Wow! What an unknown piece, thanks for posting. Copland developed later with the "Piano Variations", but he always maintained his crystal harmonies and perfect structure. Tonal? Obviously this is, but Copland's structures never lose the sense of a center, even if they sound like the wrong notes.
I've heard several recordings of this piece. I noticed that in this recording, the "doppio movimento" part was a lot slower than what I've heard it played at. I'm currently playing this piece, so I liked hearing the different interpretations of that section.
what's funny is that aaron copland in his book "What to Listen for in Music" explicitly states that a passacaglia is in a slow triple meter...then he writes one in 4. i guess genius doesn't come in a neat package. rules are meant to be broken, especially in art
This is a very early work of Copland from his studies with Nadia Boulanger. It was written as an exercise in form. He had already had a large exposure to jazz and the new music on the scene in France, particular the music of "Les Six." It's not exactly his style, but interesting. I wouldn't call it atonal or versatile per se since it's an exercise, but definitely worth noting in his repertoire.
Wow! What an unknown piece, thanks for posting. Copland developed later with the "Piano Variations", but he always maintained his crystal harmonies and perfect structure. Tonal? Obviously this is, but Copland's structures never lose the sense of a center, even if they sound like the wrong notes.
peplicus 1 week ago
This has been flagged as spam show
Some people want young white females to mix with non-white males.
I made a one-minute video highlighting a very small sample of race-mixing advertisements.
I love white people, and I am opposed to race-mixing. But I do not hate non-whites.
If you click on my name “awhitesoul2012” highlighted in blue below this comment, you can watch my video.
Thanks.
awhitesoul2012 1 week ago
This a truly sublime piano piece
jomeara75 1 month ago
the parts aren't 100% sync... Copland is suberb!
RenanAlonso 2 months ago
very nice...stubble upon this composer by accident, and I like
rgrannell1 3 months ago
I've heard several recordings of this piece. I noticed that in this recording, the "doppio movimento" part was a lot slower than what I've heard it played at. I'm currently playing this piece, so I liked hearing the different interpretations of that section.
Digitalmozart93 5 months ago
Cheers!
Eppreor 5 months ago in playlist Copland
whose the pianist??
livelovelisten100 7 months ago
what's funny is that aaron copland in his book "What to Listen for in Music" explicitly states that a passacaglia is in a slow triple meter...then he writes one in 4. i guess genius doesn't come in a neat package. rules are meant to be broken, especially in art
InstrumentalMania 7 months ago
This is a very early work of Copland from his studies with Nadia Boulanger. It was written as an exercise in form. He had already had a large exposure to jazz and the new music on the scene in France, particular the music of "Les Six." It's not exactly his style, but interesting. I wouldn't call it atonal or versatile per se since it's an exercise, but definitely worth noting in his repertoire.
msandersmusic 7 months ago
The versatility of Copland never ceases to amaze me
kl0441 8 months ago
i love it.
xFishNinjax 9 months ago
I love that hard swing note section at 3:30 that merges into the recurring theme. Beautiful! Thanks for posting the written music.
erinelizabeth428 10 months ago
That was nice to read. Thank for taking the time to post it.
robertmbruno 11 months ago
It's a little scary to me as a teacher to think that anyone could possibly think this is atonal.
nohpiano 1 year ago 13
@nohpiano I know what you're saying. it obviously has a key signature.
somnynightin78 6 months ago
as to me, it reminds (at least, the first bars) Satie's Choral from "Sports and Amusements"
Barbapippo 1 year ago
How do you not like Copland?
ksyalxe 1 year ago
I wouldn't say nearly atonal, i'd say dissonant but surely tonal.
luiz0malucelli 1 year ago 12
@luiz0malucelli also because Copland composed it in the G# Minor tonality.....didn't you notice it?
TheEngraver 1 year ago
Thank for putting this great work up!
johnnynoirman 1 year ago
3 staves, what
BanalPoltergeist 1 year ago
That has got to be the coolest ending. Nearly atonal for the whole piece and he finally winds up with a really minor cord. Thank's for uploading!
007captainobvious 1 year ago
Copland's "Four Piano Blues" fits into this area of solo piano ..
DSM1G90 1 year ago
as ever: original choice and good performance!
tpzvn 1 year ago
Who is playing?
sanctusignis 1 year ago
@sanctusignis Ramon Salvatore.....
Alvarordonez 1 year ago
@Alvarordonez Whoops, didn't even notice that as I was in another window when this was playing haha.
sanctusignis 1 year ago
This has been flagged as spam show
@sanctusignis ;-)
Alvarordonez 1 year ago
Gran pieza, me encanta.
Kuerales 1 year ago
I love this piece! Thank you so much for uploading
UserID20 1 year ago
Wow!!!
MagicDonDino 1 year ago