Do you suppose there could be something written on the paper Derren is holding that is perhaps invisible or hard to discern, but is actually there nevertheless?
Possibly yes but then the "running order" of the guesses that Derren makes would have to be known by Robin in advance, but yes it is possible. The guess woyuld also have to be known by the orchestra. But by looking at him when he was conducting they would "know" when they were playing the correct piece.
At 2:11 he says "you might want to play scales", and the Ode to Joy would probably be the first piece that comes to mind when playing scales (and which any musician knows), so there was a very high probability that some musician would start playing that, with the others following in the way you described.
@Reinocerous25 yeah but just because you dont play scales fast doesnt make it not a scale, i do my scales starting with whole notes do through every speed up till 32nd notes
As a musician, I know Ode to Joy is not a scale. And why would one think of that while playing scales. Also it is Derren who tells them to play scales, and he has no knowledge of what the conductor has chosen.
There's a decent probability that one of the musicians will do a bit of Ode to Joy, as its a popular piece (in fact, it is the most popular piece in western music), and the conductor can make eye contact with whoever is playing it to encourage them to play louder, and the rest of the instruments catch on to it.
If you're doing scales, you would hit Adagio For Strings much earlier than Ode To Joy.
Just played it on the piano it is definately in the key of C, which would make sense as the piano guitar version would be written in the key of C too.
Whether that was what Beethoven actually intended is open to question. I just looked at the original French Essay about it and it does mention "C" too
Sorry, I know Wikipedia is untrustworthy but I am a musician! And as I said I have the score in front of me and it too says 'in D minor' and if you turn to the page with the famous Ode to Joy then it is very clearly in D!
It just seems odd to me that the original French Manuscripts and everything written about it at the time, and essays about the piece since, would suggest that Beethoven did not actually know what key it was actually in and I'm a musician too. seems odd to me thats all.
This song is not about Derren at all. Think about the experiance of the conductor he knows what he is listening for he can recognise the differing intruments he can just look toward the people playing who are playing the right sort of notes the person next to the player who is getting it right.
then then the people around notice that reconisable sound that the conductor is looking at and play along with it and before you know it a song emerges.
To us this is just noise. concentrate enough and you can recognise each instrument, pick one out and that is a conductors job.
he is so experianced he can do it quickly and picks out the instrument getting the notes right
the musicians know robin well and pay close attention to him.
and when the one getting it right twigs that he is looking to him the musician plays louder and the musicians around him will notice and the sound will spread
derren just tells the orchestra how to see the cues :)
OMG people are obsessed with saying that Derren Brown isn't impressive and doesn't use 'NLP'. Who cares about NLP?! This is impressive, your descriptions are fine, but it relies on one of the musicians deciding to play Ode to Joy from the start!
WHilst the orchastra is quitly playing someone in the group plays the right tune the conductor then looks at the player with his eyes open showing his correct signal, the player then gets more confident and starts playing louder the rest pick up on it and slowily all start playing
I am assume DB influenced the conductor to choose this piece and maybe influenced the orchestra to play it too
The the melody they played (in this key) uses just these 5 notes
D, E, F sharp, G, A
He may not have even needed to influence them much to play it because by starting with 'tuning up and playing scales' (as instructed) the melody was likely to happen naturally due to the strings section's open tunings (compare with melody)
OK so that must be it then ! ... I think in that case he must have done ground work before this clip starts when chatting casually with the conductor to implant 'Ode to Joy' in his mind - something he says and/ or does at the start of this clip must then be the trigger to make him think of it as if it popped into his mind ....
I think there are elements of NLP that do work and bits of it that are two general to work. Perhaps you should look at another technique Derren uses FACS (Facial Action Coding System) developed in the 20's
If you stop and think about it for a moment when you tap your foot to a tune, that you visualise in your head, without actually humming the tune. Have you ever noticed that the person sitting next to you also starts to think of exactly the same tune. I'm going to see Derren in April I'll ask him !
The way I hear it, Derren actually doesn't believe NLP to be anything more than a pseudoscience. He uses it as a red herring, something he's rather notorious for.
whoa!!!
amazing!
classicaddict2010 1 year ago
4:38 hahahah shes all like cocky darren brown
janeswurld 2 years ago
Do you suppose there could be something written on the paper Derren is holding that is perhaps invisible or hard to discern, but is actually there nevertheless?
DreamerHind 3 years ago
Possibly yes but then the "running order" of the guesses that Derren makes would have to be known by Robin in advance, but yes it is possible. The guess woyuld also have to be known by the orchestra. But by looking at him when he was conducting they would "know" when they were playing the correct piece.
computersolutions164 3 years ago
At 2:11 he says "you might want to play scales", and the Ode to Joy would probably be the first piece that comes to mind when playing scales (and which any musician knows), so there was a very high probability that some musician would start playing that, with the others following in the way you described.
solopaola 3 years ago
I don't think all of the musicians were just playing scales. there were mainly long tones to begin with.
Reinocerous25 2 years ago
@Reinocerous25 yeah but just because you dont play scales fast doesnt make it not a scale, i do my scales starting with whole notes do through every speed up till 32nd notes
332546 2 years ago
As a musician, I know Ode to Joy is not a scale. And why would one think of that while playing scales. Also it is Derren who tells them to play scales, and he has no knowledge of what the conductor has chosen.
pdingwell 2 years ago
@solopaola WTF?
There's a decent probability that one of the musicians will do a bit of Ode to Joy, as its a popular piece (in fact, it is the most popular piece in western music), and the conductor can make eye contact with whoever is playing it to encourage them to play louder, and the rest of the instruments catch on to it.
If you're doing scales, you would hit Adagio For Strings much earlier than Ode To Joy.
Chris45215 11 months ago
Wondering what key it was meant to be in?! Surely if you're conducting the LSO you know what key Beethoven's 9th is in!!!
atomicmrpelly 3 years ago
Normally it is played in G for a violin and C for a guitar
computersolutions164 3 years ago
Violins and guitars are in the same key???
atomicmrpelly 3 years ago
I think guitars are strung differently
from E to E normally.
computersolutions164 3 years ago
Guitars and violins and pianos are all concert pitch instruments, trust me!
I've just checked it and it's in B.
atomicmrpelly 3 years ago
actually i have just researched this and founf that "nobody really actually knows for sure what key is was supposed to be in".
Thats the official line from the original French Manuscripts.
It works in "C", which is dead easy to play though. What is your musical background ?
computersolutions164 3 years ago
Right I'm gonna get the score from the library!
atomicmrpelly 3 years ago
Just played it on the piano it is definately in the key of C, which would make sense as the piano guitar version would be written in the key of C too.
Whether that was what Beethoven actually intended is open to question. I just looked at the original French Essay about it and it does mention "C" too
computersolutions164 3 years ago
"The Symphony No. 9 in D minor, Op. 125 "Choral""
That's the very first line of the Wikipedia article on the symphony.
I've got the score, that's in D as well!
atomicmrpelly 3 years ago
I would not pay too much attention to Wiki if I were you. i'd ask a musician.
computersolutions164 3 years ago
Sorry, I know Wikipedia is untrustworthy but I am a musician! And as I said I have the score in front of me and it too says 'in D minor' and if you turn to the page with the famous Ode to Joy then it is very clearly in D!
atomicmrpelly 3 years ago
It just seems odd to me that the original French Manuscripts and everything written about it at the time, and essays about the piece since, would suggest that Beethoven did not actually know what key it was actually in and I'm a musician too. seems odd to me thats all.
computersolutions164 3 years ago
@atomicmrpelly yeah but i can play it in Bb
F
D
and B
its just changing the key
332546 2 years ago
Right, good point.
atomicmrpelly 2 years ago
This song is not about Derren at all. Think about the experiance of the conductor he knows what he is listening for he can recognise the differing intruments he can just look toward the people playing who are playing the right sort of notes the person next to the player who is getting it right.
then then the people around notice that reconisable sound that the conductor is looking at and play along with it and before you know it a song emerges.
This is classical conditioning.
I'll explain
fredb3 3 years ago
To us this is just noise. concentrate enough and you can recognise each instrument, pick one out and that is a conductors job.
he is so experianced he can do it quickly and picks out the instrument getting the notes right
the musicians know robin well and pay close attention to him.
and when the one getting it right twigs that he is looking to him the musician plays louder and the musicians around him will notice and the sound will spread
derren just tells the orchestra how to see the cues :)
fredb3 3 years ago
Didnt you just repeat aceshakazu
Mugicla 3 years ago
elaborated upon the other comments aswell: classical conditioning not NLP
and aceshakazu
fredb3 3 years ago
OMG people are obsessed with saying that Derren Brown isn't impressive and doesn't use 'NLP'. Who cares about NLP?! This is impressive, your descriptions are fine, but it relies on one of the musicians deciding to play Ode to Joy from the start!
atomicmrpelly 3 years ago
Correct based on their interpretation of what the conductor is trying to tell them with his hands restrained..
computersolutions164 3 years ago
WHilst the orchastra is quitly playing someone in the group plays the right tune the conductor then looks at the player with his eyes open showing his correct signal, the player then gets more confident and starts playing louder the rest pick up on it and slowily all start playing
aceshakazu 3 years ago
I am assume DB influenced the conductor to choose this piece and maybe influenced the orchestra to play it too
The the melody they played (in this key) uses just these 5 notes
D, E, F sharp, G, A
He may not have even needed to influence them much to play it because by starting with 'tuning up and playing scales' (as instructed) the melody was likely to happen naturally due to the strings section's open tunings (compare with melody)
Violin G, D, A, E
Viola, Cello C, G, D, A
Bass E, A, D, G
selfreflectionII 4 years ago 2
Correct I sort of arrived at this conclusion after speaking to my piano teacher about it.
computersolutions164 4 years ago
OK so that must be it then ! ... I think in that case he must have done ground work before this clip starts when chatting casually with the conductor to implant 'Ode to Joy' in his mind - something he says and/ or does at the start of this clip must then be the trigger to make him think of it as if it popped into his mind ....
selfreflectionII 4 years ago
this is genius
he's just a mentalist who can use NLP and psychology
akaCharlieG 4 years ago 2
The piece is very simple. The melody is a lolly-pop melody. I can't think of a classical piece with a simpler main theme.
Impressive all the same. I agree with DSLupus below that NLP seems to be somewhat of a red herring.
lestep 4 years ago
I think there are elements of NLP that do work and bits of it that are two general to work. Perhaps you should look at another technique Derren uses FACS (Facial Action Coding System) developed in the 20's
computersolutions164 4 years ago
Rightio thanks for the tip.
lestep 4 years ago
that's crazy i was saying to my friend "it's beethoven 9, i know it..."
then it happened >:/ lol
josscrowcroft 4 years ago
If you stop and think about it for a moment when you tap your foot to a tune, that you visualise in your head, without actually humming the tune. Have you ever noticed that the person sitting next to you also starts to think of exactly the same tune. I'm going to see Derren in April I'll ask him !
computersolutions164 4 years ago
Is this guy a NLP expert or something?
OpusIra 4 years ago
Yup !
computersolutions164 4 years ago
The way I hear it, Derren actually doesn't believe NLP to be anything more than a pseudoscience. He uses it as a red herring, something he's rather notorious for.
DSLupus 4 years ago
that was beautiful! thanks for posting that!
AquaEffector 4 years ago
No problem - thanks
computersolutions164 4 years ago
i can understand most of derren's videos but this..too hard for me
Aqlor 4 years ago
What do you find hard about it then ?
computersolutions164 4 years ago
of his best performances
willjj 4 years ago
amazing.. great video
kljuse616 4 years ago
Thanks !
computersolutions164 4 years ago