@FranzLisztFerentz I doubt any pianist who isn't a virtuoso can play any of these, apart from 3, 6 and possibly some more. You're damn right about this one. This is fucking insane! You have to play the part at 0:30 (right hand) with your fingers 3, 4 and 5 only, including the part where it goes up and down a bit in the chromatic scale, but double tapping it with your pinky and ring finger! And did you know that part is meant to be played faster than what you hear now?! Its just Hell!
I give great respect to Leslie Howard for recording ALL of the works of Liszt-I actually have the complete box set-BUT I think this recording is awful...maybe its the quality or something; the attack just sounds so harsh. Shouldn't this piece be delicate, and magical?
@natevjthiori give liszt's 'fuocoso molto energico' a try. it is contained within 'hexameron'. this gave me multiple chills of awesomeness. check it out.
Well, I goofed! It is actually marked "Egualmente" (as indicated by the author of the post) in this 1837 version (which is presumably more difficult to play than the later versions of the transcendental etudes)... so it is not "Allegretto" (as indicated in the later version)... But the tempo is just great for the piece in this performance as "egualmente" means equally... that's pretty open to interpretation with regard to cjosen tempo... but the performance here is very clear and "egualmente".
Although ity has become (for perhaps at least a century now) to play Feux Follets at a presto tempo, I believe that this rendition is at about the speed that Liszt had envisioned when he indicated "Alegretto" on the score... the notes are so very clear in this excellent performance... just a great job and musically very sensitive as well... the best of the "allegretto" Feux Follets I've ever heard and also, for that matter, one of the very best performances of this work as well. Very clear!
Yeh...Only someone with extreme talent and a person who is that interested in classical music, like me...(What? I used to improvise when I was 5. I'm not joking.) Most people these days like other types of music, so classical music is getting less and less popular. We are the people to stop it and keep classical music forever!
@Gutelimpa That's an incredibly snobby thing to say. No one and nothing can define what music is and is not. It's arrogant comments like that that turn people away from classical music, no one wants to be grouped with an elitist idiot. All music is music, that's all that ever mattered and like it or not that rule is here to stay.
First study music theory so you know the basics of what's going on. You'll know what patterns are being used and the different scales. Then start listening to music and reading the sheet music simultaneously to build your ear and all the pieces will come together. This piece is all about the whole tone scale and the chromatic scale with a few key changes. While it's technically difficult, it remains structurally easy to understand. Don't let all the accedentals fool you. There's always patterns.
thphaca great compositions are not about difficulty in changing keys and understanding it or not ... franz liszt was genious becuase of his melodies first then u talk about his technical difficulties..
look at the simpliness of changing keys fur elise for ludwig but u find complex of feelings it's hard to understand franz liszt if u dont open ur heart
I'm not degrading Lizst. Yes, he was genius and we all know it. That doesn't mean that his works are so overwhelmingly above our understanding. I never said music was about difficulty, but contrary to what you said, it IS about changing keys. It IS about harmony, rhythm and voice structure. After all, those are the building blocks of music, right? Music is a simple common language. It's not some abstract art. I simply want to let people see beyond the illusion of confusion.
i used to listen to him before knowing at least his name and i was so attracted to his peices , it's not important wat reason wilde jagd or feux follet or mazeppa were written for ,
the great Hungarian composer, Franz Liszt is most of the time only remembered as a superb piano virtuoso or as the composer who wrote solely for that instrument. It is very wrong to do so, as Liszt was also immensely active in the orchestral field, being the creator of the symphonic poem, and for me i felt like playin a whole orchestra when i played mazeppa last year although its difficulcy
@thphaca you have to know that the main theme have 3 variations, which is divided into 2 couples of 2 variations. The 2 couples of the main theme are separeted by other themes: a new one and a development of another (the one beetween the intro and the main theme - bar 7 to 17). Then there's a kind of "divertissment" bar 53 to 61. Now a variation of theme bar 7 to 17 from bar 62 to 66 which goes to a cadenza bar 67 to 71; now, there's the second couple of 2 variations of the main theme to bar 90
@anotherpianodude Sure, I'll take your word for it sense I havn't studied the form of the piece enough to verify, but you just proved my point about the importance of theory.
Can someone tell me why No. 6 is posted NOWHERE....It's the one I'm learning now but I can't find any interpretations...LISZT IS UCKIN INSANITY TO A NEW LEVEL!!!! Woooooooooo
It was too hard. He had to release a simplified version, the more famous transcendental etudes. The only transcendental version that is harder is no. 4, "Mazeppa".
This is not the first edition. The first are the "Czerny-like" studies Liszt wrote at the age of 15. This is the second edition. (1837) "The History of Pianoforte" states; "Liszt revised Etudes over a considerable period of time and came to distinguish between proper pianoforte effects and mere dare-devil bravura." Apparently, Liszt changed them because he wanted to...
well you're a little confused, this is not a trascendental etude, the trascendental etudes are the version of these etudes written in 1851, and these are "Douze Grandes Etudes", written in 1837, but they're almost the same (the only difference is the 1837 version is more difficult and intense), and "la campanella" isn't a trascendental etude (the third trscendental etude is "paysage") campanella is a "paganini etude", because Liszt composed some etudes based on themes by paganini
@nazhiitoxx Actually, if you look at the title of the paganini etudes, they are listed as "Études d'exécution transcendante d'après Paganini." So, they are technically transcendental etudes of a sort :)
@salamence47 This is nowhere near one the hardest works in the solo piano repertoire. This music is still tonal and features many patterns of harmony that help in learning the music; also, it's really short. Sorabji, Boulez, Stockhausen, Finnissy, and a myriad of other 20th century composers have created far more demanding works in terms of technique, endurance, rhythm, and just about every other criterion you could imagine.
yeah, I like the german notation, and I always use it, when I speak in english, and even in my normal life (because my original language is spanish) I use to say for example "esa pieza está escrita en C-dur", sometimes it sounds a little wird, but I don't care it :D
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@FranzLisztFerentz I doubt any pianist who isn't a virtuoso can play any of these, apart from 3, 6 and possibly some more. You're damn right about this one. This is fucking insane! You have to play the part at 0:30 (right hand) with your fingers 3, 4 and 5 only, including the part where it goes up and down a bit in the chromatic scale, but double tapping it with your pinky and ring finger! And did you know that part is meant to be played faster than what you hear now?! Its just Hell!
TheLolMenPeople 3 weeks ago in playlist Grandes Etudes - Liszt's most challenging.
Stunning.
Smilegyrl222 2 months ago
I give great respect to Leslie Howard for recording ALL of the works of Liszt-I actually have the complete box set-BUT I think this recording is awful...maybe its the quality or something; the attack just sounds so harsh. Shouldn't this piece be delicate, and magical?
Kalen1457 2 months ago
Bloody hard etude! lol
Just virtuoso pianists can play this
FranzLisztFerentz 3 months ago
Comment removed
TheLolMenPeople 3 weeks ago in playlist Grandes Etudes - Liszt's most challenging.
@salamence47: ummm since when was T.E. no 3 La Campanella...?
Beautiful playing, one of my all-time favourites.
nipperdoots 7 months ago
From 1:21 to 1:51 - No other music can move me more than these 30 seconds!
natevjthiori 8 months ago
@natevjthiori give liszt's 'fuocoso molto energico' a try. it is contained within 'hexameron'. this gave me multiple chills of awesomeness. check it out.
fuckslipknot21 4 months ago
i dont see the difference between this and the transcendental version
huzzzzzzahh 9 months ago
I guess both Liszt's and the pianist's hands are made by balata
FfSpgfLerWhd 1 year ago
This is fucking brilliant! :D It is now oficially my favorite piano etude.
davidovich00 1 year ago
woow it is even harder than transcendental etude 5
cancakmur 1 year ago
may I ask, who's performing this piece? it's amazing!
farah73 1 year ago
One of isn't this THE hardest of the set? I like this version MUCH better then the Transcendental version. Liszt cut out all the good stuff.
cedricrlongreen 1 year ago
Chopin wrote an etude that is similar to this one! Op. 10 No. 7!
paopaomanalansan 1 year ago
Holy shit! Dat be crazy!!! DAMN, NATURE! YOU SCARY!!!!
foodmunkey 1 year ago
It's surprising that this etude didn't change all that much in the final version!
gojewla 1 year ago
excellent performance... Look at my Folk Paganini Variations if you are interested
juanchiviris 1 year ago
1837 version. That's the hardest one right?
Jim341046 1 year ago
i've watched this sooo many times...I just can't get over this! sooo much virtuosity it's just stupidly amazing
chutdigadut 1 year ago
Who's the pianist?
riinu00 2 years ago
I believe leslie howard ?
AmericanCars101 2 years ago
For Liszt lovers - see 1.16 - 1.20. Liszt used this in his Piano Concerto No. 1.
stockcar5472 2 years ago 3
Whos the pianist playng this?
stockcar5472 2 years ago
dude, NO WAY!!!!!!!!!!
chutdigadut 2 years ago
Well, I goofed! It is actually marked "Egualmente" (as indicated by the author of the post) in this 1837 version (which is presumably more difficult to play than the later versions of the transcendental etudes)... so it is not "Allegretto" (as indicated in the later version)... But the tempo is just great for the piece in this performance as "egualmente" means equally... that's pretty open to interpretation with regard to cjosen tempo... but the performance here is very clear and "egualmente".
Juscz 2 years ago
Although ity has become (for perhaps at least a century now) to play Feux Follets at a presto tempo, I believe that this rendition is at about the speed that Liszt had envisioned when he indicated "Alegretto" on the score... the notes are so very clear in this excellent performance... just a great job and musically very sensitive as well... the best of the "allegretto" Feux Follets I've ever heard and also, for that matter, one of the very best performances of this work as well. Very clear!
Juscz 2 years ago
Hm nagut, da werde ich wohl noch ein bisschen üben müssen.
:D *lach*
...Schade, nichtmehr in diesem Leben. ;-)
giuseppele 2 years ago 2
Don't you mean marked "Egualmente" in B-flat major?
Starbirdy9999 2 years ago
wow the final is diferent and more beautiful!!!
ratilianojv 2 years ago 3
wow! can someone teach me how to write like that? i mean composing THAT technically difficult and sounding beautiful?!
PJmusicBoy 2 years ago 6
That was a joke, right?
Tu16 2 years ago 5
Apparently, people these days are too stupid to compose like that anymore. Sorry, but you're on your own.
jasonextreme 2 years ago 6
Yeh...Only someone with extreme talent and a person who is that interested in classical music, like me...(What? I used to improvise when I was 5. I'm not joking.) Most people these days like other types of music, so classical music is getting less and less popular. We are the people to stop it and keep classical music forever!
Starbirdy9999 2 years ago
This comment has received too many negative votes show
I can honestly say that we are the elitist group that knows how to define music.
Modern "music" isn't music.
It's "music"
Gutelimpa 2 years ago
@Gutelimpa That's an incredibly snobby thing to say. No one and nothing can define what music is and is not. It's arrogant comments like that that turn people away from classical music, no one wants to be grouped with an elitist idiot. All music is music, that's all that ever mattered and like it or not that rule is here to stay.
Zodiarkz 2 years ago
Even more arrogant is it when someone replies back saying someone is arrogant when he was just stating his opinion.
This is my secondary account in case you wonder why I spontaneously reply you.
FranzLisztian 2 years ago
Opinion or not that is still a damn arrogant thing to say. I ain't here to argue.
Zodiarkz 2 years ago
No problem.
If you are genious like Liszt or Chopin somebody will teach you
michal1810 2 years ago 12
First study music theory so you know the basics of what's going on. You'll know what patterns are being used and the different scales. Then start listening to music and reading the sheet music simultaneously to build your ear and all the pieces will come together. This piece is all about the whole tone scale and the chromatic scale with a few key changes. While it's technically difficult, it remains structurally easy to understand. Don't let all the accedentals fool you. There's always patterns.
thphaca 2 years ago 9
thphaca great compositions are not about difficulty in changing keys and understanding it or not ... franz liszt was genious becuase of his melodies first then u talk about his technical difficulties..
look at the simpliness of changing keys fur elise for ludwig but u find complex of feelings it's hard to understand franz liszt if u dont open ur heart
costellopianist 2 years ago 4
I'm not degrading Lizst. Yes, he was genius and we all know it. That doesn't mean that his works are so overwhelmingly above our understanding. I never said music was about difficulty, but contrary to what you said, it IS about changing keys. It IS about harmony, rhythm and voice structure. After all, those are the building blocks of music, right? Music is a simple common language. It's not some abstract art. I simply want to let people see beyond the illusion of confusion.
thphaca 2 years ago 5
music a universal language that we all understand but only a gifted few can speak with grace
johnl5r3w 2 years ago 4
Um........these are etudes, they were written for EXACTLY the reason of developing theory.
mahler151 2 years ago 3
i used to listen to him before knowing at least his name and i was so attracted to his peices , it's not important wat reason wilde jagd or feux follet or mazeppa were written for ,
costellopianist 2 years ago
the great Hungarian composer, Franz Liszt is most of the time only remembered as a superb piano virtuoso or as the composer who wrote solely for that instrument. It is very wrong to do so, as Liszt was also immensely active in the orchestral field, being the creator of the symphonic poem, and for me i felt like playin a whole orchestra when i played mazeppa last year although its difficulcy
costellopianist 2 years ago
@thphaca you have to know that the main theme have 3 variations, which is divided into 2 couples of 2 variations. The 2 couples of the main theme are separeted by other themes: a new one and a development of another (the one beetween the intro and the main theme - bar 7 to 17). Then there's a kind of "divertissment" bar 53 to 61. Now a variation of theme bar 7 to 17 from bar 62 to 66 which goes to a cadenza bar 67 to 71; now, there's the second couple of 2 variations of the main theme to bar 90
anotherpianodude 1 year ago
Followed by a developement of theme from the bars 38 to 41. Bar 101 : Coda.
anotherpianodude 1 year ago
@anotherpianodude Sure, I'll take your word for it sense I havn't studied the form of the piece enough to verify, but you just proved my point about the importance of theory.
thphaca 1 year ago
@thphaca Yes, that was the meaning of my comment.
anotherpianodude 1 year ago
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@thphaca Yes, that was the meaning of my comment.
anotherpianodude 1 year ago
Fabulous, fantastical madness!!!
aardvaark069 2 years ago 2
Can someone tell me why No. 6 is posted NOWHERE....It's the one I'm learning now but I can't find any interpretations...LISZT IS UCKIN INSANITY TO A NEW LEVEL!!!! Woooooooooo
Chopianist3 2 years ago 2
Thanks for this... It seems this is the only music education I'm going to get.
BeautifulDarkIcicle 2 years ago 2
wtf is impossible...Liszt crazy
Angel94angel94 2 years ago
absolutely fascinating to hear feux follets in the grande etudes version.
between the versions liszt completely re-thought his approach to the piano.
thanks for posting
hothairybtm4u 2 years ago
I think this version is simular to the version later(Transcendental Etudes) but the later version is better...I think
Desmonddd2002 2 years ago
the first edition is the best! ) why should Liszt change anything??)
DmitrijFAE 3 years ago
It was too hard. He had to release a simplified version, the more famous transcendental etudes. The only transcendental version that is harder is no. 4, "Mazeppa".
CalgarySpeller26 3 years ago
I find that some parts in the GE verson no. 4 is harder than TE no. 4. And It´s more beautiful and melodic ;)
addeex1 2 years ago
new pianos with heavier keys were developed, so, the 1837 version became even harder to play.
chopinandliszt 2 years ago
This is not the first edition. The first are the "Czerny-like" studies Liszt wrote at the age of 15. This is the second edition. (1837) "The History of Pianoforte" states; "Liszt revised Etudes over a considerable period of time and came to distinguish between proper pianoforte effects and mere dare-devil bravura." Apparently, Liszt changed them because he wanted to...
chopinandliszt 2 years ago
LOL! That looks like one tough cookie to play. My God!! :-D
Thanks for putting up the scores. It's entertaining just reading what Liszt wrote for the world's mortals!
eip81 3 years ago 2
woow!!!
I really love this TRANSCENDENTAL ETUDE...
Of all the etudes except the transcendental etude no.3 which is the la campanella, this is my FAVORITE!!!
I'm 100% sure that this etude is considered as one of the most difficult solo piano piece...right???
THANKS for Posting this wonderful ETUDE!!!
I really like it!!!
Magnificent!:)
salamence47 3 years ago
well you're a little confused, this is not a trascendental etude, the trascendental etudes are the version of these etudes written in 1851, and these are "Douze Grandes Etudes", written in 1837, but they're almost the same (the only difference is the 1837 version is more difficult and intense), and "la campanella" isn't a trascendental etude (the third trscendental etude is "paysage") campanella is a "paganini etude", because Liszt composed some etudes based on themes by paganini
nazhiitoxx 3 years ago 14
Ahhh... ok...
I learned from your about the "transcendental studies"...
buT I already knew about the La Campanella,
Liszt changed it from the piece of a VIOLIN made by Niccolo Paganini because Liszt admired
the style of paganini in the violin...
By the way!!!
Thanks for your help about the trascendental study!
:) ThankS!
salamence47 3 years ago
By the way, it's B flat major, not B major.
chopinandliszt 2 years ago 5
@nazhiitoxx Actually, if you look at the title of the paganini etudes, they are listed as "Études d'exécution transcendante d'après Paganini." So, they are technically transcendental etudes of a sort :)
thegreatapologist 1 year ago
la campanella is a paganini etude.
transcendental etude no.3 is "landschaft" or "paysage" ; )
JakWho92 3 years ago
ahhh ok...
then
Grandes Etude de PAganini no. 3...
right???
:)
salamence47 3 years ago
@salamence47 This is nowhere near one the hardest works in the solo piano repertoire. This music is still tonal and features many patterns of harmony that help in learning the music; also, it's really short. Sorabji, Boulez, Stockhausen, Finnissy, and a myriad of other 20th century composers have created far more demanding works in terms of technique, endurance, rhythm, and just about every other criterion you could imagine.
coasterman16 1 year ago
@salamence47 La Campanella is not grouped with the Trascendental Etudes, you idiot, it's grouped with the Grande Etudes based on thems of Paganini
2009xellos 3 months ago
isn't it B flat major? at least it says so on the score
dodddd29383 3 years ago
yeah, B flat major=B major and B major = H major , do you understand??
nazhiitoxx 3 years ago
oh I get it.
SO it's German notation....
B-dur and H-dur.....
for B flat major and B major
dodddd29383 3 years ago
yeah, I like the german notation, and I always use it, when I speak in english, and even in my normal life (because my original language is spanish) I use to say for example "esa pieza está escrita en C-dur", sometimes it sounds a little wird, but I don't care it :D
nazhiitoxx 3 years ago
do you know how to spell bach in that special german notation, doesnt b=b h=b flat
lukefenderrhodes 1 year ago
@lukefenderrhodes no, b=b flat, h=b natural
dodddd29383 1 year ago
This comment has received too many negative votes show
berezovsky's version is better!
rvn10rvn17 3 years ago
1837 version, not 1937
hda10 3 years ago
aps, stupid mistake xD, thank you :D
nazhiitoxx 3 years ago
lOVE THIS TEMPO
YYJBL 3 years ago