i disagree with the point about pressing on the string. The sound produced would not be solid enough if it is just enough for producing a sound. Thus, there would not be much penetration if for performance.
I have predicted that there must be many different comments about this video, in fact, kindness comments are welcome. Meanwhile, I think I must clarify that the mentioned point of view is not created by myself. It was taught by the Great violinist Galamian's student.
我是台灣的小提琴初學者
請問你的意思是，一開始用最輕的方式接觸弦，然後增加力量拉奏，直到聲音對了？
然後接下來呢......能否用書面用語，看不懂你們的方言˙~˙
smallrice45 8 months ago
但係我係比呀sir話禁唔夠力= =""
我拉係無問題..
係禁唔到出聲= =""
點算?
faifai85128 9 months ago
我也有這個按弦太用力的問題,現在三個手指頭都起枕了
如果拉奏慢的樂曲,我也會提著自己不要太用力,現在可以說是比較好了一點,但如果要拉奏新的樂曲或較快的樂曲,就會一時忘記了提醒自己了......
不過我的老師是說手指要按弦直至碰到指板的
lemonpigmo 2 years ago
國之將亡，必有妖孽
FuckYouPBL 2 years ago 8
真係咩人都有!!!
fungyiucho 2 years ago
100個人拉小提琴會有100種心得 建議你可以 錄一些難曲 像是流浪者之歌 鍾 卡門幻想曲等等... 拉得好的話 你的論點會更有說服力的!
p0935peter 2 years ago 2
你這招應該也很不錯，我很多學生總是用過多的力氣按弦，故常教學生"用摸的"，還有想像要用最小(ppp)的力氣按和拉她們會很緊張的樂段(通常左右手的緊張常是受另一手的影響)，甚至要她們拉出沙沙的聲音來糾正按太大力的問題，練幾次之後的確會放鬆很多，還蠻有效的，跟你分享之...
jviolintw 2 years ago
很好, 謝謝!
fungyiucho 2 years ago
fungyiucho, 同意你的說法，拉快的曲目尤應如此。林耀基教授都是這樣說的，可惜他已離開人間。
ipiuanimato 2 years ago
多謝 ipiuanimato 的回應.
fungyiucho 2 years ago
其實, 除了林老師是這樣教之外, 著名的 小提琴教學權威, Mr. Kurt Sassmannahaus 在他的教學影片中亦有提及, 除了左手撥弦要用力按弦之外, 其他的按弦都是用最少的力的, 可惜很多人都不知道或未聽過這個秘訣, 便以為是錯的
fungyiucho 2 years ago
lucben09 3 years ago 14
F=ma同acoustic係冇咩直接關係... acoustic係有計埋tension但係tension constant時理論上邊個音都發到...反而當tension大左時音會sharp左令到音準有所偏差.講到大唔大聲問題其實只係支弓拉係邊嘅問題. acoustic都prove左如果弓愈近"馬仔"愈大聱...可能有人覺得violin大力都好D...不過都唔好用錯晒D physics concept去 explain反件事.
calvin22082200 2 years ago
i dont know what the hell are you saying but if means how to hold the violin i´ve learned a bit :D
Geminisleviatan 3 years ago 8
不如你試下用你所謂慳力ge力度,去拉一段快d solo黎聽下
dickson331hk 3 years ago 12
無問題, 請將示範費(Presto US$100.- Prestissimo US$200.- 更快的 US$500.-),存入本人的荷蘭銀行本票戶口....如要免費的, 隨便上網找一些小提琴家的演奏片段,細心留意,沒有小提琴家拉快時會把琴弦按死或按到底的. 各位對這理論有興趣的朋友,可自己試試自己的力度怎樣才適合, 不信的朋友, 不管它便是了, 無謂沒完沒了地爭論和挑戰.
fungyiucho 3 years ago
lol ABN wrapped up for decades already
hihihihijk 3 years ago 6
睇吾出你係咁貪錢，你係放得呢段片上網就遇左會有人疑問，好心提你1句：如果係因為人地既少少疑問就去收示範費，咁我建議你吾好再放片上網。
ltk555222 3 years ago 11
What the ASS are you talking about?
Obviously, you don't know how to play violin~~
Depite the pressing on the string, your bow isn't at a high-level-enough-to-teach standard!
crazyalexchan 3 years ago 12
你識唔識拉ga,,亂咁黎,,唔好教壞人啦
kaylaw915 3 years ago 9
一個人在學習上有沒有進步, 很視乎那人的學習態度, 無論你的小提琴技術去到多高深的程度, 對於一些未聽聞過的理論或方法,應持謙虛/開放的態度去研究,去嘗試, 這樣才有進步,才有突破. 要知道, 小提琴的技巧理論很廣泛,不同的年代, 不同的老師,對不同的學生, 都有不同的教法, 如果該理論令你反感,很抱歉,請你以後不要再看這頻道了.
fungyiucho 3 years ago
oh shit, he sounded horrible!
robotacteria 3 years ago 10
obviously, you don't even know what we are teaching/doing!!!!!
fungyiucho 3 years ago
i disagree with the point about pressing on the string. The sound produced would not be solid enough if it is just enough for producing a sound. Thus, there would not be much penetration if for performance.
roxelf 3 years ago 12
it doesn't mean that it has to be followed as a strict rule, just for reference when you want to play very very fast music
fungyiucho 3 years ago
I don't agree your point (to fungyiucho)
s071302 3 years ago 17
I have predicted that there must be many different comments about this video, in fact, kindness comments are welcome. Meanwhile, I think I must clarify that the mentioned point of view is not created by myself. It was taught by the Great violinist Galamian's student.
fungyiucho 3 years ago
你識d咩丫,標奇立異
harrymcdull 3 years ago 10
一個人在學習上有沒有進步, 很視乎那人的學習態度, 無論你的小提琴技術去到多高深的程度, 對於一些未聽聞過的理論或方法,應持謙虛/開放的態度去研究,去 嘗試, 這樣才有進步,才有突破. 要知道, 小提琴的技巧理論很廣泛,不同的年代, 不同的老師,對不同的學生, 都有不同的教法, 如果該理論令你反感,很抱歉,請你以後不要再看這頻道了.
fungyiucho 3 years ago
no one will accept a new concept like "1+1=3"
ok?
harrymcdull 3 years ago 6
這不是什麼新理論, 是著名小提琴大師Galamian 的學生提出的, 可惜, 好明顯, 你仍然不明白, 或者你既程度未能明白這理論. 所以, 我不會再浪費時間去跟你解釋, 況且,你似在"撩交哎"多於討論事情, 那你繼續停留在你的技術層面吧. 你不滿意便請以後不要再看我的片.
fungyiucho 3 years ago