Added: 3 years ago
From: khankonchak
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  • Timbre exquisito, fraseo y tempo notables, afinación perfecta, puro sentimiento del hombre mayor que ha conseguido el amor de una mujer mas joven y lo comparte con un joven recién conocido, sin saber que aman a la misma mujer.

  • My introduction to this aria was a tape of Ghiarov recorded in the 60s, with the BBC symphony

    conducted by Edward Downes, Sicilian vespers, the cavatina from Alecko, a couple others from Verdi, very much impressed by him, until now! Shtokolov is really in a different class, how very interesting it is to find after first hearing Nicolai 20 years ago, to strike gold.

  • Борис,ты был ВЕЛИКИМ ПЕВЦОМ ! Горжусь что был знаком с тобой! ТАЛАНТИЩЕ!!!!!!!!!!!!!!!!!!!!!­!!!!!!!!!!!!!!!!!!!!!!!

  • This is magnificent singing and his interpretation brings out all the pathos that we need from a Gremin.

  • The range and control is astounding. Thank you again for posting these wonderful pieces.

  • Wobble? No! Open vowels as "o" and "a" at full voice have a vibrato in such a powerful dark voice. His "i" has less vibrato. He has the courage and the technique to sing big tones in the higher register whereas some singers would cover these a little more and be less generous. His low F# is secured anyway. The difference in this aria between his deep basso and Reizen´s melodious and more lyrical cantante is quite telling! Am I right?

  • so beautiful singing, have few in my channel - hope you like :))

  • I can't get over the beauty of Shtokolov's voice and interpretation. Please find more of his performances, and thank you for sharing.

  • This has to be one of the most powerful voices I have ever heard. Awesome!

  • This has to be one of the most powerful voices I have ever heard. Awesome!

  • @Aetion I disagree. I do believe that it is cultural. The Russian/Slavic culture merely values this sound. One could say that the inherent melancholy of the Russian culture (read almost any Russian author) would create the value of this type of voice. Most others value the tenor because of its beauty and in the higher registers where the voice threatens (and sometimes does) crack. I heard a broadcast from the Met and heard Pavarotti crack on a high C.

  • @45acppistolero . Thank you for your analysis. As a cellist, I have always been drawn to the dark, soulful, often melancholy sound of Russian music and singing. It feels very real to me. With all due respect to the "Three Tenors" phenomenon, I easily tire if that timbre, no matter how great the voice. These dark, Slavic voices draw you into a contemplative frame of mind. I think that's why I love them so much.

  • I always thought Chaliapin was the greatest. Now I may have to reassess my opinion.  Wow.

  • wow. . . . .absolutely gorgeous

  • Una bellissima registrazione... Come succede spesso una registrazione é una dolce illusione...

  • What an amazing bass. Again, it is a privilege to hear him. I was unfamiliar with this artist until a friend sent me a video. I wish I had heard Shtokolov long ago.

  • Bravo!!! Beautiful!!! Thank you : )

  • une grande et magnifique découverte pour moi !

  • Beautiful voice! wow

  • Did he ever recorded the complete opera?

  • Absolutely fantastic!!!

  • WHAT A VOICE!!!!!!!! What expression!!

    this is the best performance of this i ever heard!

  • The best version of this aria for me. What a colour!

  • Hello Khankonchak. I have a vocal question. Is there a true "Russian" voice quality? I ask becasue it seems that so many Russian/Baltic singers (Finns, Bulgarians too) have these these wonderful, rich voices with a unique, dark quality. Is it from the languages they speak or something? Is it something in the culture? It is a sound that seems to be part of the psyche and soul of the people. I am a cellist, and drawn to this velvety, rich tone. Let me know what you think.

  • @stickershomeplus Good question but difficult to answer. I think that it’s a characteristic of the Slavs and has nothing to do with the language or the culture. The latter two do not form any type of voice, do they? Russians have an excellent ability to the dance as well. Think of ballet, which is not of Russian origin. They have taken it from the West. Notwithstanding who are the greatest ballet dancers not to speak of composers?

  • I had never heard of this remarkable musician until 5 minutes ago while perusing You Tube for this aria. Amazing! Such a beautiful rich voice.

  • Thank you! Thank you! I can't thank you enough for sharing this force of nature with us. I love basso voices (my favorite in opera singers), but his is the greatest I've ever heard. I feel blessed to have discovered this. Once again, thanks!

  • I totally agree - this may very well be the finest rendering of Gremins aria I have heard. Just beautiful, even more so.

  • Just try hearing it by Boris Christoff!!! This or even Ghiaurov is nothing compared to him

  • I've been going to the opera and listening to opera for the past forty years this is the first time I have heard of Boris Shtokolov, this evening I have heard the most beautiful voice I have ever heard. I'm going out tomorrow and buying everything he ever recorded. Thank you very much khankonchak, what other gems were kept secret from us?

  • It IS a wondrous, awe-inspiring voice, isn't it? Shtokolov made relatively few recordings in his prime, and they are quite difficult to find. Melodiya has never reissued them on CD and doesn't seem in a particular hurry to do so. You're most welcome, however, to check out the Shtokolov uploads that I've posted on my YT page (and which I'll be adding to). Also be sure to visit the channels of muuha14, MusashiTzu, and Pustinnik25, who have contributed many rare recordings of his.

  • What a voice! Amazing!

  • Why did it take me so long to discover this amazing singer?!

  • Likewise! Extreme power with finesse.

  • Shtiokolov gives us a verile, mature,

    deeply contented and wonderfully sung

    Prince Gremin. His dark beautiful voice

    frames the portrait of this noble character.

    Thank you.

  • i am discovering Shtokolov !! a stupendous voice and formidable singing. completely unknown from me though i began to attend and to listen to operas since 1968 : forty years without even knowing he exists ,even though i have records with russian artists like reizen, koslowski, and many others thanks a lot

  • I am so glad you have made Shtokolov's acquaintance. Just a year and a half ago, he was completely absent from Youtube, and now there are 3 pages worth of videos. It's certainly a vast improvement, although I wish that he had made more recordings (and that companies like Melodiya would release them on CD). But I'm grateful for the treasures that DO exist, and I hope that you enjoy perusing them in this forum.

  • Yes,there is Reizen,there is Christoff,and maybe few others that might be of super performance with excellent voices ,but there is only one the greatest of them all Shtokolov...WOBLE here or woble there if that what some are trying to criticise_even if there would be which is out of question here -this is the finest bass singer EVER been.The warmth and colour of this spectacular voice and spectacular supperb control has yet to be surpassed....

  • With all the great Gremin's available for us to enjoy, I feel in my soul that Shtokolov's version is "definitive". Consider the artistry he brings to the role.  He's essentially a younger man in his vocal prime singing the role of a much older one, and he makes it sound both convincing, touching, and true to life. While I shall always enjoy Christoff's version, and cherish the 90-year old Mark Reizen's, it is the version recorded here by Shtokolov that will resonate now and forever more.

  • This is just great, but a little bit younger Mark Reizen (not 90years old) was a great also!!!!!

  • The best Gremin aria on YouTube!

  • great sound, but too much of a wobble for my taste. Maybe this was recorded later in his career, so the wobble is permissible.

  • A "wobble" entails indeterminate pitch; it's a problem whose audible consequence involves pitch insecurity. There is NO such issue here. Shtokolov DOES have a wide vibrato, but he stays squarely on pitch. If the vibrato isn't to your taste, then fine (even if your complaint is new to me). But if you're going to post critical remarks, you should know your terminology before you do so. This was recorded in his prime. It's hardly the sound of a bass in the throes of vocal decay, if you ask me.

  • With Shtokolov we hear him using an overly wide vibrato, and in doing so he covers the note he's supposed to be singing and some others. He clearly has no pitch problems, but WITHIN the vibrato he does go wide enough to sing outside the given notes! If you ask me it sounds like WOBBLE, as I wrote before. Don't get me wrong, great true bass sound.

  • @khankonchak

    A wobble is not the result of age, but of improper breath support. Maestro Shtokolov's technique is superb... beyond flawless! I cannot name a basso profundo with firmer or finer control than this.

  • @khankonchak

    A wobble is not the result of age, but of improper breath support. Maestro Shtokolov's technique is superb... beyond flawless! I cannot name a basso profundo with firmer or finer control than this.

    Thank you for these fabulous postings. These are gifts of which were have been deprived, through our own ignorance, for far too many years. These are treasures. Bless you!

  • Great singing, wonderful tone, my favourite without a doubt.

  • One more Great bass who continued the tradition of the " dark ' color , deep like velvet , huge range and amazing interpretation russian or slavian , if you like it better , voices !!!!

    and for the non - russian speakers , i want to say that his accent is perfect !!

  • Que voz!

    Unica y maravillosa!

    El comentario de Kankonchak es totalmente justo.

    Como es posible que tales artistas no sean conocidos mundialmente?

  • удивительный голос....

    потрясающий!!!!!!!!!!!!!!

  • You only realise how great this is after comparing to Reizen and christoff

  • Each time I listen to this singer I 'rediscover' him. This (along with the 'instant recognizability' you mention) seems to be a hallmark of the greats: always something new in every 'performance' even if you've already listened dozens of times. Anyway, I have (for the first time) real good speakers on my computer, and playing this, it sounds as though Boris Shtokolov is standing 6 feet away. Thanks so much for posting this and for your erudite, informative commentary!

  • My favourite bass aria in realy russian language,realy russian bass voice, very beautiful! Thank you!

  • certainly my favorite bass, I had longed to hear his voice truely tested in opera, I only knew him from the folk songs you posted before this.

  • I don't understand Russian but agree with your info. that it "sounds like a heartfelt confession...". Thanks for uploading this great and amazing voice.

  • looks like I will be updating my ipod yet again:) thanks for providing my only access to this great bass.

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