@Sproeikoei the dominant bebop scale does have the flat 7, but it also has the natural 7. it is constructed that way so that chord tones fall on the downbeats when improvising. For instance, the bebop scale over a C7 is spelled C D E F G A Bb B C. Try playing it going down the scale to hear it in action.
@976PAIN but B isn't a chord tone of C7, although I can see what you're saying about falling on the down beats (for resolutions sake, I guess?). Probably one of those the more you know the less you know type deals, yeah?
@MetalSimon94 Yes C# minor is the relative of E Major. However, B is the dominant note of E major, so that may be why. Also, there are several minors you can use in a scale, not just the relative.
@MetalSimon94 If you also notice carefully, it's basically a I-IV groove with the root being a minor chord. However, since the IV is major the parent mode is dorian. This specific minor bebop scale is based off the dorian mode with a chromatic passing note between b3 and 4. Also if you look even closer, the two bebop scales he uses are modes off each other - so of course both are going to work over the chord changes.
@GaryNull yeah the 2nd scale he shows is just like dorian with a major 3rd added as well. The 1st scale he shows is an ionian scale with a sharp 5th added. what i think is weird is the 2nd position of the major bebop scale is different than the minor bebop scale
I am not clear on what you mean by the bebop scale. It Sounds like a major scale peppered with passing tones to me. Bebop players were certainly likely to play such licks, but then so were the swing players, and even the dixieland players that came before them. In fact, I am a bit perplexed about the idea that any scale could be the property of a musical style. That was nice playing, though.
The first "standard" bebop lick,''has a B flat note in it, at 1:40? Neither the E bebop scale, or the B min bebop scale has the b flat note in them when shows how to play both scales slow..All three licks too me, are B minor bebop looking..
Bm bebop scale? You're actually playing a Bmix with an added low third. I'm not from a english speaking country, so I'm not sure if I'm using the right musical therms, but I'm pretty sure that's no B minor scale.
Hey Beefcake, just wanted you to know the 3rd lick starts on an upbeat and you have it starting on the down beat written out. Not a big deal, but might confuse some people. Actually, so does the second example.
An easier way to think of it might be - as in this case on an E dominate chord, simply play an 8-note E major scale with both the flat 7 and major 7 tones.
Thanks for sharing these great licks - I particularly liked the Clint Strong line, and would never have thought of sliding my second finger down the B string on C# C B to set up the other fingers just right for the next section - a brilliantly elegant move!!
Peter, these are couple of great, easy to play licks to put into the old arsenal! Easy to see and transpose all around. Thanks for sharing some cool stuff. I get used playing the same old shit. It's fun to see how other players think. Kudos to you for making it fun and easy to see and understand!!
You are an amazing teacher...I cannot believe how easy you made it. I hope you can make a living as an online teacher because I have listened to hundreds of these videos and yours is the best.
@funkapheliac i love this....a trailer trash hillbilly with a billy bob haircut...teaching me SANTANA.......you dont get much better than that partdner...yee hawwww..!
@funkapheliac mullets are the fucking shit you little nerd, there has to be a way to express to the world that I am fucking number one. It's not easy being on top, i'm not expecting your bitch ass to comprehend that. The mullet chose me, i'm sick and fucking tired of all these worthless dickfags hurting the mullet rep. Kenny fucking Powers, I'm out. Get me paid bitch! SUPERSTAR!
everyone's taking what i said and interpreting them in a different way than what i meant. i probably just worded it badly, plus i come off as a jerk cause i was in a nasty, confrontational mood lol.
anyway, i just think as a jazz player you should learn the theory and truly improvise, as in basing it off scale and chord tones without using something you thought of/learned earlier. i know people will disagree and my views really aren't as different as they seem, i just don't know how to say it.
learning other peoples licks helps me when I think through how im approaching an improvisation. When you improvise you don't just think of scales and chords and how your going to run the neck. Lots of times learning licks makes me think wow I never thought of going that direction before. I learn licks to free my thinking and not as a lick arsenal i can pull at any time. (maybe what u mean?)
mmh .....learning jazz theory? sound awesome! iv been trying to learn some but its hard to find a good teacher, do u know where can i learn some theory by myself?
The internet is a WONDERFUL place to start getting into anything, and music theory is no exception. Just start googling "beginning music theory" or something similar and I can guarantee you'll start coming across some good information. The more advanced material you're looking for though, the harder it's going to be to find.
By learning other people's lick you build up a repertoire which you are free to embellish and change. But most importantly, it gives you some insight into how to construct your own licks over various changes.
Really? I recently graduated and everyone my age and below was emphasizing speed rather than licks. Speed was what killed my high school jazz band. =/
doug604 man but i think if u learn the prefab things that fit under ur fingers nicely then u can join them break them reshape them mold them play through them in any mathematical pattern u think ur mind can manipulate on time on the spot and then suddenly inbetween there u can play what u feel for a moment and , : my space dot come ffwd slsh greenvisionn
speed kills anything. i'm anti-speed too haha. i just think that you should be able to play something completely on the spot and have it sound like a lick, only without any premeditation.
he's using bebop scales/theory to construct solos over m7 vamps for beginners. his playing is bebop in every sense of the term. he's just using harmonically simple vamps. you have to teach beginners something that will get them interested, not just show them shapes.
i didn't say his playing isn't bebop, i said the track isn't. and it isn't. it's pretty much a funk backing track with semi-bebop lines over it.
the whole "lick" thing just sickens me because do you think any real bebop players learned to play by licks? no, they learned to play by an understanding of the music and picking things up from others rather than blatantly taking lines from instructional videos.
Of course they learned to play by licks. All jazz players develop a EXPANSIVE vocabulary of ii-V licks to shit out over changes. In bebop you usually get huge sequences of ii-V's like; Bm7-E7-Am7-D7-Gm7-C7-Fmaj. These guys have licks they can play over any ii-V or any chord type, depending on function and that's what they do...
They learned their licks by listening to the greats, like Charlie Parker. After you develop an understanding and basis, you can then effectively create your own lick.
I'm just sad that guitar in jazz, to me, feels more like a gimmick than a instrument that actually belongs in it whenever I hear anyone my age (high school) play it.
Yeah doug sorry but this is how anyone learns. If you don't learn to "shit out licks" and learn from the theory behind it first, your still essentially making up your own licks. Which is a reflection of what you listen to, any beginner has influences. If you didn't want to sound like your influences, then how could they have influenced your playing? Every jazz musician learns by learning licks first, be it learning theory then how the licks fit into it or vice versa
Because you don't pull licks doesn't mean you don't play licks. Every musician will subconsciously dissect and absorb they music they listen to. Thus making it evident in their playing. If you don't agree with this then either you don't listen to music, which would put you at the extreme beginner, or are trying to sound like an original thinker. Bullshit.
jesus christ dude i'm just talking about people who actually steals licks and plays them exactly as they are. obviously people absorb licks from music, i just think it's better when they don't spit it back out exactly as it was.
The essence of musical innovation comes first from direct reproduction. Once that has been reached, and by that I mean once I copy someone's lick exactly, improvement and improv can be applied. Besides, if something sounds good to me, why can't I copy it and play it for myself? That not stealing, that's jamming for jamming's sake.
The notes and tab on the website contain an error for the 3rd note of the 3rd lick. It should show an A - 17th fret. See video at 2:34. That being said, these are some fine sounding licks. Thanks for the post!
Under a diferent perspective I think there are 3 way to play bebop using ionic maj #5 scale(major bebop), using mixolydian #5 (dominant bebop) and using aeolian #5 (minor bebop)
Good man, but very funny too..: when u speak the guitar is black and u'r dressing a red shirt, BUT while playing the example..the guitar is different and ur shirt became grey! Wow.. u're a magician!
there so many impressing jazzmen... but perhaps you want to listen to jim hall, to chet baker, to charlie parker to benny goodman, to miles davis (of course)
and listen to the jazz-guitar heroes of today! f.e. john scofield, pat metheny, mike stern, scott henderson (tribaltech)
clint strong! he is the only guy that i've heard using those kinds of licks in a country song, that's why i loves merle haggard and the strangers so much. this is the best guitar lesson that i've found. .thank you so much!!
Search for "let's jam blues rock" in google. It should be the first site that pops up. Or if you click on the link in the info section, that page will have a link to the Let's Jam cd.
Nice, mellow stuff.
dirtydonki 3 months ago
backing track sounds like black magic woman..?
pmay222 3 months ago
he blinks a lot!
sutorat 4 months ago
this vid is a prime example of unintentional comedy
shakabrahtastic 5 months ago
0:42 is where he starts!
Antweezysx 5 months ago
Nice work.
consul1957 6 months ago
where is the tab? too fast o.O
oneeesnesnes 6 months ago
The tab for Lick#3 te high e note is 17th fret, not 16th
DeeDubStyle619 6 months ago
This is kind queer "esque".
atomikhound 7 months ago
So if i'm right Bebop is just major with a flat 7?
Sproeikoei 7 months ago
@Sproeikoei the dominant bebop scale does have the flat 7, but it also has the natural 7. it is constructed that way so that chord tones fall on the downbeats when improvising. For instance, the bebop scale over a C7 is spelled C D E F G A Bb B C. Try playing it going down the scale to hear it in action.
976PAIN 6 months ago
@976PAIN
Yeh indeed (Sorry should have said "including").
Alright thanks!
Sproeikoei 6 months ago
@976PAIN but B isn't a chord tone of C7, although I can see what you're saying about falling on the down beats (for resolutions sake, I guess?). Probably one of those the more you know the less you know type deals, yeah?
DaneCookIsntDatFunny 5 months ago
B dorian mode w/bebop and E mixo w/bebop. these are the ii and V chords in Amajor
dannylee411 11 months ago
hi adam sandler
fallenoffthestage 11 months ago 2
what scale is this actually ? is it mixo ?
slowhand633 1 year ago
@slowhand633 E mixoionian. Or just the E dominant bebop scale. It's mixolydian with an added major 7th.
jsem94 1 year ago
Nice licks man... Thanks
meirelesrocha 1 year ago
adam sandler on guitar..
hydrolix125 1 year ago 3
I study classic music, and I'm wondering... Isn't C# minor the relative of E major..?
Why does he use E major and B minor, but it still sounds great? Please feel free to enlighten my poor jazz thoery.
Simon
MetalSimon94 1 year ago
@MetalSimon94 Yes C# minor is the relative of E Major. However, B is the dominant note of E major, so that may be why. Also, there are several minors you can use in a scale, not just the relative.
OpinionMan101 1 year ago
@OpinionMan101 Ahhh, thanks man, as you can see, I'm just a young student :P
MetalSimon94 1 year ago
@MetalSimon94 If you also notice carefully, it's basically a I-IV groove with the root being a minor chord. However, since the IV is major the parent mode is dorian. This specific minor bebop scale is based off the dorian mode with a chromatic passing note between b3 and 4. Also if you look even closer, the two bebop scales he uses are modes off each other - so of course both are going to work over the chord changes.
jsem94 1 year ago
isn't this a dorian scale?
What are the actual notes of the scale?
B C# D
E F# G# A
GaryNull 1 year ago
@GaryNull i think is the mixolidian
jdidrobo93 1 year ago
@GaryNull i think is the mixolidian, the first one at least
jdidrobo93 1 year ago
@GaryNull yeah the 2nd scale he shows is just like dorian with a major 3rd added as well. The 1st scale he shows is an ionian scale with a sharp 5th added. what i think is weird is the 2nd position of the major bebop scale is different than the minor bebop scale
drunkass77 1 year ago
I am not clear on what you mean by the bebop scale. It Sounds like a major scale peppered with passing tones to me. Bebop players were certainly likely to play such licks, but then so were the swing players, and even the dixieland players that came before them. In fact, I am a bit perplexed about the idea that any scale could be the property of a musical style. That was nice playing, though.
theonlytimburr 1 year ago
I prefer the Richter Scale in Attack mode.
Tauptu 1 year ago
I tried these scales and it made my scalp burn. The next morning I had a mullet.
overlook77 1 year ago
Kenny Powers plays guitar.
metalcore929 1 year ago
This has been flagged as spam show
hey check out my video: 26 Best Blues and Jazz Guitarist's
johngoo343 1 year ago
I'm glad you gave up lousy acting in order to pursue a career of a guitarist, Adam Sandler.
Arrivald 1 year ago
Hi, my name is Peter Vogl.
zxmbies 1 year ago
The first "standard" bebop lick,''has a B flat note in it, at 1:40? Neither the E bebop scale, or the B min bebop scale has the b flat note in them when shows how to play both scales slow..All three licks too me, are B minor bebop looking..
dannyhood66 1 year ago
here some fast jazzguitar for you!! great man!!!!!!!!!
fastjazzguitar 1 year ago
nice Mullet! lol
fattirevsbud 1 year ago
nice!!!!!!!!!!!!!!!
fastjazzguitar 1 year ago
i personally dont think that bebop scales are of any use. chromaticism is something that cant be taught through scales.
austin33309 1 year ago
Bm bebop scale? You're actually playing a Bmix with an added low third. I'm not from a english speaking country, so I'm not sure if I'm using the right musical therms, but I'm pretty sure that's no B minor scale.
EG55555 1 year ago
Hey Beefcake, just wanted you to know the 3rd lick starts on an upbeat and you have it starting on the down beat written out. Not a big deal, but might confuse some people. Actually, so does the second example.
callouscallus 1 year ago
Adam sandler plays guitar pretty well.
guitaral4 1 year ago 3
this guy could be a hand model. nice fingers man
blueingreentrain 1 year ago
so a bebop scale is the mixolydian scale and you add a flat to the root
so E mix adds an Eb to the scale
correct
thanks
lookylooky2006 1 year ago
@lookylooky2006
An easier way to think of it might be - as in this case on an E dominate chord, simply play an 8-note E major scale with both the flat 7 and major 7 tones.
zebopper 1 year ago
Great, thanks!
miskgkdlss 1 year ago
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MnogoRaznogo 1 year ago
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MnogoRaznogo 1 year ago
OUTSTANDING, this gives me some more range with my blues, great job, thanks
guitarmasterf18 1 year ago
Thanks for sharing these great licks - I particularly liked the Clint Strong line, and would never have thought of sliding my second finger down the B string on C# C B to set up the other fingers just right for the next section - a brilliantly elegant move!!
twangbarfly 1 year ago
The tab says the 3rd note of the 3rd lick is on the 16th fret but I'm pretty sure it's the 17th.
GodlessPhilosopher 1 year ago
thanks for the licks dude
JOSELUIS151289 2 years ago
my question is about the Bflat note you hit in the first lick - I notice both the scales you teach are a B natural? Thanks for an explanation...
enlighten42 2 years ago
@enlighten42 That's just a chromatic approach to the root note. Also belongs in the minor harmonic, but I believe that to be beside the point.
BaneAlfredoSimSenhor 2 years ago
man that song sucks! but the licks are sick!
minirew 2 years ago
awesome!!! licks 2 and 3 were fucking great, it will defenitely increase my jazz vocabulary
wandersonfcastro 2 years ago
Peter, these are couple of great, easy to play licks to put into the old arsenal! Easy to see and transpose all around. Thanks for sharing some cool stuff. I get used playing the same old shit. It's fun to see how other players think. Kudos to you for making it fun and easy to see and understand!!
docholiday747 2 years ago
does this dude ever change his shirt?
mesabow 2 years ago 36
@mesabow he does when he talks he has a red shirt on, and when he plays a grey shirt,, guess he just loves playing in his grey shirt,,
Trust93 1 year ago
@mesabow He actually changes his shirt AND his guitar between licks - how often have YOU managed that? :-)
twangbarfly 1 year ago 2
You really make bebop sound easy. I really like licks 2&3.
MLP
MusiqueLivresPatrie 2 years ago
Lots and lots to muck around with here thank you thank you thank you!!
thedirtydeltas 2 years ago
nice chops man. i espsically love lick 2
saron380 2 years ago
Hey Peter thanks so much for this brilliant
lesson. I'm a lefty, just starting out on the jazz road but can still follow it!
Truly inspirational!
marcintime 2 years ago
thanks...great video. where did u study?
lilacpoopoo 2 years ago
You are an amazing teacher...I cannot believe how easy you made it. I hope you can make a living as an online teacher because I have listened to hundreds of these videos and yours is the best.
lilacpoopoo 2 years ago
That was a great video. Good teaching. Now I can try playing such licks. Thanks a lot.
mklid 2 years ago
Hi how do I get COPY OF THE CD AND WRITTEN MUSIC FOR THESE LESSONS. Thanks.
navan55 2 years ago
follow the link in the more info section.
beefcakejcc 2 years ago
great video, great mullet
funkapheliac 2 years ago 70
lol
reminds me of emilio esteves
Gomagomes 2 years ago
@funkapheliac i love this....a trailer trash hillbilly with a billy bob haircut...teaching me SANTANA.......you dont get much better than that partdner...yee hawwww..!
pmay222 1 year ago
@funkapheliac mullets are the fucking shit you little nerd, there has to be a way to express to the world that I am fucking number one. It's not easy being on top, i'm not expecting your bitch ass to comprehend that. The mullet chose me, i'm sick and fucking tired of all these worthless dickfags hurting the mullet rep. Kenny fucking Powers, I'm out. Get me paid bitch! SUPERSTAR!
5borosk8 5 months ago 2
@5borosk8
that sounded SO sarcastic that holy shit. ;D also, you sound like a rapper.
TommittajaFIN 1 month ago
This comment has received too many negative votes show
Hi Peter !
You are very cool to share this stuff with people here, so... ...Big Thanks to you ! ;-)
WorldCitizenX 2 years ago
These are some great licks! Anyone notice the different guitar/shirt when the actual playing is happening?
DDiGianni 2 years ago 3
Excellent licks. Thanks for posting this teaching video, Pete.
markmalin 2 years ago
Great bebop licks! take a listen to mine on There Will Never Be Another You, and let me know what you think
MattHeister 2 years ago
Totally cool, thanks for teaching us that. Vogl is my candidate too.
igrieger 2 years ago
since when did adam sandler teach jazz
guitaro69 2 years ago 5
lol
hydenwings 2 years ago
Comment removed
Sirvolta 2 years ago
nice licks
thanks for the lesson
krang07 2 years ago
good job!
andrewika 2 years ago
cool licks, the timing in the last 2 is a bit off, but still very very cool stuff!
riskotibor80 2 years ago
everyone's taking what i said and interpreting them in a different way than what i meant. i probably just worded it badly, plus i come off as a jerk cause i was in a nasty, confrontational mood lol.
anyway, i just think as a jazz player you should learn the theory and truly improvise, as in basing it off scale and chord tones without using something you thought of/learned earlier. i know people will disagree and my views really aren't as different as they seem, i just don't know how to say it.
doug604 3 years ago
learning other peoples licks helps me when I think through how im approaching an improvisation. When you improvise you don't just think of scales and chords and how your going to run the neck. Lots of times learning licks makes me think wow I never thought of going that direction before. I learn licks to free my thinking and not as a lick arsenal i can pull at any time. (maybe what u mean?)
tehqin 2 years ago
mmh .....learning jazz theory? sound awesome! iv been trying to learn some but its hard to find a good teacher, do u know where can i learn some theory by myself?
awachuwa 2 years ago
The internet is a WONDERFUL place to start getting into anything, and music theory is no exception. Just start googling "beginning music theory" or something similar and I can guarantee you'll start coming across some good information. The more advanced material you're looking for though, the harder it's going to be to find.
ChristianEggers 2 years ago
cool thx men
awachuwa 2 years ago
I love this guy, this video was very appealing. His licks were awesome, very soft spoken man. Thanks for the video!
DiscoBuiscuit 3 years ago
this is a horrible lesson.
teaching "licks" is a bad approach.
before long all jazz players are gonna sound the same cause they have no soul and just play strings of premade licks.
furthermore this track has nothing to do with bebop just cause it's "jazzy" sixteenth note runs.
doug604 3 years ago
By learning other people's lick you build up a repertoire which you are free to embellish and change. But most importantly, it gives you some insight into how to construct your own licks over various changes.
emixolydian 3 years ago
oh, i won't argue with that. you're completely right.
it's just that every young guitar player i see these days is so into licks and whatnot, so they have no creativity or musicality.
doug604 3 years ago
Really? I recently graduated and everyone my age and below was emphasizing speed rather than licks. Speed was what killed my high school jazz band. =/
DiscoBuiscuit 3 years ago
doug604 man but i think if u learn the prefab things that fit under ur fingers nicely then u can join them break them reshape them mold them play through them in any mathematical pattern u think ur mind can manipulate on time on the spot and then suddenly inbetween there u can play what u feel for a moment and , : my space dot come ffwd slsh greenvisionn
greenvisionnn 3 years ago
speed kills anything. i'm anti-speed too haha. i just think that you should be able to play something completely on the spot and have it sound like a lick, only without any premeditation.
doug604 3 years ago
what should everyone just play scales and sound like they are practicing?
frenzitti 3 years ago
When did I say that?
emixolydian 3 years ago
sorry i as saying that to the guy above you. I completely agree with your statement. sorry.
frenzitti 3 years ago
he's using bebop scales/theory to construct solos over m7 vamps for beginners. his playing is bebop in every sense of the term. he's just using harmonically simple vamps. you have to teach beginners something that will get them interested, not just show them shapes.
codyr222 3 years ago
i didn't say his playing isn't bebop, i said the track isn't. and it isn't. it's pretty much a funk backing track with semi-bebop lines over it.
the whole "lick" thing just sickens me because do you think any real bebop players learned to play by licks? no, they learned to play by an understanding of the music and picking things up from others rather than blatantly taking lines from instructional videos.
doug604 3 years ago 2
Of course they learned to play by licks. All jazz players develop a EXPANSIVE vocabulary of ii-V licks to shit out over changes. In bebop you usually get huge sequences of ii-V's like; Bm7-E7-Am7-D7-Gm7-C7-Fmaj. These guys have licks they can play over any ii-V or any chord type, depending on function and that's what they do...
They learned their licks by listening to the greats, like Charlie Parker. After you develop an understanding and basis, you can then effectively create your own lick.
emixolydian 3 years ago 2
You say this like I've never heard of Charlie Parker or ii-V changes ;p
But my main problem with this type videos is that it teaches players to do just what you said: "shit out over changes."
I have yet to meet a young guitar player who values musicality and feeling over shitting out meaningless licks quickly.
Which is basically what I was trying and failing to get at earlier.
doug604 3 years ago
Then they're shitty guitar players. I don't think that has anything to do with the licks they learned, they just can't effectively apply them.
emixolydian 3 years ago
I suppose, yeah.
I'm just sad that guitar in jazz, to me, feels more like a gimmick than a instrument that actually belongs in it whenever I hear anyone my age (high school) play it.
doug604 3 years ago
Yeah doug sorry but this is how anyone learns. If you don't learn to "shit out licks" and learn from the theory behind it first, your still essentially making up your own licks. Which is a reflection of what you listen to, any beginner has influences. If you didn't want to sound like your influences, then how could they have influenced your playing? Every jazz musician learns by learning licks first, be it learning theory then how the licks fit into it or vice versa
zeppelin2392 3 years ago
Uhm yeah, I never learned licks because I don't believe you're playing what you feel if you play a prefab thing that falls under the fingers nicely.
I guess I don't count as anyone though.
doug604 3 years ago
let's hear some of your music then, i bet it's awesome!!
Credit2Dementia 3 years ago
Because you don't pull licks doesn't mean you don't play licks. Every musician will subconsciously dissect and absorb they music they listen to. Thus making it evident in their playing. If you don't agree with this then either you don't listen to music, which would put you at the extreme beginner, or are trying to sound like an original thinker. Bullshit.
zeppelin2392 2 years ago
jesus christ dude i'm just talking about people who actually steals licks and plays them exactly as they are. obviously people absorb licks from music, i just think it's better when they don't spit it back out exactly as it was.
doug604 2 years ago
The essence of musical innovation comes first from direct reproduction. Once that has been reached, and by that I mean once I copy someone's lick exactly, improvement and improv can be applied. Besides, if something sounds good to me, why can't I copy it and play it for myself? That not stealing, that's jamming for jamming's sake.
Speachami 2 years ago
Great,essential and very pratic for the advanced begginers like me ,good lesson thankz
grandaddova 3 years ago
The first lick sounds like a Pat Martino Lick
02x9 3 years ago
these lines would work well in either the context of an E mixolydian, or a b dorian groove. this example sounds more like dorian
hfish83 3 years ago
What keys are those fkn licks in
ura1poohead 3 years ago
did you pay attention at all?
GrenouilleOnline 3 years ago
Do you know how to not be an asshole?
ura1poohead 3 years ago
woohoo! the thing can actually speak!
GrenouilleOnline 3 years ago
Lol, im excited to see your videos. Lemme know when they're up, noob.
ura1poohead 3 years ago
you really like me, don't you?
GrenouilleOnline 3 years ago
tasty licks
bitcheznhos 3 years ago
this guy has the best and most understandable jazz lessons on you tube,great job brother,killer licks too!wow
bmin7b5 3 years ago
he does but his hair is crazy
Bdubindahouse 3 years ago
The notes and tab on the website contain an error for the 3rd note of the 3rd lick. It should show an A - 17th fret. See video at 2:34. That being said, these are some fine sounding licks. Thanks for the post!
ged4029 3 years ago
why is he wearing different things
supern00b 3 years ago
and playing a different guitar
mattreid22 3 years ago
thats a healthy mullett
bretona 3 years ago 5
that backing track is not really bebop at all, is it?
helenclarkisalesbian 3 years ago
Under a diferent perspective I think there are 3 way to play bebop using ionic maj #5 scale(major bebop), using mixolydian #5 (dominant bebop) and using aeolian #5 (minor bebop)
knowerr 3 years ago
ma perchè quando suona ha la camicia grigia?si va a cambiare?
muramer 3 years ago
Thank you for the lesson.
rogerleos 3 years ago
nice , thank's
melomanul 3 years ago
Good man, but very funny too..: when u speak the guitar is black and u'r dressing a red shirt, BUT while playing the example..the guitar is different and ur shirt became grey! Wow.. u're a magician!
callunaire 3 years ago 3
true-haha
beleza175 3 years ago
And your point?
Kr4ftw3rk 3 years ago
his point is, hes more interseted in superficial crap than the lesson.
symodiezel 3 years ago
thanks really
muzicphiles 3 years ago
i'm trying to get more into this bebop/jazz guitar style, anyone have any suggestion on who to listen to?
codythunder 4 years ago
codythunder
there so many impressing jazzmen... but perhaps you want to listen to jim hall, to chet baker, to charlie parker to benny goodman, to miles davis (of course)
and listen to the jazz-guitar heroes of today! f.e. john scofield, pat metheny, mike stern, scott henderson (tribaltech)
fusionsmarty 4 years ago 2
coltrane would be good to listen to. transfer sa x lines to guitar and your set. plus earlier recordings of nat king cole.
ber2skie 3 years ago 3
definitely check out wes montgomery
omH9108 3 years ago
clint strong! he is the only guy that i've heard using those kinds of licks in a country song, that's why i loves merle haggard and the strangers so much. this is the best guitar lesson that i've found. .thank you so much!!
jprthr3 3 years ago 3
robben ford, larry carlton, brent mason, geroge benson, maybe even allan holdsworth,
frostnet 3 years ago
i mean george benson, type o*!!
frostnet 3 years ago
try robert conti
druss56 3 years ago
oh man thanks alot for the response....you rule fusion...will you always be here to answer some more of my questions lol
ifgfdgfgdfgrrrt 4 years ago
Where does the 2nd note from the first lick come from? It's not in either of the scales he showed us?
ifgfdgfgdfgrrrt 4 years ago
it´s a typical way to sound "jazzy". You dribble around your target-note. you play "around" it from 2 sides:
1. diatonic (means within the scale)from above
2.chromatic (half tone step) from below
so, if you got the note B, then you might play
C# (diat.from above)
A# (chrom.from below)
B (your target)
try this with a complete arpeggio, and you´ll find one simple but effective way to sound jazzy.
sry for my english
fusionsmarty 4 years ago 2
SORRY : diatonic from above must be C, not C#
fusionsmarty 4 years ago 2
it´s a typical way to sound "jazzy". You dribble around your target-note. you play "around" it from 2 sides:
1. diatonic (means within the scale)from above
2.chromatic (half tone step) from below
so, if you got the note B, then you might play
C# (diat.from above)
A# (chrom.from below)
B (your target)
try this with a complete arpeggio, and you´ll find one simple but effective way to sound jazzy.
sry for my english
fusionsmarty 4 years ago 2
thanks, that was some helpful information!
awachuwa 3 years ago
but inspirates to do otherwise
fusionsmarty 4 years ago
Is the first lick just straight picking with no slides...and does he pick every note?
ifgfdgfgdfgrrrt 4 years ago
yes it is
fusionsmarty 4 years ago
tks Pete !U are a fine teacher !
j5353 4 years ago
this is superb tuition, but i was wondering how/why use 2 different bebop scales over the same chord seqence.
is that E and B bebop are the same just startinng from different notes
zodiacie 4 years ago
awesome.
zkr13g 4 years ago
ABSOLUTELY GREAT
fredcalife 4 years ago
I'm not playing guitar, but hey, it's fun watching anyway! Looks so easy when you do it ;-)
psbase 4 years ago
how can i get the jam track, anyone??
gianband 4 years ago
Search for "let's jam blues rock" in google. It should be the first site that pops up. Or if you click on the link in the info section, that page will have a link to the Let's Jam cd.
beefcakejcc 4 years ago
u want money huh?
guesswhoisthis101 4 years ago
excellent licks! so informative! very nice, jazzy clean tones from solidbody guitars. what a great, sparkling tone on lick 3. thanks for posting.
elreydeltango 4 years ago
peter, you are great! i use these licks all the time.
mojoefly 4 years ago
Mullet
dominant84 4 years ago
what kind of amp r u using?
christez 4 years ago
hi peter, thank you so much for sharing your lessons with us. interesting way to expand the musical scope!
theholypope 4 years ago
love the hair peter haha. i spend more time with these videos than w/ my friends. vogl for president.
italianstalionpw 4 years ago