Did you hear the one about the artist assistant who was working in the Kostabi art factory making his paintings? Apparently the assistants produced and even titled works largely unchecked (that should give you some idea of the scale of the operation). One of these 'Kostabi' paintings emerged on the market entitled - 'I was a slave in the Mark Kostabi studio.'
how on earth does the sax know what the piano is going to play next? If he simply reacts to chords that have already been played then there will be a point when a new chord happens and how would he know which one?
Collective improvisation man, not sure about kostabi, but certainly ornette will view both instruments as equally important, with neither leading the other particularly; i think that the pianos heaviness in this is probly a good example of why ornette usually prefers not to play with harmony instruments
You obviously don't understand the difficulty of being able to improvise over such complex altered chords, with tonal extensions that that aren't exactly planned out in advance.
'Musicians' such as Mars Volta use bog-standard chord grips that only ever get as difficult as a m7 or maj7 chord, but usually just maj, min or 5 chords.
It doesn't exactly take any musical talent to come up with a few sounds with such simplistic musical devices.
Ornette Coleman's note choice here is pure genius.
maddohartlepool: with inane, meaningless statements about structure such as you've made, I expect you're the kind of player who should devote their 'musical' talents to making instruments, not playing them...
Haha, I`m laughing hard! kcidx, you obviously a big fan of these "Mars" dudes. So far so acceptable. But suggesting that these musicians might kick OC`s ass is ridiculous. Seems that you don`t know what you talking about. Even if Coleman becomes 100 years old he would kick more asses with his freedom than any other so called free improvising musician! He invented the improvisation and is still evolving on the highest level! Bow down, you music fan!
And when I say poor tone, I'm not talking about the honks and bends; I understand those since they're used so often by jazz soloists.
In conclusion, how can this taste which so appreciates this noise be called "musical?" By the way, I'm in no way doubting the skill that this musician has, I just don't appreciate the music he plays.
Why put your faith in the theory that because we don't understand anything this guy's playing or because we may even dislike it, we are merely misunderstanding some musical genius? I never thought that misunderstanding was believing and that those who like poor tone and random (almost) soloing while most of the time not ever trying to work with your accompaniment have "musical taste."
To all the negative commentors... who put you in charge of musical taste? Who are you to decide what is "tuneful" and what isn't? Are you THAT superior? Should we all bow down to YOU? The fact that you feel you can show disrespect towards his music is more objectionable !
Ornette is one of the few remaining jazz greats. I first listened to "Una Muy Bonita" 30 years ago, and because of the nature of Ornette's harmonies ( yes , there is a definite harmony here ) it is always fresh, and beautiful.
Hey what's with all the negative response. It's just two guys playing together, expressing their art. Perhaps this sound is touching something in you that you're afraid of. Focus in, pinpoint what's being rubbed the wrong way and perhaps you will experience a rare awakening.
... in fact, Mark is celebrated in Estonia, his parents' birthplace, as much for his work in classical music as for his pictorial art. And for a pianist more associated with classical music, Kostabi holds his own in the improvisation department and stays true to his innate lyricism with some deft playing here.
Lots of interesting camera angles and atmosphere shots and rather good sound quality but fewer cuts between shots would have been welcome.
For me, Ornette showed a wonderful generosity of spirit in playing with Kostabi. This was not a money gig, he was not there to sell autographs ... it was simply a "happening" something that very rarely takes place in the art world, though so many artists confuse practical jokes and pranks with something meaningful to the participants.
And how dare Kostabi share a stage with the celebrated Ornette Coleman? Pity the fool who dares not live ...
This week it was free form jazz that took the spotlight ... another week it might be romantic classical, some other time hardcore punk. But music is not the focus of "Title This", Mark's paintings are, but rather as a mere divertissement music is shown to be another expression of art, for some, painting its own pictures in the listener's imagination.
Mark is just as likely to have famous art world people on the show as people with no connection whatsoever. One of the most successful contestants on the show in recent times was Michel Gondry, the French film director. But as Mark Kostabi is a gifted pianist (he keeps a Steinway in his art studio besides 2 in his mother's drawing room!), often guests on "Title This" are connected to the music world. And for Mark, music is an all encompassing genre.
On the painting side, he hosts a semi regular "game show" on cable TV called "Title This" in which various luminaries and some absolute nobodies compete for cash prizes in naming Kostabi paintings (and yes, the paintings are proudly sold as having been painted by Kostabi's assistants).
I had never heard Ornette before 1971 and fell in love with his music instantly! Some people fake their love of certain musics (people who love the opera or who love "Bird" do it too!) His tone is unique and always has been. He DOES practice and his tone is full of emotion. Our tonal palette has expanded so little since the early 20th century. What we mistake for feeling in music is a regurgitation of standard formulas.
The real creativity lies in whoever chose the audience !... 1) the beatnik 2) the dark glassed jazz aficionados 3) the lady with beret 4)a collection of middle-aged jazz hounds 5) a nice girl in tight tee-shirt for balance 6)a chap with afro 7) student style scarves.....all with a backdrop of coffee mugs and books ( see the Picasso )showing its all legitimate art... rather than a TV game show with "cash pizes".
Rather depressing for jazz enthusiasts and players alike I`d have thought.
yeah this is way off. maybe, like the other cat had said earlier, if you seperate the ideas they are comprehensible. but i suffered through this. i like free jazz.
The genious is that at first, when you hear the combination you think there is nothing to do. When you hear the harmony the piano suggests and hear Ornette howl away on his sax, you think What is he doing? But at the end it makes perfect sense!
Ornette's problem as an improvisor is that he relies too much on a set of cliches, personal cliche runs & riffs, that he falls back on when he should be trying to find new ground in an improvisation. That said, it isn't easy to do what these guys do and this is far from "horrible" playing.
Coleman is almost as bad (poor) in this as he was when I walked out on him playing live at the Five Spot in the Fifties. Why doesn't he at least practice?
listen to it in the big picture. don't just think about the stylistic devices he is using that are "wrong" according to western music.... dont get caught up in the out of tune playing, the implying of different tonality of the chords etc.... see it as a picture, or a painting, over the whole 3 minutes. consider the emotional intent. what is the image ornette is painting?
It's appropriate that books are in the background; free jazz is an academic exercise that is more like esoteric poetry that only the writer understands, and when sounded out loud, others only get a glimpse of. Reminds me of the literary "deconstructionists" - in the larger scheme of things, they don't matter much, just like free jazz.
tension, release and all that. Still could find better examples though of coleman's playing. these featured videos are getting odd but it's jazz so no worries.
That does sound terrible... it's clear they both can play... but one or the other is insanely tone deaf... or... they are just trying to make something.. unique... yeah.. let's just say unique
This is the kind of music you have to PRETEND to like. IVe seen people sit around and nod their head,like they "get it" and its "cool". If you like it, fine, but the biggest fakes Ive seen pretend to like it.
Yeah me too lol ... yáll understand too that he is playing excessivly high using the altissimo register .... one either loves it or hates it ..... for me it depends on the day I'm having lol .... no disrespect to Ornette Coleman .... 'cause He's Awesome.
you have to understand, ornette belongs to that school of "avant-garde" or formless jazz, who sought to create a more aharmonic and discordant sound. it's definitely not for everyone...
Yeah the analogy is a little weak, couldn't think of anyone else. But Ornette Coleman is not a good representation of jazz as a whole, as Simple Plan would be a terrible representation of say classic rock music. It would be unfortunate if someone thought rock music as a whole is only about a bunch of pretty boys pretending to be so miss understood as it would be unfortunate if they thought Jazz was only about Ornette Coleman stretching the limits of music with bizarre arythmic improvisation.
Hey Kostabi, give the sax player some.
TehGav 5 months ago
Put it this way --- not the best for Ornette.
nobodady1 10 months ago
123,017 views must mean something...
Kostabi1982 1 year ago
Listen PIERTOMAS DELL'ERBA
saxtommy 1 year ago
that was worse torture than fapping with sandpaper
HUTUMAGIC 1 year ago
all these listeners probably deaf. otherwise its torture to hear it!
ModernBrush 1 year ago
Well I think its a really nice compliment between the two instruments
catcatalyst 2 years ago
???????????????????
ceppov 2 years ago
Did you hear the one about the artist assistant who was working in the Kostabi art factory making his paintings? Apparently the assistants produced and even titled works largely unchecked (that should give you some idea of the scale of the operation). One of these 'Kostabi' paintings emerged on the market entitled - 'I was a slave in the Mark Kostabi studio.'
Kostabi is a abominable fraud.
Thank you
x
strasse38 3 years ago
how on earth does the sax know what the piano is going to play next? If he simply reacts to chords that have already been played then there will be a point when a new chord happens and how would he know which one?
StoneMaestro 3 years ago
or is it just the call and answer technique all the way through, it sounds like the piano is leading the sax
StoneMaestro 3 years ago
Collective improvisation man, not sure about kostabi, but certainly ornette will view both instruments as equally important, with neither leading the other particularly; i think that the pianos heaviness in this is probly a good example of why ornette usually prefers not to play with harmony instruments
seamuslowe 3 years ago
i wanted to mute the piano...not that it sounds bad...but what Ornette is playing seemed more 'important' to me...
ADURG1 3 years ago
theyre playing in two different languages
fredofly 3 years ago
M.K. is such a joke: he is like the shit of an ego.
Mr Coleman is toooo nice! Long live Ornette.
A fan.
cheviotte 3 years ago
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jazzspainvideo 3 years ago
what the fuck is this?
ornette sounds like shit.
its like somebody fucking screeching over the beauty of the piano.
hollywoodboys 3 years ago
Ornette Coleman is probably the most important musician living today. Enough said.
cwaldo1 3 years ago 5
Anybody who is critical of Ornette Coleman at this stage is pretty much an idiot...
FutureNose 3 years ago
FutureNose: your glib, subjective claim on OC indicates that indeed you nose nothing...
kevinherbert 3 years ago
The Mars Volta would totally kick this guys ass.
kcidx 3 years ago
thats a very stupid thing to say
timothypetergreen 3 years ago 2
the mars volta probably worship this guy
timothypetergreen 3 years ago 4
They do.
Soul74 3 years ago
You obviously don't understand the difficulty of being able to improvise over such complex altered chords, with tonal extensions that that aren't exactly planned out in advance.
'Musicians' such as Mars Volta use bog-standard chord grips that only ever get as difficult as a m7 or maj7 chord, but usually just maj, min or 5 chords.
It doesn't exactly take any musical talent to come up with a few sounds with such simplistic musical devices.
Ornette Coleman's note choice here is pure genius.
maddohartlepool 3 years ago
o.c.'s not about chords; in fact, quite the opposite.
kevinm4435 3 years ago
maddohartlepool: with inane, meaningless statements about structure such as you've made, I expect you're the kind of player who should devote their 'musical' talents to making instruments, not playing them...
kevinherbert 3 years ago
Haha, I`m laughing hard! kcidx, you obviously a big fan of these "Mars" dudes. So far so acceptable. But suggesting that these musicians might kick OC`s ass is ridiculous. Seems that you don`t know what you talking about. Even if Coleman becomes 100 years old he would kick more asses with his freedom than any other so called free improvising musician! He invented the improvisation and is still evolving on the highest level! Bow down, you music fan!
similak01 3 years ago 2
Do you have Down's Syndrome?
SuPerJEwHatEr 3 years ago
is it too acid for you?
19bluesman87 3 years ago
You like it? That's good enough.
jegonus 4 years ago
And when I say poor tone, I'm not talking about the honks and bends; I understand those since they're used so often by jazz soloists.
In conclusion, how can this taste which so appreciates this noise be called "musical?" By the way, I'm in no way doubting the skill that this musician has, I just don't appreciate the music he plays.
JRicky 4 years ago
Why put your faith in the theory that because we don't understand anything this guy's playing or because we may even dislike it, we are merely misunderstanding some musical genius? I never thought that misunderstanding was believing and that those who like poor tone and random (almost) soloing while most of the time not ever trying to work with your accompaniment have "musical taste."
JRicky 4 years ago
To all the negative commentors... who put you in charge of musical taste? Who are you to decide what is "tuneful" and what isn't? Are you THAT superior? Should we all bow down to YOU? The fact that you feel you can show disrespect towards his music is more objectionable !
dojomania 4 years ago
Ornette is one of the few remaining jazz greats. I first listened to "Una Muy Bonita" 30 years ago, and because of the nature of Ornette's harmonies ( yes , there is a definite harmony here ) it is always fresh, and beautiful.
dojomania 4 years ago
Love the video
fuelsaving 4 years ago
And that's how you do.
SeanithanEgan 4 years ago
Luckily, I wrote this piece. As such, I understand every nuance. Send your parable to all renounced contusion.
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BlingBling0814 4 years ago
Hey what's with all the negative response. It's just two guys playing together, expressing their art. Perhaps this sound is touching something in you that you're afraid of. Focus in, pinpoint what's being rubbed the wrong way and perhaps you will experience a rare awakening.
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BlingBling0814 4 years ago
Hi Mark, Nice playing. Would like to hear more.
kimkeever 4 years ago
Part VI
... in fact, Mark is celebrated in Estonia, his parents' birthplace, as much for his work in classical music as for his pictorial art. And for a pianist more associated with classical music, Kostabi holds his own in the improvisation department and stays true to his innate lyricism with some deft playing here.
Lots of interesting camera angles and atmosphere shots and rather good sound quality but fewer cuts between shots would have been welcome.
robbiefields 4 years ago
Part V
For me, Ornette showed a wonderful generosity of spirit in playing with Kostabi. This was not a money gig, he was not there to sell autographs ... it was simply a "happening" something that very rarely takes place in the art world, though so many artists confuse practical jokes and pranks with something meaningful to the participants.
And how dare Kostabi share a stage with the celebrated Ornette Coleman? Pity the fool who dares not live ...
robbiefields 4 years ago
Part IV
This week it was free form jazz that took the spotlight ... another week it might be romantic classical, some other time hardcore punk. But music is not the focus of "Title This", Mark's paintings are, but rather as a mere divertissement music is shown to be another expression of art, for some, painting its own pictures in the listener's imagination.
robbiefields 4 years ago
Part III
Mark is just as likely to have famous art world people on the show as people with no connection whatsoever. One of the most successful contestants on the show in recent times was Michel Gondry, the French film director. But as Mark Kostabi is a gifted pianist (he keeps a Steinway in his art studio besides 2 in his mother's drawing room!), often guests on "Title This" are connected to the music world. And for Mark, music is an all encompassing genre.
robbiefields 4 years ago
Part II
On the painting side, he hosts a semi regular "game show" on cable TV called "Title This" in which various luminaries and some absolute nobodies compete for cash prizes in naming Kostabi paintings (and yes, the paintings are proudly sold as having been painted by Kostabi's assistants).
robbiefields 4 years ago
Part I
Let me first give some background on this video as many commentators here are quite confused by this performance.
Mark Kostabi is both a recognized and highly successful painter and pianist/composer.
robbiefields 4 years ago
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kulolsihhatbul 4 years ago
That sucked balls.
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MrPregshnaw 4 years ago
ornette coleman is a great player, but he sounds like shit right here for some reason. piano guy is ok.
hollywoodboys 4 years ago 3
Ornette always sounds like shit....
at first I thought he was trying to do it
my friend Jamaladeen Tacuma was playing with years back. And he played the same way then.
theeagerurger 4 years ago 2
ornette sounds a bit blue. whats shitty about that
zarkoasenov 2 years ago
My farts sound better than this.
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yourfreebies1 4 years ago
Hey Mark
you have some nerve sharing the stage with Ornette.
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Not feeling it.
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timetravelexperiment 4 years ago
and why is this featured?
TheBillyAdventure 4 years ago
who's Mark Kostabi
jazzdog2 4 years ago
my guess would be a skilled pianist.
Sorry about the hatred, but seriously, Google. It's our generous friend.
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perlatataruga 4 years ago
I've never understood about Ornette. Some of his tunes are great, and I like his musicians, usually a lot, but his playing? Weird.
Creationismsucks 4 years ago
I had never heard Ornette before 1971 and fell in love with his music instantly! Some people fake their love of certain musics (people who love the opera or who love "Bird" do it too!) His tone is unique and always has been. He DOES practice and his tone is full of emotion. Our tonal palette has expanded so little since the early 20th century. What we mistake for feeling in music is a regurgitation of standard formulas.
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CrazyLevskiFan 4 years ago
What crap.
Shitty tone Ornette, practice man.
I am a ware that this "improvised but you don't even hear the chords as they arrive.
Pitiful.
The pianist has a grip.
BerserkaViking 4 years ago
Gee, lookit all them books. Maybe they're, like, intellectuals or something!
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AskyewCash 4 years ago
The real creativity lies in whoever chose the audience !... 1) the beatnik 2) the dark glassed jazz aficionados 3) the lady with beret 4)a collection of middle-aged jazz hounds 5) a nice girl in tight tee-shirt for balance 6)a chap with afro 7) student style scarves.....all with a backdrop of coffee mugs and books ( see the Picasso )showing its all legitimate art... rather than a TV game show with "cash pizes".
Rather depressing for jazz enthusiasts and players alike I`d have thought.
andylowings 4 years ago
You are ABSOLUTELY right!!!!
cevemeve 4 years ago
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"how to capture a one eyed giant" is way better than this video. It is awesome. Check it out and comment on what you think.
bwaltman000 4 years ago
yeah this is way off. maybe, like the other cat had said earlier, if you seperate the ideas they are comprehensible. but i suffered through this. i like free jazz.
DetroitBred87 4 years ago 2
Garbage. The audience applauds because they can't hear the lack of ideas. Its this kind of bullshit that's killed jazz. What fraud.
marina78th 4 years ago 2
I think Schoenberg and Ornette would have made great friends.
TheArthen 4 years ago
awful!!
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420Vince 4 years ago
so wicked
freectee 4 years ago
mmmmm. Niiice!
meursault48 4 years ago
The genious is that at first, when you hear the combination you think there is nothing to do. When you hear the harmony the piano suggests and hear Ornette howl away on his sax, you think What is he doing? But at the end it makes perfect sense!
mauricio1973 4 years ago
This was garbage. You're easily fooled.
marina78th 4 years ago
The pieces could have both been beautiful by themselves. The combination is, however, a bit awkward and painful...
imamuppet 4 years ago
This music is very painterly. I like it.
ProtoCosmos 4 years ago
I usually like Coleman, but this is bad.
skeletontea 4 years ago 3
If you play it backwards, it doesn't seem like you wasted as much time listening.
rocketlonscher 4 years ago
my ears GOD!!!!!!!!!!!so Horrible
elski80 4 years ago
its def. not him at his primest, but it is a beautiful piece of improvisation, on colemans side.
love what kostabi did.
bartdelmar 4 years ago
I think he mastered the horn a little too much
aj1drumman 4 years ago
1. I am a bit surprised that Ornette did this.
2. Not nearly as surprised as the audience, it appears. I don't think they were adequately prepared.
stuthehistoryguy 4 years ago
Ornette's problem as an improvisor is that he relies too much on a set of cliches, personal cliche runs & riffs, that he falls back on when he should be trying to find new ground in an improvisation. That said, it isn't easy to do what these guys do and this is far from "horrible" playing.
imminy 4 years ago
This comment has received too many negative votes show
sucks
djxfime 4 years ago
Horrible playing
Orly83 4 years ago
kewl
eroscanburnen 4 years ago
begginging.. ZZZZZ Middle OW MY HEAD!!! near the end ( exits window fast )
HarrisonVideos 4 years ago
Coleman is almost as bad (poor) in this as he was when I walked out on him playing live at the Five Spot in the Fifties. Why doesn't he at least practice?
Fredric1930 4 years ago
da flumos
giulysweety 4 years ago
It sounds like a swan is being strangled
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kevinator1992 4 years ago
pile of shit
LBForster 4 years ago
You sure are.
Soul74 4 years ago
this is probably the worst Ornette video on you tube. go check out some of his earlier stuff with the quartet.
SidewalkFrequencies 4 years ago
co..?
cpun58 4 years ago
agreed.. this sounded terrible
JCash21 4 years ago 3
What a legend. They should feature this kind of thing more often!
phatcatholic 4 years ago
somewon please watch my vid of my song ... thanks
gabrielweldon16 4 years ago
sorry, this stuff is so gd awful, who the hell would sit still and listen to this voluntarily?
wanketta 4 years ago
listen to it in the big picture. don't just think about the stylistic devices he is using that are "wrong" according to western music.... dont get caught up in the out of tune playing, the implying of different tonality of the chords etc.... see it as a picture, or a painting, over the whole 3 minutes. consider the emotional intent. what is the image ornette is painting?
danablett 4 years ago
the painting to me looks like a three year old's after he got his little paws in the a paint can and started smearing them around for 3 min.
tnus03 4 years ago
Exactly! that's precisely the reason why Picasso became what he now is, he was able to paint like a three year old. Now you try it, smart guy!
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skintbackmule 4 years ago
my ornette coleman favorite is a tune titled 'lonely woman.'
kearlstig1961 4 years ago
It's appropriate that books are in the background; free jazz is an academic exercise that is more like esoteric poetry that only the writer understands, and when sounded out loud, others only get a glimpse of. Reminds me of the literary "deconstructionists" - in the larger scheme of things, they don't matter much, just like free jazz.
jsphotos 4 years ago
you're trying far too hard.
d6duzenbury 4 years ago 5
yep
bumboodc 4 years ago
yummy noise!
klakkin 4 years ago
tension, release and all that. Still could find better examples though of coleman's playing. these featured videos are getting odd but it's jazz so no worries.
BrettCelinski 4 years ago
welcome to free jazz, stupids-albeit not the most shining example thereof.
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N3MKAY 4 years ago
That does sound terrible... it's clear they both can play... but one or the other is insanely tone deaf... or... they are just trying to make something.. unique... yeah.. let's just say unique
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bwaltman000 4 years ago
Tis is soooooooooo bad!!!
HalflifeHalflife333 4 years ago
no lean esto el viernes mas proximo el amor de tu vida te besara y si esto no lo publican en 3 videos mas se morira en 2 dias
felipehuerta9 4 years ago
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Traylorness 4 years ago
This would suck badly even IF Ornette's sax was in tune, which it obviously is NOT. Yecchh.
jaymusic143 4 years ago
Painful. Dreadful. "Dead Cat Rising"?
gforceforever 4 years ago
I don't think it could get any worse. It must have been a joke between the two musicians.
twine2post 4 years ago
This is the kind of music you have to PRETEND to like. IVe seen people sit around and nod their head,like they "get it" and its "cool". If you like it, fine, but the biggest fakes Ive seen pretend to like it.
MarkDouglasC 4 years ago
FUCK ALL U FAGS
mrbracken 4 years ago
Look the emperor has no clothes
squidb8 4 years ago
Those people don't know what hit them!
It's strange how Ornette's such a legend and doesn't get any airplay on the Dallas/Fort Worth Jazz Station (that's where he's from)
michalgarcia 4 years ago
yikes
TrentDonovan 4 years ago
this isn't good!
fijberto 4 years ago
ahahaha beach walker, go learn evolution
s0015 4 years ago
wow. how do you title something like that, theres too many emotions. it's like the song itself is trying to be sarcastic, but in pitying way.
i'd call it: "Gorgeous, he cried."
yetiocracy 4 years ago
Warm up by listening to The Ewartung. Makes this sound harmonious.
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spikesters101 4 years ago
ok..... but featured?
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skintbackmule 4 years ago
I still like Peanut Butter Jelly Time a little more...
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AskyewContest 4 years ago
I saw Ornette Coleman at the Sage in Gateshead! Total Genius!
maddohartlepool 4 years ago
good point. although the idea of form is abstract in itself
ralphbluecoat 4 years ago
I know. Well I know. I play/make music myself so. :)
Janzah 4 years ago
wow...
Janek679 4 years ago
I love the audience reactions in this video.
jzsarcasmo 4 years ago 2
Yeah me too lol ... yáll understand too that he is playing excessivly high using the altissimo register .... one either loves it or hates it ..... for me it depends on the day I'm having lol .... no disrespect to Ornette Coleman .... 'cause He's Awesome.
hazelfawn 4 years ago
the notes don't match the chords. but I thing it was a nice improvisation.
but I just don't like it.
Janzah 4 years ago
you have to understand, ornette belongs to that school of "avant-garde" or formless jazz, who sought to create a more aharmonic and discordant sound. it's definitely not for everyone...
adeart72 4 years ago
ok. thanks for clerifiyng that.
Janzah 4 years ago
Sounds like Stravinsky or Prokofiev.
ProtoCosmos 4 years ago
meh.
xblueblaze 4 years ago
Excellent!
JimGordon5 4 years ago
adfsgfh
vasano1983 4 years ago
not a fan. jazz would be good if it had some rhythm in it, kind of like grape juice does.
gilligan07734 4 years ago
Remember this is only one type of jazz
it's like saying you hate rock music cuz the only guys you've ever heard is Simple plan...
don't give up so quickly Jazz is very rythmic. and is a hell of a lot better than grape juice ^_^
aerslife 4 years ago 3
I understand what you're trying to point out but the simple plan analogy is just wrong imho.
lebastar 4 years ago
Yeah the analogy is a little weak, couldn't think of anyone else. But Ornette Coleman is not a good representation of jazz as a whole, as Simple Plan would be a terrible representation of say classic rock music. It would be unfortunate if someone thought rock music as a whole is only about a bunch of pretty boys pretending to be so miss understood as it would be unfortunate if they thought Jazz was only about Ornette Coleman stretching the limits of music with bizarre arythmic improvisation.
aerslife 4 years ago
Better than Song X with the otherwise excellent Pat Metheny band; at least its slow enough for mere mortals like me to take in !!
bobthefireeater 4 years ago
yeah, that was terrible. i mean, what's going on? i don't get it. well, i'm off in my SUV to vote for another right wing american hero.
jubraneos 4 years ago 3
Fantastic.
Stroff91 4 years ago
haha well said
schellack 4 years ago
Don't forget to put in your Toby Keith CD!
Soul74 4 years ago
I wonder what the Title of that was: Stab in the nuts, slits in our Juggulars