Added: 4 years ago
From: heunoproduction
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  • it must feel soooo good to have an orchestra play your music :D

  • 1:36, woman violist is trying to erase Stravinsky!

  • fascinating. He conducts that last expression of his primary motif so much more staccato than i've ever heard it before.

  • This man has more talent than we havw in strand of dna!

  • How can I find more of the 2nd piece? Me wannie. Or the first for that matter.

  • Four people are stupid, Igor Stravinsky was a genious! I love, love, love, love this song!

  • Now we know that pitches are a little sharp in Stravinsky's time :))

  • @ happy ghost... You racists make me sick. By the way, im white. Obviously you havent looked into racial demographics far enough to find out that there are a wide variety of outside factors that contribute to those findings. The sad part is that everything youve said against frican peoples has been debunked for at least 20 years. Probably longer. Who ever your psychology teacher/sociology/anthropology prpfesser was obviously was really bad at his job or you just didnt pay attention in class. Al

  • some people conduct like they're epileptic

  • Igor, una delle teste più "fini" di tutta la storia della musica ...

  • what time signature is this in? i totally forgot!

  • @peytonjmusic This section is in 7/4.

  • With "Susan Maelki" do you mean Susanna Mälkki?

  • @Sidi110 yeah right !!!

  • @heunoproduction OK thanks!

  • @Sidi110 She is amazing!

  • snoop dogg, kesha, TPain, and lady gaga disliked this video

  • Hello. I like a lot to see this video...but i do not understand why to mix Stravinsky's version with one by someone else.

  • @papanoche just to show what a great man he was

  • @dampfbratscher haha...I guess so!!!

  • Women make great harpists...let's leave it that way

  • is that a woman conducting in the second part? oh god what's next?

  • Comment removed

  • @555paint -- Excuse me, pray tell what is next. If someone is amazing at conducting, performing, or anything else, then I believe gender should not even matter. In fact, I found the second part more invigorating -- she was outstanding!

  • @bluerox3 Obviously you are whipped...this is a man's profession! Ok lots of times it is a gay man but a man none the less!! You don't see men trying to force their way into the Harp section do you

  • @555paint -- O_o, aren't you the one whipped? Because you frankly have your mind stuck on the past, where we had double standards. Well, guess what? We do not, and SHOULD NOT, have borders based on gender. It is not people's faults for being born a guy or a girl. If a guy loves harps (and maybe has delicate hands for it), then go ahead. Why should we judge and stop them from following their passion?

  • @bluerox3 Wow...you get the politically correct award of the century....women can't be composers either by the way....I would be willing to guess all the composers you listen to are men and for good reason. All you do is make a bunch of assertions...

  • @555paint I'm making assertions just as you are. Besides, ever thought that there were no women composers because they could not become one? No. Apparently it's because they do not have some male intuition to come one, and not because society would not let (or encourage) them like you're doing now. Besides, just because There were no women composers does not mean there can't be women conductors. Oh and thank you for the insulting sarcasm.. Yeah, that proves that I'm ignorant (*rolls eyes*).

  • @bluerox3 Yes I am stuck in the past becuase the past was great: Beethoven and Wagner and all the greats and today?yuk

  • @555paint -- Great Laugh. I meant your perspective is stuck in the past. But it's alright, because that's when times were at their best! Yes, just keep thinking that if your mind is in the past, so is your appreciation for music! After all, that's how everyone else is thinking too!

    Anyways, I'm just going to stop here because I am here to listen to music (whether they be created by a guy or a girl), and not to create equality arguments against a sexist.

  • @555paint let's see you reply to me calling me an asshole bur then when i react you say i am the one trolling You tube....oh Ok. Nothing like being absurdly inconsistent

  • @555paint u sir r an asshole enough said.

  • @DTfan43 Dear Mr/Ms/It/or?: You assume I am a "sir" but you have absolutely no way of knowing if Iam a man or a woman...that you make the assumption tells me everything I need to know about you--a brain washed product o a pollitically correct cultrure. I would rather be an asshole than a brain washed PC zombie like you

  • @555paint well i assume that u r a guy with that out of date mentallity of your's. If you r a woman i would be shocked because that would defy my logic that you would have that mentalitiy about your own sex. No im not a talentless nobody: yes i may scream because i love metal but does that mean i suck: no. I also play electric bass, double bass, tuba, and i used to play baritone. I am in the top 50 high school bassists and the top 10 high school jazz bassists in the state of Texas.

  • @555paint continued: so let me say again that bottom line you r an asshole. What the hell have you accomplished hmmmmmm?

  • @DTfan43 Wow are you a talentless no body or what?

  • @DTfan43 what the hell is that video you posted? your audition for America Doesn't Have Talent? You are a sure thing...

  • @DTfan43 And once again you are obvioulsy whipped...and loving it.

  • @555paint What drives someone to the point that all they can do in their life is sit on Youtube and troll on people. I just dont get it. Im not going to bother myself with a sexist troll like you. Have a good life.

  • @555paint Excuse me but you are the one who contacted me with a comment/reply not the reverse....take a look in the mirror (yuk i you can stand it)

  • Watching Stravinsky conduct and interpret his own music is unbelievably exciting and inspiring!

    Thank you for posting this.

  • The conductor is Susanna Mälkki (Maelkki), not "Susan Maelki"...

  • God damn that is some bass drum hit @1:17

  • @JoshuaLuty yeah awesome right :D !

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  • Wooooow!

    Really, i Came!

  • I swear.. every time I listen to the Finale of Firebird, I end up fighting back tears because of it's power...

  • I guess I can only speak for myself--but every single stinking note is an absolute fight to write--good notes and rhythms never run freely about--no matter how great or experienced you are as a writer, and so I really appreciate a tremendous amount of thought put forth from any conductor when doing an interpretation. (Of course, I try and be very precise in the score. Look at a Schoenberg or Stravinski score sometime and you will see vitually every note covered by some type of character . . )

  • @callmeBe bravo man, very interesting and precise way you found that.

  • igor stravinsky was a legend in the art of music ! he's creativity reaches another level that is rare to have in one's mind! he's amazing !

  • look this link up on youtube, this is the beginning song yes used in concert at queens park rangers in 1975. Yes - Sound Chaser - A Celebration, 1969-1979

  • It is very interesting that when the composer of this wonderful suite conducts the finale... he seems to plow right through the dramatic final chords... and not as many contemporary conductors today who milk those chords for all their drama. I enjoyed both very much but found the contrast in styles fascinating. I do think though that the horn solo preceding this part is what really sets up the whole finish.

  • This is really interesting. When I played this in my orchestra, the ending was much more legato and full. It's interesting to see how he wanted it to be, but it also shows how versatile 20th century music can be.

  • Critiques die out. Stravinsky's music will be played for the next thousand years and beyond.

  • @rickardo004

    Longer my friend.............much longer! Him,Tchaikovsky and Shostakovitch are my favorite composers ever!

  • It is interesting that Stravinsky keeps the ending a little shorter because traditionally other conductors have kept everything long at the end of the suite...awesome clip to have been able to watch!! =]

  • Newer one pretty much demolishes the original....

  • I am so happy this footage is on youtube. I have a 1953 issue of the suite by Eugine Ormandy with a nasty scratch in the finale, so it repeats over and over...

  • Yes,.... the 2006 version is fine, BUT I don't want to hear it after Stravinsky's own rendition, thanks very much.

    Plain rude.

  • @Gresilde : I enjoyed listening to both versions one after the other, it helped me comparing how it sounded in the past and how it would sound now.

    Both amazing, but I still prefer the original.

  • @Gresilde ok so how about you spend some time digging out old footage and uploading it - then you can call people rude. Be grateful for the person who uploaded this so we can all enjoy it!

  • perfection times two.

  • I played under Stravinsky in Dublin in 1966 (viola). I was 24 then. Shook hands with the great man during a rehearsal break. He conducted his Symphony of Psalms only. The first half of the concert was conducted by his assistant - Robert Craft.

    Stravinsky perspired profusely, and kept a bath towel around his neck for most of the rehearsals!

    It was wonderful to be in his presence, and I still boast about it!

  • @MrPadraigOConnor really ???? how was the big maestro in real life? i love the work of stravinsky !!!! i have all his work in cds and many of them in scores i just study music so i can play one day stravinsky tell me more about your experience !!!!

  • I didn't mentioned but think this part of the Firebird must be as joyful to play as it is to listen to... I'm gonna try to transcribe this and play it on the guitar, but it won't be as powerful as it is in this video, I know ^^

  • @oOCrossroadsOo If you get time to write it out i wouldn't mind seeing how you interpret the piece for the guitar, not to mention i'd like to play it myself.

  • This isn't the type of music I usualy listen to, but however it is still awesome, amazing, surprising, totaly epic.

  • What version of te Firebird is it? It's the 1919 one??

  • :26 pelvic thrust!

  • easily one of my favorite songs by stravinsky!

  • 1:20 fricking scared me

  • The trumpet part is pretty hard because of all the flats

  • I read from "Dialogues & A Diary" that Stravinsky preferred conducting without a baton...

  • Bravo!

  • nice

    I'm so proud to be a New Zealander now

  • Why? lol

  • Well, just felt honoured to have him here in my country that's all. =)

  • i love the timpani part

  • It's interesting to see how Stravinsky thought "it should go"... versus the "traditional ways" it is interpreted. This begs the question- who is right? The original composer? The newer versions? Does Classical evolve like jazz and other forms?

  • really good question, i think every conductor has his own vision of piece he is conducting. The more personal he gets involved the more composition develops. So it develops the piece into new form. So answer to your question may be that it evolves with great conductors. :) other then that try listening to new form.

  • good points! :)

  • I don't know how someone would argue that anyone other than the composer is "right". Genres might evolve but if the composer of a piece of music says "this is how it should be" then that's that. Other conductors can do something different but I don't know when (if ever) "different" is "better".

  • It seems like that is true, but certainly in jazz the music evolves with concurrent performances...maybe "right" and "wrong" are the wrong terms...

  • @jimbobago i think that music is something that is completely subjective in that it is interpreted differently for everyone. it is "better" for individuals, and a certain arrangement cannot be deemed better for all listeners

  • There are always better, great, and perfect choices. Just because it is score written mean it is a perfect choice. Look how many composers revise. Maybe a score will offer latitude for tempos and alternate voicings (Mahler). How about "Pictures at an Exibition" where Ravel completely rewrote sections of the piano score? I am NOT advocating rewriting by anyone other than the composer, but even in a Schoenberg score there is flexability in music which goes beyond the composer.

  • wow, im surpised this is on youtube.

  • @sireofzelda everythings on youtube :) (don't correct me, i'm exaggerating)

  • @sireofzelda Wow! I'd let Suzy take me out for dinner. :) She's a lot better looking that Igor.

  • nice memory

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  • I've got to get something off my chest in regard to comments on music playing.

    I can't keep quiet about this anymore.

    In this instance, for example, both performances sound great to me.

    I thank God I'm not a music connoisseiur.

    I swear, I've never met a more miserable bunch than music critics. They fret over the smallest thing and never stop agonizing about it.

    To me, as long as the ceiling doesn't fall on the stage I'm always happy to hear music played by professional musicians.

  • In the perception of music, as in the perception of everything else, there is a thing called refinement. One CAN enjoy music without having reached such a refinement, but that does not give one the right to criticize those who have!

  • I couldn't agree more. Try not to make mistakes. If you do, then at least make them with conviction, dammit!

  • @PhilistineTheArtLuvr I couldn't agree more.

  • @PhilistineTheArtLuvr Well, there ARE people who have more sofisticated criteria than the non-collapsing ceiling rule! I am not talking about miserable nit-picking: there are geniune and interesting points of an aesthetical nature to be made when comparing different interpretations.

  • @PhilistineTheArtLuvr One doesn't need to be a conaisseur to know if he likes or not what he is listening to. I don't know what about you, but my intelligence goes beyond "since the music is played by professionals, I like". Furthermore, many amateurs are better than many professionals who just work for paying their bills when month finishes.

  • @LordMgls Get over yourself.

  • @MuscleheadsUnite

    Are you a proud musician - or just another dumbass dropping by?

  • @PhilistineTheArtLuvr totally agree...thanks for sharing!!!

  • @PhilistineTheArtLuvr It's funny how professional musicians labour as hard as they can to raise the standard of music, to the point of forcing it into the heads of young children daily, yet the paying public can't tell the difference between an professional performance and an amateur one.

    Maybe the profession should take note....

  • men, thats absolutely nonsense, crazy!! the best seconds ever in the history of music!! No doubt!

  • I love the power of the brass at 1:30. Simply marvelous.

  • Love the brass too. Very robust.

  • The trouble is with Susan Maelki's rendition is that it seems laboured...compare her with Gergiev's version, which seems to have that extra bit of va-va-voom. I guess its down to the individual conductors interpretation though

  • triangle solo cool

  • What's solo about it?

  • sorry. i don't get what you are asking

  • It's not a solo. lol

  • sorry i'm latino maybe it's not a solo but it's almost one

  • yes. and it IS cool. you're right.

  • What a silly comment, rockhopper. The 2nd conductor is Susanna Malkki, the musical director of Paris' legendary Ensemble Intercontemporain... the top ensemble in the world for contemporary music - so I guess she's got plenty of musical taste!

  • One of the greatest composers has absolutely no podium technique - followed by someone else with absolutely no podium technique nor taste.

  • Triangle solo!

  • dude look at the link from google thenread the article CLOSLEY. this isnt freebird at all.

  • do you mean firebird?

  • REtard

  • google brought me here too =D

    btw happy birthday

  • loooooool

    google brought me here too

    happy birthday Igor ^^

  • google brought me to this secret film lol.

    This is wonderful, I never knew stravinsky did this? HAPPY BIRTHDAY IGOR!!!!

  • Google brought me here

  • same

  • FREEBIRD!!! - actually no offense to Mr. Stravinsky on his Bday, but I don't think I would have recognized the Skynard Classic, although I loved Ed Grimley with the crazy triangle at the end. Bravo! - Any way, I must be traveling on now... Thanks Google!

  • I've been punked - FIREBIRD!!! In that case the piece Rocks!  WOO! (holds lighter high) Didn't look much like the Freebird crowd.

  • happy birthday Igor nice vid google brought me here lol

  • i think it brought us all here. :)

  • Feliz cumpleaños, Igor. Con tu Pájaro de fuego, lograste todo. Sensacional.

  • Wow, this is amazing. Fantastic. Happy Birthday Igor!

  • wow.. I just found about this guy from google's logo wishing him happy birthday. so i looked him up... and I'm glad I did. I'm not a big fan of classical music, but this is simply amazing... Happy BIrthday Igor!!

  • Happy Birthday Igor :) :) .

  • He writes the strangest stuff. Heard Symphony of Psalms?? Weird. If the end of the world had a song, that would be it.

  • I love firebird! What a great composer! But he looks a little funny when conducting, doesn't he?!

  • this is so POWERFUL :D

  • bellissimo video.

  • This is awesome!

    haha Phantom Regiment played this in 2007.

  • Beethoven didn't use one...

  • Conducting in his time wasn't the same as it is now. Mozart conducted too, he didn't use a baton, but it definitely wasn't the kind of conducting it is now. But no, you don't need a baton, though I like using it. lol

  • I don't think there are any laws about conducting with a baton.

  • 7\4 section.... gold!

  • The sound from 1:31 - 1:32 is so immense!

  • I like the percussion too and the violinists give nice accent!

  • I love it because it is so original and cool!!!!

  • i find stravinsky a magnificent conductor :P

  • I have to admit that the percussionist at 0:50 is priceless... Intense concentration before his --triangle-- solo.

  • I can watch this  over and over. Is it my imagination or does he cue the brass early at one point and a quick smile when he realizes what he did but they wait for the right place.How many of us would have come in early. It's Stravinsky.

  • john mackey references the ending of firebird for his piece "kingfishers catch fire mvt. II"

    amazing piece, I love the way he slows it down and tries to camouflage. you hear it and you know it sounds familiar but you can't pinpoint where exactly you know it from. =]

  • haplesshero13 you can very easily compare the pitches of the last chords of the old and new versions on this same clip - it's not a 'whole tone'... nowhere near... it's a touch less than a semitone higher. That really isn't going to make a great deal of difference to the tempo!

  • If this was sped up then whoever played the tape should be fired as the kind of tape this would have been recorded on is very rare today and needs someone who knows what they're doing to replay it. And it would also have a specific configuration for replay. It is not sped up - it was played this fast.

  • It is sped up. The tuning is about a whole-tone too high. This produces a higher pitch. (Akin to how sped-up tapes of people talking sound really squeaky and high-pitched.)

  • That was great...

  • I honestly prefer a slower tempo, as the one which appears after the stravinsky's conduction.

    I think it can be more expressfull that way, and that you are better able to appreciate its greatfull beauty.

    anyway i love this piece so much!

  • Maybe it was originally slower, but due to the old (1960's?) tape it is sped up??

  • dunno

  • hell yea, bass drum! =)

  • I love the tempo of it: Perfect!  Not everyone milks it that hard.

  • 1:20

    thats gotta be a one of the largest bass drum malletes i've ever seen

  • Amazing, beautiful!!!

  • Enjoyed this very much! Stravinksy seems like a difficult conductor to follow. Susan Maelki seems much more able as a conductor - clearer leading indications and inflections on upbeats. Love the sound of the brass in the second orchestra too!

  • I had already heard Stravinsky was not a good conductor, but I didn't know it for shure until I saw this!

  • HAHA I love the way he conducts the 7/4 section!!!!!

    Not at all like what people typically do today

  • NICE!!!

  • the orchestra at the end has a really FAT tuba sound on the bottom! heck yeah!

  • Is that it when it plays the sustained Bs and F#s? I was thinking it was the contrabasses since the camera was right next to them

  • Yeah, him and M. bass trombone are spanky m***erf***ers XD

  • What a conductor! His music is extraordinary!

  • And a better composer :)

  • has anyone seen the picture of him looking like a pimp? lol hes a legend and my idol

  • How interesting that this video contains as far as I can tell - the newest and the oldest, i.e., Stravinsky conducting the 1945 version and Maelki the original 1910 version (not the 1919 version). The "modernized/downsized" 1945 is kind of "cute", but the 1910 is lavish, magnificent - faithful to the spirit of Stravinsky's original concept (one I wish he would have have stuck with - at least with regards to his three ballets [Firebird, Petrouchka, and Rite of Spring]!).

  • who is the conductor at the final of this video?

    she is very well , nice movements...brilliant.

  • read "about video" on right hand side

  • where can I find her ?

    she dont appear in internet i wanna meet her.

  • You can tell they're different versions (1945, 1919 respectively), the articulation of the chords is completely different. The 1945 version is so much better, I don't know why people keep insisting to play the 1919 suite.

  • neat video. i wish there was video of Tchaikovsky conducting, yea right!

  • WOW...i dont seen this video yet...thank, thank