@metalfukker greg tribet uses the v2 series amp then a dime x2 and a kerry king marshall 800 .i got the hell ya video and he tracks with the randall v2 and x2 and rythem shit hell use thekk jcm800 for punch in ryrhem,i read in a online interview last summer he loves randall valvedynamic heads and never will leave his studio rig and live rig witch both studio and live rigs are the exaact shit ,duh lol
The point is: To get 10 different kinds of tone, you'll need to spend 1300€ for the amp and 250€ for each module (European prices). That makes 3800€, and yea, you're right, then you can pick three at once and use them!
I have a fully MIDI programmable amp where I need to buy NOTHING but preamp tubes then and again, which cost me 1350€, and I can pick one of hundreds of sounds in a second - without changing anything or wasting my money.
I mean what the hell? I've been one of those foolish guitarists who believe in Tube sound voodoo.
I must say, today I'm more of the pragmatical type, and I believe in what I hear. A really good solid-state amp can sound better than many tube amps I've heard. The problem is that there are so many shitty SS amps out there.
Of course SS amps have that image of low-budget stuff, but only because many cheap products use the technology.
There are lots of fascinating solid-states out there.
I've owned various metal amps, i.e. an Engl, I've sold them all because their metal tone wasn't satisfying. The Ninjas are the first that sound absolutely pleasant in my ears - if you find the right settings, of course.
If anything is the Ninja's strength, it's its versatility. No amp I have ever played, except for shitty modeling amps, can do such convincing, differing tone from one and the same hardware.
The RM100 needs way too much knick-knack to be versatile. I don't need to do anything!
Amott used 5150's in Carcass and throughout most of Arch Enemy's albums. He probably used Marshalls in Carnage or maybe he got his 5150 quite early. He started using Randall on 'Rise Of The Tyrant' but now does not use the Ninja series - him and his brother, Chris both use RM100 MTS amplifiers with Randall XL Cabinets with Vintage 30 - 60 watt Speakers. A Gibson Les Paul or Ibanez RG550 into a Peavey 5150 should get you
mehh im not keen on the 5150 - too many people use them now. Marshall is going out of metal - players like kerry king, zakk and a few others are the only ones keeping it going. Hope people come back and find out how fucking good marshalls are XD
A lot of people still use marshall behind the scenes, that goes for a lot of other people saying they use other amp manufacturers....Rusty Cooley has a signature Peavey but I could bet you a tenner he doesn't record with it...why does he have a signature which he barely uses? Free amps...he can save the good amps for recording...
This isn't speculation, this is fact...What you said about the 5150 is true but why shouldn't you use one? As long as the music you make is original, who cares?
too many people are using 5150's? as if you think peavey is more popular than marshall cmon thats all you hear is marshall i mean there relly good amps but even they are going down hill im either goin for a randall or a orange!
sucks that bands go for more and more advanced amps as they progress but they still digress back to that same ol' pro tools stock sound when they record. drums and all. compression sucks dick.
@aarondistorted You need compression actually. Levels are jumping up and down especially for a rock/metal band, so they have to be tamed a bit and have the mix sit a little bit more cohesively. Vocals are debatable if they need compression these days because of 24 bit recording. How much compression is a taste thing though, some producers engineers like that squashed sound and others like it more aired out. Most modern metal is WAY too compressed though--little dynamics are left.
rm100 has some built in effects...v2 is a bone dry amp, the distortions are amazing, run an eq in the effects loop...and a processor for your effects....big time!!!! worth every penny...i run in stereo
RM100 doesn't have effects, just an effects level controller...It's one aspect of the amp I was really disappointed with...and I don't think there is enough room to put a reverb unit in the enclosure...you could get a cheap effects processor...I'll probably go with a Digitech GSP1101 \m/
No, the randall is driven by four power tubes, three preamp tubes in the effects section and two in each module. The Hybrid amps may be more suitable for people who don't have the money to replace all the tubes every year and a half. But generally the RM100 amps are far more versatile.
Haha, you're kidding?? You need to spend more than a thousand bucks for the modules to make the RM100 versatile.
Ever tried the Ninja, playing around with the 6-band EQ? I've found any sound between Pantera and Machine Head. Also, it's got a crystal clear clean sound. It's the best amp I've ever played, and I'm selling my 5150 now for it.
I don't even have enough characters to shoot you down...The Ninja is a good amp but why the hell do you think 'Amott and Amott' decided to switch to RM100s?
lol they are ALL V2's....they just have different paintjobs..i think theyre sigs are jokes lol. at least kirk hammett got special modules and shit, al they got was the same amp we get in the store, just with their paint and writing.
what song is this?
metalfukker 1 year ago
something by arch enemy
BlackDiamond351 1 year ago
we will rise
ironmaiden994 1 year ago 2
@metalfukker We Will RIse-Arch Enemy on Rise of the tyrants album i believe
assphinktersaiswhat 1 year ago
@assphinktersaiswhat it's from anthems of rebellion actually
skmetalhead16 1 year ago
@skmetalhead16 Thats right haha cheers
assphinktersaiswhat 1 year ago
@metalfukker
Song - We Will Rise
Album - Anthems Of A Rebellion ( Y 2003 )
Artist - \A/rch \E/nemy
Thank You =)
VsShredder 1 year ago
what kind of settings on an amp would you need to get a sound close to mudvayne on the new game?
metalfukker 1 year ago
@metalfukker greg tribet uses the v2 series amp then a dime x2 and a kerry king marshall 800 .i got the hell ya video and he tracks with the randall v2 and x2 and rythem shit hell use thekk jcm800 for punch in ryrhem,i read in a online interview last summer he loves randall valvedynamic heads and never will leave his studio rig and live rig witch both studio and live rigs are the exaact shit ,duh lol
metalmusiqcrzy 9 months ago
The point is: To get 10 different kinds of tone, you'll need to spend 1300€ for the amp and 250€ for each module (European prices). That makes 3800€, and yea, you're right, then you can pick three at once and use them!
I have a fully MIDI programmable amp where I need to buy NOTHING but preamp tubes then and again, which cost me 1350€, and I can pick one of hundreds of sounds in a second - without changing anything or wasting my money.
Cheers.
ez45 2 years ago
I mean what the hell? I've been one of those foolish guitarists who believe in Tube sound voodoo.
I must say, today I'm more of the pragmatical type, and I believe in what I hear. A really good solid-state amp can sound better than many tube amps I've heard. The problem is that there are so many shitty SS amps out there.
Of course SS amps have that image of low-budget stuff, but only because many cheap products use the technology.
There are lots of fascinating solid-states out there.
ez45 2 years ago
I've owned various metal amps, i.e. an Engl, I've sold them all because their metal tone wasn't satisfying. The Ninjas are the first that sound absolutely pleasant in my ears - if you find the right settings, of course.
If anything is the Ninja's strength, it's its versatility. No amp I have ever played, except for shitty modeling amps, can do such convincing, differing tone from one and the same hardware.
The RM100 needs way too much knick-knack to be versatile. I don't need to do anything!
ez45 2 years ago
Can this amp get you the Carnage guitar sound?
DaveDoggOwns 2 years ago
Amott used 5150's in Carcass and throughout most of Arch Enemy's albums. He probably used Marshalls in Carnage or maybe he got his 5150 quite early. He started using Randall on 'Rise Of The Tyrant' but now does not use the Ninja series - him and his brother, Chris both use RM100 MTS amplifiers with Randall XL Cabinets with Vintage 30 - 60 watt Speakers. A Gibson Les Paul or Ibanez RG550 into a Peavey 5150 should get you
6Vital6Remains6 2 years ago
mehh im not keen on the 5150 - too many people use them now. Marshall is going out of metal - players like kerry king, zakk and a few others are the only ones keeping it going. Hope people come back and find out how fucking good marshalls are XD
jamesstone123 2 years ago
A lot of people still use marshall behind the scenes, that goes for a lot of other people saying they use other amp manufacturers....Rusty Cooley has a signature Peavey but I could bet you a tenner he doesn't record with it...why does he have a signature which he barely uses? Free amps...he can save the good amps for recording...
This isn't speculation, this is fact...What you said about the 5150 is true but why shouldn't you use one? As long as the music you make is original, who cares?
6Vital6Remains6 2 years ago
too many people are using 5150's? as if you think peavey is more popular than marshall cmon thats all you hear is marshall i mean there relly good amps but even they are going down hill im either goin for a randall or a orange!
ANGRYREDNECKTRUCKER 2 years ago
@ANGRYREDNECKTRUCKER engl is awesome too. an more poeple are actually using 6505s or 6505+
macintirekyler 11 months ago
he pronounced Amott wrong :P
nothing452 2 years ago 2
haha the little one looks like it has foil or some cheap materail. go for the head hah
faggotball 2 years ago
i dont care what the damn amp have... just play that shiit!!!
GabrielCx2 2 years ago
sucks that bands go for more and more advanced amps as they progress but they still digress back to that same ol' pro tools stock sound when they record. drums and all. compression sucks dick.
aarondistorted 2 years ago 13
@aarondistorted You need compression actually. Levels are jumping up and down especially for a rock/metal band, so they have to be tamed a bit and have the mix sit a little bit more cohesively. Vocals are debatable if they need compression these days because of 24 bit recording. How much compression is a taste thing though, some producers engineers like that squashed sound and others like it more aired out. Most modern metal is WAY too compressed though--little dynamics are left.
RNRDOLL 1 year ago
as far has metal goes, does this have a better sound than the RM100
XMetalTube 2 years ago
rm100 has some built in effects...v2 is a bone dry amp, the distortions are amazing, run an eq in the effects loop...and a processor for your effects....big time!!!! worth every penny...i run in stereo
dickyp1 2 years ago
RM100 doesn't have effects, just an effects level controller...It's one aspect of the amp I was really disappointed with...and I don't think there is enough room to put a reverb unit in the enclosure...you could get a cheap effects processor...I'll probably go with a Digitech GSP1101 \m/
6Vital6Remains6 2 years ago
No, the randall is driven by four power tubes, three preamp tubes in the effects section and two in each module. The Hybrid amps may be more suitable for people who don't have the money to replace all the tubes every year and a half. But generally the RM100 amps are far more versatile.
6Vital6Remains6 2 years ago
Haha, you're kidding?? You need to spend more than a thousand bucks for the modules to make the RM100 versatile.
Ever tried the Ninja, playing around with the 6-band EQ? I've found any sound between Pantera and Machine Head. Also, it's got a crystal clear clean sound. It's the best amp I've ever played, and I'm selling my 5150 now for it.
(Blah blah, tubes are better, blah blah.)
ez45 2 years ago
I don't even have enough characters to shoot you down...The Ninja is a good amp but why the hell do you think 'Amott and Amott' decided to switch to RM100s?
6Vital6Remains6 2 years ago
i was thinking of the RM120...my bad
dickyp1 2 years ago
what song is at the begining?
masterboi31 2 years ago
we will rise
spuogis 2 years ago 6
\m/ Arch Enemy \M/
cromakey 2 years ago 15
We Will Rise by Arch Enemy
mobman47 2 years ago 4
how do you switch b/w the clean and dirty channels on the small amp? foot switch or anything?
eroticblack 2 years ago
a button
nucularfallout88 2 years ago
the amp comes with a 6 button midi footswitch so you can use all the channesl with the EQ
supershaun215 2 years ago
he does
i saw him live yesterday with carcass
and he use this amp
edjar10 2 years ago
lol they are ALL V2's....they just have different paintjobs..i think theyre sigs are jokes lol. at least kirk hammett got special modules and shit, al they got was the same amp we get in the store, just with their paint and writing.
EngageTheKnot 2 years ago
the tubes in the amp are diffrent and the sound modulation is alittle bit hoter
spuogis 2 years ago
LOL!
ibanezxiphos700 2 years ago
Well i am sorry that i dint know he played for arch enemy! lmao
i thought i was gonna piss some people off so i said what the hell.lol
cauzer1595 2 years ago
ohhhh cool i didnt know he played in carcass
brentok5 2 years ago
play the fuckin'to hear it.
alkalinetrio751 2 years ago
blah blah blah, where is the demo?
PYROSF 2 years ago
Yea!!!
ermie03 2 years ago
Well, it is "Gear Spotlight" so it is not big.
But I still would like a live demo...
ermie03 2 years ago
guitarist for arch enemy, watch the video they even say it.
bassist13 2 years ago
I love that knobs!
pecca1977 2 years ago
They really hated these amps. Just for the cash they did this ONLY!
bitchslapper12 2 years ago
This has been flagged as spam show
FIRST FUCVK YEAH
rasse 2 years ago
This has been flagged as spam show
second fuck no
MauritzOnkelbach 2 years ago