Mi chiamo Antonio ho 19 anni e studio contrabbasso e posso dire con certezza che sono pochissimi i contrabbassisti che come lui che hanno raggiunto una sonorità e un lirismo così perfetto
Very good intonation and rhythym, overall nicely done. But if I could make some constructive criticisms, to still have the same caliber of sound you must move your bow closer to the bridge as you go down the fingerboard. Also, bow technique requires more than just the movement of your wrist. You have to have elbow moving along with the bowstrokes too. If you disagree with this or have any questions please don't be afraid to ask.
Thanks.I would want to understand if the critics are only of visual type or also acoustic. The position of the arc far away from the Bridge when sound on the bottoms is of all the natural one; is moreover is one of stamp choice and still since the keyboard of mine bass is much long one.
Regard to the movement of the elbow and the wrist, the Prelude, structured with notes of short duration, does not concur the
Very well done!
olejason 3 months ago in playlist More videos from SANDROMOSINO
Bravissimo!
cosimosolpi 2 years ago
complimenti, veramente bravo!
Teseoguitar 2 years ago
Mi chiamo Antonio ho 19 anni e studio contrabbasso e posso dire con certezza che sono pochissimi i contrabbassisti che come lui che hanno raggiunto una sonorità e un lirismo così perfetto
Ancora complimenti al maestro
mastjazz 3 years ago
This is really cool, do you know where I could get sheet music for this?
TheBassPlayer 3 years ago
complimentissimi, sei veramente bravissimo
disada5 3 years ago
音程が怪しいですね・・・
am999kamonabe 3 years ago
wow... complimenti vivissimi!
rafland81 3 years ago
Great man !!!
This is just beautiful...
florentghys 3 years ago
Bravissimo, e poi lei è uno dei pochi che conosce Scelsi. Mi sono iscritto al suo canale youtube. Grazie
leonardotonini 4 years ago
Bravo sandro!
-massimo
kbass1958 4 years ago
ciao massimo grazie!
SANDROMOSINO 4 years ago
Very good intonation and rhythym, overall nicely done. But if I could make some constructive criticisms, to still have the same caliber of sound you must move your bow closer to the bridge as you go down the fingerboard. Also, bow technique requires more than just the movement of your wrist. You have to have elbow moving along with the bowstrokes too. If you disagree with this or have any questions please don't be afraid to ask.
thedbassist 4 years ago
Thanks.I would want to understand if the critics are only of visual type or also acoustic. The position of the arc far away from the Bridge when sound on the bottoms is of all the natural one; is moreover is one of stamp choice and still since the keyboard of mine bass is much long one.
Regard to the movement of the elbow and the wrist, the Prelude, structured with notes of short duration, does not concur the
complete distension of the elbow.
SANDROMOSINO 4 years ago
Holy shit damn, nice work man!:D
GroveStreet4LifeDamn 4 years ago