Unnatural blink rate - he must be an android! Let's get 'im!
Seriously this is awesome - some of the most 'musical' stuff I've heard of that period. I've been getting seriously Radiophonic myself just lately - recently acquired a couple of reel to reel machines and a splicing block - all preserved in air from 1967
This is an amazing clip-- we take for granted all of the work of pioneers and advancements via moores law. I feel spoiled by the fact I can whip out the ipod or ipad, load bebot or touchwiz.
Okay, with that out of the way. What a monumental talent Vorhaus is. He seems to possess both a vast historical knowledge of music and the brains of an engineer. He was inventing the future right before our eyes in this video. Many thanks to Jeffrey Plaide for sharing this fine footage!
Mr Vorhaus certainly had the first fairlight in the UK. I remember visiting his studio where he demonstrated both the fairlight and the kaleidophon, can't remember the exact date though I'm afraid.
wow, really interesting video. I would love that sequencer. Software is great but it's so detached. potentially rigid and not hands on, the way this thing is.
@CiaranPaulRoche I read that Dave Vorhaus was the first person ever to buy a Fairlight, and that infamous and much overused 'Orch 5' sample was his work!
Holy crap this is freaky! He's the archetypal maniac working into the wee hours in a quest for the ultimate sonic orgasm! :^D
Just goes to show you don't need overwrought digicrap to make funky sounds. Puts every wanker sitting at his Windoze PeeCee with Soundblaster nowadays positively to shame.
damn, that jam at the end is too much. Sucks that our man has to be chatting over the top of it. Surely DV's face show signs enough of the ecstatic throes of a moment of music demanding absolute attention
God, it's so weird watching this. It's like, them saying "music develops, we're watching the future of music here."... and look at music now. Electronic music, to be precise. This stuff IS here, this is the music of the PRESENT now. Crazy.
Really interesting, I love electronica but I have to admit to not knowing a great deal about it's production, if anyone has the time / patience to teach me a little about it it'd be great.
But this music is really interesting. A lot of vintage electronic music sounds much more advanced than what they call electronic nowaday. Happily, there are exceptions to the rule such as Aphex Twin or Boards of Canada.
right? however, trying to get new sounds out of instruments would be incredibly hard without technology.. we would still be listening to big band, rag time music.. besides music is what anybody wants it to be.. has it been anything less than an expression from the musician for the listener to decipher?
plus music on the radio makes girls asses shake.. so im not complaining one bit! lol
@kstonge07 you are absolutely right and im not complain either:) but it still doesn't explain why new technology goes into thin and sterile sound. old synthesizers for a new ones are like a butter for a skimmed milk. i love all those new features and stuff but overall sound is totally artificial and stiff. that's what i meant.
@sacredgeometry yeah i know. every tool could be great in the proper hands. i'm just well pissed cause everything goes virtual/artificial/fake nowadays. virtual instruments, virtual sex, virtual friendship, virtual money, electronic pets, artificial food, artificial grass, artificial flowers, fake smiles, fake tits, fake lips, fake teeth, huh... nevermind:P peace
this is a fantastic clip! The last song he plays is on his White Noise III Re-Entry album. Hope it will be available on iTunes soon, as I only have a poor copy of my old LP on analog tape left, the LP is badly damaged in a move...
Thankyou so much. Analogue music synthesis has attracted great interest, and musicians are interested in hardware and software that can create such fantastic soundforms with almost infinite variety and variability.
@ajittffcure I lover analog synthetics, but you can hear in vorhaus' statements that, at these times, people and composers experienced the pure electronic sound as "cold" (compared to the instruments of the past) and did not appreciate it in it's raw form, because it did not resemble to their dreams and feelings of what they were musically affected in their lifes. so they tried to get a more "vivid" sound out of it...
There is quite a bit of extra material from the 1979 BBC documentary. I have inter-dispersed some excerpts within my other music-related videos. Including the late Malcolm Clark from the BBC Radiophonic Workshop demonstrating the incredible EMS Synthi 100.
Look for his White Noise album. The first one with Delia Derbyshire is amazing. That sequencer is amazing - very cool features. Time Warp Navigator!!!!
it'll never catch on.
machv 1 week ago
Unnatural blink rate - he must be an android! Let's get 'im!
Seriously this is awesome - some of the most 'musical' stuff I've heard of that period. I've been getting seriously Radiophonic myself just lately - recently acquired a couple of reel to reel machines and a splicing block - all preserved in air from 1967
shobley 4 months ago
This is an amazing clip-- we take for granted all of the work of pioneers and advancements via moores law. I feel spoiled by the fact I can whip out the ipod or ipad, load bebot or touchwiz.
Great clip-- made my day..
rockbandmidi 6 months ago
@rockbandmidi oops I mean morphwiz (jr rudess ipad app)
rockbandmidi 6 months ago
David Vorhaus should have gotten more recognition in the electronic music scene. I like him better than Larry Fast or Jarre.
kevbot71 7 months ago
I love this video clip a lot. A lot, a lot.
Remixlab 8 months ago
"This revolution has hardly begun" Wow
BIGINSF 10 months ago
This has been flagged as spam show
For the love of God, David ...stop blinking!
Okay, with that out of the way. What a monumental talent Vorhaus is. He seems to possess both a vast historical knowledge of music and the brains of an engineer. He was inventing the future right before our eyes in this video. Many thanks to Jeffrey Plaide for sharing this fine footage!
fragmatic1964 11 months ago
Comment removed
fragmatic1964 11 months ago
Brilliant!
fram8yourmum 1 year ago
Granddad of psy trance. ; )
cosmicmichael 1 year ago 2
what kind of reel to reel is in the rack?
btown2011 1 year ago
@btown2011 no reels...
emarum 9 months ago
Mr Vorhaus certainly had the first fairlight in the UK. I remember visiting his studio where he demonstrated both the fairlight and the kaleidophon, can't remember the exact date though I'm afraid.
ManorRecords 1 year ago
wow, really interesting video. I would love that sequencer. Software is great but it's so detached. potentially rigid and not hands on, the way this thing is.
waheex 1 year ago
He's still around and making music in London ....
nubient 1 year ago
Ahhh, the halcyon days before fairlight, emulator and software. It was a little more difficult and costly to make electronic noise back then kids.
CiaranPaulRoche 1 year ago
@CiaranPaulRoche I read that Dave Vorhaus was the first person ever to buy a Fairlight, and that infamous and much overused 'Orch 5' sample was his work!
astrophonix 1 year ago
That Maniac Sequencer looks fabulous.
It's about time someone start building these for the hardware freaks.
jobenbelgium 1 year ago
He's very blinky!
astrophonix 1 year ago
The Dr. Frankenstein of electronic music! Makes me wish I'd studied EE instead of CS.
NuGanjaTron 1 year ago
So awesome!
thermos123 1 year ago
Holy crap this is freaky! He's the archetypal maniac working into the wee hours in a quest for the ultimate sonic orgasm! :^D
Just goes to show you don't need overwrought digicrap to make funky sounds. Puts every wanker sitting at his Windoze PeeCee with Soundblaster nowadays positively to shame.
NuGanjaTron 1 year ago
Wow, never seen this before, a great gem, thanks Jeff!
astrophonix 1 year ago
This has been flagged as spam show
ciceronetogc 1 year ago
damn, that jam at the end is too much. Sucks that our man has to be chatting over the top of it. Surely DV's face show signs enough of the ecstatic throes of a moment of music demanding absolute attention
Luggagerecords 1 year ago
great i wish i had this studio, i work better in the early hours too but my neighbour complains.sexy electronic sounds yum
pikachops 1 year ago
stumbled!!!
lovesrequiem1017 1 year ago
AHAHAHA!!! Oh, man. That joystick controller (and the whole vid) is badass.
peepeeland 1 year ago
God, it's so weird watching this. It's like, them saying "music develops, we're watching the future of music here."... and look at music now. Electronic music, to be precise. This stuff IS here, this is the music of the PRESENT now. Crazy.
crazy8rgood 1 year ago
Would be so cool if a developer made a plugin emulation of the MANIAC.
Rolanoid 1 year ago
Great to see this, thanks.
Now I want a MANIAC!
jenamu6 1 year ago
Pink Floyd would've gone apeshit with that equipment if it had existed in the 60's.
lago4 1 year ago
WTF is that joystick controller? pressure pads or mini-switches? jeez that looks like something that was created recently!
This is amazing!
bigtank2185 1 year ago
Fuckin awsome! :O
JNS94 1 year ago
Very interesting. I want my own electronic drainpipe. Where can I buy a Kaleodophon. Or how can I make one? Brilliant Upload. Thankyou
arealbladeofgrass 1 year ago
Wicked stuff.
Yep, Music DOES develop...;/
Excellent vid. Cheers 4 sharin'.
TINKAoo7 1 year ago
Really interesting, I love electronica but I have to admit to not knowing a great deal about it's production, if anyone has the time / patience to teach me a little about it it'd be great.
Nuntype 1 year ago
AMEN!
F0gstridEr 1 year ago
btw thank you for uploading this
sacredgeometry 1 year ago
This homeboy blinks a lot. Pretty genius though.
Kariokid 1 year ago
Super AWESOME!!! Thanks Mr V, seriously a pioneer in electronic music today :)
undrum22 1 year ago
So not only the guitar is a phallic symbol ;-)
But this music is really interesting. A lot of vintage electronic music sounds much more advanced than what they call electronic nowaday. Happily, there are exceptions to the rule such as Aphex Twin or Boards of Canada.
sinisterfw 1 year ago
now its just pro tools, ableton, fruity loops, or reason. funny how it will progress in the next 10 years.
kstonge07 1 year ago
@kstonge07 funny how people don't mind a shit and soulless sound of modern virtual instruments
michal23pl 1 year ago
@michal23pl
right? however, trying to get new sounds out of instruments would be incredibly hard without technology.. we would still be listening to big band, rag time music.. besides music is what anybody wants it to be.. has it been anything less than an expression from the musician for the listener to decipher?
plus music on the radio makes girls asses shake.. so im not complaining one bit! lol
kstonge07 1 year ago
@kstonge07 you are absolutely right and im not complain either:) but it still doesn't explain why new technology goes into thin and sterile sound. old synthesizers for a new ones are like a butter for a skimmed milk. i love all those new features and stuff but overall sound is totally artificial and stiff. that's what i meant.
michal23pl 1 year ago
maybe your production is to blame ive heard huge sounds from software, digital, va and analogue with the right people behind them.
and equally thin, bland bullshit from all of them.
Peace
Brian
sacredgeometry 1 year ago
@sacredgeometry yeah i know. every tool could be great in the proper hands. i'm just well pissed cause everything goes virtual/artificial/fake nowadays. virtual instruments, virtual sex, virtual friendship, virtual money, electronic pets, artificial food, artificial grass, artificial flowers, fake smiles, fake tits, fake lips, fake teeth, huh... nevermind:P peace
michal23pl 1 year ago
2:33 : that's some techno acid....
peleadeescrotos 1 year ago
SIMPLE AMAZING :)
AFX09 1 year ago
This has been flagged as spam show
Is the collide-o-phone attached to his penis? Or is that just me...
Tonguebeastie 1 year ago
Why would you be attached to his penis?
lenthemofo 1 year ago 4
This comment has received too many negative votes show
Ahh, thats how they get the cheesy music for porno movies.
shutemdwn 1 year ago
Ha,the giddy days of something new.
ssballs 2 years ago
does anyone know how to get in contact with david vorhaus?
LordxVorhaus 2 years ago
the best way is to take a bunch of acid and hide in his backyard.
IDWTBAH 2 years ago 23
HAHAHAHA
o0nbj0o 2 years ago
this is a fantastic clip! The last song he plays is on his White Noise III Re-Entry album. Hope it will be available on iTunes soon, as I only have a poor copy of my old LP on analog tape left, the LP is badly damaged in a move...
k2kkoos 2 years ago
... and after exactly 30 years, these instruments are still in demand amongst enthusiasts.
This is a wonderful clip! Thank-you so much for posting it.
ajittffcure 2 years ago 13
Thankyou so much. Analogue music synthesis has attracted great interest, and musicians are interested in hardware and software that can create such fantastic soundforms with almost infinite variety and variability.
JeffreyPlaide 2 years ago
@ajittffcure I lover analog synthetics, but you can hear in vorhaus' statements that, at these times, people and composers experienced the pure electronic sound as "cold" (compared to the instruments of the past) and did not appreciate it in it's raw form, because it did not resemble to their dreams and feelings of what they were musically affected in their lifes. so they tried to get a more "vivid" sound out of it...
Jauly 1 year ago
Superb! Thanks for making me aware of this exceptional musician.
Did David ever release his Reaktor ManiacVst2a.ens tothe public?
manowargoblin 2 years ago
David has new MIDI versions of the MANIAC and Kaleidophon and we've been performing live in Europe, China and the UK.
The next show's at the LONDON GREENWICH PLANETARIUM on Sat Nov. 28th with new White Noise music and my own live music/planetarium show "Supernova".
Tickets from the National Maritime Museum (NMM) at around £18.00 with early and late shows the same evening.
Mark Jenkins
Tickets - NMM website
markjenkins[dot]net
MarkJenkinsMusic 2 years ago
Any more footage from this series/show? Thanks for posting this one.
simonsound1 2 years ago 2
Many thanks!
There is quite a bit of extra material from the 1979 BBC documentary. I have inter-dispersed some excerpts within my other music-related videos. Including the late Malcolm Clark from the BBC Radiophonic Workshop demonstrating the incredible EMS Synthi 100.
JeffreyPlaide 2 years ago 2
2:36 is the part I keep going back to... just awesome. reminds me of something Richard James (Aphex Twin) would come up with.
cyphersum 2 years ago 2
I think its both sad that this kind of documentary and this kind of inventiveness have fizzled out.
Never heard of this guy before but he looks like a great muso and technician!
downfader2 2 years ago 3
That last part took my mind straight back to T.O.N.T.O, some of my favourite music.
I must seek out more from Mr Vorhaus.
Thanks for posting.
AnalogueUK 2 years ago
Look for his White Noise album. The first one with Delia Derbyshire is amazing. That sequencer is amazing - very cool features. Time Warp Navigator!!!!
simonsound1 2 years ago
This is great. I actually saw this man perform on the Alfa Centauri festival 2001 in Holland; great performance.
attorks 2 years ago
Ahead of his time!!
mootbooxle 2 years ago 2
I love this kind of documentaries
Thalassa77 2 years ago 2
thats fanthastic..!
Korgator 2 years ago
OMG!!! WOW
blockthesignal 2 years ago 2
Absolutely great!!! Thanks!
JohnLRice 2 years ago
I had never heard of this guy ?
He is a pure genius and I will definitely check out more of his stuff . . .
Thanks for uploading.
ChemicalComedown 2 years ago 3
Superb!
buchla300 2 years ago
thanks for sharing this!!!
denshiblocks 2 years ago 2