Added: 4 years ago
From: Rocker72
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  • i just CAN'T NOT watch it

  • I get the feeling inside of me, when I listen to this and learn it in my head, like if it was christmas. A really good feeling. Brillianshuggah.

  • After some time listening to 'djent' (I know it's not a genre but I don't know what else to call it), I can tell it is hard to create a polyrhythm that sounds complex and not only sounds like a simple 4/4. That is one of many things Meshuggah does good

  • @NoaOno Math metal.

  • It's the ponytail.

  • Man that china is fucking beastly

  • damn that snare's tightttttt!

  • O yea..

  • Hardest meshuggah song

  • @slowblood99 Lol?

  • @t3hdanman well, what do you think? "I" doesn't count and neither does anything off of catch 33 seeing as they were all played by a drum machine. Honestly man, I'm open for opinions.

  • @slowblood99 It's hard because it's fast, but "I" is much much harder, mainly because it's 21 minutes long and totally random....and fast

  • @Chameleonizer Well no shit lol. "I" is fucking impossible to play by any human standards.

  • do you guys know that tomas haake learns these drum parts, he doesnt create them he does write the lyrics for he band though i think thats pretty fucking amazing though i mean try learning all these fuckin drum parts, thats pretty fuckin hard

  • @JackMehoff845 Lol, yeah, he does create the drum parts he write. He does write songs entire songs.

  • @dujl not really, watch the metal injection interview, he says theres a guy in the band that writes them and he learns them, tomas creates lyrics thoough

  • @JackMehoff845 No, you're fucking wrong, you fucking idiot. I've watched every fucking interview, and yes, sometimes he does learn the drums, but he does also write some of the songs, where the drum parts are his own. Why do you think he would never write songs? That's fucking retarded, and you're a fool for believing so.

  • @dujl in the metal injection interview he says and i quote "pretty much all the tracks are written by one guy and then we add the lyrics i write the lyrics and whoever writes the track writes the drum parts too which is a big misconception that many people have since alot of our drum parts are kinda complex and what not and alot of people think that automatically i write the drum parts but thats not the case whoever writes the track writes the drum parts pretty much all of it

  • @JackMehoff845 Exactly! And he does write tracks. Were you not aware?

    Haake worked on Soul Burn, The Exquisite Machinery of Torture, Stengah, Glints Collide, Organic Shadows, Spasm, Electric Red and This Spiteful Snake.

    He also makes some subtle changes to most drum tracks to make them more suitable to his style of playing.

  • what a machine...

  • I don't know much about time signatures, although I am able to tap my fingers along to the guitar parts, in most of their songs, witch almost always follows the bass pedal.....I'm getting prepared  for when I get that 8 string woo woo.

  • @DeathByPlane00 listen to the cymbals and it will give you the time signature most Meshuggah songs are 4/4 the pedals are for the strum hand.

  • Comment removed

  • Haters gonna hate. Everyone stop bitching and enjoy the music.

  • i'm not gay but i would happily gargle this mans balls

  • The guitarist also used syncopation too I reckon

  • sounds African

  • i think this is a 7/8 over 4/4 polyrhythm and a whole load of syncopation no?

  • @compoundguy

    No. It's 9/16 over 4/4, starts over after four measures of 4/4.

  • @rololoo its just straigt 4?4 with some off time groupings,it has a polyrythm feel but its still 4?4

  • @cruzdrum That's what I said, duh.

  • @rololoo no need to sound offensive but... you're a DUMB ASS haha why would any composer ever use 9/16 when they can effectively 4/4? just because the rhythmic cadence repeats after 4 measures doesn't mean the rhythm, in it's entirety, is going to just become one big ass measure. do you realize how much harder it would be to read it in one big measure. ok, maybe calling you a dumb ass was too far. but, you should learn how to recognize a rhythmic cadence when you see one.

  • @yourmamma63

    What the fuck are you on about, it's clearly you who doesn't know shit. I know better than you what they are doing, it's all 4/4 and keeping that 4/4 feel throughout is important. I clearly just explained this guy that there's an individual repeating pattern that happens to be 9/16 in duration and it's played in 4/4 time (=polyrhythm), you're the stupid fuck here.

  • @rololoo Quite an arrogant comment, although it was correct. Only one mistake; when a two time signatures are played simultaenously, like in meshuggah, they are not acutally polyrythms, they are polymeters. Google can tell you the difference. Polyrythms are two different tempos that adds up at the end of each bar while polymeters are two different time signatures that do not usually add up at the end of a bar :D

  • @MrElias090295

    Actually if you did any research yourself you'd realize they use both polyrhythms and polymeters.

  • I hate the double kick pedal. Sounds like total shit.

    This Vid SUCKS.

  • @flymarvin your whining and close minded nonsense to syncopation and musical ignorance sounds like shit :)

  • stop whining.. Damn. 

  • @flymarvin

    I hate single pedal, sounds like shit,... is THERE ANY LOGIC? fag,..

  • i love his drumset :)))))))))))))

  • The syncopation on the bass drum is insane! And it flows so well...This drummer is something else.

  • FUCKING TAKE YOUR OWN ADVICE FAGGOTS AND SHUT THE FUCK UP

  • who the fuck is joey jordison??! this dudes fucking insane.

  • Tomas Haake.....omg....

  • how??

  • Phew, those are some arousing beats.

  • I think all of you guys are just jealous. Everyone has a style that is unique non the less and it seems if you were in the band Meshuggah you wouldn't be making fuck stick comments about anyone else's drumming style. Go practice your paradiddles.

  • weeeeeeeee!

  • Id pay this guy £1000 to spend a day hanging out and playin drums. No really I would, so Tomas would you accept the offer?

  • can anyone give example of a meshuggah song not in 4/4?

  • @thepactissealed organic shadows from nothing. intro is in 5/4...not sure about the rest of it.

  • @hellonieman nah

    thats a pretty fucked up beat going on there but its 6-5-5

    which is 16

  • Is that second open high hat he is hitting with his right hand? fucking amazing.

  • @funknotik yes he has a high hat on the right side of his trumkit since he doesn't even use a ride(anymore) so i guess it's for a more comfortable position to use the other cymbals

  • @funknotik uhhhhh, i don't know what is so incredible about hitting a hi hat with quarter notes, its amazing playing, yes, but I really do not understand your comment at all

  • @pulsating123 LOL! Yeah I meant that as a separate statement, nothing amazing about 8th notes. He has a high hat stand on the right which is unorthodox. Also his playing is impressive.

  • @funknotik right. he has two hi hats, the right one is fixed and the other one he can control with his foot. he plays double bass so much that the idea of using only one hi hat and having to re adjust it between fixed and being closed or totally open would be a total bitch, hahaha

  • @funknotik then again, i am having a hard time thinking of any meshuggah song where the hi hat is totally closed

  • @pulsating123 hes playing closed hats somewhere near the ending of straws

  • @pulsating123 The verse of Perpetual Black Second and the end of Straws Pulled At Random.

  • @pulsating123

    He also plays closed hihats on Spasm

  • @rololoo and on bleed (a liiiitle bit)

  • People, his drum beats are almost always 4/4 but thats not the point, his phrasing is usually in another time signature, thats it. gees.

  • in most songs his hands just play a standard 4/4 beat with a snare on the 3. but you can write a 4/4 beat as a 3/4 if you want so it's all pretty relative.

    Anyway his independance is sickening, I'm practising it and I got some easy shit down but DAMN it's insane.

  • Its the syncopation!! SO MUCH SYNCOPATION

  • @eskimodrummer123 So much poly-rythms.. :(

  • @0sk4rb hey thats the beauity behind tomas haake 4/4 poly-rythms

  • Jag har alltid älskat sin trumma. :)

  • @Dethkloz123 Nice try, hehe...

  • Jag måste.

    översätta från Internet är kul: D

  • lol :)

  • I absolutely agree about this. Look at all the geeks going into lenghty and dorky at best over-explanation of the simple concept of laying down a guitar riff that isn't 4/4 over a drum beat that is 4/4 like it needed to be broken down into time signatures to be understood...

    Very good comment.

  • @SoilentGr33n Actually it does moron. Considering they'll take a riff is in an odd time repeat it 3 to 4 times and on the last repeat they'll change the time signature so the entire repetition of the riff = to to 4/4 whether it be 4/4 repeating 3 times or even 8 times.

    What are you are explaining is syncopation. What they are explaining is metric modulation. Fail.

  • @Polyrthyawhut and exactly what does that change what I said?

    I mean it's still the same thing, except for the last repeat where it is tweaked so the entire sequence is 4/4 across the board.

    You still don't need to break that down to understand it. I've jammed simple Meshuggah riffs with people that had no idea what a time signature was, they just had steady rythm but they understood what was going on.

    You don't need to break it down into time signatures to understand it is still my point.

  • I read an interview where Tomas said all of the songs from ObZen are in 4.

  • That's because almost every god damn Meshuggah song is 4/4. You don't even need to know what a time signature is to understand what they do and that is precisely why this band is so amazing.

  • @SoilentGr33n thank you! im so sick of yelling at these meshuggah "fans" who post their stupid videos of them playing what they think are meshuggah parts on their squires and posting" 438/2344 part like meshuggah!" and then all their friends saying how meshuggah uses so much math and blah! FUCK THAT THEY FEEL THEIR MUSIC OUT, AND I FEEL IT TOO, THATS WHAT MESHUGGAH IS ABOUT!

  • @SoilentGr33n It's rare that any music is out of 4/4, unless it/s 6/8 or 3/4, metal heads just think they are smart because they listen to techy music and understand fundamental notation.

  • @Visurit You can write music in whatever timesignature you want it to be.

  • @TheHeraldic Thanks for making a statement which had almost no relevance to what i said.

  • @Visurit your*

  • @SoilentGr33n Not every, sometimes they just put in a 2/4 or a 5/4 so not all the time.

  • @MALSIV

    way to read, "almost every" is what he said.

  • @SoilentGr33n yeah true. People get thrown off by the polyrhythms.

  • Here I noted the patterns

    abload (dot) de (slash) img (slash) drumsu6bn (dot) jpg

  • To everyone adamantly disagreeing with me, yes, the high hat/splash cymbal pattern is in 4/4. However, the snare is in 7/8(?). THUS it is a polyrhythm, and only half of the drum part is in 4/4.

  • @ICreamsodAI The whole beat is 4/4...

    The pattern over it (bassdrum + snare) is a 9/16 pattern.

    To fill the bar and make it 4/4 the last 'bassdrum + snare' pattern is a 5/8

    It's called subdivide = You could see it as 16th note patterns over a 4/4...

    Therefore: 9/16 over a 4/4 (+the 5/8)

  • @ICreamsodAI Of course it's how you look at it... but me as a drummer myself would like to see the whole pattern as 4/4

    But I can't say you're wrong ;-) Just different ways of seeing the rhytms... Of course you could count the 9/16 pattern... Therefore you could see it as a 9/16 patern with 4th notes in it...

    If you're interested I'm 100% Haake thinks the 4/4 - After speaking with Morgan Ågren (Swedish drummer). I gave him questions about Sol Niger Within and got the answer.

  • Yeah I kinda figured. I'm sure it's much easier to just count in 4/4 for drummers.

  • @ICreamsodAI

    polymeters actually

    people have been using the wrong terminology

    tut tut tut

  • Perspective I suppose. It's 4/4 with patterns of different time signatures played over it. But however you want to look at it, yes it's polyrhythmic.

  • YOU ARE CORRECT, however the whole song is counted in 4/4, but he does a polyryghm over it.

  • But if you had to choose a side here, 4/4 makes more sense. Just because a certain guitar riff doesn't end or repeat in exactly 4 measures doesn't mean it can't fit into that mold. You could pick a starting and ending point of a passage completely arbitrarily if you want and feel cool calling it 13/16 or 11/8. It's all open to intrepretation. Wensteri is right. Haake obviously sees music this way, because his drum beats almost always boil the music down to 4/4. Don't try to over complicate it.

  • the thing about odd number time signatures is that if the cymbals are on a solid 4/4 beat and the the snare/bass are in 5/4 7/8 or 13/8 or whatever the cymbals go from being on the downbeat to being on the up beat when the 5/4 or 7/8 or w/e beat on the bass snare repeat. Which gives it a unique sound. Yeah you could write it in a 4/4 but it would look like a jumbled mess.

  • for example 1/2/3/4 being the 4/4 time and X being played for 3 beats

    1-x 2- 3- 4-x 1- 2- 3-x 4- 1- 2-x 3- 4- 1-x 2- 3- 4-x

    eventually repeats itself on the 4th measure

    when you could go

    1-x 2- 3- 1-x 2- 3- 1-x 2- 3- 1-x 2- 3- 1x- 2- 3- 1-x

  • Comment removed

  • thomas haake is simply a hard working ass drummer. Im sure hes the master mind behind all these complicated patterns/rythms. and just so you know.... for the most part, its in 4/4. he occasionally ventures outside of that, but only occasionally.

  • Yeah, there was an interview in Modern Drummer about a year ago where we was talking about how they think of time. Basically, everything is 4/4 and even when it isn't they just don't stop to think about it. It's very organic.

  • Nope, usually behind all the pholyrhythms, there's a solid 4/4 time signature. You can divide the structure of a Meshuggah song to different time signatures, but eventually, they all add up to a number that is dividable by four. Usually.

  • any number can be divided by four if you are willing to add enough measures. meshuggah hardly ever plays in 4/4, you just hear the 4/4 accents because one cymbal is usually kept in 4/4 cause he's crazy and does shit like that

  • Totally agree. If I were to approach one of their songs, I wouldn't count to four (actually, I don't really count time signatures, I just block my thoughts and run on muscle memory). Nonetheless, my point was that they tend to add enough measures to say that they play in 4/4 while it's clear that they don't. But then a song like Bleed is played in 4/4. The 3/16 double bass bursts don't even create the illusion of odd time signatures because the 4/4 beat is so clear.

    Misspelled "polyrhythm". :S

  • well.. then they're not playing in 4/4 lol

  • Unless it's a TIME SIGNATURE IN AN IRRATIONAL METER!!1.... :3...lol.

  • Yes..they do.

  • Yeah, usually.

    Try dividing the intro to New Millenium Cyanide Christ into 4 lol!

  • @Purkinje90 Of course I can....listen to the cymbals...Well...thats 4/4... you all try to analyse deeply things and facts which are obvious...Just listen to the cymbals...in almost all of the meshuggah's songs..and they are mainly in 4/4.Sometimes Haake blows my mind off with his brilliant 5/4 patterns...in may be 2 or three songs...Cheers!

  • @rockajiqta1 You are a tid mis informed, and or are just under rating him. Yes, most of which that is meshuggah is in just plain " 4/4" or common time; however he plays almost constantly in a "compound meter" , in which his ligaments are all play in a different time signature. A prime example of this, one that youve all heard and can relate to is the song "bleed" w/ a hurata patter ( RLR L) on the feet aka a triplet feel ( 3/4 ) and a standard 4/4 on the hands. Hope that helps.

  • @66Ganon

    it's a herta pattern and it is in 3/16, giving it a 4:3 feel in 3/4 time (dotted eighth note pulse).

  • Excuse my misspelling , and you still got the point. 3/16 , 3/4 , really? come on , dont be so knit picky when you appear to agree w/ me. Ill post a cool compound meter polyrythm soon. Its cool. the 3/4 patter i have on the feet is a lot harder then a herta, cus the feet for bleed repeat, the feet on mine dont repeat for 3 bars of 4/4 or 4 bars of 3/4 , depending how you count, and i have a basic 4/4 on the hands, but i add ghost notes. You should add my page to your friend list to see it soon:)

  • @66Ganon

    i was just pointin out he plays the bleed pattern as thirty seconds/sixteenths so the single herta itself resolves in 3/16, but as you said i'd classify it in 3/4 also (with the 4:3 feel as i said earlier)

  • @metrognome69 Completely agree :) Keep a look out for my page. Videos very soon.

  • @66Ganon yep,man I think you've got me wrong, I could never underratevthe unique technique that he uses, I've never said he doesn't play in compound meter, i just said that the main beat is 100% 4/4..

  • @rockajiqta1 OH YEAH, you are right :) It is 99% of the time in all meshuggah songs 4/4 :)

  • Agreed, lets just say that theres a reason 4/4 time on sheet music is commonly refered to W/ a C, reffering to common time.

  • That would be logical, but the C comes from a semi-circle that used to indicate a binary division of the bar, a full circle would indicate a ternary division. A binary division was regarded as "imperfect" hence the semi circle.

  • @ICreamsodAI they always play in 4/4, they just play in poly rythems. (:

  • @ICreamsodAI . . . I'm really curious what Meshuggah would say if someone asked them about this TS issue. I can't say for sure because I haven't heard it from them, but I'd be willing to bet they don't think of their music in the way everyone is trying to analyze it. They write a passage or a rhythm, then shape the music around it. They probably don't give half a shit what TS it's in.

  • True. I would be very interested myself. But the usual process of establishing a time signature revolves around trying to find a repeated or common pattern. Most of their riffs would be seemingly chaotic if one were to count it in 4/4. However, seeing how one of my comments got 7 thumbs down, there is serious potential for me to be completely misguided :D

  • They've said that it's 4/4. I will look and find the link on youtube for you.

  • Just ignore rrdrums. He is trolling on each and every Meshuggah video. He also likes to expose a fellow AA member, which apparently, is against the rules.

    Just ignore him, he has zero respect for others and is trying to spread hate and his anal-received AIDS because daddy didn't hug him.

  • @MikePostDrums yes..rrdrums is a faggot. I have seen him make bullshit comment on tons of Meshuggah and Tomas Haake drum solo videos. He has no life apparently. Tomas Haake has more talent in his pinky finger than that little douche will ever have. I wish him well though, have high hopes that maybe one day he will actually get a life and find other things to do with his time other than be a youtube troll.

  • @DrRocksosBitch He will, one day, get over Haake's awesomeness.

  • @MikePostDrums he trolls every mike portnoy and dream theater video to, he must be jealous of great drummers

  • @liamcarbs if he's trolling, then he isn't jealous, he's doing it for entertainment.

    lrn2internet

  • @MikePostDrums

    Yeah totally, that fuckhead spams his uninformed lowlife views everywhere.

  • @MikePostDrums the best thing to do is not scroll down and see his inane comments. I already dominated his simple mind and ignore his dribble.

  • @MikePostDrums jelous?

  • @kronos213 Jealous of what, exactly?

  • @MikePostDrums lol @ ass aids

  • rrdrums110.... You're a little jazz facist, aren't you? Why don't you suck you're own butthair for dental floss. As we say in Sweden: Sug kuk ditt lilla as. Billy Cobham...hahahaha. Priceless

  • Wow...rrdrums is here too.....damn.....this guy is a fucking virus....he seems to think he has some kind of objective appraisal of quality to bash other peoples music....he is a very sad and lonely person and needs very special attention....and he still lives with his mom.....what a knob....

  • haakes playing is to much for your noob amature ears bitch!

  • i think you got a point asawhole69...

  • hahhahahhahaha

    envious bitter old fart!

  • Comment removed

  • @rrdrums110 You are one sad and lonely being. Bonham is a great drummer, no doubt, but there are better ones. Haake is undoubtedly one of those drummers. If you can't see that then you're blinded by conservatism and stupidity in general!

  • @Oxpost If you really want to stay behind your statement, do your homework on Bonham's influence (on a majority of drummers in every style), his discography , his studio and live sound & groove. Comparing musicians is absurd on it's own, but saying someone is actually better than Bonham is even worse. Haake is wicked and creative, don't ruin it by saying he is better than someone or vice versa ; )

  • @dejd I know what Bonham has done for the drumming world and I have nothing but respect for the man. But in my opinion, Haake is a better drummer.

  • @Oxpost You're all as bad as one another.. you can't get "better" in musical terms.. because "better" is subjective... I might think a cat down the road sounds better than Jimi Hendrix... so while people tend to agree that the more technically proficient someone is at their instrument, they are generally "better" players.. it's still a matter of preference to the individual.

  • this is a message to every youtuber who is is either a drummer or enjoys watching drum videos..no matter what DO NOT respond to "rrdrums110"..no matter how irritating his insanely ignorant comments may be.he is a sad sad old man who claims to be a drummer..he goes around to every single drum video he can find that may feature a modern drummer..he slanders the drummer and any fans the drummer may have.he claims to be this drum master yet he hasnt posted a single video of his mind blowing skills.

  • ..if his rantings are sincere than i believe the explanation is this....he is just bitter over the fact that he is old and music as well as everything else has changed and will continue to change...drums have progressed and his fav old time drummers are being left in the dust.....john bohnam was an amazing drummer but it is just absurd to say that he is better than tomas haake or danny carey or gavin harrison...

  • Good point, and it is arguable that Haakes sound/style is just as recognizable as Bohnams. Hell anyone whom follows any drummer can pick the style! Ulrich, Haake, Menza, Lombardo, Cavalera, Tempesta ALL have very distict styles and sounds and can be picked out of any track, anywhere. rrdrum may have point in his own right about "pure elitist" drumming...but there are far more drummers that deserve as much, if not more, credit for changing drumming as we know it.

  • ..these drummers were influenced by the old timers for sure..but they have taken the art form farther...thats just the way things go..old white religious moron is terrified of change?!?!?!....old white religious shithead is too dumb to see beyond the primitive good bad , black and white paradigm??!?!!!..lol..he is beyond pathetic ... the only way to deal with someone as weak and low as him is to ignore him completely

  • ...i tried to engage him in a conversation maybe half a year ago....i realized quickly that my efforts were pointless....hes not interested in civil discussion...he is either insane, has extremely low intelligence, or he is just out for attention...either way...he deserves our pity but nothing else..

  • ..soooo from this point forward ...anyone who sees this comment...take my advice please....dont waste ur time responding to this lower than shit moron...ignore him and he will go away...for instance i wont respond to whatever idiotic  message he sends me in reply to this comment...thats just the way to handle people like him...IGNORE HIM!!!......be well everybody and ...one more thing....MESHUGGAH!!!!!!!!!!

  • Haake invented this style of playing... Meshuggah invented this style of music. In fact Meshuggah wasn't what it is now until Haake joined.

    Reading some of the comments below... Guys, show some respect... Haake is badass drummer AND an innovator, and that's rare.

  • Does anybody think Tomas Haake can cover rrdouchebags Rock and Roll is here to stay track? LOL!!!!!! For those that want to hear rrdouchebags claim to fame, check out Thinchap's channel and play the vid rrdrums110 tells it like it is...Or go to my channel as I have it as a favorite even though it blows!!! LOL!! You all be sure to leave a comment on how awesome Jeff Jones' drum skills are...

  • Yeah like this guy could do anything but wonder how in the hell does Tony Williams sound like that O rBuddy rich or carl palmer or virgil donati or jo jo mayer or Ian Paice or Billy Cobham.

  • obvious fail troll is obvious fail

    gtfo off our internets, retard

  • Hey Thomas... Suck butthair for dental floss. Try to not fuck those young guys youdraw at concerts.

  • oh noes, not rrdrums110 again, god no

  • i dont think rrdrums110 knows that this guy is a renown drummer for this style alone

    do your research fuckwit

  • rrdrums110 just doesn't understand it.

  • I love how he speed's it up in the end.

  • whats confusing about this?

  • id love to see tomas haake doing the outro for inside whats within behind