrative and revolutionary simultaniously. Mazur has not fallen into the trap of taking Schumann's retrospective references literally, and thereby, he fulfills the real intentions of his (Schumann's) endeavor here, revealing the revolutionary dynamic he intended.
dwlindeman 1 month ago
@dwlindeman haha, calm down there, it's a youtube video.
iseefurtherthanyou 1 week ago
This is a profound, and very important interpretation of this movement of Schumann's 4th Symphony. Mazur has chosen to juxtapose Schuman's Romantic melodic line, with the internal harmonic, and, melodic structures, which support it. There is a dynamic play between an obviously melodic motif, and sub-motifs that themselves function melodically. This is a major contributionto the interpretation of this part of Schumann's oeuvre, that reveals him as the avant-garde composer he truly is
dwlindeman 1 month ago
I read somewhere that Schumann (who was then living in Dusseldorf) was present at the enthronement of Johannes von Geissel as Cardinal-Archbishop of Koln, in 1850. This event undoubtedly gave a strong impetus to the completion of the cathedral to the original scheme of the mid-13c ( which had been preserved on scribed board). Schumann, I feel, was harking back to pre-Reformation days, notwithstanding the actual scoring.
kingsott 1 month ago
for me, I believe this movement impacts because it invokes human's interplay between sadness and triumph
fogofwar2 3 months ago
What alto is Alessi playing on in the beginning??? I'm looking for an alto, and I'm deciding between an Edwards, Rath, Yamaha, and Courtois. Anybody know what he's on?
RaiderTrombone17 6 months ago
The most difficult part in the beggining have horns and camerman shows trombones :(
konrad4343 6 months ago
@konrad4343 that was trombones playing that part, not horns
tromdude 6 months ago 3
@tromdude It's both horns and trombones.
TheOtakuAmp 3 months ago
@TheOtakuAmp yeah you're right sorry. it's also bassoons too, but it still is a famous trombone excerpt
tromdude 3 months ago
@tromdude No sweat man, I'm a bass trombone player and, of course, love this piece. They had to show Joe. :-)
TheOtakuAmp 3 months ago
@TheOtakuAmp im a bone player as well, and yes Joe is the bomb!
tromdude 3 months ago
all hail alessi
tromdude 6 months ago
i love it!
freakybellaaa 1 year ago
tutto ciò è commovente
yngwiethebest 1 year ago
go joe!
eriopolis1 1 year ago
Love the shots of Phil Meyers and then the whole horn section emptying their horns in unison. I feel like I do that more than play. LOL Classic performance. Thanks for posting.
westminster860 2 years ago
kurt frisur am Dirigierstab und Wolfgang Thierse am Horn!
lenzorg 2 years ago
how is this baroque? Schumann was a romantic 19th century composer.
beanzaronii 2 years ago
@beanzaronii: i think the person above was simply referring to the thick, Bachian (18th century) counterpoint. that occurs throughout the movement. that's the only thing i can think of.
king3bsgx 1 year ago
I cant tell you how many times I've listened to the first 40 seconds of this symphony. I am a trombone player and this just motivates me even more! Joseph Alessi is my Idol!
dfreak10 2 years ago 10
Well Schumann wrote for an Eb alto so why not play it on alto? lol well, i mean if your stuck with a tenor its manageable, but not what the composer intended
cieslikdavinci 2 years ago
Schumann, è gioia, tristezza, è delirio di sentimenti, è l'espressione più completa di amore e bellezza!
Un musicista incredibilmente unico!!
qlqmqk 2 years ago
The chord progressions are just amazing. Thanks to Schumann, we have Brahms. Thanks to Brahms, we have Dvorak........
lizpan1 2 years ago
Lovely alto playing at the beginning. That high Eb is so beautiful :D And not impossible with an alto
ClassBrass1 2 years ago
damn the chords at 4:54 and 5:00 are fucking awesome. and as a trumpet player, i must say i am impressed with the high notes in the low brass here
anthonya13 2 years ago
Yep. This piece is murder on amateur trombonists...like me.
ScubbaBvk 2 years ago
alla faccia degli imbecilli che dicevano che Schumann era un compositore esclusivamente pianistico
Canjola 2 years ago
amazing!!!! wonderfoul trombone section!!
bsfl90 2 years ago 3
Playing the solo on the alto trombone seems to be the smart thing to do. Joe Alessi is the man.
LLJtbone 2 years ago
dammit alessi
mikeejm 2 years ago 3
Che meraviglia!!!!! E' come essere dentro le canne di un organo o ammirare le volte del duomo di Colonia!!!!!
Schumanntica
povepupe 3 years ago
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that dude looks like a druggy
gordon2kam 3 years ago
Phil Myers (1st horn) is a god on this piece! If someone made me choose (like torture or something) I might say this was my all-time fave. Schumann created over 5 long minutes of exquisite soulful tension in this movement.
eliseannville 3 years ago 2
It also invokes the first four notes of the c# minor fugue from BooK I of Bach's Well Tempered Clavier. Schumann said that the WTC shold be the musician's daily bread.
jfhaight2 3 years ago
As far as this Chorale,being a tribute to the Baroque, it is specifically a trubute to Bach. The theme is almost, not quite, Bach's name, Bb, a c, b. Schumann wrote six organ pices based on that theme.
jfhaight2 3 years ago
The German representation of B natural is H, so in essence it does say BACH.
norathorr 3 years ago 2
That's correct "Bb" is "B" in the German system.
RWT683 3 years ago
you can also tell because alessi cuts off the phrase while Myers holds through.
Jjhornman72 3 years ago
to get enough power for the Eb eight note + half-whole. The high Eb drained alot of his air so he needed to breathe there, though it's a little too distinctive of a breathing.
JMR6916 3 years ago
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get a fucking haircut you hippy!
Jjhornman72 3 years ago
I AWARD THIS 5 CLARAS...,as it's PSYCHOLOGIC-ALLY GRIPPING AND MOVING.So Simple on the sur
-face yet below is a labyrinthian maze of con-sciousness.
SCHUMANNasaSACRAMENT 3 years ago
IT'S GREAT SCHUMANN WHEN I WANT TO SIT,as I WANT TO RUN,as I WANT TO SCREAM,as I WANT TO CRY,as CONSCIOUSNESS IS SO...
SCHUMANNasaSACRAMENT 3 years ago
Don't forget that the horn is doubling alessi on alto.
methemusicmonster 4 years ago
sure of that? I was told by my trombone teacher that this excerpt is played exclusively by the three trombones. And yes... the tenor part is boring, alto's good... but the bass is better!
JMR6916 4 years ago
It's doubled by the 1st horn.
medpiano 4 years ago
sorry... you are actually right! :)
JMR6916 4 years ago
@JMR6916 I find the tenor part quite nice actually.
sirtom23 1 year ago
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@JMR6916 i find the tenor part quite nice actually
sirtom23 1 year ago
Listen to the high Eb. You can hear how the horn and alto are a tiny bit (emphasis on tiny) out of tune. You can hear a very slow intonation wave. Watch his slide and you can see him adjusting.
methemusicmonster 4 years ago
Brilliant. Alessi makes the high Eb look so easy.
kfeyzi 4 years ago
Dispite the slur up to the Eb, it's a perfect alto part... though tenor is good too, but the bass is better:) (I'm a bass trombonist)
JMR6916 4 years ago
The opening brass chorale, the moving counterpoint--are you kidding me? Of course the apoggiaturas are harmonically thicker than that of baroque chorales, but there are echoes of Bach's St. Matthew's Passion here, others.
medpiano 4 years ago
A very well-played Chorale at that. That first trombone part is tough.
Trombone0817 4 years ago
How is this a homage to the baroque?
passionplayearthling 4 years ago