Piatigorsky is simply one of the finest cellists to ever grace this earth. I am a huge enthusiast of modern music, but whenever I hear Piatigorsky play this piece, I am simply wooed and very appreciative of both the geniuses Piatigorsky and Saint-Saens. As an aspiring cellist myself, he gives me great confidence.
Watch his bow at 0:36 on this film--amazing. Also, listen to his recording of the Dvorak Concerto (Boston-Munch) where near the end of the first movement he plays an ascending scale on two strings LEGATO. Everyone else has to play it detache. WOW.
I guess one of the advantages of being a 'great' cellist is that you can play it however you want without regard to how it was written.. I would hate to have to accompany him.
WTF?!?!! Its the late romantic, people, wake up. His interpretation fits perfectly in the style of the music - which is more than you can say about the renditions of some of the current flock of soloists, who play everything the same way - no portamento, same vibrato, same colorless phrasing (compared to some of the old, great artists like Horowitz, Heifetz, Elman, Rose, etc, etc).
Sigh......I wish the good old days were here again.....
Have to say that I agree with that original statement about the rubato and portamento =) I can't stand cellists who pull the tempo about far too much, and also those who slide really slowly on the large shifts
bravo
theyackinator69 1 year ago
WOW! This is some very ARTFUL celloing!
I love it!!
AlamoCityCello 3 years ago
Piatigorsky is simply one of the finest cellists to ever grace this earth. I am a huge enthusiast of modern music, but whenever I hear Piatigorsky play this piece, I am simply wooed and very appreciative of both the geniuses Piatigorsky and Saint-Saens. As an aspiring cellist myself, he gives me great confidence.
dazvc1 3 years ago
Watch his bow at 0:36 on this film--amazing. Also, listen to his recording of the Dvorak Concerto (Boston-Munch) where near the end of the first movement he plays an ascending scale on two strings LEGATO. Everyone else has to play it detache. WOW.
willy1514 3 years ago 3
@willy1514 rostropovich plays the ascending part more smoothly.. if we are talking about the same part.. ?
rambunctious9 8 months ago
he plays with practically no endpin,
he is practically bent over his cello!
nkip9230 4 years ago 3
I thinks it's because he's really tall...I really don't think it's 'cause his intrument is too small.
Gaarageeksrule 3 years ago
My teacher doesn't use a lot of endpin. He is amazing too - performing internationally and having studied with Harrell and Rostropovich.
dazvc1 3 years ago
Wow, yeah. It does look strange. Most people I see play with at least a foot of endpin. But, since Piatigorsky does it it must be okay.
MerlinTheDraconic 2 years ago
I guess one of the advantages of being a 'great' cellist is that you can play it however you want without regard to how it was written.. I would hate to have to accompany him.
questionmark824 4 years ago
"too much rubato and portamento".
WTF?!?!! Its the late romantic, people, wake up. His interpretation fits perfectly in the style of the music - which is more than you can say about the renditions of some of the current flock of soloists, who play everything the same way - no portamento, same vibrato, same colorless phrasing (compared to some of the old, great artists like Horowitz, Heifetz, Elman, Rose, etc, etc).
Sigh......I wish the good old days were here again.....
apollo1742 4 years ago
Have to say that I agree with that original statement about the rubato and portamento =) I can't stand cellists who pull the tempo about far too much, and also those who slide really slowly on the large shifts
TheTradge 3 years ago
i don't like his interpretation. it sounds like mine. :)
YouveStolenMyEyes 4 years ago
idiot
urjrj 4 years ago
Yeah, I don't like it either, he uses FAR too much portimento, and too much rubato. And what the hell, thats different to the urtext!! lol
TheTradge 4 years ago