Added: 4 years ago
From: vaimusic
Views: 17,209
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  • bravo

  • WOW! This is some very ARTFUL celloing!

    I love it!!

  • Piatigorsky is simply one of the finest cellists to ever grace this earth. I am a huge enthusiast of modern music, but whenever I hear Piatigorsky play this piece, I am simply wooed and very appreciative of both the geniuses Piatigorsky and Saint-Saens. As an aspiring cellist myself, he gives me great confidence.

  • Watch his bow at 0:36 on this film--amazing. Also, listen to his recording of the Dvorak Concerto (Boston-Munch) where near the end of the first movement he plays an ascending scale on two strings LEGATO. Everyone else has to play it detache. WOW.

  • @willy1514 rostropovich plays the ascending part more smoothly.. if we are talking about the same part.. ?

  • he plays with practically no endpin,

    he is practically bent over his cello!

  • I thinks it's because he's really tall...I really don't think it's 'cause his intrument is too small.

  • My teacher doesn't use a lot of endpin. He is amazing too - performing internationally and having studied with Harrell and Rostropovich.

  • Wow, yeah. It does look strange. Most people I see play with at least a foot of endpin. But, since Piatigorsky does it it must be okay.

  • I guess one of the advantages of being a 'great' cellist is that you can play it however you want without regard to how it was written.. I would hate to have to accompany him.

  • "too much rubato and portamento".

    WTF?!?!! Its the late romantic, people, wake up. His interpretation fits perfectly in the style of the music - which is more than you can say about the renditions of some of the current flock of soloists, who play everything the same way - no portamento, same vibrato, same colorless phrasing (compared to some of the old, great artists like Horowitz, Heifetz, Elman, Rose, etc, etc).

    Sigh......I wish the good old days were here again.....

  • Have to say that I agree with that original statement about the rubato and portamento =) I can't stand cellists who pull the tempo about far too much, and also those who slide really slowly on the large shifts

  • i don't like his interpretation. it sounds like mine. :)

  • idiot

  • Yeah, I don't like it either, he uses FAR too much portimento, and too much rubato. And what the hell, thats different to the urtext!! lol

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