Since the chords are indicated, the chart can only be for one of two instruments. Piano, the instrument of the composer or guitar. At least that's my guess. I have the first three volumes of "Real BooK" series, all for piano and guitar. I have never seen the books in alternative keys for saxes etc., and do not know if the chords are indicated for "The Lydian Concept of Tonal Gravity".
@confoozled3737 I am not here to trash Monk, he was a genius and I have played this tune many times with big bands- it's not one of his best compositions, it's just a series of accending and decending sixths over a double time12 bar (really a 24 bar) blues sequence with almost no variation, unlike 'Blue Monk' which contrasts the accending chromatic line with a 'lick' (ingeniously displaced at the end 'A La Monk'). Although it's a nice groove once the solos begin.
Seerskater:Dizzy Gillespie put it aptly anybody who denies his Daddy is a fool.This isn't the modal blues.This is greasy blues,Monk's comes in a long line of Harlem stride pianist Hear the horn playing a walking bass line love Horace coming in and not being intimated with Monk on the date.Horace played his own hard funky blues style.This is one of my all time Sonny Rollins dates.Kudos too the Aand R man on this date top notch all the way around.
This tune could be called "Blue Merry-Go-Round" It is one of the killer blues performances of all time.Monk always brought out the best in whoever was playing with him!
Listening to this for the first time, I wondered why Its named "Misterioso". The last note in this piece explained it all. Listening to it again... what suspense!
@seerskater Listen to this and then check out Parker's Mood - once you get by the respective intros, you've got very similar songs with Rollins even borrowing a little of Bird's phrasing (which I guess for a sax player is almost impossible not to do.) Then listen to KC Blues and see what you think; unfortunately, I can't find Bird's version of it on youtube.
I love Monk. FYI I wonder if Monk was inspired by Bach when he composed this song. Take a listen to Bach's Invention #13 towards the end. The left hand is playing this same type of minor' motif (minor variation).
Monk saved my life. That's all I'll say. Listen to all he played and he may save yours. And if he doesn't, you'll still be the better for it. What a sad story, that he ended so crazy when he played so sanely while he could. If there's a God, he/she/it loves you. I love you.
I love every thing about this classic blues.All masters at there craft.I think we should mention the great Blue Note producers Alfred Lion and Francis Wolff.True lovers of this art form.I repeat I love all the players the amazing thing the two piano players who are Amercian music greatist tune smiths don't get in each other way.I love Horaces solo he plays his funky blues you can smell the toe jam he's so funky.
I think it's called "quoting" when jazz musicians play a certain recognizable phrase from either a previously known tune or a known lick played by another. I remember listening to monk's carnegie performance with coltrane and Monk quotes his own "52nd street theme" in Crepiscule with nellie.
I stumbled on this album gotta be...late 80's. Gotta be my favorite version of it. Had the trombone master tape years ago with JJ and Nat Adderly on cornet which was good to..I guess that's the one yall are talkin about
JJ had a lot of riffs he would repeat. I hear some things from his Sextet Album in this solo as well. It's not a bad thing though because he incorporates them into whatever he's playing with the solo pretty well.
You are both WRONG. Transcribe the two solos and you will see there is no similarity (beyond 4 notes comprising 1 second), though he recorded this tune twice within a few months (I refer to the compilation Seybert writes of*). But yes- he refers to the melody to close both solos.
Please do not comment with "authority" on things you clearly don't understand.
*Trombone Master was not an album of J.J.'s. It was a compilation of tunes from a few different J.J. albums, produced by Columbia Records.
Since the chords are indicated, the chart can only be for one of two instruments. Piano, the instrument of the composer or guitar. At least that's my guess. I have the first three volumes of "Real BooK" series, all for piano and guitar. I have never seen the books in alternative keys for saxes etc., and do not know if the chords are indicated for "The Lydian Concept of Tonal Gravity".
mandryitera 6 months ago
what instrument is that chart ^^^ for?
blueroan4 8 months ago
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Hurts so good!!
postatility 9 months ago
Love Monk, hate this tune- it's like a practice exercise.
IgorTerrible 9 months ago
@IgorTerrible This is The Blues!!!
AllBobsAllTheTime 7 months ago
@IgorTerrible Are you not familiar with many blues heads?
confoozled3737 5 months ago
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IgorTerrible 5 months ago
Comment removed
IgorTerrible 5 months ago
@confoozled3737 I am not here to trash Monk, he was a genius and I have played this tune many times with big bands- it's not one of his best compositions, it's just a series of accending and decending sixths over a double time12 bar (really a 24 bar) blues sequence with almost no variation, unlike 'Blue Monk' which contrasts the accending chromatic line with a 'lick' (ingeniously displaced at the end 'A La Monk'). Although it's a nice groove once the solos begin.
IgorTerrible 5 months ago
DDDDDDOOOOOOONNNNNNGGGGGGG!!!!!!!!
mountaintop1234 1 year ago
QUE MARAVILLA, ARMONICAMENTE. una BELLEZA.
orbison52 1 year ago
It is Buhaina(Mr.Blakey)who really ties everything together and makes this session work as well as it does!
postatility 1 year ago
Is this Sonny Rollins on sax on this recording?
JimBozeman1956 1 year ago
Seerskater:Dizzy Gillespie put it aptly anybody who denies his Daddy is a fool.This isn't the modal blues.This is greasy blues,Monk's comes in a long line of Harlem stride pianist Hear the horn playing a walking bass line love Horace coming in and not being intimated with Monk on the date.Horace played his own hard funky blues style.This is one of my all time Sonny Rollins dates.Kudos too the Aand R man on this date top notch all the way around.
hremdldw 1 year ago
This tune could be called "Blue Merry-Go-Round" It is one of the killer blues performances of all time.Monk always brought out the best in whoever was playing with him!
postatility 1 year ago
fa cagare
antonini94 1 year ago
Listening to this for the first time, I wondered why Its named "Misterioso". The last note in this piece explained it all. Listening to it again... what suspense!
Horus21jock 1 year ago
everybody always plays this like a blues. I dont feel like it was really meant as a standard blues
seerskater 1 year ago
@seerskater Well, it is pretty much a rewrite of KC Blues/Parker's Mood with the proverbial Monk twist.
AllBobsAllTheTime 1 year ago
@AllBobsAllTheTime huh? what do you mean by that
seerskater 1 year ago
@seerskater Listen to this and then check out Parker's Mood - once you get by the respective intros, you've got very similar songs with Rollins even borrowing a little of Bird's phrasing (which I guess for a sax player is almost impossible not to do.) Then listen to KC Blues and see what you think; unfortunately, I can't find Bird's version of it on youtube.
AllBobsAllTheTime 1 year ago
@AllBobsAllTheTime oh i was just talking about the head. but yeah theyre both slow blueses i guess
seerskater 1 year ago
The only misstep in this entire recording is Rollins quoting a couple of bars of Camptown Races towards the end.
AllBobsAllTheTime 1 year ago
@AllBobsAllTheTime Dood Monk recorded "This Old Man". Lol. There are always silly melodies goin down on Monk recordings = )
keyzcity 1 year ago
kinda misleading since his son goes by T.S. Monk and Monk went by Thelonious..
rillloudmother 1 year ago
Check out "Casiotone Nation" by Soul Coughing for an awesome sampling of this track.
dmjune 1 year ago
cool
SIRONEDRAGON 2 years ago
I love Monk. FYI I wonder if Monk was inspired by Bach when he composed this song. Take a listen to Bach's Invention #13 towards the end. The left hand is playing this same type of minor' motif (minor variation).
peppersax 2 years ago
damn, this is a solid lineup. Thanks for posting the lead sheets with the tunes.
brutalballs5 2 years ago
Monk saved my life. That's all I'll say. Listen to all he played and he may save yours. And if he doesn't, you'll still be the better for it. What a sad story, that he ended so crazy when he played so sanely while he could. If there's a God, he/she/it loves you. I love you.
harmoniousmonkey 2 years ago
Thelonius just has such a distinctive tone!
FiddleRockStar 2 years ago
It's all those 6th and half-diminished chords.
alkh3myst 2 years ago
I love every thing about this classic blues.All masters at there craft.I think we should mention the great Blue Note producers Alfred Lion and Francis Wolff.True lovers of this art form.I repeat I love all the players the amazing thing the two piano players who are Amercian music greatist tune smiths don't get in each other way.I love Horaces solo he plays his funky blues you can smell the toe jam he's so funky.
hremdldw 2 years ago
what a great tune...
check out MISTERIOSO. A JOURNEY INTO THE SILENCE OF THELONIOUS MONK at Riverside Studios in London
JazzBaroness 2 years ago
LOL on the riff thread- those morons were PWNED!!!!
harleykojak 2 years ago
Thanks...
beniamino3333 2 years ago
OOOOOOOOOOOOOOOOOOOOHhh! Sonny !
So goooood!
rblodget 2 years ago
I think it's called "quoting" when jazz musicians play a certain recognizable phrase from either a previously known tune or a known lick played by another. I remember listening to monk's carnegie performance with coltrane and Monk quotes his own "52nd street theme" in Crepiscule with nellie.
hpeterkawaja 2 years ago
I love crepiscule although that carnagie show was kindof slopie
rblodget 2 years ago
I stumbled on this album gotta be...late 80's. Gotta be my favorite version of it. Had the trombone master tape years ago with JJ and Nat Adderly on cornet which was good to..I guess that's the one yall are talkin about
ricisrock 2 years ago
I first heard this in 1957...met Sonny in 1958 in San Francisco...this jam is and always will be awesome
enomane109 3 years ago
Awesome. definitely easy to hear when it's monk and when horace is playing. Monk had such a easily distinguishable sound. quite inimitable.
123BubberMiley 3 years ago
JJ had a lot of riffs he would repeat. I hear some things from his Sextet Album in this solo as well. It's not a bad thing though because he incorporates them into whatever he's playing with the solo pretty well.
Trombone0817 3 years ago
You are both WRONG. Transcribe the two solos and you will see there is no similarity (beyond 4 notes comprising 1 second), though he recorded this tune twice within a few months (I refer to the compilation Seybert writes of*). But yes- he refers to the melody to close both solos.
Please do not comment with "authority" on things you clearly don't understand.
*Trombone Master was not an album of J.J.'s. It was a compilation of tunes from a few different J.J. albums, produced by Columbia Records.
ottsirq 3 years ago
Another telltale sign of ignorance by people who purport to have knowledge of jazz (the
above two charlatans come to mind) is the incorrect use of the word "riff."
Lesson time:
A riff is a repeated figure, used (usually in blues or rhythm changes forms) as background or in an ensemble chorus with other contrasting material.
A single musician cannot play a riff unless they are repeating a background figure behind someone else.
Riffs are not played by a soloist!
Dummies.
ottsirq 3 years ago
EXACTLY.
call it a lick or a sequence.
I also think, but I ain't sure, in Jazz the "riff" is called an ostinato
Jour0n 2 years ago
could also call'em cliches, couldnt y'all?
DajaWaja 2 years ago
??? What about a guitar riff? I think you are confused sir!
rblodget 2 years ago
Comment removed
ottsirq 2 years ago
"Sir" is most certainly not, that is the textbook definition of a riff.
ronix32 2 years ago
Comment removed
WG164 2 years ago