I like this video but or DJing and performing I have never heard Complex was preferred. I can hear a huge degredation in sound quality in using Complex mode...how do you get around that?
@DJStickyFusion There's also Complex Pro. It depends on how much you are stretching the song. If you use repitch it will have the best quality but the pitch will change, and if you are looking to match keys, it might end up somewhere in between and be hard to match.
- dang that aggrevating that it doesnt save the tempo change in the clip.. it becomes QUITE confusing and a bit frustrating.. unless im doing it wrong?
hey dubspot gotta quick question, When i drag the audio into the arrangement view and initiate the tempo change; ill drag it back into the session view but im not capturing the tempo change when i play the clip.. whats am i missing here? -thnks
@bathinthefountain A master tempo is like the Highlander, there can be only one. It is like that in every program btw. The purpose of this example was to show how Live lets you rename the scene to a bpm. In the example, the Salva track is 150bpm and definitely not dubstep, and I wouldn't slow it down because it functions differently at 140. Thus, you can trigger the row and change the tempo at the same time to preserve the original tempo.
so much bullshit. if you DJ with ableton you have the unique awesomeness of having one master BPM. if you DJ dubstep, the temporange is between 130 & 150 bpm, so why not go with 140?
I don't know, isn't DJing with something like Traktor more dynamic? I mean, I can use effects on the fly among other things. Isn't DJing with ableton more like automating everything? Correct me if I'm wrong.
@3S0JJD I primarily use Ableton to DJ/perform my own productions. There's a lot of other options out there for doing a traditional DJ set, but I love Live's ability to add effects, the simplicity of the MIDI mapping, and the quantization feature. It really depends on your own unique needs for a particular performance. I know a lot of people use Ableton for creating a DJ mix, though maybe they DJ out in clubs with another app. Using Ableton for Live performance can be very dynamic, many ppl do it
@3S0JJD Yea I recently switched from Ableton to Tracktor, Dont get me wrong live is an awesome program and has a lot of capabilities but I find it more useful to produce with, where as Traktor seems to be more accurate and efficient on many different levels, I do with ableton went with traktor instead of Scratch for the whole bridge concept
@3S0JJD Over all, Ableton gives more options than Traktor, especially with a good controller such as the APC40. There's a lot more flexibility with effects, timing, etc. For instance, you can create your own effect racks with as many of Ableton's fx + VST plugins as you desire, then assign parameters to the 8 macro knobs. Each knob can control multiple parameters, and you can set the exact range of each control! (Also, automation is used when arranging a dj mix, not usually used in performance.)
@3S0JJD no, i use ableton. depending on your contollers, you can do tons of effects on the fly. i dont do any automation and i use an apc40 and an ipad and a djm800
@3S0JJD Ableton can do anything Traktor can do. As well as making your own effects instead of using only what effects come with the program. You dont have to automate anything, you could just map the master tempo to a fader, and control tempo in realtime. Also Ableton Live can actually be used in sync with Traktor to use both programs at once. Another plus to using Live is that you have as many decks as you want, rather than being stuck with 2-6 decks in Traktor. Both are very good programs.
Doesn't it make more sense to do the set 1.1.1 before doing the warp from? Also put a limiter on your master, Professor, you were clipping badly when both tracks were playing.
@Discchord Either order works fine, figure out a process that works best for you. Just showing one example of how to do it, a shortcut I use. Also, at 8:30 I made the point about keeping an eye on your levels and adjusted the volume accordingly, brought both tracks down 6dbs. Limiters are nice because they set an upper limit, but if you are playing back already mastered/compressed tracks, they can end up sounding overcompressed, so use your discretion.
@snalepa Thanks for the reply. After some playing around with it on my end I was having a very hard time determining if the order made any amount of difference in accuracy. I tried several different songs (of different genres and eras) and while in each instance the order did make a big difference in where the warp markers ended up, it was unclear to me which drifted less. I wonder if you or anyone at DubStep would care to explore wtf Ableton is actually doing in a future video on the subject?
Damn good tut! Only thing is, what if you want to change tempo in a live situation on the fly type thing? Does it have to be pre-prepared or would you just MIDI assign the tempo?
@novo740.... yes mate, you assign midi controller to tempo and the nudges. Personally I found all the setting of markers annoying and very time consuming compared to Traktor...Especially if you have hundreds of mp3s
@marxdrive This is in fact true, it can be time consuming. I knew some high profile DJs back in the day who actually hired people to warp tracks for them. I mean, I've seen people do amazing DJ sets with Ableton. I primarily use it for performing my own productions, the effects are great. At the end of the day, every artist needs to take a look at how they do things and decide what are the right tools for the job.
@novo740 One technique I use is to click your mouse on the Tempo box, then hit the down (or up) arrow on your typing keyboard in time with the beat, this will change the tempo one bpm at a time, so you can smoothly change it up to get to where you need to go. You can also map a knob, but I'd definitely recommend defining the range of that knob so that a little turn doesn't lead to a huge change in bpm, it can be very jarring.
@ClubdunnyTv Being able to freak out your tracks in real time by MIDI mapping the powerful effects in live, as well as all the VSTs available. That would be my short answer. The fluidity, the flexibility and the fun of it all.
Comment removed
slmtutorials 4 months ago
Been using live for a few years, and never knew about the "warp from here at XXX BPM." Such a time saver!!!!
Dreadfun1k 5 months ago
I wish I had the money to enter your online courses!
Great video. Thanks!
cuervacho 8 months ago
This is the BEST warping & DJ tutorial out there. Thanks.
wgasa 10 months ago
Very Good one! Thank you!
FatCash123 10 months ago
Very Good one! Thank you!
FatCash123 10 months ago
I like this video but or DJing and performing I have never heard Complex was preferred. I can hear a huge degredation in sound quality in using Complex mode...how do you get around that?
DJStickyFusion 11 months ago
@DJStickyFusion There's also Complex Pro. It depends on how much you are stretching the song. If you use repitch it will have the best quality but the pitch will change, and if you are looking to match keys, it might end up somewhere in between and be hard to match.
snalepa 6 months ago
great tips
DanielGrozier 11 months ago
- dang that aggrevating that it doesnt save the tempo change in the clip.. it becomes QUITE confusing and a bit frustrating.. unless im doing it wrong?
iAmFractalSky 1 year ago
hey dubspot gotta quick question, When i drag the audio into the arrangement view and initiate the tempo change; ill drag it back into the session view but im not capturing the tempo change when i play the clip.. whats am i missing here? -thnks
iAmFractalSky 1 year ago
Great video!
Nothing i hadn't figured out by now, but it should be helpful to a lot of people getting into mixing with Ableton.
KeenBean42 1 year ago
@bathinthefountain A master tempo is like the Highlander, there can be only one. It is like that in every program btw. The purpose of this example was to show how Live lets you rename the scene to a bpm. In the example, the Salva track is 150bpm and definitely not dubstep, and I wouldn't slow it down because it functions differently at 140. Thus, you can trigger the row and change the tempo at the same time to preserve the original tempo.
snalepa 1 year ago
so much bullshit. if you DJ with ableton you have the unique awesomeness of having one master BPM. if you DJ dubstep, the temporange is between 130 & 150 bpm, so why not go with 140?
bathinthefountain 1 year ago
Comment removed
650installer 1 year ago
I don't know, isn't DJing with something like Traktor more dynamic? I mean, I can use effects on the fly among other things. Isn't DJing with ableton more like automating everything? Correct me if I'm wrong.
3S0JJD 1 year ago
@3S0JJD I primarily use Ableton to DJ/perform my own productions. There's a lot of other options out there for doing a traditional DJ set, but I love Live's ability to add effects, the simplicity of the MIDI mapping, and the quantization feature. It really depends on your own unique needs for a particular performance. I know a lot of people use Ableton for creating a DJ mix, though maybe they DJ out in clubs with another app. Using Ableton for Live performance can be very dynamic, many ppl do it
snalepa 1 year ago
@3S0JJD Yea I recently switched from Ableton to Tracktor, Dont get me wrong live is an awesome program and has a lot of capabilities but I find it more useful to produce with, where as Traktor seems to be more accurate and efficient on many different levels, I do with ableton went with traktor instead of Scratch for the whole bridge concept
sheepybreaker 1 year ago
@3S0JJD Over all, Ableton gives more options than Traktor, especially with a good controller such as the APC40. There's a lot more flexibility with effects, timing, etc. For instance, you can create your own effect racks with as many of Ableton's fx + VST plugins as you desire, then assign parameters to the 8 macro knobs. Each knob can control multiple parameters, and you can set the exact range of each control! (Also, automation is used when arranging a dj mix, not usually used in performance.)
KeenBean42 1 year ago
@KeenBean42 That said, Traktor is still great software, and is well sufficient for doing a traditional set. It's definitely a personal preference!
KeenBean42 1 year ago
@3S0JJD no, i use ableton. depending on your contollers, you can do tons of effects on the fly. i dont do any automation and i use an apc40 and an ipad and a djm800
sonofdasea 1 year ago
@3S0JJD Ableton can do anything Traktor can do. As well as making your own effects instead of using only what effects come with the program. You dont have to automate anything, you could just map the master tempo to a fader, and control tempo in realtime. Also Ableton Live can actually be used in sync with Traktor to use both programs at once. Another plus to using Live is that you have as many decks as you want, rather than being stuck with 2-6 decks in Traktor. Both are very good programs.
altron64 10 months ago
@3S0JJD try to find a lunice live set.. tell me if its static ;)
its like everything, no matter what it allows u to do, its your role to push it to the next level
neopandorex2 10 months ago 2
@3S0JJD your wrong
jdelsohn 10 months ago
Doesn't it make more sense to do the set 1.1.1 before doing the warp from? Also put a limiter on your master, Professor, you were clipping badly when both tracks were playing.
Discchord 1 year ago
@Discchord THE LIMITER IS THE DEVIL LOL
BLAZE45 1 year ago
@Discchord the point wasnt whether he was clipping or not the point was about warp markers and other things when youre djing
lonelywolfy 1 year ago
@Discchord Either order works fine, figure out a process that works best for you. Just showing one example of how to do it, a shortcut I use. Also, at 8:30 I made the point about keeping an eye on your levels and adjusted the volume accordingly, brought both tracks down 6dbs. Limiters are nice because they set an upper limit, but if you are playing back already mastered/compressed tracks, they can end up sounding overcompressed, so use your discretion.
snalepa 1 year ago
@snalepa Thanks for the reply. After some playing around with it on my end I was having a very hard time determining if the order made any amount of difference in accuracy. I tried several different songs (of different genres and eras) and while in each instance the order did make a big difference in where the warp markers ended up, it was unclear to me which drifted less. I wonder if you or anyone at DubStep would care to explore wtf Ableton is actually doing in a future video on the subject?
Discchord 1 year ago
THANK YOU SIR . MORE KNOWLEDGE PLEASE
1DENVERMARK 1 year ago
the best tut out there..nice
loczster 1 year ago 10
Great Tutorial thxs alot,
djeddienet 1 year ago
thx!some nice tips there..
Towly263 1 year ago
Damn good tut! Only thing is, what if you want to change tempo in a live situation on the fly type thing? Does it have to be pre-prepared or would you just MIDI assign the tempo?
novo740 1 year ago
@novo740.... yes mate, you assign midi controller to tempo and the nudges. Personally I found all the setting of markers annoying and very time consuming compared to Traktor...Especially if you have hundreds of mp3s
marxdrive 1 year ago
@marxdrive That is what I was hoping the case wouldn't be lol, yeah warping tracks manually is pretty time consuming alright
novo740 1 year ago
@marxdrive This is in fact true, it can be time consuming. I knew some high profile DJs back in the day who actually hired people to warp tracks for them. I mean, I've seen people do amazing DJ sets with Ableton. I primarily use it for performing my own productions, the effects are great. At the end of the day, every artist needs to take a look at how they do things and decide what are the right tools for the job.
snalepa 1 year ago
@novo740 One technique I use is to click your mouse on the Tempo box, then hit the down (or up) arrow on your typing keyboard in time with the beat, this will change the tempo one bpm at a time, so you can smoothly change it up to get to where you need to go. You can also map a knob, but I'd definitely recommend defining the range of that knob so that a little turn doesn't lead to a huge change in bpm, it can be very jarring.
snalepa 1 year ago
I dont understand how you dj in live you got any sets ? what makes it soo special ?
ClubdunnyTv 1 year ago
@ClubdunnyTv Being able to freak out your tracks in real time by MIDI mapping the powerful effects in live, as well as all the VSTs available. That would be my short answer. The fluidity, the flexibility and the fun of it all.
snalepa 1 year ago
@snalepa can you send me a link to a ableton mix then i
ClubdunnyTv 1 year ago
amazing tutorial as always thank you so much
TheSpambomber 1 year ago
YES a dubspot warping tutorial
thank you!
colbertvp 1 year ago