ahh, this misses the Ziprodt costumes, as well as Fosse's staging - but it is still interesting :o) Pity there isn't a record of dear Elizabeth Welch's Berthe....I had the pleasure of working on the 1973 London transfer :o)
I'd be willing to bet that Fosse didn't choreograph this production. I think the chance at originality is what makes musical theater so much fun. So, I appreciate the difference.
everyone is getting this wrong pippin was wrote in 1967 and it was stephen schwartz's first musical and was written for this drama group originally and it was called pippen but later discovered by bob fosse and he took it to broadway in 1972 and stephen schwartz's carrer started from then onwards just to clear this polava up!
Actually, Pippin premiered as "Pippin, Pippin" at Carnegie Mellon University in 1967 BEFORE it's 1972 Broadway run. Scotch'n'Soda was the student theatre organization that presented it.
If you check Schwartz's website FAQ it explains this in brief.
The faster tempo is indeed what this song needs within the context of the musical. It is the first song in the show (following the opening number, of course) and our introduction to the character of Pippin. And with the songs full intention essentially being expressed within the first verse, it is imperative it has energy and movement. Combined this with the fact that it is a non-specific "I want" song- in the "something's coming" family- it must convey the excitement of the unknown as well.
This definitely nailed Pippin. In that it didn't need a set or anything elaborate at all. It nailed the feel right on. Even the choreography worked because it lived!
pippin's voice is amazing. but he needs to stop moving so quickly.
ak92092 11 months ago
Charlemagne is awesome.
NathanBLawrence 1 year ago
Much better than most of the crap out for this show.
NathanBLawrence 1 year ago
ahh, this misses the Ziprodt costumes, as well as Fosse's staging - but it is still interesting :o) Pity there isn't a record of dear Elizabeth Welch's Berthe....I had the pleasure of working on the 1973 London transfer :o)
Jimbob71787 3 years ago
Is it just me or could the vocal volume be better? I can barely understand them over the music!
Whatshername81 3 years ago
This is good, but you're really missing the wonderful Fosse choreography. He gives the musical a really distinct flavor.
PICKLETREE 3 years ago
I'd be willing to bet that Fosse didn't choreograph this production. I think the chance at originality is what makes musical theater so much fun. So, I appreciate the difference.
ethanjhayward 3 years ago
Do you 'Kind of Woman' from this show?
SonofEire 4 years ago
everyone is getting this wrong pippin was wrote in 1967 and it was stephen schwartz's first musical and was written for this drama group originally and it was called pippen but later discovered by bob fosse and he took it to broadway in 1972 and stephen schwartz's carrer started from then onwards just to clear this polava up!
common mistake tho
x
tomjomoore 4 years ago
Really nicely sung. Production looks awesome.
ReallyRick 4 years ago 2
This is really great but FYI, Pippin hasn't been around for 40 years. 1972-now isn't 40 years.
kneecap12 4 years ago
sorry; i still do my math with an abacus...and they didn't teach it well in schools...
i think it might have been the 40th anniversary of the first student run, which maybe preceded the official opening?
macscotchale 4 years ago
steven schwartz wrote pippin in 1972. It premiered in 1973. It's 2007. That's 35 years.
megsweets 4 years ago
Actually, Pippin premiered as "Pippin, Pippin" at Carnegie Mellon University in 1967 BEFORE it's 1972 Broadway run. Scotch'n'Soda was the student theatre organization that presented it.
If you check Schwartz's website FAQ it explains this in brief.
WalveMalve 4 years ago
thanks a million for straightening out the math police. my sister was minimally involved at carnegie way back then
ebnnj2004 4 years ago
The faster tempo is indeed what this song needs within the context of the musical. It is the first song in the show (following the opening number, of course) and our introduction to the character of Pippin. And with the songs full intention essentially being expressed within the first verse, it is imperative it has energy and movement. Combined this with the fact that it is a non-specific "I want" song- in the "something's coming" family- it must convey the excitement of the unknown as well.
MelancholyBaby21 4 years ago
I personally feel that "corner" should be at that tempo, driving, propelling Pippin and the story forward. It gives this "I want" song more urgency.
MTTenor 4 years ago
is it just me or is corner of the sky a bit fast bt still gr8
manutd378 4 years ago
I love it
TehRyder 4 years ago
This song is loved.
good
syukuza 4 years ago
really great stuff
erleister 4 years ago
This definitely nailed Pippin. In that it didn't need a set or anything elaborate at all. It nailed the feel right on. Even the choreography worked because it lived!
buddwyer138 4 years ago
the wide shot definitely helps get a better idea of the piece's staging and the choreography - nice!
macscotchale 4 years ago