Added: 4 years ago
From: hotd34me
Views: 46,829
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:
see all

All Comments (53)

Sign In or Sign Up now to post a comment!
  • I love it very very much. He just played so naturally.

  • スタインウェイのよい調律に仕上がってるハァ━━━ ;´Д` ━━━ン!!

    1:05-1:20の右手の音色で一目瞭然!!

  • フランケン男が奏でてるΣ(゜Д゜ノ)ノ

  • I don't remember writing what was quoted in the highest-rated comment above, but I just have to laugh.

    It's like, if I dropped something and said "Oh, great," and trschaefer comes and says, "Actually, that's NOT great, you just SHATTERED a priceless vase which is NOT a great thing to do - I definitely disagree with you."

    A friend doesn't like Scriabin because, as he puts it, there's not any trace of irony in his music. I love Scriabin, but...maybe his music does attract the irony-challenged.

  • this is amazing

    if you like this you might like

    gabriel williams - dancing with the schizophrenic

  • unpassionate

  • RIP HOROWITZ,, Fuck the other pianist

  • This is great ,but My favrout version is Richter's

  • thats nearly the way, i would play. but not exactly. on a few points, he is to fast and uncontrolled.

    a good performance.

  • he takes the "scriabin-ness," as they say, out of it.

  • I have listened to many performances of this etude on youtube and my favorite is Sergio Fiorentino. In spite of a deficient sound quality (probably the recording was restored from a very bad shape) there is a noble romantic elan paired with musical coherence and perfect tempo choices. This Berezovsky performance is worse than many.

  • This is so inconsistent. All these different speeds really don't help the piece sound good at all.

  • I think that Horowitz does this the best. In fact he owns this piece. The yearning and the pain. I think this performance by Berezovsky is very nice too.

  • this guy can play anything but hasn't moved me once... he is a robot

  • Gosh...bad...not faithfull to SCriabine, bad notes, unfinished phrases like Amneris said...

  • beautiful

  • After watching several of Berezovsky videos I know understand what is always getting on my nerves. He has no respect for note values, he just keeps going and going without finishing a single thought or a phrase. Music is not just a bunch of notes thrown together, but his playing sounds like that to me.

  • I found it quite moving, actually...

  • @Amneris3 I have a similar feeling. My understanding is that Berezovsky does not care much for the interpretation and with his large repertoire and intensive concertizing he does not have enough time to prepare.

  • Damn this makes a 16 year old piano learner that is still playing Jingle Bells feel like crap :(

  • Mere shit if compared to Horowitz

  • I think this execution comes from Richter genealogy. It has to be fast. Time... and time...

  • не, Артемка, не айс, согласен. оттяжки какие-то, да и ваще...простовато (не в хорошем смысле)

  • не айс....особенно начало,как-то совсем без души....все быстрее и быстрее;(

  • Очень темпераментно сыграл. И по-своему.

  • Proof that in Scriabin, being able to hear ALL the black notes absolutely clearly isn't necessarily the important thing. Fantastic.

  • I enjoyed this version alot. The tempo seems just right, not too fast, and feels effortless. The Kissin version seems forced and not so effortless. Both still great though.

  • i love it )) but Kissin is better

  • i also prefer kissin's live recording

  • beautiful indeed, but I feel like I'm watching a race....Who will get there first?

  • I love all of these little armchair concert pianists putting in their two cents, as if they know what they're talking about. Unfortunately, only about 1 in 20 of these comments is in any way pointed or substantive. Indeed, that number is probably even higher with regard to comments critical of the pianist. Oh well, I guess even classical music has it's Monday morning Quarterbacks.

  • That's one of the best comments I've ever read. I feel the same. I do sometimes feel myself saying I prefer this pianist to this pianist and I am prepared to say I dislike Lang Lang, however every time I will throw up my hands and say Lang Lang is a professional pianist and I'm not.

    Yesterday I went to the international piano competition, and found myself 'prefering' one artist to another, but I couldn't articulate why.

  • Thank you. There's certainly nothing wrong with preferring one pianist to another stylistically, I do it all the time. I just think if one is going to be critical of a performance, they should have a damn good reason why. What these artists are doing is incredibly difficult and deserves so much respect. I'm jealous, you got to go to an international piano competition, I never get to do stuff like that anymore. Which competition was it?

  • One held in London. It's called the "International Piano Competition'' and it's held every three years. First time I've ever seen a professional pianist play live.

    An 18 year old Uzbek one with Prokofiev's third piano competition.

    What do you think of the piece (the scriabin on this video)? I love it. And I didn't love it until I heard Horowitz's version on youtube. Again, I can't say why, I just prefer Horowitz. Maybe it feels cleaner.

    What I hate most is when people quantify emotion.

  • elevenwhy, I happened to fall upon your comment and realized I was there, the very first day of the competition, and left early to see Gustavo Dudamel and the Teresa Carreño Youth Orchestra at the Royal Festival Hall, superb! Unfortunately I had to return to NYC the next day. Anyway, I am glad there are people like you and evolve749 setting these other people in line.

  • does anyone know if there is a recording of scriabin playing this?

  • i love this interpretation AND kissins

  • I agree, muddled is a good word. Horowitz far superior.

  • that's THE melodic way to play it... never aggressive, but with a deep ang large sound, and such a lyrical nostalgy :) bravo Mister B. :)

  • I prefer horowitz's interpretation. It sounds too muddled when berezovsky does it, in my humble opinion.

  • Also scriabin, etude op.8 n. 12

  • thanks:P

  • I think the Horowitz performance is best. (And I'm not even a big Horowitz fan!) Horowitz is able to keep the non-essentials in the background. And I definitely disagree with sshuck's comments (that the piece has "little technical brilliance associated with it, and that it is totally devoid of drama, let alone genuine emotional content"). I find that this piece has all of those qualities in abundance. Yes, it is most definitely a very dark and brooding work.

  • I agree - Horowitz is one of the only pianists who knows the art of rightly accentuating the structure of music to allow for the essence of the piece to flow out!

  • Lol... cool.

  • Hi, can anyone tell me if this is a good competition piece? Thanks. :)

  • Definitely a good one. This one would be very difficult to do correctly and clearly. If you think you can do it, than go ahead. I suggest you do the tempo more evenly than berezovsky, as he likes to speed up little sections for no apparent reason.

  • great interpretation, I don't see the mess, I see expert control and an interpretation that captures Scriabin's temperament quite well IMO

  • Muy buena versión

  • Comment removed

Loading...
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more