Blimey, isn't Plishka scary here? I love it, and he sounds wonderful too. Having Milnes also in fine voice and looking very handsome, you have a very effective scene of a terrific opera.
@ShawDAMAN I am searching all over - so far, niente. But, this performance is a part of the Levine comemmorative set of several operas, so I am certain that eventually, a copy will "break out" of the complete package!
Quilico was certainly a better Verdi baritone in the theater - bigger voice. Milnes early on when the voice was fresh was excellent but it wasn't quite big and rich enough for the big roles in big houses.
@wotansschwert I think Verdi pretty much expected this. Why do you think he often ended a scene (even as late as FALSTAFF) with the standard-issue orchestral cadences he uses here? Nobody was going to hear the final chords anyway. They were too busy clapping. Or hopefully even encoring.
What a terrific opera this is. And when you have first-rate singers/actors (as here, for the most part), a superb orchestra and first-rate Verdi conductor (ditto) PLUS a splendid director (John Dexter, wasn't it?) -- well, opera as an art form doesn't get much better --
Paul is a "high" bass. I had the good fortune to work with Milnes & Plishka, I've worked with Kurt Moll, Jerry Hines too. I happen to be a lyric basso profundo.
Plishka was never heard to better advantage than here.
Wolfcrag85 4 months ago
Blimey, isn't Plishka scary here? I love it, and he sounds wonderful too. Having Milnes also in fine voice and looking very handsome, you have a very effective scene of a terrific opera.
Beth29252 10 months ago
THis was a great performance - does a complete DVD exist? If so, please inform where I can get a copy! Thanks.
DonPaolissimo 1 year ago
@DonPaolissimo i wanna know the same thing.
ShawDAMAN 1 year ago
@ShawDAMAN I am searching all over - so far, niente. But, this performance is a part of the Levine comemmorative set of several operas, so I am certain that eventually, a copy will "break out" of the complete package!
DonPaolissimo 1 year ago
@DonPaolissimo thanks haha if I see anything i'll let you know
ShawDAMAN 1 year ago
Plishka does so much with this role that others don't; he really inhabits this personage. Bravo!
coryisawake 1 year ago 2
A shame the "popular" Met dvd has Louis Quilico instead of Milnes. That man just ruins it...
Sieglinde84 1 year ago 2
@Sieglinde84
Quilico was certainly a better Verdi baritone in the theater - bigger voice. Milnes early on when the voice was fresh was excellent but it wasn't quite big and rich enough for the big roles in big houses.
Agorante 1 year ago
Does anyone know where this complete video can be obtained?
ShawDAMAN 2 years ago
Milnes...always a favorite!
donatello1 2 years ago 3
He was quite good in this role.
ShawDAMAN 2 years ago
Doesn't get any better than these two! Just fantastic.
rovingdesertfox 2 years ago 3
This comment has received too many negative votes show
thing I hate about Met audiences is that they insist on clapping before the music's over. fucking scumbags.
wotansschwert 2 years ago
@wotansschwert I think Verdi pretty much expected this. Why do you think he often ended a scene (even as late as FALSTAFF) with the standard-issue orchestral cadences he uses here? Nobody was going to hear the final chords anyway. They were too busy clapping. Or hopefully even encoring.
carpalton 1 year ago
Phenomenal.
jazzhuman 2 years ago
What a terrific opera this is. And when you have first-rate singers/actors (as here, for the most part), a superb orchestra and first-rate Verdi conductor (ditto) PLUS a splendid director (John Dexter, wasn't it?) -- well, opera as an art form doesn't get much better --
stevevandien 2 years ago 6
Fine acting and singing from both, Plishka makes a scary king.
ShawDAMAN 3 years ago 6
Plishka sounds kind of like a Baritone.
Nice production. :-)
ShawDAMAN 3 years ago
Comment removed
leadoffeohippus 2 years ago
Paul is a "high" bass. I had the good fortune to work with Milnes & Plishka, I've worked with Kurt Moll, Jerry Hines too. I happen to be a lyric basso profundo.
xmetbass 2 years ago
Wow, nice.
ShawDAMAN 2 years ago
@xmetbass
What the hell is a lyric basso profondo? You mean like Wilhelm Streinz? Or Endre Koreh? Or Shadi Torbey?
I presume you sing Osmin and Seneca and interpolate low Cs into everything else.
Agorante 1 year ago
I'm a HUGE Milnes fan. I thought I had almost all of his recordings. Where can I purchase this production?
operalov411 3 years ago